Jia Tolentino is an American writer and editor. She is a staff writer for The New Yorker.
The New Yorker’s Jia Tolentino has been following the artist Mike Hadreas, who records as Perfume Genius, since his first album; he has just released his fifth, “Set My Heart on Fire Immediately.” He sings about his life and his sexuality in a style that evokes Elvis Presley and Roy Orbison—simultaneously vulnerable and swaggering. “That’s the music I’ve listened to my whole life . . . but felt like there was always not completely room for me in the music,” he tells Tolentino. Plus, Anthony Lane, having completed an extensive review of plague-theme cinema, shares three picks with David Remnick: a German silent picture nearly a century old, a gritty piece of realism from the golden age of Hollywood, and a more recent film that everybody’s been watching these last three months.
The panel, from left to right: Santilla Chingaipe, Fatima Bhutto, Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow — Photo: Hannah Koelmeyer What is feminism under capitalism? What is feminism without it? 'Art does become so very important – because it does help a community articulate a way of understanding the world that allows them to reimagine it, rather than reproducing it.' Tressie McMillan Cottom Not all of us can afford to lean in, because some of us aren’t even in the room. We’re rightly galvanised by the fact that there are more CEOs at ASX200 companies in Australia named Andrew than there are women – but when did feminism become about earning power? Doesn’t it have to be anti-capitalist? Market ideas about success and failure seem like a shaky foundation for liberation for the 99% of women, so what does an uncommodified resistance look like? In this conversation from Broadside 2019, hosted by Santilla Chingaipe, our panellists – Aminatou Sow, Fatima Bhutto, Jia Tolentino and Tressie McMillan Cottom – discuss she-EOs, 'ethical consumption', reimagining value and good ancestorship. Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow on stage at Melbourne Town Hall — Photo: Hannah Koelmeyer
Sarah talks with Jia Tolentino, a culture critic at The New Yorker, about growing up in a megachurch, doing a reality show when she was 16, writing about issues without offering solutions, and her concerns about the impact of the internet and social media.
It was just seven years ago that Washington and Colorado became the first states to legalize the recreational use of marijuana. Today the drug is legal in eleven states and counting, with polls showing that sixty per cent of Americans support its legalization. How did that happen so fast? This episode of The New Yorker Radio Hour looks at the end of reefer madness—and the early days of corporate cannabis. Bruce Barcott talks about the politics and the public-health aspects of legalization; Jelani Cobb looks at how legalization tries to undo the decades of harm that marijuana prohibition has done to communities of color; Sue Halpern drives around Vermont, where weed is the new zucchini; and Jia Tolentino shares the joy of watching David Attenborough under the influence. 
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Creator Details

Nov 20th, 1988
Episode Count
Podcast Count
Total Airtime
12 hours, 29 minutes
Podchaser Creator ID logo 302096