Continuing on Amusing Ourselves to Death: Public Discourse in the Age of Show Business with guest Brian Hirt. Is the written word really so much more suited for providing context than television? To hear the full second part, you'll need to go sign up at
On Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985) with guest Brian Hirt. How does the form in which we receive media affect how we think? Education theorist Postman (building on Marshall McLuhan) claimed that television has eroded our capacity to reason and given us the expectation that everything in the world must entertain. Is this a viable piece of social construction theory? How does the critique apply to the Internet age? Part two of this episode is only going to be available to you if you sign up at Get it now or listen to a preview. Sponsors: Save 20% on an annual membership of at See for a free month's access to a library of guided meditations. Learn about St. John's College summer programs at Get a loan to lower your monthly payments at
In Chekhov’s stories, beautiful natural surroundings are often a setting for unnatural lives and ugly social conditions. This sets the stage for a reflection on the relationship between physical and spiritual needs. His story “The Student” suggests that material deprivation--whether it is the exhaustion of the apostle Peter or the poverty of the Russian peasant--can undermine the capacity for fidelity and cultivation. In “A Medical Case,” a young heiress is made physically ill by her guilty awareness of oppressive conditions in her family’s factories. Can art, science, and faith truly redeem the individual human spirit without first transforming its social environment? Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Nick Ketter for the audio editing on this episode.
Are giant monsters stomping on cities just stupid fun, or do they channel deep fears of helplessness? Do we care at all about the humans in these films? Are they legit sci-fi or political commentary? Mark, Erica, and Brian reflect on the MonsterVerse films, plus the filmic histories of Godzilla and King Kong, Pacific Rim, Colossal, The Host, Cloverfield, and more. For more, visit Hear bonus content for this episode at Sponsor: Get a loan to lower your monthly payments at Watch Erica's cabaret at
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Boston, MA, USA
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1 month, 1 day
Podchaser Creator ID logo 908371