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Jeffrey Scott Parsons
A Musical Theatre PodcastEpisodes
Jeffrey Scott Parsons
A Musical Theatre Podcast
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Once a year, we share a PATREON! preview on our main feed to showcase the amazing bonus content you might be missing by not being a subscriber! It may only be April, but today's episode was too good not to share.In celebration of over 75 year
We have a theme this month! Both of the musicals we're covering this April are powerful examples of "pastiche" in musical theatre. The way the composers of these shows reference styles and works of the past bring depth and context to their stor
STEEL PIER didn't win any of its eleven Tony nominations back in 1997, but it was the winner of our PATREON! poll earlier this year. That's why this week we're dedicating a full episode to this golden-aged, millennial musical. Joining us is STE
In 1949, KISS ME KATE won the first ever Best Musical Tony Award. Now it's 2024... and we still love it! Olivier Award winner Lesli Margherita (Broadway's MATILDA, DAMES AT SEA) joins us to celebrate women and Cole Porter (in that order) as we
NINE surprised Broadway in 1982 when it opened last minute and proved to be a formidable foe to the other big hit of the season, DREAMGIRLS. It was also a musical that couldn't seem to escape drama, whether onstage at the hands of lead characte
Happy Groundhog Day! We're celebrating with a special Friday release about, you guessed it, the musical GROUNDHOG DAY. It's a show you've either enjoyed seeing in the West End, on Broadway, in Melbourne, or you missed it. Well, if you think not
Today we're ushering in Black History Month with an episode dedicated to FINIAN'S RAINBOW, a 1947 musical with a pitch perfect score ("Old Devil Moon," anyone?), zany satirical book, and surprisingly groundbreaking history. Broadway cast alum f
It's a tale as old as "dressing like merchandise from Bed Bath & Beyond." This week we're looking at the blockbuster musical BEAUTY AND THE BEAST, a show that changed Broadway (to steal a line from another musical megahit with a strong female p
It's our last episode of 2023, just in time for Christmas, just like the new film version of the stage musical THE COLOR PURPLE. It's a piece that has only deepened in our cultural psyche since it premiered on Broadway in 2005, but for those wh
And now for this year's, "Musical You Didn't Know is Actually a Christmas Musical..." THE MYSTERY OF EDWIN DROOD. This 1985 crowd pleaser is maybe the first (if not only) Broadway musical who's ending depended completely on the audience (and we
If two's company and three's a crowd, then what's four? A party? Well then that's what we've got this week, and the party's theme is the musical NATASHA, PIERRE & THE GREAT COMET OF 1812. Kyle, Jeremy, and Dana from the musical mockumentary ser
Coming in at a healthy 1 hour and 40 minutes, this match, I mean episode, on DEAR EVAN HANSEN explores it all. In one corner, a podcast host fighting for empathy. In another, a podcast host fighting for justice. Who will win?!We couldn't have
Time to celebrate (and modulate) this year's spooky season with an episode on the gothic pop musical sensation JEKYLL & HYDE. Not only is this listener request's road to Broadway an epic journey, so is our guest's relationship to it. Rebecca Sp
PIPPIN. It's a musical with a lot to discuss which is probably why so many of you have requested it! This week, we welcome two wonderful guests with "magic to do" that will help make it happen. Podcaster and author Chris Adams (Out for Blood) j
A great musical will often grow and change as its audience does, and as the people of Maui continue the long road of processing the recent devastation left by deadly wildfires, we realized it was time to relook at the musical COME FROM AWAY.In
IMPORTANT: In the wake of the Maui fires this past month, thank you for your patience as Jeff prioritized his schedule. We hope you enjoy this new episode of "A Musical Theatre Podcast."In the year 1966, many iconic characters arrived on Broad
In 2017, the original cast album of BE MORE CHILL was one of the most streamed cast recordings of the year, and it had yet to premiere on Broadway. In fact, it hadn't been performed since its world premiere in New Jersey two years earlier! The
Chances are if you're alive in 2023, you've been to Urinetown... the place not the musical. That's because despite being a hit back in 2001, the near apocalyptic state that URINETOWN: THE MUSICAL hilariously captures is somehow more relatable t
PASSION has maybe the most complex approach to exploring love in all of Musical Theatre, so of course the legends Stephen Sondheim and James Lapine were behind it. Here this week to discuss these collaborators and their evocative "passion proje
CARNIVAL! is a 1961 musical that is simultaneously beautiful, hopeful, sad, and a great exercise for us in 2023. Set those literal minds on standby as Tony-winner Debbie Gravitte (JEROME ROBBINS' BROADWAY, ZORBA, CHICAGO) joins us to remember t
A brand new episode mid week?? What is happening? Short answer: The Tony Awards. This Sunday we celebrate the most recent Broadway season by honoring the best of the best, and it just so happens our guest this week is one of the nominees! Taylo
The musical WAITRESS emerged from the 2016 Broadway season (supposedly dominated by HAMILTON) as something similar to its protagonist's famous pies: a hit on the outside thanks to secret ingredients on the inside. One of those ingredients happe
Today "A Musical Theatre Podcast" welcomes its first orchestrator! John Clancy (SHREK THE MUSICAL, MEAN GIRLS, THE PROM) has been a long time collaborator with composer Jeanine Tesori and was just nominated for a Tony Award for his work on thei
In 1974, a teenage Robert Viagas (future founding editor of Playbill.com) entered a Broadway theatre and watched the brand new musical from the legendary team of HELLO, DOLLY! Twenty five years later, a teenage Jeffrey Scott Parsons listened to
Mel Brooks' valentine to musical theatre THE PRODUCERS broke all kinds of Broadway records offstage in 2001, while onstage its zany characters wrote the book on how one should not behave in professional theatre. This week we sit down with longt
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