Animation Podcast - Enhanced

A monthly Arts, Visual Arts and Society podcast
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Episodes of Animation Podcast

The UNOFFICIAL Tangled Animator’s Commentary made by the biggest group of animators you will probably ever hear in one room. Here’s the plan: queue up your copy of Tangled to frame 1 of the actual film (before the castle logo) and hit pause. Wh
My focus for this show was to grab five artists at Disney who recently went through the Talent Development Program at Disney and talk about how they got there and what it’s like to work at the studio. My guests include Story Artist Jeremy Spear
The interview concludes in Part Two where Eric Goldberg shares his extensive knowledge and appreciation for animating as he talks about many of the projects he has directed including Pocahontas, Rhapsody in Blue, and The Monkey’s Tale while the
Eric Goldberg is one of the most admired animators working today. After years of developing his craft in the commercial business in London, he exploded on the feature animation scene with the Genie in Aladdin. After that, he co-directed Pocahon
Ken Duncan owns Duncan Studio in Pasadena, CA. Before that he animated Meg in Hercules, Jane in Tarzan, Capt. Amelia and Scroop in Treasure Planet, and he served as a sequence supervisor on Dreamworks’ Sharktale . In this final part of the inte
The conversation with Ken Duncan continues. In this second part of the interview, Ken talks about some of the his earlier films at Disney. Then the conversation focuses on his personal approaches to acting and his general workflow for animating
Ken Duncan has served as a supervising animator on four Disney films. His characters include Thomas (Pocahontas), Meg (Hercules), Jane (Tarzan), Captain Amelia and Scroop (Treasure Planet). Ken was also a sequence supervisor on Dreamworks’ Shar
The interview concludes with part three as James Baxter talks about learning from the old masters, what inspires him, and his experiences on films from Beauty and the Beast through Madagascar. James was the supervising animator of Belle, Rafiki
Part two of the interview continues with James Baxter, supervising animator of Belle, Rafiki, Quasimodo, Spirit, and director of the animation for Enchanted. The conversation goes in to deeper detail regarding the technical aspects and processe
James Baxter is considered one of the most talented animators working today. At Disney and Dreamworks some of the characters he has animated include Belle, Rafiki, Quasimodo, Moses, and Spirit. He has also served as a supervising animator on Sh
Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt
Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt
For over 50 years, Ray Harryhausen single-handedly animated the most captivating stop-motion creatures in movies such as Mighty Joe Young, The Beast From 20,000 Fathoms, The 7th Voyage of Sinbad, Earth vs. The Flying Saucers, Jason and the Argo
In the fourth and final part of his interview, Burny Mattinson leads us through Disney's second golden age of animation. He talks about his work on various films inlcuding Aladdin, The Lion King, Pocahontas, and Mulan, and he shares some great
In part three, Burny Mattinson continues the conversation on his amazing career, from Mickey's Christmas Carol, to the arrival of the Eisner era, through storyboarding on Beauty and The Beast. Burny has worked at Walt Disney Animation Studios f
Burny Mattinson has worked at Disney Animation for well over 50 years on such titles as Lady and the Tramp, Sleeping Beauty, Robin Hood, The Rescuers, Mickey’s Christmas Carol, The Great Mouse Detective, Beauty and the Beast, The Lion King, Mul
Interview with Burny Mattinson, 50-year veteran of Walt Disney animation studios. A few films he has worked on include Lady and the Tramp, Sleeping Beauty, Robin Hood, The Rescuers, Mickey's Christmas Carol, The Great Mouse Detective, Tarzan, a
Supervising animator of Ariel, The Beast, Aladdin, Pocahontas, Tarzan, John Silver and Director of the upcoming film Rapunzel. In part two of the interview Glen talks about training under Ollie Johnston and some of the artistic struggles and re
Ariel, The Beast, Aladdin, Pocahontas, Tarzan, John Silver. The list should say it all. Animation hero to many, Glen Keane has created many of the most memorable characters in modern animation with performances that rival those of any flesh and
Conclusion of a Milt Kahl lecture at CalArts from 1976, generously donated to the show by John Musker. Milt answers question from students, including Brad Bird. Side two of two.
A Milt Kahl lecture at CalArts from 1976, generously donated to the show by John Musker. Milt shows and discusses a rough cut of some of his work on Medusa in "The Rescuers." Side one of two.
Conclusion of my interview with Eamonn Butler, Animation Supervisor on the films "Chicken Little" and "Reign of Fire." Eamonn talks about how he approached many aspects of animation on "Chicken Little." Part two of two.
Interview with Eamonn Butler, Animation Supervisor on the films "Chicken Little" and "Reign of Fire." Eamonn recalls his animation career from "Teenage Mutant Ninja Turtles" through "Chicken Little." Part one of two.
Interview with Ron Clements and John Musker, directors of The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules and Treasure Planet. In part two they describe their writing process as well as developing The Little Mermaid and Aladdin
Interview with Ron Clements and John Musker, directors of The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules and Treasure Planet. In part two they detail their transition from animators to story artists to directors.
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