What happens when you get your first major label placement as a music producer with a big artist? How do you handle the contract? Where can you find a lawyer? Do you need a manager? If a big artist asks for STEMS on a beat, do you send them and give up your only leverage? Or do you prioritize the opportunity and hope for the best? Is it ok for labels to take advantage of artists/producers by presenting unfair contracts? Or is business just business? We brought in special guest Karl Fowlkes, an entertainment lawyer who has experience playing both sides. Let's clear the air on this once and for all!