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The Phillips Collection

Exhibition Videos

An Arts and Visual Arts podcast
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Exhibition Videos

The Phillips Collection

Exhibition Videos

Episodes
Exhibition Videos

The Phillips Collection

Exhibition Videos

An Arts and Visual Arts podcast
Good podcast? Give it some love!
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Episodes of Exhibition Videos

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Exhibition curator Eliza Rathbone gives an introduction to Van Gogh Repetitions.In the first Vincent van Gogh (1853–1890) exhibition in DC in 15 years, the Phillips brings together 35 of his celebrated portraits and landscapes from some of th
In April 2013, the Phillips partnered with the US Department of State to conduct a series of workshops in Pakistan focusing on art and social change. Using Jacob Lawrence’s The Migration Series (1940–41) as a catalyst for conversation about the
Exhibition curator Renée Maurer discusses Georges Braque and the Cubist Still Life, 1928–1945. The exhibition is the first in-depth look at the years leading up to and through World War II, a period of experimentation and transition in Braque’s
Exhibition co-curator Klaus Ottmann discusses the exhibition Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet, on view February 9 through May 12, 2013.
Curator Klaus Ottman discusses Per Kirkeby: Paintings and Sculpture, on view October 6, 2012 through January 6, 2013.Per Kirkeby: Paintings and Sculpture is the most comprehensive survey in the United States to date of works by Scandinavia’s
Artist Antony Gormley discusses his exhibition, Antony Gormley: Drawing Space. The Phillips presents drawings and sculptures by one of Britain's most high-profile living artists, Antony Gormley (b. 1950), the Turner Prize-winner's first U.S. m
Curator Renee Maurer discusses Jasper Johns: Variations on a Theme, on view June 2 through September 9, 2012.One of the most celebrated artists of the modern era, Jasper Johns (b. 1930) transformed the field of printmaking. For over 50 years,
Senior Curator of Modern and Contemporary Art Vesela Sretenovic introduces the installation Eye to Eye: Joseph Marioni at the Phillips, on view Oct. 22, 2011-Jan. 29, 2012.Thirteen glowing paintings by Marioni are surrounded by about 40 works
Ballet students from the Kirov Academy of Ballet of Washington, D.C. bring Degas's artworks to life in the Phillips's galleries in honor of special exhibition Degas's Dancers at the Barre: Point and Counterpoint on view October 1, 2011 through
Edgar Degas (1834--1917) was fascinated by the world of ballet. Bringing together about 30 works from some of the world's finest collections, the exhibition traces ballet in Degas's art from the 1870s to 1900. It is the first exploration of Deg
Will Ryman's Roses: 58th StreetAugust 4, 2011-January 5, 2012Colossal fiberglass and stainless steel rose blossoms adorn the Phillips's lawn at the corner of 21st and Q streets. Drawing inspiration from nature's cycles, the structure transfo
Curator Elsa Smithgall introduces the exhibition Kandinsky and the Harmony of Silence: Painting with White Border, on view June 11--Sept. 4, 2011.After a visit to his native Moscow in 1912, Wassily Kandinsky (1866--1944) sought to record his
An overview from curator Elsa Smithgall for the exhibition Stella Sounds: The Scarlatti K Series, on view June 11—Sept. 4, 2011.The eight recent sculptures from Frank Stella's (b. 1936) Scarlatti Kirkpatrick Series—swirling, multicolored poly
Phillips Curator Susan Behrends Frank gives insight on special exhibition David Smith Invents, on view at the Phillips from Feb. 12 through May 15, 2011.David Smith Invents explores an extraordinarily fertile period in the career of the sculp
Curator Peter Benson Miller introduces special exhibition Philip Guston, Roma, on view at The Phillips Collection Feb. 12 through May 15, 2011.Philip Guston, Roma brings together for the first time 39 paintings from Philip Guston's Roma serie
Sam Gilliam's new work responds directly to Arthur Dove's Flour Mill II (1938) which he first saw at the Phillips in the early 1960s. On view Jan. 29 through April 24, 2011.During the fall of 1967 The Phillips Collection gave Sam Gilliam his
Go behind-the-scenes with Howard Hodgkin's As Time Goes By (2009), among the world's largest etchings, in this three part video series.Part I: Devising a system to mount, display, and store the ten-panel, 3,600 square foot artworkHodgkin's
Go behind-the-scenes with Howard Hodgkin's As Time Goes By (2009), among the world's largest etchings, in this three part video series. Part II: Installing the panels in the Phillips's intimate main gallery Hodgkin's most ambitious work to
Dorothy Kosinski, director of The Phillips Collection in Washington, D.C., interviews artist Howard Hodgkin. They discuss the museum's major new acquisition of two monumental Hodgkin works -- As Time Goes By -- gifts to the museum in memory of
In this video, Phillips Collection curator Elsa Smithgall introduces special exhibition TruthBeauty: Pictorialism and the Photograph as Art, 1845-1945, on view at The Phillips Collection Oct. 9, 2010 through Jan. 9, 2011. Like impressionism,
The artist speaks! Hear Richard Pousette-Dart (1916-1992) read from his notebooks on art at The Phillips Collection in 1992.In a special exhibition on view through September 12, 2010 at The Phillips Collection in Washington, D.C., see works f
Curator Elsa Smithgall introduces the exhibition Georgia O'Keeffe: Abstraction at The Phillips Collection, Washington, D.C. Although best known for her iconic representations of flowers, landscapes, and animal bones, Georgia O'Keeffe's abstra
Renée Stout, a Washington, D.C. painter and sculptor, speaks on the relationship of African art to her practice.In conjunction with special exhibition Man Ray, African Art and the Modernist Lens at The Phillips Collection October 10, 2009-Jan
Man Ray translated the 20th-century modernist taste for African art into photographs that reached a popular audience. About 60 of his photographs, many never before exhibited, along with more than 40 photographs by his contemporaries, including
Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tr
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