George Eastman Museum

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Episodes of George Eastman Museum

Little Library by George Eastman Museum
Entrance Hall by George Eastman Museum
Living Room by George Eastman Museum
Eastman's Bedroom by George Eastman Museum
Second Floor by George Eastman Museum
Maria's Bedroom by George Eastman Museum
Billiard Room by George Eastman Museum
Side Hall by George Eastman Museum
Conservatory by George Eastman Museum
Dining Room by George Eastman Museum
This audio tour has been made possible in part by the National Endowment for the Humanities: NEH CARES. Any views, findings, conclusions, or recommendations expressed in this audio, do not necessarily represent those of the NEH. Transcript
This audio tour has been made possible in part by the National Endowment for the Humanities: NEH CARES. Any views, findings, conclusions, or recommendations expressed in this audio, do not necessarily represent those of the NEH. Transcript
This audio tour has been made possible in part by the National Endowment for the Humanities: NEH CARES. Any views, findings, conclusions, or recommendations expressed in this audio, do not necessarily represent those of the NEH. Transcript
This audio tour has been made possible in part by the National Endowment for the Humanities: NEH CARES. Any views, findings, conclusions, or recommendations expressed in this audio, do not necessarily represent those of the NEH. Transcript
This audio tour has been made possible in part by the National Endowment for the Humanities: NEH CARES. Any views, findings, conclusions, or recommendations expressed in this audio, do not necessarily represent those of the NEH. Transcript
Landscape Manager Dan Bellavia goes behind the scenes of Dutch Connection, sharing its history and how it comes to life every year.
Landscape Manager Dan Bellavia goes behind the scenes of Dutch Connection, sharing its history and how it comes to life every year.
Hi, my name’s Will Green, and I’m the curator of the exhibition Carl Chiarenza: Journey into the Unknown. I first came across Chiarenza’s work while studying at Rochester Institute of Technology, where a massive, 14-foot wide photograph by hi
Carl Chiarenza was born in Rochester, New York, on September 5th, 1935. He picked up his first camera around the age of eight, and throughout his adolescence, photography and music were his main passions. Here’s Chiarenza recalling a funny stor
Carl Chiarenza was a member of the second class to graduate from the newly-established bachelor of fine arts program in photography at Rochester Institute of Technology. His classmates included well-known photographers Bruce Davidson, Kenneth J
During his early years, Carl Chiarenza started moving closer and closer to his subjects, resulting in photographs that looked more and more abstract. Here he is discussing that transition with LensWork magazine editor Brooks Jensen in 2000: We
During his early years, Carl Chiarenza started moving closer and closer to his subjects, resulting in photographs that looked more and more abstract. Here he is discussing that transition with LensWork magazine editor Brooks Jensen in 2000: We
Carl Chiarenza began working in the studio in 1979. His decision to move his artistic practice indoors was prompted by a chance invitation from the Polaroid Corporation to experiment with their massive 20 x 24-inch studio camera. In a 2008 inte
In the studio, Carl Chiarenza works intuitively by following his instincts and seeing where they might lead him. Chiarenza discusses his daily routine with LensWork editor Brooks Jensen: I go into the studio and I do everything I can to avoid
Carl Chiarenza is very sensitive to the language that we use when discussing photography. Here he is in 2019 discussing the critical difference between taking and making a photograph: Well, one of the things about the history of photography is
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