In this episode, we’re going to talk about the many lives of Emiria Sunassa, a pioneer of Indonesian modern art, who was also a nurse, singer, pianist, and traveler, who claimed to be a princess of the Tidore sultanate. Emiria was one of only three female artists in Persatuan Ahli Gambar Indonesia (PERSAGI). The other two were Saptarita Latif and Tridjoto Abdullah. However, in contrast to the two other women artists, Emiria started painting individually. She was not linked to any nationalist movements before she became involved with art.
PERSAGI's nationalistic vigour came from an unmistakably masculine perspective; most of the paintings represented common subject matter: self-portraitures, still-lifes and, most importantly, the portrayal of the Indonesian people during and after the revolutionary period - and yet they were limited to the island of Java. Emiria’s choice of subject matter offered a different perspective of the new nation. - Dr Wulan Dirgantoro in Feminisms and Contemporary Art in Indonesia
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There are so many more stories to tell and we’re just getting started. This podcast was hosted and edited by Agas Ramirez.
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