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KubrickCast

William Beutler

KubrickCast

A TV and Film podcast featuring William Beutler
Good podcast? Give it some love!
KubrickCast

William Beutler

KubrickCast

Episodes
KubrickCast

William Beutler

KubrickCast

A TV and Film podcast featuring William Beutler
Good podcast? Give it some love!
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Episodes of KubrickCast

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Hey wait, what did we do with KubrickCast? Well, KubrickCast has come to the end its natural run. But we have great news! Bill and Renan are picking up where they left off with an all-new show that should appeal to you, the KubrickCast subscrib
At long last, the final scheduled episode of KubrickCast. This time around, Bill and Renan rank Stanley Kubrick's filmography by several categories, and then count down their top ten. (1:29:13)
The penultimate scheduled episode of KubrickCast takes up listener suggestions, and covers many more Shining-derived online videos, other Kubrick podcasts to check out, and what's next for Bill and Renan in podcasting. (1:00:27)
KubrickCast returns today after taking summer vacation to review a film made by a Kubrick... but not Stanley Kubrick. It's Making The Shining (1980), a made-for-TV documentary short filmed and directed by Kubrick daughter Vivian Kubrick. Making
After a brief hiatus, Bill and Renan are back to talking about films again, but this time it's all about your films—or videos, more properly—the mashups, supercuts and fan edits available on YouTube, Vimeo and elsewhere. Which are good? Which a
This week Bill and Renan are joined by Christine Lee Gengaro, author of Listening to Stanley Kubrick: The Music in His Films. Topics discussed: how Christine decided on Kubrick as a musical subject; the research process; things you never knew a
In this episode, Bill and Renan discuss the Jon Ronson documentary Stanley Kubrick's Boxes (2008) about the late film director's extensive archive of materials from his films, stored in boxes across his Hertfordshire estate. Plus, Bill tells th
In part two of our discussion about A.I. Artificial Intelligence (2001), Bill and Renan debate what belongs to Spielberg and what belongs to Kubrick; what critics thought of the film, and how your interpretation of the ending plays into your vi
It's the first overtime episode of KubrickCast! With all canon Kubrick films behind us, we start exploring related topics with the closest thing to an unreleased mix tape: Steven Spielberg's A.I. Artificial Intelligence (2001). In this episode,
In the final regular season episode of KubrickCast, Bill and Renan discuss the music of Eyes Wide Shut (1999), the controversy surrounding its release, the controversy surrounding th film reviews, Kubrick's many nods to his earlier films, the p
At last we've arrived at Stanley Kubrick's final picture, Eyes Wide Shut (1999). Bill and Renan discuss the rumor mill and advance hype preceding the film's completion, the adaptation from Arthur Schnitzler's Traumnovelle, the hit piece-as-memo
In this special edition of KubrickCast, we're doing something a little bit different: Renan takes a break, while Bill interviews Matthew Modine, Pvt. Joker himself, along with Adam Rackoff, who helped him produce the Full Metal Jacket Diary app
Returning to Full Metal Jacket (1987) this week, Bill and Renan explore the casting of R. Lee Ermey, how Matthew Modine got Vincent D'Onofrio an audition, Stanley Kubrick's only film cameo (sort of), the film's release, reception, legacy, theme
Everyone seems to love the first half of Full Metal Jacket (1987), but opinions diverge wildly on the second part. In this episode, Bill and Renan explore Kubrick's collaboration with Michael Herr and Gus Hasford, the strange writing process, a
For a third and final time we revisit The Shining, this time focusing on the myriad fan theories about the film, particularly those explored in the documentary Room 237. Plus, is Toy Story 3 an allegory for The Shining? (1:24:36)
In the second installment about Kubrick's massively popular horror film, Bill and Renan get into the film's remarkable use of Steadicam, mid-70s non-chic costumes, a scene deleted after the first weekend of release and the long-running feud bet
It's been written that every Stanley Kubrick movie is a horror film—it's just that only one actually fits into the genre. This is the one! Kubrick's alternately creepy and campy The Shining (1980) took five years to make, arrived to middling re
Stanley Kubrick made thirteen feature-length films, and considered making many more. In this installment, Bill and Renan investigate One-Eyed Jacks, Blue Movie, The Lord of the Rings (!), and the two big ones that got away: Aryan Papers and Nap
Barry Lyndon is a strange one in Kubrick's career: a mixed critical reaction and disappointing box office upon its release, the film has undergone a near-complete reappraisal but has not entered the pop culture canon like the films which surrou
In this installment, Bill and Renan debate the themes of A Clockwork Orange, discuss its release in the US and the UK, the reviews both scathing and sympathetic, Kubrick's decision to withdraw it from circulation in England and what that means.
At long last, KubrickCast decides it will move on to another movie besides 2001: A Space Odyssey—and next on the list is Kubrick's palate-cleanser of a follow-up, the controversial 1971 cult classic A Clockwork Orange. (1:26:00)
In the fifth and final installment of this mini-series on 2001: A Space Odyssey, Bill and Renan talk about how the iPod got its name, Mad Men and Mad Magazine riff on 2001, and what the movie got right and wrong in science and future prediction
In our fourth (!) installment of our discussion about 2001: A Space Odyssey, Bill and Renan return to discuss the themes of the film, Kubrick's fascinating Playboy interview, and then we go really deep. (1:08:24)
In the latest episode, Bill and Renan consider the most important jump cut in motion picture history; how the novel and story differ; what the monolith is all about; and why Arthur C. Clarke felt bad on IBM's behalf. (1:13:02)
In part two of our open-ended series on 2001: A Space Odyssey, Bill and Renan explore the special effects, music, and how there were almost aliens in this film. (1:10:14)
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