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Leave That Thing Alone

J. W. Friedman

Leave That Thing Alone

A Comedy and Music podcast featuring Chris Collision and J W Friedman
Good podcast? Give it some love!
Leave That Thing Alone

J. W. Friedman

Leave That Thing Alone

Episodes
Leave That Thing Alone

J. W. Friedman

Leave That Thing Alone

A Comedy and Music podcast featuring Chris Collision and J W Friedman
Good podcast? Give it some love!
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Best Episodes of Leave That Thing Alone

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Presto? More like "Depresssed Tho". Heh. It's a joke. And not entirely accurate, as J. W. likes a lot of this album, although the general tone of this episode is somewhere between "retroactive disappointment" and "cautious admiration". Presto i
Hold it. HOLD IT. HOLD IT! Absolutely do not send us any emails or tweets or Facebook messages about "when is the next episode of the Rush podcast coming out", cuz the answer is "right now." Join J.W. and Collision as we discuss (and mostly enj
We were gone for a real long time, but now we're back, and this time we're talking about the synthiest of Rush's "synth-era" records, "Power Windows". Get ready for good times that devolve into okay times that devolve into exhausted times, cuz
It's the album you probably forgot exists! We both did. Here's the thing though -- while J. wishes he could have permanently erased it from his memory, Collision exhibits a bit of a soft spot for the synth noodlings and Cold War-era bummerizing
It's time to enter the most controversial period of Rush's existence, the much-aligned "synthesizer era". This means that J. is super-happy, Collision is sort of on the fence, and 95% of the music media is still like "full ALL this shit." Despi
One of us loves this record. The other does not. OH MY GOODNESS, it's controversy. Tune in as we literally tear each other limb from limb as we discuss the album that contains classics like "Limelight", "Tom Sawyer", and... uh... "Vital Signs".
Permanent Waves is Rush's first obvious attempt to dial back some of their maximalist prog rock tendencies, their first release with a breakout hit single everybody on the planet has heard, and is also their first record with a weird upskirt ph
  ah yes, hemispheres. a half-forgettable album with exactly four songs on it that somehow inspires no end of "no true scotsman" arguing between men with black t-shirts and unkempt ponytails. some consider this to be the last gasp of rush's "pu
It's time for a big first -- Here's a Rush album that both J. and Chris think is pretty friggin' good! It's concise, energetic, and contains several songs that are less than five minutes long (which is pretty rare for the Boyz From Toronto™). J
Side B of 2112 is five songs that definitely exist. Maybe. I forgot two of them already. It's almost unavoidable that the back half of a record would be a little flat when the first half is an obvious idea dump like the 2112 suite. But nothing
This time around, we're joined by Party World Rasslin's Tim Faust as we embark on the first of a two-part excursion through Rush's fourth studio album, 2112. The entirety of side a of this record is one song, divided into seven parts, and is no
It's always darkest before the dawn, and while next episode's album will showcase Rush in the act of defining their legacy, this time around we're dealing with a glaring misstep that even the band doesn't like -- 1975's "Caress of Steel". This
"Fly By Night" is Rush's second album and includes a lot of lyrics about elves and elf shit. There's also some hobbits. Tune in for all the hottest elf and hobbit-related discussion in the world of rock and roll podcasting.
This episode is somewhat non-canonical; an introduction to the show and a review of 1974's almost-Rush debut album, misleadingly entitled "Rush", despite sounding like a completely different band than what comes later.
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