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Making The SausageEpisodes
Episodes of Making The Sausage
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As a food stylist and producer of cooking shows, Tricia Clark knows what it takes to get perfect-looking food in front of a camera. Listen as she shares some of the tricks of her delicious trade, explains what a "stand-and-stir" is, and reveals
As the TV world continues to expand, writers -- both newbies and veterans -- are relying more and more on managers to help them navigate it. But what does a manager do, exactly, and how are they different from agents? Garrett Greer of Rain Mana
As a long-time script supervisor for TV and film, Aprill Winney spent several years sitting right next to the director… until, while working on The Fosters, she got the call to slide over a seat and take the reins. Join us as Aprill shares the
You’ve heard Marieve Herington and Phil LaMarr’s talented voices on literally hundreds of shows, from Futurama to Doc McStuffins, and now they’re here to tell us what it takes to step into the recording booth and create all that magic… on a tig
We've talked about pilots before on Making the Sausage, but we haven't really talked about what it's like to be someone who's still trying to get your first one off the ground. Nick is one of those people, and he's enlisted his friend and fello
You heard Rossanna talk about music supervision and song licensing in the second-ever episode of Making the Sausage, and now she’s back to talk about the Daytime Emmy she just won for Amazon’s The Snowy Day, on which she collaborated with none
As an in-house VFX artist for Bad Robot, Craig Kuehne is sworn to secrecy on a great many topics…but we still got him to open up about the decades he’s spent creating memorable effects for many of your favorite shows. Find out how technology ha
We go note by note with You’re The Worst’s Adam Blau. Learn more about your ad choices. Visit megaphone.fm/adchoices
Before Heather Cocks was a Fug Girl, she was sifting through footage to craft storylines for the contestants on America’s Next Top Model. She’s joined by Grant Rickard, a reality TV veteran who’s worked his way up the producing ladder on everyt
How did Alias get Sydney Bristow onto a functioning oil tanker? How did Entourage beat every other show to the punch in finding the hottest new bars and restaurants? And how do over a hundred shows and movies film in Los Angeles every day witho
Riverdale’s Britta Lundin makes the transition from fan to writer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever wondered who comes up with all those immunity challenges on Survivor? Wonder no more, because we have one such person on the show this week: actor/comedian/puzzle guru Myles Nye. Find out how Myles parlayed his scavenger-hunt busi
As Director of Production for NBC Universal’s digital media team, Joya Balfour supervised the creation of all sorts of web content — from blogs to webisodes — for shows like The Office and Parks & Recreation. We talk about her career at the int
Editing is an amazingly complex and precise job, yet the work of an editor is often invisible in the final product. We talk with Micky Blythe, veteran of shows like Law & Order and Chicago Fire, about what it’s like to assemble a compelling sto
Our guests this week have the pleasure of working for one of the best comedic minds in TV history, but with all that fun comes a lot of responsibility: generating great ideas every day, producing and directing their own filmed comedy shorts at
Shooting an episode of TV is a complex and grueling process, and it’s only the beginning. Everything that happens once that footage gets turned in falls under the massive umbrella of post-production, and it takes a team of technical wizards to
Ever see a TV show where two writers are listed with an ampersand between their names? That means they’re a team, working scripts together from start to finish. This setup is a great deal for the networks (since writing partners split a paychec
No, they’re not the assistant to the director! Assistant directors are the first and last line of defense on a busy production: the unflappable heroes keeping everything from descending into chaos. Find out what kind of personality it takes to
Even in the DVR and Hulu age, network promos are crucial to keeping audiences informed — and excited — about new and ongoing shows. Creating a great thirty-second spot requires a precise combination of skills, knowledge, and often a great sense
Being a successful quiz show writer demands both an encyclopedic brain and a Howard Hughes-level focus on the fine details. You’ve got an audience to please, contestants to challenge, and most importantly, hefty legal penalties to avoid (thanks
Between the two of them, our guests this week have been thrown off buildings, dangled from helicopters, stunt-doubled for Jennifer Lopez, and gotten punched in the face by Katy Perry. And that’s just scratching the surface. Find out how stunt p
On TV, the perfect song can often make the difference between a good scene and a great scene — or a great scene and a life-changing scene. But a lot of things need to happen in order to deliver those indelible moments, and they need to happen v
John August and Stephen Falk on what's it like to work on a TV show that never sees the light of day. Learn more about your ad choices. Visit megaphone.fm/adchoices
In our very first episode of Making The Sausage, we’re starting from the bottom with production assistants. Who are they? What do they do? What do they see? And most importantly, are they ever used as drug mules? Get the answers to these questi
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