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Max, Mike; Movies
Max, Mike; MoviesClaimedEpisodes
Max, Mike; Movies
Max, Mike; Movies
ClaimedA weekly Film podcast
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Imagine my disappointment when I discovered that this week’s entry in “Didn’t Win. Didn’t Win. Didn’t Win” was NOT a thrilling docu-drama about the founding and development about the capital of Alaska. I mean, what a missed opportunity! I was h
Welcome to Max Foster Levine and No One Else; Movies. I, and I alone, have come up with our new series “Didn’t Win. Didn’t Win. Didn’t Win.” and don’t you forget it! Yes, yes, I may have had some partner or other at some point but I sent him pa
Somewheeeerre, off in the podcastMovies playAnd my buddy and me chatAbout them throughout the day.Somewhere, off in the podcast,We’ll talk flicks.And we’ll just keep on talking’cause we’re a pair of . . . Um, ok, that’s enough singing for now!
We’ve got us a brand-new series! How often does that happen? Well, pretty often, but that’s part of the magic! This week, we’re kicking off our series “Didn’t Win. Didn’t Win. Didn’t Win” where we discuss movies that seemed like a lock for the
We’re closing out “Because Patton Said So” with one last entry from Patton Oswalt’s choices from the Criterion Collection. And as we mosey into the sunset, on our cayuse (which I think is a small Yugoslavian car, don’t quote me on that), we’re
Heeewack, campers! We’ve got another choice selection from the list of Filmaster Oswalt! He’s brought us obscure, powerful noir films, languid, elegant Japanese films, so what tasteful, understated lyrical selection has he made for us . . . oh.
Once again, we are pleased to bring you a film selection suggested by one Mr. Patton Oswalt (and there is only one of him, at least until I perfect my cloning-and-memory-imprint-transfer device, which should be any day now; I just need to find
Welcome to a brand-spanking-new series (a spanking! A spanking!), inspired by someone Mike and I both admire and enjoy: Patton! That’s right, when you put your hand in a pile of goo that five minutes ago was a movie’s guts . . . wait, hang on,
Today, the laughter has died. Yes, we’ve come to the end of our “What’s So Funny?” series; we’re all sorry to see it end, as it means nothing will ever be funny again but we urge you all to stiffen that upper lip, square those shoulders, and do
Welcome to our penultimate “What’s So Funny?” episode; this week we’ve got a Neil Simon-penned (or more likely typewritered) little number, the spiritual sequel, sort of, to a movie both Mike and I really enjoy, “Murder By Death,” another Neil
Well now, homefellows. I must suggest that you “step off”, lest you find yourself labeled a “jive turkey.” I am not funning with you, my siblings. I would deeply appreciate it if you would each and every one of you pick up what we are “laying d
YEE HAW! Howdy, pardners! I’m Big Max and that there is Big Mike and we’re “Big Max and Big Mike’s Big House O’ Psychopaths”! And we’ve got so much inventory this month that we’ve gone PLUM CRAZY! Come on down and see what we’ve got! We’ve got
Welcome back to our “What’s So Funny?” series. And you know what’s funny? The blood-sucking undead. Oh, my sides! Yes, the 70’s brought a resurgence of Dracula movies (not that he ever really went away) and 1979 brought us one! Two! Three! Four
Our entry in our series “What’s So Funny?” this week is the third in the famous (or infamous) Cornetto Trilogy from Simon Pegg, Nick Frost, and Edgar Wright. Sadly, we’ve skipped right over “Shaun of the Dead” and “Hot Fuzz” (for now) but we’re
Guten jour, me old mates-comrades! Welcome to our wonderful country of Europe! Yag shamash! Here in Europe, we Europeans so much like to see Americans come here to enjoy our foodthings, purchase our geegaws, and desecrate our many famous monume
The movie’s one hundred fifty-one minutes long. We’ve got a full box of Bumpy Pux, half a quart of YooHoo, it’s broad daylight and we’re wearing rainbow-sequined lederhosen. Let’s roll. Welcome to another in our series “What’s So Funny?” The mo
Heeeyyy! Wakka wakka wakka! We’re DONE being hard-boiled and detective-y, so now we’re going to lighten up with a new series we’re calling “What’s So Funny?” Howaya, howaya, howaya? Saying things three times is funny! Hey, Mike! Bring that tray
As we come to the close of our “Walk the Dark Street” series, let us consider hunting. One can hunt for many things: gold, Red October, wascally wabbits . . . but what sort of man does it take to hunt for two adorable children and their cash-fi
Great googly-moogly, we’re at the penultimate “Walk the Dark Street” episode and what do we have? A muurrrrrrrderrrr. Murder most foul! Missing persons! Terrible deaths! Conniving relatives! What can possibly solve this confounding conundrum? T
Ah, oui . . . the way of le Samourai. Surely there is nothing more French than le code of le Bushido, non? For was it not Jean-Paul Sartre who said “Existence precedes and rules essence, and so I must cut my belly open.” How often have we thril
Kon’nichiwa, minasan, Makkusu, Maiku, eiga, soshite watashitachi no sirīzu `u~ōku za dāku sutorīto’ e yōkoso. Ok, that was supposed to say “Hello, folks, welcome to Max, Mike, Movies and our series, Walk the Dark Street.” However, apparently wh
Ladies and gentlemen, welcome to today’s tour of Dark City, brought to you by Max, Mike; Movies, the podcast for your busy Dark City life, and their latest flavor . . . sorry, series, “Walk the Dark Street.” And how appropriate is that, folks,
“Hello, hi, is this thing on? Ok, I’d like to call to order this meeting of the Sin City Chamber of Commerce. Could I get some water, please? Um, ok, I’d like to start off by saying kudos to all you guys; we’ve had a great year for at least SOM
Well, we’re about halfway through our “Walk the Dark Street” series and Mike and I are learning things about film noir that we never imagined. We’ve learned hard lessons, rough lessons, painfully tight lessons . . . ok, this is going in a weird
In this week’s episode of “Walk the Dark Street” we return to the Age of Classic Noir with the 1946 Bogey and Bacall vehicle, directed by Howard Hawks and with a screenplay written by none other than William Faulkner, adapted from a Raymond Cha
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