Hipsters (2008), directed by Valery Todorovsky remembers a largely forgotten 1950’s counterculture, that of ‘Stilyagis’, Western style hipsters. Todorovsky’s film cleverly subverts this narrative. Through the plot and use of Soviet music from v
Released in 1987 and directed by Alla Surikova, one of a handful of female filmmakers who were working in cinema at the time, Man from the Boulevard des Capucines can be called a Red Western, in which a Soviet filmmaker borrows the myth of the
In Eldar Ryzanov’s first feature film, released in 1956, the youthful committee organising the New Year’s party contend with a newly appointed and very serious director of a House of Culture. With bureaucracy comedically utilised for ridicule;
Directed by Herbert Rappaport and based on Dmitri Shostakovich’s operetta Cheryomushki, is a satirical take on the now infamous housing projects built under Nikita Krushchev. Aesthetically, the film is shot in a bright colour scale, exemplifyin
Directed by Giorgi Shengelaya, this dynamic musical stars Sofiko Chiaureli, the much-loved Georgian actress, thought to be Sergei Parajanov’s muse. It details a young laundress’ determination to help two poor and talented girls attend ballet sc
We are from Jazz (1983) follows the story of a young musician, Konstantin, and his burning ambition to bring jazz to the Soviet Union in the 1920s. Expelled from the Conservatory for this heretical undertaking, he forms his own unlikely jazz ba