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Money 4 Nothing

A Music podcast
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Episodes of Money 4 Nothing

The success of YouTube has been inextricably linked to the music business. Initially a remarkably effective streaming pirate, recent years have seen the site pivot to industry ally, paying out millions in royalties for the copyrighted material
It was revealed just this past week that basically all of Reggaeton is being sued. No, really. As you may or may not know, the massively popular genre from Latin-American and the Caribbean is actually based mostly on a few Jamaican riddims (the
The music industry is becoming increasingly disenchanted with Tik-Tok, finding it difficult to bend the wildly popular app for its own profitability...let alone find the next mega-star. Does that mean we might see the big three start to put the
Taylor Swift made headlines recently by grabbing all top 10 spots on the Billboard Hot 100 chart — a first in its 64 year history — with the release of her latest record Midnights. Cool. Good for Taylor and her Swifties. But….what does that act
The modern music industry is defined, in large part, by major labels and centralized digital services. To try and imagine a world without (or at least around them), we’ve been looking backwards to the 1980s, when a thriving underground economy
Our good friend David Turner celebrated five years of Penny Fractions earlier this month with a live show at Nowadays. On stage, David was joined by our very own Sam Backer along side heavy-hitters Liz Pelly and Cherie Hu. Enjoy this live recor
It’s a tale as old as Nirvana. A band (ideally punk or punk influenced) forms and gets some buzz. Major labels swarm. The kids sign on the dotted line…and are promptly thrown to the wolves. Fade to black. And while that often-repeated story isn
In the past few months, the insane flood of money that has been flowing into the purchase of music rights (and really, into financial and tech related firms of pretty much all stripes) has begun to slow down. Crazy what rising interest rates wi
You might know Damon Krukowski from his role in the groundbreaking indy band Galaxie 500. Or maybe you’ve listened to his podcast, “Ways of Hearing” or read his excellent newsletter, or his widespread journalism.  More recently, however, he’s p
A foolproof way to hit number 1 is what the Time Lords—AKA the JAMS, AKA the KLF—promised the readers of “The Manual,” their 1988 book. After all, they had just done it, with the insipid brilliance of their Gary Glitter Meets Dr. Who mashup “Do
At this point, you’ve probably seen headlines about the insane (like $5K+ insane) prices for some tickets to see The Boss on his latest tour. It’s the type of music-biz story that breaks out into the wider world—legendary poet of blue-collar po
Over the last few years, K-Pop has taken the world by storm. Groups like BTS and BLACKPINK have reached pinnacles of music-biz success both traditional (selling out stadiums worldwide) and distinctly modern (see: serving as the center for a vas
If you’ve been anywhere near…really, any music playing device lately, you’ve probably noticed that Kate Bush (Misty-Moored British Chanteuse and Big Boi’s favorite artist) has a full-blown new-old hit in a way that we really haven’t seen before
The music industry isn’t a monolith and few scenes have a more distinctive structure than electronic music. As it developed from house and techno to today’s endless array of genres, the music traded the artist-heavy focus of rap or rock for con
If you haven’t noticed, things have gotten...hairy in the economy. Inflation is up, the stock market is down, and the fed’s money machine? It stopped going “brrr.” All of this suggests that we might be leaving the VERY long, frothy period where
We all know that the musical landscape has changed in recent years. Tik Tok, Youtube, playlist culture, social media, and on and on and on—they’ve all remade how we listen, and what we listen to. But when folks (including us?) discuss those cha
Mike Park has been running Asian Man Records out of his mom’s garage for over two decades with a refreshing approach that might seem unusual by today’s standards: there’s no advances and every release is a handshake agreement. “I do this for th
It’s a debate that’s all the rage. New data suggests that catalog recordings (anything released over 18 months ago) had begun to outstrip new music in the streaming economy. Is this the end of pop as we know it? Is it because the kids just don’
Part 2 of our conversation with Mat Dryhurst on Crypto’s evolving place in the music industry, both major and independent. Dryhurst has long been one of the most active and articulate proponents of these technologies (and the social formations
Over the past year, we’ve devoted more than a few episodes to discussions about Crypto, NFTs, and Web3—projects that we’ve been, it feels safe to say…fairly skeptical about. Given that skepticism, we were delighted to have the chance speak to M
When Bandcamp announced a few weeks ago that it had been sold, it came as a deep shock to the wide audience of music fans who had come to appreciate its artist-supporting activities and (relatively) equitable financial policies. When they read
As soon as you hear it, the term "neoliberal jazz" makes sense—hip urbanites, attending concerts in revamped art-spaces sponsored by banks and financial services companies. But how did Jazz—a counter-cultural music if there ever was one—get the
While the boom and busts have come and gone, NFTs haven’t disappeared. A set of crypto based technologies, and speculatively disruptive companies are still out there, working to create a new, on-chain future. We have thoughts. Especially when i
On this short bonus episode, Sam and Saxon discuss Neil Young's decision to take down his music from Spotify in protest of the Joe Rogan Podcast...except did Neil even have the rights to make this decision? And how does this impact his $200 mil
Sync is pretty much what it sounds like—the act of connecting music to visual images. But it’s also a whole lot more. Thanks to the VERY specific contours of American music, it’s a complex set of negotiations and pay-outs that structures pretty
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