Podchaser Logo
Home
My Take on Music Recording with Doug Fearn

Doug Fearn

My Take on Music Recording with Doug Fearn

A weekly Arts podcast
Good podcast? Give it some love!
My Take on Music Recording with Doug Fearn

Doug Fearn

My Take on Music Recording with Doug Fearn

Episodes
My Take on Music Recording with Doug Fearn

Doug Fearn

My Take on Music Recording with Doug Fearn

A weekly Arts podcast
Good podcast? Give it some love!
Rate Podcast

Episodes of My Take on Music Recording

Mark All
Search Episodes...
Ever since its announcement, I have been interested in learning more about Dolby Atmos. I was skeptical at first, primarily because of my experience with “Quad” back in the 1970s. That 4-channel concept never gain any popularity with either the
Compression and limiting are tools we use to modify the dynamic range of the music we record. In this episode, I present a brief history of where this technique came from, how it evolved over the years since the 1930s. I discuss the various way
This is part 2 of the Audiophiles Guide to Music Recording. You can listen to part 1 athttps://www.buzzsprout.com/942952/14335456Or you can access part 1 wherever you listen to podcasts.My Take on Music Recording is primarily aimed at people in
My Take on Music Recording is primarily aimed at people in the professional recording world, but there are a significant number of listeners who are music lovers and audiophiles. This episode provides an overview of the recording process for th
Music is meant to be heard in an appropriate acoustical environment. But many times, we have to record in a space that does not have the right sound to it. Artificial reverb is often the solution.In this episode, I talk about good room sound in
In this episode, I talk about software plug-ins vs hardware. It is a question that I get frequently from listeners. It is relatively short.Can a plug-in perfectly emulate a hardware device? What are the tradeoffs a plug-in designer needs to con
Every recording is made is some sort of space. It might be a room, and studio, a church, a concert hall, or even outside.The space where the music is performed, and where the microphones pick up the music always influences the sound of the reco
How do we make our recordings better? I have thought about this for over 50 years and in this episode, I have tried to distill what I learned into a dozen general rules.The best way to make great recordings is to start with great performers. Bu
What if you were suddenly confronted with recording an instrument you had never had in the studio before? Or one you never heard before? Or one you never knew existed?How do you figure out how to capture its sound? Where do you place a micropho
After three and a half years of producing the “My Take on Music Recording” podcast, I thought it would be useful to review the 80+ episodes and point out some of the interesting topics you might have overlooked.You might have missed some of the
My conversation with musician, producer, mixer, and mastering engineer Justin Gray continues, in this second of two parts. In this episode, Justin discusses how to provide optimum tracks for an immersive mix. He also talks about the minimum imm
Justin Gray is a musician, producer, mixer, and mastering engineer based in Toronto. His credits include many major artists.He was fascinated by immersive formats long before they became mainstream.In this first part of a two-part series, we ta
Most people have time conflicts between what they do for a living and the rest of their lives. That includes time for family and friends, hobbies, obligations, and exploring new directions.Musicians also must confront these same issues. It is o
Studios are complex technological environments and it is common for problems to arise. But a problem in the equipment might be a minor inconvenience if you have the skills to quicky determine where the trouble lies and understand how to fix it.
Most of you in the professional audio world have learned that Dave Hill, founder of Crane Song, died in February.Dave and I were friends for over 30 years. In this episode I tell some stories about our interactions over the decades. Not only wa
How do you decide what microphone to use for any instrument or voice you will be recording? All microphones sound different from one another, which is a wonderful tool at our disposal. Making the right choice will improve your recording, elimin
The typical music consumer these days is listening on earbuds or headphones. Or maybe on the tiny speakers in their smartphone. Few are listening on speakers, at least none of any reasonable quality.It makes sense for us to take this into consi
Recording is a technological endeavor, but it also invariably involves people. The psychology of recording sessions has always fascinated me, so when a listener suggested that I have Terri Bright on an episode, I was intrigued by Terri’s dual c
What makes one piece of studio electronic gear sound different from another, similar piece?When it comes to the physical gear we need to record, there are only a few basic categories. You probably use microphones, mic preamps, equalizers, compr
If you have listened to this podcast for any length of time, you probably know that I am a big fan of ribbon microphones.In this episode, I talk about my introduction to ribbon mics while I was in high school, and how over the years I tried to
For this 70th podcast episode, things are reversed and I am interviewed by singer-songwriter Corrie Lynn Green. Corrie was curious about how I got into recording, and later into studio equipment manufacturing. We also talk about my views on wha
You may remember Chuck Anderson from a 2-part episode we did in 2021, where Chuck and I had a wide-ranging discussion on many musical topics.  You can listen to those discussions here:https://www.buzzsprout.com/942952/9161095https://www.buzzspr
For anyone working in music recording, hearing is vital. But so also is our ability to listen.In this episode, I talk about the two ways of listening, and why both are important. Can you improve, even enhance, your listening ability? I offer so
If everyone recorded music the same way, everything we did would sound the same. But we don’t record the same way, and those differences are part of what makes up our recording style.In this relatively short episode, I talk about how I develope
In this third and final part of my conversation with Corrie Lynn Green, we deviate somewhat from the technology of the studio and discuss the role of the producer. There are plenty of additional topics that Corrie and I could discuss, and if th
Rate

Join Podchaser to...

  • Rate podcasts and episodes
  • Follow podcasts and creators
  • Create podcast and episode lists
  • & much more

Unlock more with Podchaser Pro

  • Audience Insights
  • Contact Information
  • Demographics
  • Charts
  • Sponsor History
  • and More!
Pro Features