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Dave Marshall
PalaeocastEpisodes
Dave Marshall
Palaeocast
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Episodes of Palaeocast
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The field of evolutionary biology has been greatly influenced by the development of modern genetic methodology. The understanding of genes, genomes and the molecular mechanisms key to life on Earth are all goals of evolutionary biology in the
In 12 years of podcasting, we have never actually taken the time to address the fundamentals of our field. Such questions could include: what is palaeontology, what is a fossil, how does one become a palaeontologist, and why is palaeontology i
It's been two centuries since the first dinosaur, Megalosaurus, was named by William Buckland and to commemorate the date, the Natural History Museum hosted '200 Years of Dinosaurs: Their Rise, Fall, and Rebirth'. This international conference
The Middle Jurassic is incredibly important to our understanding of pterosaur evolution; however, the remarkable rarity and incompleteness of Middle Jurassic pterosaurs has long hampered scientific understanding of the lineage. Joining us th
Originally mounted in 1907, the Carnegie specimen is the best example of the sauropod dinosaur Diplodocus, and perhaps the most famous dinosaur skeleton in the world. Casts of the specimen, including the London example known as “Dippy”, were d
LOOP 8.4: LOOP Showrunner Dan Tapster returns to give a retrospective on the series and its production. We look at went well and address criticisms; is it possible to keep everyone happy? We finish this series by discussing the show’s take-home
LOOP 8.3: Episode 8’s producer, Sophie Lanfear, joins us again to describe how difficult it was to wrap the series up, having to balance telling the story of the last ice age with conveying the message of the series. We speak about climate chan
LOOP 8.2: Prof. Danielle Schreve, Royal Holloway University of London, joins us to cover the last 2 million years of Earth’s history. We explore the periodicity of glacials and interglacials and the control Earth’s orbit around the sun has on c
LOOP 8.1: Dave and Tom introduce episode 8 and round of this special series on Life On Our Planet. We talk about our favourite scenes and reflect on our time working on the documentary and how our perspectives of documentary making has changed.
LOOP 7.3: We’re taken into the field to film snow leopards by episode 7’s Assistant Producer, Darren Williams. He reveals how difficult it is to get just a few minutes of video, both logistically and practically. We get to know the ‘old male’ s
LOOP 7.2: Prof. Christine Janis, University of Bristol, outlines mammalian evolution and focusses on the global events that governs their radiation. We look at why mammals survived the K-Pg mass extinction and how the archaic mammals radiated i
LOOP 7.1: In the introduction to episode 7, Dave and Tom just about keep it together whilst reflecting on the most emotional scene of the show. We also celebrate the inclusion of the Antarctic Circumpolar Current in the series, before giving it
LOOP 6.4: Prof. Anjan Bhullar continues his overview of avian evolution with a look at how the birds fared after the K-Pg mass extinction. What was it that allowed birds to survive when the non-avian dinosaurs died out? Why didn’t they just bec
LOOP 6.3: Documentary research takes you down a lot of unexpected avenues. If you’re recreating something like the Chicxulub impact and the K-Pg mass extinction, then you need to be able to provide answers for things you didn’t even know were q
LOOP 6.2: Dr Anjan Bhullar, Yale University, returns to speak further about dinosaurs. He’s pressed on where he’d draw the line between dinosaur and bird, or whether there should even be a distinction between them at all. At what point does fli
LOOP 6.1: Dave and Tom introduce us to episode 6 of Life On Our Planet and the pair touch upon the Chicxulub impact and the radiation of birds into the Cenozoic. Dave curtails the introduction with one of his worst puns yet. Life On Our Planet
LOOP 5.3: We’re exploring feather evolution with Dr Anjan Bhullar, University of Yale. We trace feathers up the theropod family tree and question whether or not they would be present in ALL dinosaurs. Anjan does NOT sit on the fence with this q
LOOP 5.2: Producer Barny Revill returns to talk about his second episode. With the public spotlight firmly fixated on the dinosaurs, how much effort had to go into their GCI models and does the reputation of the series depend on getting them ri
LOOP 5.1: It’s episode 5 and Dave and Tom are pronouncing dinosaur names all wrong. Does any actually pronounce it “Deinonychus”? Dave reveals why Netflix chose Morgan Freeman as narrator over himself, Tom talks about the complexity of producin
LOOP 4.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different
LOOP 4.2: We get down to details with Producer Barny Revill and analyse some of the different elements of episode 4: What were the challenges of working in such inhospitable environments? How do you recreate a flood of biblical proportions? How
LOOP 4.1: Against the odds, we’ve all made it through the PTME. It’s now time to focus on episode 4, with the reptiles and their adaptation to different environments. We touch upon biomechanics and crank up the VFX dial to 11. Life On Our Plane
LOOP 3.4: With researcher Ida-May Jones, we explore the Venn diagram of academic and documentary research. She introduces us to the strawberry dart frogs and the extraordinary lengths that mothers will go to to care for their young. With such h
LOOP 3.3: Prof. Mike Benton, University of Bristol, gives us an overview of the major events in tetrapod evolution. He reveals some of the surprising traits that lobe-finned fishes ‘pre-possessed’ that were re-purposed for use on land. But were
LOOP 3.2: Producer Sophie Lanfear gives us our first insights into how documentaries are shaped. She tells us about the enormous scope of episode three and the difficulty of trying to fit in so many significant events. We analyse her use of emo
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