Lij Shaw
Recording Studio RockstarsEpisodes
Episodes of Recording Studio Rockstars
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Organization is everything! Marc talked about recording Bill Frisell & John Zorn, producing The Ramones tribute with Steppendoom, how to make a great compilation album or killer remix, traveling the world to collect vintage ribbon mics, and
A hit recording might only be 2.5 min in 13.8 billion years of the universe! Dom talked about playing bass for the Queen of England & Obama, the history of KC jazz, learning to make beats, the power of publishing, and 5 reasons to use Ableto
Don't pull my beard... unless you're Les Paul! Vance talked about recording Phish on tour with 244 mic inputs over MADI in a remote truck, mixing low-end bass and kick, how to mic a rock drum kit, studio wire and why tweaking mixes is a fool
Make mine a phantom center! Steve talked about the birth of mixing in Atmos, recording strings for the last Beatles song, Now And Then, how to record immersively, building a home mixing studio, mics for strings, object bed mixing, and the LF
Trust your first instinct! Sara talked about setting up your monitors for accurate mixing, how to place your subwoofer, learning to balance a mix first, why 85db is too loud, the power of a high pass filter, group vs solo audition, and mixin
Is your home studio the best place for your client? Ken talked about recording at home vs a big studio, playlists vs endless sessions, why pressure is good for music, riding the master fader, mixing with drum samples, and setting up for Atmo
Do frozen cats make your mixes cooler? Joe talked about the history of Ocean Way Studios, how to fix cymbals ruining your drum mix, how to make a Decca tree in your home studio, double miking vocals, mixing with parallel dynamics, & immersiv
Produce records with bands or bricks? Dave talked about assembling a production for an artist, songwriting for publishing vs self, how to get songs finished, the importance of sightlines and headphones, and how to find your voice on stage an
Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio
Which is actually more... less or more? Brandon talked about mixing with guitar pedals, Velcro walls, installing the Neotek Elite console, working with Jacquire King, and why you should be using SSL UF8 and UC-1 with UAD Luna and Harrison Mi
Are you listening to the gnomes? Al talked about recording in Iceland, studying Grateful Dead lyrics, finding Oteil's voice, band tracking setup, the importance of bleed, mono vs stereo, mixing templates, Aquarian Rescue Unit, and Michael Ja
Sing it again or mix it with a doubler plugin? Brian talked about producing layered vocal bedroom-psych rock, recording and mixing super punchy drums, finger-picked acoustic guitar, and using the LEWITT LCT1040 on vocals with LCT640TS on gui
Can you write a song on an island? Dave talked about capturing the seeds of songs, mixing with Chris Shaw, signing Nataniel Rateliff, Clap Your Hands and Say Yeah, and Ween to Rounder Records, and finding inspiration in Native Instruments Ko
Take care of your unicorns! Jordan talked about using a Neve console with Pro Tools, capturing the moment and letting the vibe happen, recording your heroes and when to push them for even more, and microphones for vocals, guitar, piano, and
Digital or real guitar cabinet? Nathan talked about going from intern to engineer at Blackbird Studios, running a studio like a high-end hotel, how steel drums are heavy metal, why tape should always be rolling, and how to create crankable r
Don't let the gear eclipse the performance! Jacquire talked about creating 1+1 Management, the five tiers of an artist's professional team, mixing in UAD Luna, making music for META, why social media is important, and how to mix with delay &
How many engineers can you fit on a podcast? Pete, John and Brandon talked about the good and bad of a shared studio, Atmos mixing and mastering, how to make great bass, vinyl records, and why their worst day is better than most jobs' best d
Is that my voice over the Walmart pa? Katrina talked about writing songs for advertising, hearing her own vocals in unexpected places, songwriting production camps, recording great piano, and how to write about heartbreak when you're happily
How not to be invisible... Orlando talked about his successful mixing career despite growing up illegally in the US, calculating your flat mix rate, getting the best mix notes from an artist, networking tips, and how to mic timbales, congas,
Can you say "do another take" in any language? Ady talked about breaking the language barrier recording bands in Morocco, Armenia, and Poland, traveling with a studio in a camper van across the desert, the pros and cons of remote recording s
Register for the FREE Awesome Mix Workshop with Bobby Owsinski: https://go.bobbyowsinski.com/musicmix/#a_aid=LShaw Bass! How low can you go? Sam talked about studying with Bruce Swedien, the best way to record vocals in a home studio, t
Sometimes it's better to conform! Jermaine talked about hybrid composing music for film, making the music fit ever-shrinking film edits, switching to Cubase, how to create an orchestra in your home studio, and the secret to realistic-soundin
Cutting edge technology vs technically cutting edges... Nick and J talked about mixing and mastering vinyl records, Atmos vs Sony 260AR, how to listen to immersive audio, mixing for Halloween, old school vs modern low-end, and how to rescue
It's gotta slap to be right! Rae talked about mastering everything from pop to hard rock and punk to EDM and respecting the bass drop, how to master Atmos mixes, tips for managing a studio, when loudness matters, and the importance of level
Why would you put a Pultec on every track? David talked about mixing with fewer plugins to keep the best ones special, how to create a great mix template, the sound and feel of hybrid mixing, compression as tone, and mixing with the SSL UF8
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