Podchaser Logo
Home
San Diego Opera Podcast

San Diego Opera

San Diego Opera Podcast

A weekly Arts, Performing Arts and Music podcast
Good podcast? Give it some love!
San Diego Opera Podcast

San Diego Opera

San Diego Opera Podcast

Episodes
San Diego Opera Podcast

San Diego Opera

San Diego Opera Podcast

A weekly Arts, Performing Arts and Music podcast
Good podcast? Give it some love!
Rate Podcast

Episodes of San Diego Opera Podcast

Mark All
Search Episodes...
Blythe Gaissert was last with us in 2017 in our Detour production of Laura Kaminsky's As One, and returns now as Hansel in Hansel and Gretel. In this interview with Nic Reveles, she tells us about the physicality necessary to play this very act
The delightful Sara Gartland is back with us as Gretel in Hansel and Gretel, after having performed the role of Musetta for us in La boheme (2015). She's really thought a lot about Gretel and what makes her tick in this operatic version of the
We've done Humperdinck's wonderful opera Hansel and Gretel a number of times in our history of productions here at San Diego Opera, but we've never had a tenor play the role of the Witch! We're welcoming back tenor Joel Sorensen, who's been wit
It’s always great to welcome back friends who’ve sung with us before, and that’s certainly true of tenor Carl Tanner. Last with us as Calaf in Puccini’s Turandot, he now sings the role of Radames in Verdi’s Aida, a role with few parallels in th
Check out our latest SDO Podcast as Nic Reveles interviews our Amneris in Verdi’s Aida, Russian mezzo-soprano Olesya Petrova. Born in St. Petersburg, her love for her native city is palpable as she talks about the artistic atmosphere that surro
The wonderful young stage director Kyle Lang brought us terrific productions of The Pirates of Penzance and As One in the last couple of seasons. He's back for Carmen, and that's truly something to be excited about! Listen in as he tells us all
Tenor Robert Watson, our Don Jose in Carmen opening this week, has a lot to say about this character. Jose has one of the most interesting character arcs in all opera, moving from lyrical naif to obsessive lover with all of the musical changes
Soprano Sarah Tucker sings the role of Micaela in our production of Bizet's Carmen, a role that fits her very well. Micaela is, of course, Don Jose's childhood friend who has come to Seville to bring memories of home and the love of his mother
Bass Scott Conner sings the role of Escamillo in our production of Carmen by Georges Bizet. Listening to this voice...even his speaking voice...you'll want to hear him let loose in the Civic Theatre with the wonderful Toreador Song, an entrance
Mezzo-soprano Ginger Costa-Jackson obviously loves the opera Carmen, and has some definite viewpoints when it comes to the main character she portrays. It all boils down to being fully present, completely focused when playing this volatile char
Conductor Adam Turner recently became the Artistic Director and Conductor for Virginia Opera, making him one of the youngest AD's in the American opera world. This is his third time at the helm for Jake Heggie's Three Decembers, and in this int
Director Karen Tiller has directed Three Decembers three times now, and obviously loves this opera by Jake Heggie. In this interview she talks about her love for the piece as well as for her deep appreciation for its connection between drama, t
Soprano Kristin Clayton has had quite an eclectic career so far...singing roles like Mimi and Violetta, plus singing new roles and including working with a circus! She originated the role of Beatrice in Heggie's Three Decembers, and has an affi
Baritone Steven LaBrie sings the role of Charlie in Jake Heggie's opera Three Decembers. Charlie is the gay son of Madeline Mitchell (mezzo-soprano Frederica von Stade) and brother of Bea (soprano Kristin Clayton) in this intimate family drama.
We already know what a delightful person and great artist Frederica von Stade is. We're welcoming her back to San Diego Opera in the role of Madeline Mitchell, the central character in Jake Heggie's Three Decembers. In this interview she talks
Maestro Steven White is making his debut with San Diego Opera in this production of Rigoletto. (He also happens to be married to soprano Elizabeth Futral who has been with us on several occasions in the past, most notably as Violetta in our 201
Maestro Steven White is making his debut with San Diego Opera in this production of Rigoletto. (He also happens to be married to soprano Elizabeth Futral who has been with us on several occasions in the past, most notably as Violetta in our 201
This is Canadian stage director Michael Cavanagh's debut with San Diego Opera and he's made quite an impression on the cast and crew working on Rigoletto with his positivity, collegiality and generous support of everyone involved in this import
Get ready for a delightful conversation with tenor, Scott Quinn, singing the role of the Duke of Mantua in San Diego Opera's production of Verdi's Rigoletto. Scott is singing the role of a narcissistic, entitled nobleman who uses women for his
Soprano Alisa Jordheim is a wonderful young singer making her role debut as well as her company debut with us as Gilda in Rigoletto. In this conversation with Dr. Nic she talks about being a grad student and finding herself in a production of t
Baritone Stephen Powell is one of our favorite singers here at San Diego Opera, having sung ten productions with us over the years. He's bringing us his very special take on one of the strangest yet most powerful characters in all opera, and a
Director Alan Hicks is new to San Diego Opera, holding a joint position as Assistant Stage Director for the company and as head of the opera program at San Diego State University. In this interview he shares his preparation for the WWI opera Al
Juan Carlos Acosta has a long-standing relationship with San Diego Opera, as a student at our Student Dress Rehearsals, as a subscriber, as a member of the San Diego Opera Chorus and now as conductor of our upcoming production: All Is Calm. In
In this fascinating interview, Maestro John Nelson shares his thoughts about Mozart, the brilliant young cast of The Marriage of Figaro, Stephen Lawless' flawless production (which, according to Nelson is the most musically effective production
Mezzo-soprano Emily Fons is back with us in the trouser role of Cherubino for The Marriage of Figaro. She was last with us as Zerlina in Mozart's Don Giovanni, and her contribution to that show was simply fantastic! In this interview with Dr. N
Rate

Join Podchaser to...

  • Rate podcasts and episodes
  • Follow podcasts and creators
  • Create podcast and episode lists
  • & much more

Unlock more with Podchaser Pro

  • Audience Insights
  • Contact Information
  • Demographics
  • Charts
  • Sponsor History
  • and More!
Pro Features