I talk with composer, lyricist, and music director Georgia Stitt, about musical theatre and copyright in this new age of bootlegs, smart phones, YouTube, and other social media platforms. Georgia is the chair of the Copyright Advocacy Committee
I talk with author Andy Propst about his book They Made Us Happy: Betty Comden & Adolph Green's Musicals & Movies, about the legendary writing team that brought us Singin' in the Rain, On the Town, Wonderful Town, Bells Are Ringing, On the 20th
I talk again with Jennifer Ashley Tepper, author, historian, and Broadway producer, about Be More Chill, which she's producing -- in addition to her three volume Untold Stories of Broadway, her concert series If It Only Even Runs a Minute, and
On this episode of STAGE GROK, I talk with actor Thom Sesma, about his career and about stepping into the title role in the new, immersive, off Broadway production of Sweeney Todd. He has appeared in many shows on and off Broadway, as well as s
I talk with musical theatre composer-lyricist Bobby Cronin, about his projects and the life of a theatre writer. His shows include Mary and Max, Till Death Do Us Part, Welcome to My Life, The Cover, Till Soon, Anne, Alone in the US, Daybreak, a
I talk with lyricist-bookwriter Danny Ginges and composer-lyricist Philip Foxman, about their rock musical Atomic, which debuted in Australia, then moved to off Broadway, and then was produced by two regional theatres, Meadow Brook Theatre in R
I talk with director Michael Mayer (Hedwig and the Angry Inch, Spring Awakening, Thoroughly Modern Millie, Everyday Rapture, et al.) about the process of transforming Green Day's American Idiot album into a stage musical.
I talk with Adam Feldman, theatre critic for Time Out New York, and president of the New York Drama Critics' Circle, about his philosophy and process of reviewing, and his take on the state of the American theatre.
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