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Talks and Discussions - 2007

iTunes U Podcast Owner

Talks and Discussions - 2007

A daily iTunes U, Art and Architecture podcast
Good podcast? Give it some love!
Talks and Discussions - 2007

iTunes U Podcast Owner

Talks and Discussions - 2007

Episodes
Talks and Discussions - 2007

iTunes U Podcast Owner

Talks and Discussions - 2007

A daily iTunes U, Art and Architecture podcast
Good podcast? Give it some love!
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Best Episodes of Talks and Discussions

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In Latin America the practice of film co-production with Europe became significantly widespread in the 1990s. The event includes the screening of the 46-minute documentary Latin America in Co-production (Libia Villazana, UK/Peru 2007), which ex
Polish artist Pawel Althamer discusses the performative elements of his work with curator and writer Polly Staple. Pawel Althamer’s multi-faceted practice includes sculptures, installations, autobiographical videos, and performances. Declaring
The fourth interview in the Tate/Art Monthly Talking Art series is between acclaimed artist Christian Marclay, renowned for his collages of music, sculpture, film and image, and art historian, Gilda Williams.
Peter Märkli, one of Switzerland’s leading architects, talks about his design for a visitor centre, prominently positioned in a recent redevelopment of a pharmaceutical industrial site in central Basel.
Recent theories of women, sex and gender have challenged the category of woman. The value of literature (and the other arts) has also been called into question. Have the new gender theories made feminist criticism obsolete? Does it still make
David Adjaye proposes a certain formation of 'publicness'. In this session of Real Architecture, Adjaye talks about the Denver project and the problem of architects to repropose the concept of the public space.
The third interview in the new Talking Art series is artist Joep van Lieshout, founder of Atelier Van Lieshout (AVL) a team of creatives based in Rotterdam, in conversation with critic Marcus Verhagen.
Real Architecture examines some of the most significant contemporary architects and projects and presents a dynamic cross-section of current trends in international architectural practice. In the first of the series, Architect Michiel Riedijk t
Los Angeles-based artist Mario Ybarra Jr draws attention to forms of culture that exist in the margins of the mainstream. Verging on the pseudo-anthropological, Ybarra’s work examines hidden cultural histories: often alluding to or parodying th
‘A cinematographic journey through the photographic atmospheres of Bill Brandt’ by renowned experimental filmmaker Steve Dwoskin. Many of the photographer's most famous images are presented, along with Brandt himself, who died in December 1983.
Made in collaboration with the artist Richard Hamilton, this documentary remains vivid and surprising nearly forty years on. Fragments of Hamilton’s works are integrated with newsreel images, movie trailers and much else. The artist offers an a
The physically permanent identity of architecture has helped to define society for centuries. Now some practitioners have disengaged from tectonics as we traditionally understand it and are taking their discipline into the realms of ‘softspace’
The physically permanent identity of architecture has helped to define society for centuries. Now some practitioners have disengaged from tectonics as we traditionally understand it and are taking their discipline into the realms of ‘softspace’
Martha Rosler is one of the most influential artists of her generation whose work frequently compels the viewer to rethink the boundaries between the public and the private, the social and political. Her work centres on everyday life and the pu
Despite entering the Royal Academy as its youngest ever student and ending his career as its president, John Everett Millais’s attitude to the ‘establishment’ of British art was at times considered rebellious. Art historian Colin Cruise conside
Jason Rosenfeld, Associate Professor at Marymount Manhattan College, New York and co-curator of Millais, reveals the curatorial thinking behind the exhibition as he explores John Everett Millais’s career, from his early academic paintings to hi
Alan Morrison, Principal Lecturer at the Department of English, University of Westminster, examines the illustrations John Everett Millais made for a volume of Alfred Tennyson’s poems and his use of other literary subject matter, and relates th
Malcolm Morley is admired for his refusal to settle into a style or a way of making art that is predictable. “I wouldn’t want anything I did to look like anything else and I wouldn’t want anything else I’ve done to look like much of what I’m do
Since the mid 1980s, Wolfgang Tillmans has reinterpreted representational genres from portraiture to still life to landscape through the medium of photography.
Talking Art, a series of interviews with artists, is an exciting new collaboration between Tate Modern and Art Monthly. Hans Haacke's incisive, unflinchingly political works expose systems of power and influence and often court controversy.
Patrick Keiller is one of Britain’s most distinctive voices in cinema. For this screening and lecture, Keiller will present material from Londres, Bombay (2006), his ambitious multi-screen video reconstruction of Chhatrapati Shivaji Terminus (f
William Hogarth is recognised as the first great artistic chronicler of modern urban experience.
William Hogarth is recognised as the first great artistic chronicler of modern urban experience. Alan Morrison, lecturer at the University of Westminster, explores Hogarth’s sharp-witted and often satirical observations of life in eighteenth-ce
Artist and performer Harland Miller joins his old friend Jarvis Cocker to discuss their shared passion for music, iconic British culture and how the popular and the everyday can be a point of departure for creative exploration.
Frank Bowling was born in Guyana in 1936 and he studied at the Royal College of Art with David Hockney and Derek Boshier. He has exhibited in the Whitney Biennial, has been awarded a Guggenheim Fellowship, shown in the 2003 Venice Biennale and
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