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This symposium takes an interdisciplinary approach, exploring relationships between artists and models, multi-racial interwar communities, historical subjects, sexuality, gender and the work of previously neglected artists.
This symposium takes an interdisciplinary approach, exploring relationships between artists and models, multi-racial interwar communities, historical subjects, sexuality, gender and the work of previously neglected artists.
This symposium takes an interdisciplinary approach, exploring relationships between artists and models, multi-racial interwar communities, historical subjects, sexuality, gender and the work of previously neglected artists.
This symposium takes an interdisciplinary approach, exploring relationships between artists and models, multi-racial interwar communities, historical subjects, sexuality, gender and the work of previously neglected artists.
A discussion with Prof. Laura Marcus (Oxford University) and writer and critic Prof. Sukhdev Sandhu (NYU), chaired by Tate Curator Sonya Dyer
For this MixTate, Austrian duo HVOB take inspiration from the serenity and clarity of Helena Almeida’s series Drawing (with pigment) 1995–9
The talk addresses some of the thoughts and observations emerging from the inter-disciplinary debates around the nature of the performative and live art in order to identify future trajectories for performance in this highly mediated digital ag
Documentary photographer Susan Meiselas, whose work features in Conflict, Time, Photography discusses her illustrious career in photojournalism with curator Simon Baker.
What is the value of being a citizen? What are the values that will or should guide the future citizen? How can we rethink the idea of value away from a purely economic model of worth?
Speakers are Thomas Struth, Penelope Umbrico, Massimo Vitali and Lauren Marsolier and Mishka Henner. The panel is chaired by William Ewing, Director of Curatorial Projects at Thames & Hudson.
In the early 1980s the German artist Sigmar Polke became a dedicated scholar of pigment manufacture. He favoured highly toxic, banned or otherwise exotic substances, but as a modern day alchemist he shrouded his knowledge in mystery.
Join Ciara Phillips as she discusses her collaborative projects, her Turner Prize nomination and other work with Emily Pethick, Director of The Showroom.
Walter Benjamin (1892–1940) is best known for his pioneering work on technology, culture and art, making enduring contributions to aesthetic theory and Western Marxism.
Gregory J. Markopoulos is a key figure in the history of independent film and was, alongside Kenneth Anger, Stan Brakhage, Maya Deren and Andy Warhol, a pioneer of the New American Cinema of the 1960s.
The discussion includes case studies from Latin America amongst other examples. Speakers include Justin McGuirk author of Radical Cities alongside Andreas Lang from public works, a London-based non-for-profit art and architecture practice.
This event takes the BMW Tate Live Performance Room as illustrative of the ways in which performance is responding to a highly mediated world, where performance often comes into being simultaneously live and online.
What are the exhibitions that truly changed the course of the discipline, provoked public reactions and contributed to a more complex understanding of what exhibition-making means today?
Introduction to the film screening by special guests from Polke’s family who will discuss his relationship to film and Christof Kohlhöfer will also discuss his collaboration with Polke.
This half-day conference examines the motivations of artists, producers and institutions to work in the context of interdisciplinary events, and asks where is this interdisciplinary practice headed?
This audio recording aims to situate Sigmar Polke's significance within a wider art historical context before unpicking the complex layers of his diverse practice, raising questions around what makes his art of such contemporary relevance today
A riveting and candid conversation charting Wangechi Mutu’s career to date via her varied sources of inspiration, including her current exploration of the possibilities of printmaking, mythology and more. Audio recording.
When Naum Gabo left Russia in 1922, he did not know that he would never return. Like many of his contemporaries, circumstances forced him to move from his new home in Berlin to Paris, London and Cornwall, before finally settling in the United S
When Naum Gabo left Russia in 1922, he did not know that he would never return. Like many of his contemporaries, circumstances forced him to move from his new home in Berlin to Paris, London and Cornwall, before finally settling in the United S
When Naum Gabo left Russia in 1922, he did not know that he would never return. Like many of his contemporaries, circumstances forced him to move from his new home in Berlin to Paris, London and Cornwall, before finally settling in the United S
In this audio recording Angela de la Cruz discusses her work with curator, Carolina Grau.
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