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Teacher's PET (Audio)

UCTV

Teacher's PET (Audio)

A weekly Education and K-12 podcast
Good podcast? Give it some love!
Teacher's PET (Audio)

UCTV

Teacher's PET (Audio)

Episodes
Teacher's PET (Audio)

UCTV

Teacher's PET (Audio)

A weekly Education and K-12 podcast
Good podcast? Give it some love!
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Episodes of Teacher's PET

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Brahms' "Academic Festival Overture," which the composer offhandedly characterized as "a potpourri of student songs," features an unusual treatment of standard sonata form. What emerges is one of those rarities in classical music: a fun piece,
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Ser
Rossini's 1829 opera "William Tell" is rarely performed today, but its Overture lives on as one of the most popular works in the classical repertoire. The Overture is essentially an instrumental suite written in four parts and performed withou
In the 2018/2019 season the La Jolla Symphony performed Florence Price's "Violin Concerto No. 2," and inaugurates their 2019/20120 season with Price's "Violin Concerto No. 1 in D Major." Florence Price was the first African-American woman to h
In this fun and informative program Conductor Steven Schick guides the audience through excerpts from Béla Bartók's Concerto for Orchestra and Florence Price's Violin Concerto No.1 as well as the complete William Tell Overture by Rossini. Schic
A close friend of Ralph Vaughan Williams, George Butterworth was a largely self-trained composer who was immersed in English folk music. His works grew directly out of his contact with the English countryside, as exemplified by "The Banks of G
Originally written as the second (slow) movement of a string quartet, Samuel Barber's "Adagio for Strings" went on to become one of the most popular symphonic works of the 20th century in its final orchestral arrangement. The solemn character
Though suspicious of German music in general Maurice Ravel was an unabashed fan of the waltz, and wrote several pieces that incorporated that distinctive rhythm. Of "La Valse," the composer wrote that “I had intended this work to be a kind of
As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital
Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]
Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34888]
Two things mark Beethoven's Symphony No. 8 in F Major, his shortest symphony and one of the least-performed. The first is its energy; contrary to classical sonata form there is no slow movement. The second is its unflagging good humor. The E
In 1960 a young American art student named Patricia Patterson first traveled to Inishmore, largest of the Aran Islands off the west coast of Ireland. The windswept landscape and its ancient culture made a deep and lasting impression, as did the
American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intr
Pianist Cecil Lytle and friends celebrate the Jewish folk traditions of Eastern Europe with spoken word, Klezmer music, and songs from the Yiddish theater. Featured performers include bassist Bertram Turetzky, singer Eva Barnes, and the Second
Chinese-American composer Qingqing Wang celebrates this nation of immigrants in her stunning composition, the 2018 Thomas Nee Commission. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34405]
Co-concertmaster David Buckley is soloist in the dynamic Second Violin Concerto of Florence Price, a prolific African-American composer that made her long career in Chicago, where her music was championed by the Chicago Symphony in the 1930s. S
Jennifer Granholm, former Governor of Michigan, identifies some of the most interesting policy ideas to address the problems of displaced workers, the skills gap and resulting inequality in an age of robots and artificial intelligence. Granholm
Recent hard right political mobilizations in the West are commonly framed as rebellions against neoliberalism. In this lecture Berkeley political theorist Wendy Brown questions that framing as it identifies neoliberal reason with the aim to rep
Since its premiere in Dublin in 1742 Handel's oratorio "Messiah" has become one of Western music's best-loved and most-performed choral works. Originally part of the oratorio's third section, which celebrates Christ's resurrection, the "Hallel
Since its premiere in Dublin in 1742 Handel's oratorio "Messiah" has become one of Western music's best-loved and most-performed choral works. "For Unto Us a Child is Born" is taken from the first (nativity) section of "Messiah," which celebra
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Co
Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show I
San Diego-raised novelist and UC San Diego alumnus, Luis Alberto Urrea ‘77 is the featured speaker at the UC San Diego Library annual gala. Urrea, a 2005 Pulitzer Prize finalist, has written about the border and has knitted together stories in
Jazz has been hailed as "America's original art form," and the annual Jazz Camp at UC San Diego is a five-day immersive summer program designed for intermediate to advanced level jazz musicians, ages 14–adult. Students work directly with intern
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