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1:33

Do you hear that? And

1:37

the cruel blackness of night and

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unknowable evil from beyond time

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cries out.

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What dark beats unfold on

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the streets of arkham and which

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amidst the crawling chaos of daily strife,

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have a cup of black barrel coffee and

3:17

y'all come back to life. Five

3:20

children have dad to spend the night in howling

3:22

house and already This

3:24

sleepover has become the stuff of their

3:26

deepest, darkest nightmares. First,

3:29

they encountered a strange cat that spoke

3:31

a dial oven before it ran away.

3:33

then they discovered a grotesque

3:35

rat creature living in the walls

3:38

and it had a human face.

3:40

But perhaps most shameful and disturbing

3:42

of all The truth came out

3:44

that Tommy Northwood, Proud Boy

3:46

Scouts stole his Scout Master's

3:48

knife. Tisk, Tisk. In

3:51

the wake of that revelation, it

3:53

says that Chelsea has left the side of her deceitful

3:55

brother to follow the sound of the uncanny

3:57

cat. yelling upstairs.

4:06

Chelsea. As you

4:08

run up the stairs each step

4:10

freaks and moans. With the

4:12

storm raging outside, it's like the

4:14

house is shifting shuttering. In

4:16

fact, there's a sensation almost

4:18

like an inhalation all

4:21

around you. And then you

4:23

hear that terrible howling

4:25

sun in the house of the industry.

4:29

It is

4:29

chill. I'm not afraid of the

4:31

wind. gonna catch that cat.

4:36

Partway up the stairs, there's a landing

4:38

and an open door into a

4:41

bathroom. Maybe the cat is in

4:43

there.

4:43

Stumped right in.

4:44

It's a small bathroom and

4:47

only has just enough room for a

4:49

toilet sink and tub. It's

4:51

grimy and stinks like

4:54

mildew.

4:54

Is it kenny in the tub?

4:56

Maybe It's a claw

4:59

footed tub, stained with some kind

5:01

of disgusting remnant of whatever

5:03

was once inside. you

5:05

look inside of it and the cat

5:07

isn't there or underneath

5:09

it. But as

5:11

you stand up to your full height again,

5:14

Something catches your eye in that medicine

5:16

cabinet mirror. Bake

5:18

a sanity check.

5:19

Fifty one out of seventy one,

5:21

so I passed.

5:23

In that cracked mirror,

5:25

you see your grandmother weeping,

5:27

Chelsea. Nema. She

5:29

looks

5:30

miserable,

5:31

sorrowful.

5:33

You can almost hear her

5:35

saying

5:36

My baby.

5:37

My sweet. Mavies. Come

5:40

home to me. Why

5:43

did you have to die?

5:44

No, ma'am. Lunges her

5:47

fingers into her I suck. Oh,

5:49

no. Blood. It's losing

5:51

ground. Oh, I'm clear. And

5:54

then your brother steps into view over your shoulder

5:56

through the mirror. He looks

5:58

worried. Your grandmother

5:59

is nowhere to be seen. Chelsea, what are

6:02

you

6:02

doing? Don't go into this house anywhere

6:04

alone.

6:04

MIma's in the mirror, and

6:06

she can't get We

6:08

was in the mirror. What's

6:12

the edit? What are you guys doing

6:14

in here? Chelsea,

6:18

ma'am,

6:18

a little bit. Chelsea, gosh. For

6:21

the love of God, can you

6:23

please just shut up

6:25

for once.

6:29

Meeva's in the mirror. What

6:32

do you mean, Mozana mirror?

6:34

I point to the mirror, and I'm still

6:37

stippling on when she's in the mirror.

6:39

She was pulling at her. Why?

6:42

Why? Why? Why? Why? Why? Why

6:44

go? I

6:45

look in the mirror. You're just looking at

6:48

the cracked Reflection

6:49

of yourself and your little sister.

6:53

Look at that ugly mug. Move

6:56

out of the way. I wanna see if I look good.

6:58

I I grabbed Chelsea and I back up. Mhmm.

7:01

Leaving room for Joey. Yeah. Casa

7:03

nova over here. Oh,

7:07

man. So you guys back away

7:09

from the the bathroom and continue

7:11

to make your way up the stairs? Yeah. Let's

7:13

keep going upstairs. We

7:15

make your way slowly up the stairs. The

7:18

board's creaking under each foot

7:20

step. You hear the rain above and

7:22

water running over the house, maybe

7:25

even through the walls. As you

7:27

make it to the hot air of the second floor,

7:29

if there's pungent scent that hits

7:31

you in a way.

7:32

You recognize it instantly words.

7:35

That is that guanace. Everybody

7:37

be careful.

7:39

There's bats up here. Bats.

7:41

Back by two.

7:43

It

7:43

very well could give you rabies.

7:46

and rabies is a slow

7:47

and painful death. What are you talking

7:50

about? I've had a bat in my pocket the

7:52

whole time. Is

7:52

that a bat? You

7:54

guys saw it. It was from the gate.

7:56

You know, see it? No. He's

7:58

kind

7:58

of attached to

7:59

my end with that. you in the Is it the one

8:02

that was biting your neck? I'm

8:04

gonna keep you in the pocket, dirt.

8:06

I'm just saying bats are okay. dirt

8:08

for you, the smell is.

8:10

It's unpleasant and kind of terrifying.

8:13

It reminds you of the chicken coops when

8:15

they haven't been clean for a while. looking

8:17

up, there's a trap door that

8:19

probably leads up into an attic or something.

8:22

This area up here up on the second

8:24

floor, there's a a number of doors up here

8:26

that lead off in into different directions. There's

8:28

there's a door to your left and right, and

8:30

there's a kind of a main hall that follows the same

8:32

axis of the hallway down on the first

8:34

floor. I slowly let go of my brother's hand

8:36

and wander off towards one of the nearby

8:38

bedrooms. What are you

8:39

doing? We you you always need

8:41

to stick together. The buddy system. I don't know.

8:43

You're kind of acting like a scared little

8:45

rabbit. I just wanna I wanna find a kitty.

8:47

I'm probably

8:47

the only person who has recognized

8:49

what is happening in this house?

8:52

What is

8:52

happening in this house? There's a cat who

8:54

spoke to you and told you that we're all gonna die

8:56

tonight. Dirk put an stick

8:58

a dynamite in the hands of this

9:00

little creature that has a head of

9:03

a human being. And when a roger

9:05

is using it

9:05

as a puppet and everybody's thinking, Oh,

9:08

yeah. This is great. This is wonderful.

9:10

Let's keep going. Let's open all the doors.

9:12

You're not gonna do it. Damn it. Did

9:14

someone shout open all the doors?

9:16

Okay. I'll do that.

9:18

Pretty dark up here. Anymore of those

9:21

candles around? In fact, there are,

9:23

Joey. They're unlicked, they're around

9:25

clusters of them glued to the banister by

9:27

their own wax. nice. Nice.

9:29

I'm gonna hit some of those with my

9:31

lighter and then I'm gonna light

9:33

myself a cigarette off one. Oh,

9:39

man. Yeah.

9:41

How

9:41

to smoke melt? Mhmm. And

9:44

laid up Roger's off of mine and I

9:46

handed it to him.

9:48

Mighty five. Mighty

9:52

five. Okay. We're smoking

9:54

now. Oh, great.

9:55

Ignore them, Tommy. Fine.

9:57

I start drawing a big Jack o

9:59

lantern's face

9:59

in the waffle in the night. That's

10:02

a pretty big ejaculator, Roger.

10:04

Yeah. I know. Obviously,

10:07

I opened the bedroom to where I was heading

10:08

towards. And I follow her.

10:11

With your flashlight woods, you see a broken bed

10:13

frame and a battered chest of drawers.

10:15

The walls have faint

10:17

remnants of what was once bright

10:20

paint. you guess

10:21

it might have been a child's room.

10:23

Sophie

10:23

told me this is the room where they found all the bodies in.

10:26

Oh, man. You know, week, week,

10:28

which

10:29

Okay. Let's just

10:32

go inside the room. Let's

10:34

go. Let's

10:34

embrace it. Come on, Chelsea. Let's go

10:37

see what crazy shit

10:39

inside

10:39

this room. Okay. Your

10:41

was one. He is

10:43

losing it. In the back

10:45

of the room, there's a closet that's

10:47

half open. Standing just a few

10:49

feet away from it, you can smell the

10:51

stink of back water. even

10:53

stronger than out in the hallway. I bet

10:55

there's

10:55

something awesome inside the closet. Go

10:57

open and say, oh, open the closet Chelsea.

11:00

Are you really telling me to open the closet?

11:02

Open the closet, Chelsea. Just

11:03

don't want to open the closet. Debbie told me to

11:05

open the closet before

11:06

anything bad happens to him. I'm going

11:08

to open the closet.

11:09

Okay. So Chelsea, you carefully

11:12

walk over to the closet and open

11:14

the door. Inside, there

11:16

are old children's toys. and a

11:18

heap of damp books. All

11:20

of it covered in splotches of

11:23

stinking back lawn out.

11:25

If you train your eyes upward, you

11:27

see what looks like a hole going up into

11:29

the attic.

11:30

I pick up a toy horse and I touch his

11:32

nose to my nose We're realizing that it's covered

11:34

in poop. And yuck.

11:36

I'd drop it and wipe off my

11:37

nose on my sleeve. Are you

11:40

okay? I'm fine.

11:41

you hear some squeaking

11:43

up above. In that black chasm

11:45

of the attic, you didn't see

11:47

them initially, but there are

11:50

things moving

11:52

around on the ceiling.

11:55

It looked

11:55

like bats. I closed the

11:57

door. What was in that

11:59

closet?

11:59

the Oh,

12:01

you you should totally look. Yeah,

12:03

Joey. Go look in the closet.

12:05

Oh,

12:05

you think I'm scared like you.

12:08

Move out of the way.

12:10

I go and sit next to Chelsea as I watch

12:12

Joey because I definitely wanna see that. God should

12:14

not be walk over and I open up the

12:16

closet. Holy

12:19

shit. Is that more bad? There's

12:21

only a few bats up here, but

12:24

where the panel in the ceiling

12:26

is missing, you can see what

12:28

looks like maybe some steamer trunks or

12:30

something up there? Like, looks like some kind of

12:32

storage up in the attic. Wouldn't what that is

12:34

up there? up where?

12:37

There, higher up. There's a hole.

12:39

Yeah. There,

12:39

I'll give you a boost, Joey. Yeah. Boost me

12:41

up man. Okay. Woods. You're gonna be

12:43

doing the heavy lifting here, so give me a gym

12:45

class roll. Thirty

12:47

one. Okay.

12:48

So you push with all your mics. and

12:50

actually managed to get him up there enough to where he's

12:52

up and into the the upper room.

12:54

Well, what

12:56

do you see up there?

12:58

looking around in this storage space, you find

13:00

some jumbled boxes and things like that.

13:02

The stuff that's stored in here looks like they're

13:05

just old rotted clothes,

13:07

not

13:07

too much of

13:09

use or interest really. Anything that

13:11

wasn't here seems to be rain

13:14

soaked and ruined. Oh, man.

13:16

Everything in here is just totally wet and

13:18

dampened moldy and

13:21

gross up here. That's all you see. That's all I

13:23

see. I don't see anything else. Here take

13:25

my flashlight. Toss it up. What?

13:28

Looking around with the flashlight, Joey, you

13:30

catch something odd. It's

13:32

a little

13:32

trail in the dust and grime

13:34

in the pores in the attic,

13:37

and the trail leads to

13:39

a space. tucked away

13:41

behind some boxes. As you

13:43

stoop down and peer

13:45

into this little alko, you

13:47

see a ball and some jacks. It's

13:50

like someone was actively playing

13:52

a game in here. And

13:54

there's no dust around it.

13:56

but that's impossible all the way up here

13:58

in the attic in a space that's only big

14:00

enough for a crawling toddler.

14:03

What

14:03

the fuck? Make a

14:06

sanity check. I failed.

14:08

I rolled an eighty four,

14:10

but I have fifty nine sanity.

14:13

This is not right. This is not right

14:15

at all. That

14:16

thing that dirt exploded, did

14:19

it do this? Was it

14:21

up here playing a game?

14:23

Are there

14:23

more of them? If

14:25

the creatures in this house are

14:28

playing jacks, knows

14:30

what else they might be doing. What

14:33

the fuck man? Joey, what

14:35

is it? It's it's like

14:37

everything is

14:37

damp and dust in here except for,

14:39

like, one clean area. What

14:41

do you mean? What? What? Is it

14:43

an area with, like, jacks and the ball

14:46

and everything? And it's, like, something's

14:48

been a here. Like, took

14:50

this bill up here before us. Okay?

14:53

I don't I don't know. Pick

14:55

up up the jacks. I don't wanna

14:57

pick up the jacks. What

14:57

are you some kind of a a

15:00

worst Joey? Pick up the

15:02

jacks. Let

15:02

me know that have your flashlight.

15:05

It'll throw it at you, man.

15:07

Listen. The

15:07

flashlight's the only thing that's given you light

15:10

up there

15:10

in the dark. don't you pick up the jacks,

15:12

Joey? Five. Pick up the jacks. I

15:14

dare you. A big enough the fucking

15:16

jacks. Joe,

15:18

you you you're barely even able to

15:20

reach your arm in there to get your hands on them, but you're

15:22

able to scoop up the jacks and you've you've got

15:24

them now.

15:25

Alright. I got him. I got him. Anything

15:27

else you want me to clean up the rest of this

15:29

place? Did you get the ball too? Yeah. I

15:31

got it all, man. Get the hold. game

15:33

so you could play it all by yourself.

15:36

Excellent. Well, let's come on down then

15:38

and you could give me the jacks that you got from

15:40

up there. If you did so, get

15:42

those jacks. you gonna help me down? Or do I

15:44

have to do some sort of, like, dad's

15:46

move to get down here? I'd love

15:48

to see it. Oh, I bet

15:50

you would love to see it. I'll

15:52

deal you with animal dance, man. Give

15:54

you some of that horse tribe, that chicken

15:57

scratch. Drop the damn grizzly

15:59

bear on you. Here I come.

16:11

Dirt. You open

16:13

the door and find yourself in another

16:15

bathroom. grade another bathroom.

16:17

A much bigger one. And you can

16:19

tell right away that something foul

16:21

is lurking in the toilet. a stink

16:24

that's been left there to fester.

16:26

I should be nice and try to flush

16:27

the hideous stink away. Well,

16:29

that's very kind of You

16:32

pull the chain but the stopper

16:34

rattles. There's no water in the

16:36

basin. Oh. Just then

16:38

you hear one of your favorite sounds.

16:40

the striking of a match. That

16:43

is a good idea. It'll make the smells

16:45

go.

16:46

Hello? You

16:47

look around the shadowy bathroom, only

16:50

light is the faint candle light

16:52

from the hallway. But just

16:54

beyond that, in the dark, you can

16:57

make out a mirror. attached to

16:59

an ornate vanity, and

17:01

a warm flame light

17:03

glow begins to blossom from that

17:05

mirror. Like it was

17:07

a window, And

17:08

then you

17:10

hear a soft

17:13

voice calling out to

17:14

you. Maybe my sweet

17:17

baby boy. Make

17:19

a sanity check.

17:21

It's fourteen. I'm saying yay. I'm

17:23

the same baby boy. Indeed.

17:25

Even

17:26

still, there is a

17:29

light and that voice is

17:31

your mother's voice.

17:32

Mother? Yes, baby. mommy's

17:36

here.

17:36

I walk towards

17:38

the mirror. Standing

17:41

before

17:41

the mirror, you're bathed

17:43

a soothing golden light. And

17:46

you see your mother just the way

17:48

she looks in the photos.

17:50

Just the way she's always looked in your

17:52

mind. her arms are reaching

17:54

out as if to hug you. I

17:56

sit

17:56

down the firepoker and I'm gonna

17:58

climb into the mirror. Come

17:59

to me. My sweet baby boy.

18:02

Let mama hold you. I'm coming out.

18:04

Your head smacks the glass.

18:06

The glow is gone. Your

18:08

mother is

18:09

gone. But

18:12

I'm a

18:12

sane boy. I'm a sane baby

18:15

boy. I know I saw her.

18:16

I did. I swear. All you see

18:19

now is your reflection, but

18:22

what's that? Your

18:23

nose catches the scent of tobacco,

18:26

and then you see it. in

18:28

the corner of the reflection.

18:31

Suddenly something is there, silhouetted

18:33

in the light of the doorway. It's

18:36

a cat. and the is

18:38

smoking a pipe. How

18:40

can that be? The embers

18:42

turned red in the bowl.

18:45

and a feeling of dread overcomes you.

18:48

Cat, I chase after it. You turn

18:50

away from the mirror and the cat is

18:52

gone. In your haste, you tumble off

18:54

the vanity. I run

18:56

to the hallway. But nothing and no

18:58

one is there. You hear

19:00

woods, Chelsea, and Joey in another

19:03

room. You don't see Roger anywhere, but you

19:05

smell the pipe. You're certain of

19:07

it. It overpowers the

19:09

Quanta stink. I'm gonna open

19:11

another door. You fling the next door

19:13

open and a new scent

19:15

hits you. It's another very

19:17

familiar scent. wood

19:19

smoke and lamp oil.

19:21

Is it dark? It's page black

19:23

except for where the candle light hits

19:25

from the doorway behind take

19:27

out my matches and I light one

19:29

of them. As you enter the room with

19:31

your burning match, you can now make out

19:34

what was probably a

19:36

bedroom. but it's been wrecked.

19:38

Everything has been pushed into the corner of

19:40

the room except for a few more of those

19:42

homemade candles by your feet.

19:44

melted together on the floor,

19:47

unblipped. Well,

19:48

that said, I light them with my

19:51

match.

19:51

They glow happily, and now you can see

19:53

the pile in the corner better.

19:55

It's made up of smashed furniture

19:57

and clothes. As you approach it,

19:59

you

19:59

notice charring and a

20:02

slickness on the heap. Make

20:04

a play with match's role.

20:06

Yeah. I'm fifty five. You hold the

20:08

match in front of you. staring at that

20:11

beautiful, sensuous, loving

20:13

flame,

20:14

and your gaze

20:16

drifts back to the pile. You

20:19

realize that whoever did this

20:21

in this room, they

20:22

pushed all this stuff together, they covered the police

20:25

in oil, they were

20:26

probably planning to burn this house down.

20:28

This would have done it. You're certain

20:30

of that. You started enough fires in your

20:33

time. Like the Smith barn.

20:36

Yes. Precisely. It was so

20:38

beautiful, so warm. Just

20:40

like

20:40

I imagine heaven is.

20:42

It's

20:42

awfully cold in here. You know, it'll

20:44

help being cold, a nice warm

20:46

flame. in that pile of oil soaked

20:48

regs. You're gonna toss

20:49

your match onto it? Of course. Your

20:51

match is the oil soaked detritus.

20:53

It's ribbons, first worth

20:56

of media. The warmth is so

20:58

nice and so comforting.

21:00

It almost looks like the

21:02

flame is smiling for

21:05

a moment. Mammi? Before, it

21:07

suddenly flares up, turning

21:08

pink, and then it abruptly goes

21:10

out, leaving nothing of smoke.

21:12

Where did the fire go?

21:14

can I dig through the pile pile of

21:17

clothing?

21:17

You certainly can.

21:19

You root through the wad it up, oil

21:21

soaked rags and boards

21:24

and clothing. you're looking for some kind of an explanation to

21:26

this, making an absolute

21:28

message yourself in the process. You

21:30

don't see anything out of the ordinary though.

21:32

Whoever did this, used quite a

21:34

lot of oil and a fair bit of

21:36

it is on you now. It just doesn't

21:39

make sense. This should not

21:41

have stopped burning. Well, living

21:43

up here name I see.

21:45

Darko. Hi, Roger.

21:46

I didn't do anything. I mean, I

21:49

did. I did do something. I

21:51

tried. I come in behind Roger. Hey,

21:53

what's dope? Oh, what is

21:55

that? Looks

21:56

like dirt here was gonna

21:57

let us all a nice big

21:59

fire. just like

21:59

the kind that killed his mommy.

22:02

It didn't work. It should have

22:04

with the oil. Wait.

22:06

slippery. I lick my hands and it

22:08

tastes like magic. I don't think you should put

22:10

that in your mouth. This is wizard

22:13

oil. It tastes burning, but

22:15

it won't light, see. I'm gonna

22:17

put my hands in the candle just

22:19

to see if this magical oil lights or

22:21

not.

22:21

Dirt goes to hold his hand over

22:23

the candle's flame. I'm gonna do it

22:26

to do it. Hi, grab hold

22:27

of Roger's petaling. What?

22:29

Roger telling not to

22:31

do it. No way. This is great.

22:33

It'll go

22:34

out a second. You see? Oh, let's

22:36

turn on Roger's web. Roger

22:38

making this stop. No.

22:41

You watch Rogers clammy

22:43

and strong hands helping tight

22:45

Chelsea. Dirt, you take four

22:47

points of damage as the flames all

22:49

up your At first, if you ever tingling, then

22:52

it hurts, then it hurts a

22:54

lot, then you're

22:56

screaming and pain. I'm

22:58

running at Roger. Roger, please

23:01

go. Roger

23:01

wants to swiftly take

23:04

my jacket as he's coming at me, just

23:06

roll him

23:06

up in it. Just smother

23:07

that fire out. Just be a fear

23:10

real pal. To my good

23:12

friend, dirt.

23:14

He's

23:14

learned his lesson. Oh god. Thank

23:17

you so much.

23:17

You're wrapped up in his jacket

23:20

and

23:20

pretty quickly the fire is put out,

23:22

but your hand aches.

23:24

I'm

23:24

gonna throw up again. They're there,

23:27

baby. Oh.

23:29

Daddy warned me this happened. Firebirds.

23:34

didn't they tell you that? Oh, no.

23:37

They didn't teach you nothing. You gotta head full

23:39

of rock start. Hey. Hey. Hey.

23:41

What's all the commotion? Chelsea,

23:43

Chelsea, are you alright? I'm fine. It's

23:45

dirt. You both arrive

23:46

in time to see Roger loarding

23:48

over dirt, taking his jacket away from him

23:50

and putting it back on. You

23:52

stunk it up, Dirk. Bad

23:54

four. Dirk, what happened to you? Oh.

23:56

He said he said himself on fire.

23:58

He did one look at his hand. Oh,

24:01

it was it was magic. It was

24:03

magic. Oh, Roger, you gotta give it a

24:05

lowdown on this one. He he

24:07

walked up to he he was covered

24:09

in something weird and he walked up to

24:11

the candle. and he held his hand out

24:13

over the candle and the fire spread up his

24:15

arm and it looked like a really hard night. I had to

24:17

look away,

24:17

but Roger

24:17

would let me look away. Durt,

24:20

why did you do? It was

24:22

supposed to be

24:22

magic. I lit a fire, and it went

24:24

out immediately. And so I lit my hand because

24:26

that's the logical next step. and

24:29

it didn't go out.

24:30

Hey, Dirk. Lift up that

24:31

hand. It's holding it's hurting

24:34

putter there, man. Oh,

24:36

jeez.

24:36

That hurts. Oh, man. Shit.

24:39

Can I roll to see if I have a bandage? Do

24:41

I can I roll to see if I have, like, bandages?

24:43

Roll up. I

24:44

rolled a I rolled A7A

24:47

scout

24:47

is always prepared. Excellent. And then

24:50

I'm gonna roll first

24:52

aid. a hundred.

24:55

So I did not bandage very

24:57

well. Thank you for wrapping the wrong part

24:58

of my hand. It feels fucking

25:01

idiot. I'm the

25:04

fucking idiot. The oil was

25:06

magic. Woods. You don't feel too

25:08

good about what you've done. you go

25:10

to re bandage it. And when you try to

25:12

take the bandages off to

25:14

redo them, some of

25:16

dirt's skin comes off of them. Dirt,

25:18

you take another point of damage.

25:19

I'm down to three hills. I'm

25:22

sorry. I'm so so sorry.

25:24

That

25:24

looks gross. I

25:26

haven't learned at tree birds yet. I'm

25:28

so sorry. I'm gonna

25:31

roll notice

25:31

stuff and see if

25:34

there's something in this room. Clean enough that I

25:36

can use to bandage him back

25:37

up again. Go for it.

25:39

ah

25:40

I got a forty three. I

25:43

made it. Most

25:43

of the stuff in here has been pushed into the pile

25:46

woods, but there's a big

25:47

board near the closet that's been propped up

25:49

against the wall. you push it

25:50

aside looking around behind it, and you

25:53

actually do find a couple of shirts that are in

25:55

relatively good condition. They can

25:57

probably be used advantages. when

25:59

you

25:59

pick the shirts up and you stand up

26:02

again, you notice the board was covering

26:04

something

26:04

carved into the wall.

26:06

Roger was here. What?

26:10

What do you mean,

26:11

Roger? What is

26:13

this? Well, obviously, I was here. I put

26:15

out the candles. Why didn't you finish

26:17

writing the word here? Why not bored? Why does

26:20

it trail off after the

26:22

e? Like like you were

26:23

dragged away kicking and screaming.

26:26

That

26:26

is

26:28

strange, but Roger's gotta have

26:30

a reason to imagine. You think

26:32

there should

26:32

be a method to

26:36

my madness,

26:36

and I start slashing up the walls again

26:39

with a knife. I'm Roger

26:41

Simmons, and I don't care about anything. Get

26:48

it on this drawing. Oh, you Yeah.

26:50

You're good and

26:51

saying, let's do it, man.

26:54

No. Watch your

26:56

face, man. Fuck it up Joey.

27:00

I like it when you slash

27:02

the walls, Roger. I

27:04

like it when I break

27:05

stuff dirt. Yes.

27:07

That's what talking about. That's

27:09

right. You see it's smashed. You said,

27:12

wow. But, yes, I just grabbed

27:14

those. to

27:16

be perfect. Where are we going? We are

27:18

far away from them. Out in

27:20

the hall, there are still three unopened

27:22

rooms to your right, encircling the far

27:24

side of the banister. We're

27:26

going to the farthest one. I squeeze

27:28

Chelsea's hand and we run down the

27:30

hallway and into the room and I slam

27:32

the door behind us. just

27:34

as you've slammed the door, the both of you

27:37

are hit with this absolutely

27:40

ranted stench. Make

27:44

it a nature check woods. Oh,

27:47

twenty three out of

27:49

eighty. It's

27:50

It's death woods. That's what

27:52

it is. Something is died

27:55

in here. That animal

27:57

stink has been burned into your brain

27:59

from that time Kingsley showed you that rotting deer

28:01

in the creek bed. But

28:03

this, this is so much worse.

28:05

Whatever it is has been dead for a

28:07

while and it's just trapped

28:09

rotting in this room. I

28:11

hate this house. It's so much. I

28:13

hate it. This is insane. This

28:15

is insane. Do I see what's

28:17

making this smell? This room actually

28:19

has a couple of lit candles in it. At

28:21

the center is the moldering remains of a

28:23

queen sized bed. It's torn

28:26

and stained and Shining

28:28

your flashlight through the room, you see in

28:30

the back of the room, there's also a

28:32

closed closet door. A couple

28:34

of flies buzz past your ear and

28:36

you see others gathered by

28:39

that closet door.

28:41

Excuse me. Us. What? We're

28:44

gonna die here. We are

28:45

not gonna die, Chelsea. We are not

28:47

gonna die here. I don't

28:48

think that's really Roger. What do you mean you don't

28:50

think that's wrong, Roger?

28:54

Let's stay away from him. We have to keep our

28:56

distance from him. Whoever it is, but it's

28:58

our job to keep people

29:00

safe. we have to we have to make sure

29:02

that we are

29:05

helpful and friendly and courteous

29:07

and kind to Joey

29:10

and and and to dirt. And

29:12

to him, you and I, we have to stick

29:14

together. I don't think you

29:16

understand. I saw Mima in the mirror.

29:18

You couldn't have seen Memma, and she's not

29:20

here. You couldn't have seen her. I

29:22

don't wanna be here anymore. I

29:24

wanna make sure Memma's okay. I don't

29:26

wanna

29:26

be here either, Chelsea. but

29:28

we have to I

29:30

have

29:31

to get that knife

29:33

back. My

29:34

whole rest of my

29:37

life

29:38

is I will

29:39

regret stealing that knife for

29:41

the rest of my life. If I don't

29:44

get that back, I won't be able to

29:46

be the person

29:47

that I wanna be. There are things you

29:49

will regret forever, but that's just

29:51

how it is. Oh, what do you know? I know

29:54

that mommy and daddy are dead.

29:56

They're not coming back. I told

29:58

mommy I hated her for getting

29:59

them flu.

29:59

I said that.

30:01

I'm looking to take that back, Tommy,

30:04

Chelsea. No. You

30:06

stole that

30:07

knife, Tommy, but we could

30:10

die Let

30:10

me in.

30:13

What's going on in here, guys? You

30:15

guys scared Roger. Did he

30:18

freak out? Come on. Roger,

30:20

messing with me.

30:21

Joey's, you come into this room. It

30:24

stinks in here. It's a disgusting nasty

30:26

smell. It's terrible. Holy

30:29

shit. What does that smell? I don't

30:31

know. It's a dead animal.

30:33

Did you take a shit. Yeah.

30:35

No, man. It's a dead animal, Joey.

30:37

It's a dead animal. And the dead

30:39

animal come out of your ass

30:42

wood. snow Joey, there's

30:42

a dead animal and it's in that

30:45

closet. Do you see the flies around the

30:47

closet? It's in the closet.

30:50

If you wanna go in another closet again, go for

30:52

it, man. She really likes the waterworks.

30:55

Well, she's eight years old,

30:57

Joey. You know, I was eight once That's

31:00

into that story.

31:02

I'm going to the closet.

31:04

We'll see what's what around here.

31:06

get going dirt. Okay,

31:09

Roger. Whatever you want. Let's talkin'

31:11

more walkin'. Oh,

31:13

putin' stink. you

31:15

dressings of hell.

31:18

oh Is

31:20

that you dirt? You're sticking little

31:21

turd? It's something in this

31:24

closet. I'm gonna check it out. So you grab onto

31:26

the handle of the closet and you go to

31:28

pull it open and it's locked.

31:31

Roger, you

31:31

gotta be more keys? Not

31:34

for closet. Why

31:35

don't you bash it down? You're so big and

31:37

strong? Show me how

31:38

strong you are Joey. There

31:41

we

31:41

go. Fine. Fine. Fine. You still get that

31:44

poker?

31:44

No. I dropped it a long

31:46

time ago. you guys are good for that. You

31:48

know, I've got wait. I've got firecrackers

31:50

on how many do you

31:52

have dirt one? One.

31:55

Yeah. Give it a

31:57

give it a alright. Here you go.

31:59

Okay.

31:59

Let's bust this open. you

32:02

kind of find a place to balance the firecracker

32:04

in the space between the knob and the

32:06

lip of the latch's strike plate. Okay.

32:09

You bet. You bet. It

32:13

pops. The knob is

32:15

busted and the latch itself is clearly

32:17

pretty banged up. Then I'm gonna give it a

32:19

few good kicks. The

32:22

frame slinchers under your foot,

32:24

and the closet door

32:26

slowly swings open. Joey.

32:30

As the light pours into the

32:32

closet, you can see a slick red

32:34

stain on the floor. what

32:35

is that? I'm

32:38

gonna throw

32:38

the door open. There for everyone

32:40

to see. Slumped against the back wall

32:42

is a corpse. a mutilated

32:45

body. What is

32:46

it? It's

32:50

an older

32:53

man wearing a heavy jacket and

32:55

trousers. He has obviously been knocked on

32:57

by rats. His eyes and lips

32:59

have mostly been chewed away,

33:01

leaving it terrifying skeleton

33:03

like grin. There's some kind of

33:05

heavy cord wrapped around his neck

33:07

and his left hand is missing from body

33:10

entirely. Everyone

33:12

rolls sanity. I rolled a

33:14

fifty two. That's not good. I

33:17

rolled a eight. I'm

33:19

okay. I I rolled in eighty two

33:21

so I definitely failed.

33:22

I rolled the sixty nine so I just

33:24

barely made

33:25

it. Okay. Everybody who made it loses

33:27

d four sanity. Everybody who

33:30

failed loses 2D62D6

33:34

God. I just lost ten

33:36

points of sanity. Oh,

33:40

shit. Oh,

33:40

boy. It's about to get real. Oh

33:42

my god. I only lost one.

33:44

That took me down four points.

33:47

I lost six. What are you at?

33:49

Forty nine. I am at twenty

33:51

seven. Alright. Everybody come. Yeah.

33:54

Oh, yeah. What do you think is wrong

33:56

with his face? That

33:58

is gasoline. That is

34:00

cold though. dirt and woods.

34:02

Both of you

34:02

make an intelligence check. I rolled

34:04

twenty two. Okay. Out of fifty

34:06

five. Forty three. Oh, wait.

34:08

Out of fifty,

34:08

so I'm fine. Oh,

34:09

so you made them both.

34:11

What that means is you guys both grasp the gravity of

34:14

your situation.

34:18

Yes. Dirt. you realize

34:20

that they've brought you here to kill you. That's

34:22

the only thing that makes any sense about

34:24

this. You're not my

34:26

friends. You're not

34:28

my friends. Hey. Just calm down. You can't do

34:30

that to me. Stay back. The

34:32

bats. The bats will be your friends. The bats

34:34

are my only friends and all

34:36

the things live in the dirt.

34:38

You back away from everyone else, into the closet, stumbling over the body of

34:40

the dead man, and up above you,

34:42

you see a hole in the ceiling

34:45

that looks up into the attic. On the flyway, we'll

34:48

show you.

34:50

No dirt.

34:50

My

34:53

hand hurts really bad. This

34:55

is hard with one hand.

34:57

The skin is coming off. But every

34:59

time I grab at the hole

35:01

another fingernail comes off. I didn't know I had so

35:03

many fingernails.

35:04

woods

35:06

Woods. Obviously, there's

35:07

no good reason for

35:09

show you to open that closet other than

35:11

to intentionally terrify your little

35:13

sister. She's

35:16

just little kid. You launch

35:17

yourself in furious rage at

35:20

Joey. Wow.

35:22

You're doing this oysters now. Do

35:25

get it your feet. Oh, you get

35:28

off me once I'm wearing you

35:30

back. Then I pull up

35:32

my pocket knife and I just throw it

35:34

Jamison and Joanna girl. Jamison and Joanna try to fucking help. What are

35:37

you by your wrist? Like, hey. Let me

35:39

know. Hey. Bring yourself here, dude. I've

35:41

never happened to her. grandma

35:44

told me to bring her. Oh, my

35:46

grandma told me to

35:47

bring her. Whatever. I just started I'm

35:49

gonna roll my item.

35:51

Yeah. Both of you make a fight check. I rolled a

35:54

sixty nine. I failed. I got a

35:56

seven. That's enough to make it

35:58

happen though. would

35:59

you

35:59

hurl yourself at Joey like a

36:02

berserker trying to knife his eyes

36:04

clean out of

36:06

his skull. unfortunately for

36:08

you, Joey's a rough customer. He's

36:10

taller than you. He's able to push you

36:12

away and just keep you at arm's length

36:14

until you could kind of come to your senses

36:16

to realize, this is not the

36:18

scout's way.

36:22

Oh, gee.

36:24

tried to take

36:25

my eyes out with that thing. I'm

36:28

sorry. You have to cry

36:30

about it. on

36:32

my order. I wish you a nice nice for that. I

36:34

will do my best to do my to my God and I

36:36

will come to my country and it'll be the scouts

36:39

low help other people in all times to keep

36:42

myself physically stronger. Living out

36:44

mentally awake and

36:46

morally straight. Woodward, this

36:48

is all over. I might I want to get you

36:50

an egg green when it is over too too funny. You

36:52

want to add green and to the country.

36:54

If I didn't want to add green, to be missed. No.

36:56

Fuck. You just you just Guys,

36:59

this man. He goes over to where

37:01

it comes. crouch. I put

37:03

my arms around it, but I'm gonna attempt to

37:05

be a

37:08

pal. you

37:10

roll a

37:11

ten. Okay. Sixteen

37:12

is one pizza. Okay. So the

37:14

the

37:14

calving touch of your little sister

37:17

brings you to

37:20

your senses.

37:24

I'm sorry,

37:26

Joey. I'm

37:30

sorry. sorry

37:32

too. Look at you. I'm

37:33

sorry that my

37:34

gosh. What are we doing here?

37:36

What is this place? Look.

37:40

Look. Look. look, if you want me

37:42

to level with you, all I can say is that,

37:44

look, Roger just wants to freak

37:46

you out. Just deal with

37:48

it. You should be fine.

37:50

Come on. just deal with this as a dead body, Joey.

37:52

What's it? Roger, did you put this

37:54

here? You you said you put

37:56

candles everywhere.

37:58

Did you put a dead body in the closet? As you turn

37:59

you you you realize

38:02

Roger's nowhere to be seen.

38:04

Roger, did you put this

38:06

here? Oh, I don't think he's

38:08

gonna come to your web every time

38:09

you start whining. You've been whining since we

38:11

got here. What does he

38:13

do? Why are you hanging out with him, Joey?

38:15

There's a dead body in the

38:17

closet Hey. Hey. Hey. To be

38:19

his protege, what is

38:22

wrong with you, Joey? Hey. Sometimes you

38:24

gotta pay your dues.

38:26

Pumps jump up to get beat

38:28

down. I'm trying to climb my way to the top

38:30

and not be worm food like you

38:32

are. That's what

38:34

I'm doing. Alright? I'm paying meduce,

38:36

working for Roger. And one day,

38:38

Roger's gonna move on, and then I'll

38:40

be Roger. Roger queue.

38:42

That's gonna

38:44

be me. You wanna be Roger. You wanna be that crazy

38:46

guy who's writing

38:46

things on a wall. You wanna be the

38:48

person who's branching a knife. It it

38:52

other kids. You wanna be that guy. He's just

38:54

having a good time. That's all

38:55

he's doing. If you

38:58

want me to do it, I'll

39:00

find Ron budget for you. I'll try it in this for you. Said

39:02

you can't handle it. You're gonna have a heart

39:04

attack and you're only like,

39:06

what? Twelve? say

39:09

give me words, I'll be

39:12

back. I just hold on to Chelsea

39:14

and I just, like, just hug her close

39:16

to me. It's okay, Tommy. It's

39:17

all gonna be okay.

39:20

Thanks,

39:22

Chelsea.

39:57

You

39:57

know, I happened upon a dead

39:59

body once. Of course, that was

40:02

nothing like this and what these children are going

40:04

through. the And,

40:06

well, That's

40:06

a story. But first things

40:08

first, what kind of

40:09

friend of the audio theater would I be?

40:11

If I didn't take a moment here

40:13

at this critical juncture, to

40:15

remind you that this series would not

40:18

exist or it not for listeners like

40:20

yourselves becoming a patron of the arts

40:22

and supporting

40:24

this show. If you head to patreon dot com slash

40:26

omnibus media, you can become a part of the

40:28

community of listeners receiving

40:30

early releases updates on

40:32

production and keeping all cast and crew

40:34

and kerosene during these darkening

40:36

days. That door is always

40:38

open,

40:39

but friends, There's

40:40

a limited engagement underway. The call of

40:42

Cthulhu Mystery Program's next adventure, the

40:45

case of the Penumbral Gate being

40:48

funded on indiegogo right

40:50

now. As an independent

40:52

production, we live and die

40:54

by our funding and folks

40:56

I'm not exaggerating when I say that the future of program is

40:59

entirely in your hands. Head

41:01

to cthundermistry dot comcloud

41:04

Fund and

41:06

join us in cracking the case of the Penumbral Gate. you

41:08

do, you get access to

41:10

the black market, a menagerie

41:14

of exclusive items and experiences from Fish coins to

41:16

role playing games run by our own

41:18

keeper to artists to cast through our

41:20

magic rituals conducted at your

41:22

command. Talk us a cop or to keep

41:24

this cthulu kicking. Again,

41:26

that's cthulu mystery dot com

41:28

slash crowd fund. And

41:31

I did promise you a story. So I

41:34

will trust that you have followed my

41:36

instructions, you are currently

41:38

examining the crowdfunding campaign for

41:40

yourself, and Well,

41:42

let me reward your diligence with

41:44

my brush with someone else's death.

41:47

Folks, I am not ashamed

41:49

to say that Once upon a time, like many

41:51

across this great nation, I was without a

41:54

job and without a

41:56

home.

41:56

It is

41:57

a dog eat dog world out

41:59

there, riding the rails, and taking

42:00

what MIGA opportunities the road offers.

42:03

One night, I rolled in

42:05

the

42:05

town late and folks

42:06

I

42:08

knew better, but the light of a diner in the heart of

42:10

town drew me in like a moth

42:12

before I could get there.

42:14

get there when you know it, but police

42:16

rolled up. They didn't

42:18

take too

42:18

kindly to a rough looking jet like

42:20

me walking their streets, so

42:23

I booked a sky opened up. I mean,

42:25

it rained so hard. It got my

42:27

bones wet, but I disappeared

42:29

into the downpour. and his luck

42:32

would have it. I

42:32

found a banquet window that was unlocked.

42:35

Soon

42:35

as I slipped into the darkness below, I

42:37

had to fright of my life.

42:39

I tumbled directly onto the clammy carcass of

42:41

a cadaver. He was laid out for some late night

42:44

funerary preparations, and of course, my

42:46

screams brought the mortician and grab a

42:48

smoke break. But

42:50

back then, my survival skills were honed sharp. Running

42:53

on more instinct than since I grabbed

42:55

the stiff off the table. And when

42:57

the lights flipped on, what should that

42:59

poor morticians see that a pale figure rise from behind the

43:01

operating table, propped up

43:03

by yours truly? And

43:05

I thought I made

43:08

tracks. Look, folks, I

43:10

I'm not proud of what I did there.

43:13

wow Well,

43:14

maybe a little. But the fact

43:16

is, I wouldn't be here today if

43:18

it weren't for the deceased. His

43:20

death gave me a new life

43:23

because what should I find me a

43:25

buy but a crisp clean

43:27

suit fit to be buried in

43:29

just my size? So I stepped out into that

43:31

brand new day, rinsed clean by the

43:34

rain, freshly shaven, thanks to the Coke's

43:36

beautifying accoutrement, shop

43:38

suited and

43:40

two bits, Richard. I'll pay the ferryman double when I get to the River

43:42

Sticks. The point is that very

43:44

day with an abundance of divine

43:48

providence, This David Dan landed himself a

43:50

job at a radio

43:52

station. So he is to that

43:54

daily deposit, and he is to

43:56

these late late

43:58

hours where the mine

44:00

weaves sinister tapestries

44:02

that hang hauntingly in the

44:04

Hebe, GB half light of our heads.

44:07

To make this toast complete, I present

44:09

to you the tune cut from the

44:11

same cloth as the spectral

44:14

sheets with

44:14

two holes for eyes.

44:16

an

44:17

eerie audio emanation by

44:20

Jordan Lending filled with

44:22

fragmentary images to muddle in the

44:24

mirror of your mind. LEDding

44:26

is a songwriter and producer of

44:28

a staggering sonic scope. He's

44:30

written records of popular music and

44:32

classical strings, scored motion pictures like the Western Old

44:35

Henry or the zombie comedy make

44:37

out with violence. and

44:39

its lyricism is the stuff of an Edward

44:42

Burtreus, sublime and beautiful,

44:44

equal parts to style,

44:48

and fantasticoria. this song in the record it comes from

44:50

is very much the

44:51

letter. Lovely listeners from

44:53

the album, three

44:56

colored wall, behold the

44:58

eerie beauty of a

45:00

walking picture

45:02

picture.

45:51

Something

45:57

is telling me.

46:15

But

46:24

said before,

48:02

Thanks for

48:10

listening.

48:10

to the Call of The Lumistry

48:13

program. This series is recorded and

48:15

produced in Central Florida and

48:17

Nashville, Tennessee, on land stolen from

48:19

their indigenous peoples. the camukui

48:21

and Seminole, and Youshheet,

48:23

Chikasar, Johnny, and Cherokee

48:26

respectively. Recognishment of

48:26

the first peoples of these lands

48:28

and the lasting repercussions of colonization

48:30

is just the beginning of the

48:32

restorative work. That is necessary. Through

48:34

awareness, we can prompt allied

48:37

ship action

48:37

and ultimately

48:40

decolonization. borrowings to

48:40

aid indigenous efforts and to learn more about the

48:42

first

48:42

nations of the land where you

48:45

live, visit katulomistry dot

48:48

com slash land back. If you enjoyed this

48:49

podcast broadcast, please rate

48:52

interviewers on

48:52

Apple Podcasts or podcast,

48:54

and be

48:55

sure to scribe to our series

48:58

via your favorite podcast player to get all the latest episodes.

49:00

Episode three, play things was

49:02

written and performed by Luke Straps.

49:04

Kat

49:06

Schackart, Crystal Brain, Amanda Bruno, Brandon

49:09

Gerson, and Colin Peterson.

49:11

With additional scripting

49:12

and story

49:13

editing by Kat Flaggard and performances

49:15

by Cynthia Beckett and Reuben Kettler. Editing

49:18

and mastering is by executive

49:20

producers Colin Peterson and

49:22

Cat Flaggard. It's produced

49:24

by John Sebastian LaValle, and

49:26

Jessica Mudd is associate

49:28

producer. Our original score

49:29

is composed and performed

49:31

by Ryan McQueen Mike McQueen of neon dolphin. Oh,

49:33

for all your custom music needs and

49:36

more, neon dolphin music

49:38

dot

49:38

com. The call of mystery

49:40

program is proudly played using chaos in

49:42

the call of cthulhu's seventh edition. Night

49:44

at Howling House is based on

49:47

the day. by Kevin

49:48

Ross with revisions by Rick

49:50

Kramer, published by Sentinel Hill

49:52

Friends, the full episode credits

49:56

transcripts as well as Therapeutics and other supplemental material visit

49:58

ketturometry dot com. This

50:00

podcast would not be possible without

50:03

support uplisters like you and

50:05

our incredible team

50:06

of Patreon producers. Joe Take

50:09

Mercieredelli, Mirona, MK86, John

50:12

Hutchinson, John T. Reg,

50:14

Josh King, and Patrick

50:16

Webster, and our

50:18

executive picture on producers, Big Fat Shadow Man,

50:20

Marcus Larson, Jamie Sun

50:22

Malone, and Becky Scott

50:24

Farley. Join

50:26

team at patreon dot com slash omni verse media.

50:28

All characters

50:29

appearing off fictitious, and

50:31

any resemblance to the verse living

50:33

or dead is purely coincidental.

50:36

This has been the call of the

50:38

Dolby

50:38

Street program. Good night.

50:42

Omni

50:46

verse.

50:50

the

50:50

fable and falling network where fiction producers flourish.

50:54

Space putty. An

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actual play DND

50:57

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51:02

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Keep listening for a sneak

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don't miss the first episodes. Set in

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51:13

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51:15

Acting captain's log We've crashed

51:18

our flying birdbath mansion,

51:20

long story. The party of groundling

51:22

adventurers on board is kind

51:24

and heroic, but untrusted, and is staring

51:26

at me. It consists of a

51:29

traumatized menator. You you would

51:31

have traumatized. A spooky asamark jar.

51:33

I'm an adult. An adult. Asafar child,

51:35

whom I suspect to be enthralled by a hidden power, and the

51:37

most headstrong elf I have ever met.

51:39

And that includes Rascal Garr,

51:42

the kinda plasmically

51:44

records from the former Arachinen Z. Sounds fun.

51:46

Also, the mansion's kitchens are

51:49

out of jail. Who

51:50

am I gonna

51:52

function? Space pottady. Find us wherever your

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podcasts are.