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The History Of European Theatre

Philip Rowe

The History Of European Theatre

Claimed
A weekly History, Arts and Performing Arts podcast featuring Philip Rowe
 3 people rated this podcast
The History Of European Theatre

Philip Rowe

The History Of European Theatre

Claimed
Episodes
The History Of European Theatre

Philip Rowe

The History Of European Theatre

Claimed
A weekly History, Arts and Performing Arts podcast featuring Philip Rowe
 3 people rated this podcast
Rate Podcast

Episodes of The History Of European Theatre

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Bonus Episode 34:Guest Dr Agata Luksza discusses her book 'Polish Theatre Revisited' where she examines theatre fan culture in Warsaw in the late 19th century.Dr Agata Luksza is an assistant professor at the Institute of Polish Culture, Univers
Episode 116:As an introduction to the season on Shakespeare this episode gives a timeline of events in Shakespeare's life. The focus is on the best estimates for the dates of all his plays and the reasons for those estimates, but also includes
Episode 115:A dive back into Ancient Greek theatre with a look at 'The Frogs' by Aristophanes.A recap on the life and plays of Aristophanes.A summary of the plot of the play.Analysis of the main points raised by the play. A short word on a rece
Episode 114:As an introduction to season six of the podcast in the first part of this episode I lay out the aims for the next season and the approach I will be taking to the monoliths of early English theatre tha tare Shakespeare and Jonson.In
A bonus episode where Peter Schmitz of the 'Adventures In Theatre History - Philadelphia' podcast takes us through an overview of the development of theatre in Philadelphia.Peter Schmitz is an actor, dialect coach, and teacher of Theater Histor
A short New Year message and about the timing for the start of season six of the podcast.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
Episode 113:As a coda to season 5 this episode is a potted history of the life of Augustine Phillips, player in the Lord Chamberlin's Men, with the details taken from documented records.Support the podcast at:www.thehistoryofeuropeantheatre.com
Episode 112:To close season five of the podcast I pick up three items I dropped in the previous narrative and then offer some concluding thoughts:Thomas Watson – the life and works of the possible co-author of ‘Arden of Faversham.Henry Chettle
Episode 111:The true story behind 'Arden of Faversham'The plot outline of the playIs the domestic tragedy really tragedy?The main themes of the playThe domestic eating of the playThe low charactersThe role of destiny in the playQuestions of aut
Episode 110:The problems of the lack of evidence about conventions and acting style.How a player learned his craft.The rhetorical or performance style of acting.Theatre as a poetic form.The rhetorical style is overtaken by a more naturalistic s
Episode 109:We don't know a lot about individual players of the Elizabethan and Jacobean stage, but there are three stars of the day that we have some information about. Richard Tarlton, the Queen’s favourite comic player.Will Kempe’s origins a
Episode 108:The second part of the story of Thomas Dekker and his works'Old Fortunas' - Dekker's first known play‘The Honest Whore’, a good example of what was good and bad in Dekker’s work.‘The Civil Wars in France’ - three parts, an introduct
Episode 107:In the first of two episodes on Thomas Dekker I discuss his earliest life and his prose works.Dekker's early life and first forays into the playhouse.His prose work 'The Wonderful Year'The Gull's Handbook - with some extensive quote
Episode 106:We have the detail about the way a London playhouse functioned thanks, in a large part, to one document.  Theatre owner Philip Henslowe kept a record of many aspects of his enterprise at the Rose theatre from 1591 to 1609.  A large
Bonus Episode 31Guest Jacob Bloomfield discusses his book 'Drag: A British History', with particular reference to Arthur Lucan (AKA Old Mother Riley), the drag review shows that came out of both WW1 and WW2 concert parties and the demise of the
Episode 105:The life of Thomas Kyd, including a word on Elizabethan schooling.Thomas Nashe on Kyd.Kyd and the London playwright set.Kyd and Lord Strange.Questions over the first performances of ‘The Spanish Tragedy’.Is ‘The Spanish Tragedy’ a s
Episode 104:Continuing the story of the Elizabethan theatre buildings.The construction of The GlobeMaster carpenter Peter StreetThe death of The GlobeThe Fortune - Henslowe's replacement for The RoseThe Whitefriars TheatreThe Hope - Henslowe's
Episode 103:The story of the next phase of theatre building in Elizabethan London featuring the indoor and outdoor playhouses.The First Blackfriars TheatreThe CurtainPhilip HensloweThe Rose Francis LangleyThe SwanThe Second Blackfriars TheatreS
Episode 102:The sources of information on the playing troupes.The Earl of Leicester’s Men – the earliest recorded acting troupe.How troupes operated under the patronage of their master.The royal patent and how it changed the way troupes operate
Episode 101:How Marlowe’s other plays differ from Tamburlaine and Dr Faustus.The plot of ‘The Jew of Malta’.The depiction of Barabbas the Jew and how it might have been received by the audience.‘Edward 2nd’ as a history play rather than a trage
As my own small contribution to the celebrations of the 400th anniversary of the printing of the first folio of Shakespeare's plays in this third and final episode of a short mini-series I look at the printing and selling of the First Folio an
Episode 100:Dr Faustus is one of the most influential plays of the Elizabethan period.  Most commentators see this play as Marlowe’s masterpiece, and it is certainly the most performed of his plays through the centuries.The two printed version
As my own small contribution to the celebrations of the 400th anniversary of the printing of the first folio of Shakespeare's plays in this second episode of a short mini-series I look at the inspiration and motivations for the First Folio and
Episode 99:Marlowe’s ‘Tamburlaine the Great’ is a play in two parts, an early example of a writer responding to popular acclaim by giving his audience more of the same, but for all of that mercenary motivation, and the fact that the first part
As my own small contribution to the celebrations of the 400th anniversary of the printing of the first folio of Shakespeare's plays in this first episode of a short mini-series I recount a recent journey to London to see copies of the first fol
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