Lloydie James Lloyd
The Improv Chronicle Podcast
Claimed 2 people rated this podcast
Lloydie James Lloyd
The Improv Chronicle PodcastClaimedEpisodes
Lloydie James Lloyd
The Improv Chronicle Podcast
Claimed 2 people rated this podcast
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Best Episodes of The Improv Chronicle Podcast
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What happens when one artist takes up too much space? This episode, Lloydie dives into the delicate dance of sharing the spotlight. We hear from Swedish improviser what happens when one artist takes up too much space? In this episode of The Imp
Have you ever watched an improv scene unfold and felt like you were witnessing a real-life magic trick? That's the power of the 'choose to know' philosophy in improvisation, as taught by the acclaimed actor and improviser Craig Cackowski. In th
In a groundbreaking move, two improv theaters from different cities forge a unique collaboration, setting the stage for a new era of improvisational comedy. This episode takes you on a journey from Chicago to Brooklyn as Lloydie explores the pa
Is the initiation of a scene all that important? How do we make a good start? What are different ways of starting off? This episode we delve into the essence of what makes a good scene start. Guest Rob Norman shares his wisdom on the importance
Step behind the curtain with Lloydie on the Improv Chronicle as he lifts the lid on a situation impacting a growing number in the improv community: burnout. Lloydie connects with Laura, a member of the Glasgow improv scene and producer of Edinb
Navigating the nuances of forming an improv team can be as complex as a well-crafted scene. In this episode of The Improv Chronicle Podcast, we delve deep into the essentials of team dynamics, commitment levels, and the alchemy of personalities
In the delicate dance of life's minor dramas, improvisers find a canvas rich with comedic potential. But how does one transform the everyday into an engaging slice-of-life scene on stage? In this episode of The Improv Chronicle Podcast, we delv
How does acting training help improvisers?Three improvisers who trained as actors share what acting training can give improvisers to help make their shows better - and how improv helps their acting too.On this episode you hear:Eleanor Stankiewi
A new year, new you? Looking to supercharge your improv with some tips from great improvisers? The Improv Chronicle has got you covered. In the last four and a half years, this podcast has spoken to a lot of improvisers and gained a lot of insi
A new year, new you? Looking to supercharge your improv with some tips from great improvisers? The Improv Chronicle has got you covered. In the last four and a half years, this podcast has spoken to a lot of improvisers and gained a lot of insi
What's the point of putting a bunch of students on stage after they have been learning improv for a series of weeks? How much does it add to their learning and how do we set these shows up for success. Hear from Lloydie's students after their m
How can we use lighting and sound better in our improv. In this episode, you hear from two improvisers who also do tech and who give you a view from the tech box. This episode aims to help on-stage improvisers and improv teams think more about
How can we use lighting and sound better in our improv. In this episode, you hear from two improvisers who also do tech and who give you a view from the tech box. This episode aims to help on-stage improvisers and improv teams think more about
Is the medium of improv too often confused with the genre of improv? Surely improv isn’t one thing in the same way that theatre isn’t one thing. The genre is not the medium. This episode explores how we make the distinction between improv and s
Why is it that some improvisers avoid playing with an older improviser, or when they do get to play with them, they make them their grandparents? Given some of the most famous, gifted improvisers who sell out shows are over the age of 60, why d
Moving your life to a new town or city is a big undertaking - there’s a lot to sort out. So what’s it like getting settled in a new city’s improv scene? Hear from three improvisers who have moved their lives to another city and then worked on f
Improvisers from different cities across the world talk about the many and varied changes that have happened to their scenes. From theatres closing to new ones opening - from scenes losing improvisers to those who are gaining new performers. He
Whether you are an improviser who hesitates to walk on, or someone who just can’t resist entering a scene, you know a walk-on has the power to change what is happening on stage. Marcel Blanch-de Wilt is a Sydney-based improviser and he believes
Whether you are an improviser who hesitates to walk on, or someone who just can’t resist entering a scene, you know a walk-on has the power to change what is happening on stage. Marcel Blanch-de Wilt is a Sydney-based improviser and he believes
Slowly, gradually, in some parts of the world, live shows are coming back. For some performers it’s their first shows back in front of a live audience in 16 months. That sort of gap between shows is something many improvisers never thought they
What happens when two improv organisations in different parts of the world happen to have the same name - and then discover each other exist?This is the story of The Improv Place, USA and The Improv Place, UK. Last week, after a series of conve
What happens when two improv organisations in different parts of the world happen to have the same name - and then discover each other exist?This is the story of The Improv Place, USA and The Improv Place, UK. Last week, after a series of conve
How do we turn a scene around when it isn't going as well as we intended. This episode, host Lloydie gets voicemails from improvisers around the world with top tips on how to rescue a scene that's not going well.Support this show http://support
How do we turn a scene around when it isn't going as well as we intended. This episode, host Lloydie gets voicemails from improvisers around the world with top tips on how to rescue a scene that's not going well.Support this show http://support
How much do external factors like the space we play in or the audience have an influence on what we do on stage as improvisers - and how much impact should they have? Three improvisers from three different countries give their thoughts on the i
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