This is Part 2 of a great three-part conversation with St. Louis Symphony Orchestra violist Michael Casimir. If you, or someone you know, wants to be a professional artist, this is a must listen. Michael answers the big question - does he think young people should "go for it." The episode begins with him resolving the cliff hanger at the end of Part 1 - does he still hear those voices in his head that tell him he got the job because he's a person of color.  He gives props to teacher Roberto Diaz of Curtis Institute who inspired him to not go down the road of pursuing substitute positions reserved for black musicians, and instead "break down the door" by striving to be the best of the best and win a position outright based on sheer talent.  He talks about having stand partners at Julliard and Curtis  years younger than him who played better, and how it lead to panic attacks over thoughts of being an unemployed musician. Michael offers fascinating insights into the harrowing process of auditioning for professional orchestras. Host Steve Fisher also shares what he typically advises young people to do when they ask if they should go into the arts, and cites the exception he made with Michael's fellow Keystone State Boychoir (KSB) alum Bobby Hill in the aftermath of his spontaneous, viral performance for the Pope. Steve and Michael talk about the importance of authentic partner arts programs with under-resourced schools, the importance of community-based arts programs for both underserved AND privileged young people. Steve  tells a funny but poignant story about two founding members of KSB, from very different backgrounds, on a flight to South Africa. Steve and Michael also muse on other topics, such as how not boring your audience is more important than being artistically perfect, letting your body "sing," and what it takes to get your task master Dad to finally give you the keys to the car.  You can visit Michael's website here.  Join the podcast e-list by clicking here and be entered into a drawing to win a trip to New York to see The Last Boy...a new play with music on Broadway, meet the cast backstage and attend the VIP after-party.