Watership Down (Rosen, 1978) is, without a doubt, one of the pivotal cinematic experiences in my life. It captivated me at a very young age with its danger and darkness. It also taught me a number of valuable lessons, things I have thought about ever since. Fortune favoring the bold… The post Episode 172 – Watership D... more
Seven Samurai (Kurosawa, 1954) is truly a foundational film, not just of Japanese cinema, but of world cinema. Because it is has become a touchstone for so many tropes and devices that we recognize today, you might think that it is a stuffy film, or a hard slog because of… The post Episode 171 – Seven Samurai appeared... more
It’s that most wonderful time of the year again! In this episode, The Magic Jack O’Lantern 2021, we once again bring you our list of viewing tricks and treats to celebrate the season. We watched one Halloween inspired title every day in October and now pass the list and our… The post Episode 170 – The Magic Jack O’Lan... more
The Cole-o-ween festivities roll on here at Lantern HQ! This time around we are discussing one of our favorite underappreciated zombie classics, Let Sleeping Corpses Lie (Grau, 1974). This one has it all – beautiful locations, social commentary, hideous reanimated dead, and genuine scares. It acts as a bit of… The pos... more
Is there anything you find impossible to watch? Or how about just very difficult? For me, The Invisible Man (Whannell, 2020) is that film. I do have some personal history that makes what Cecelia is going through exceptionally poignant, but even without that sort of connection, I suspect a lot… The post Episode 168 – T... more
Gray’s Anatomy (Soderbergh, 1996) is the last proper cinematic monologue we have from Spalding Gray. That’s a little ironic. Here, he navigates neuroses, a serious eye injury, and what he terms the Bermuda Triangle of health to come out the other side a little wiser, more experienced, and with his… The post Episode 16... more
Harlan County, USA (Kopple, 1976) is still a gut punch some fifty years later. Watching the violent and bloody events unfold as miners strike to be recognized for their union organization, for better wages and more safety measures, and simply to live by the end of their shift, their voices… The post Episode 166 – Harl... more
Shadow of a Doubt (Hitchcock, 1943) was a turning point in the career of the master of suspense. It was reportedly Alfred Hitchcock’s favorite film he ever made. It is also what I consider to be his first truly American film. Once he looked into small town America’s heart of… The post Episode 165 – Shadow of a Doubt a... more
Butch Cassidy and the Sundance Kid (Hill, 1969) is a delight to watch time and again, a true piece of entertainment that seems to hit all the right notes. Surprisingly, the film was not an immediate hit with some critics or with directors like John Boorman who were confounded by… The post Episode 164 – Butch Cassidy a... more
The Last Picture Show (Bogdanovich, 1971) will break your heart in a million different ways, all of them Texan. As an expatriate from a town very much like this, it hits me where I live. I’ve seen those fights on Main Street between guys who were best friends and will… The post Episode 163 – The Last Picture Show appe... more
When we first see Mona, she is already dead. In Vagabond (1985), Agnès Varda then sets about to reconstruct the last days and weeks of this young woman’s life, as witnessed and retold through the eyes of others. We learn that none of these people really seemed to know Mona,… The post Episode 162 – Vagabond appeared fi... more
Gillian Armstrong’s My Brilliant Career (1979) belongs to a special category of films in my personal canon. Sometimes a movie hits you like a bolt out of the blue and you know it is going to be a permanent fixture on your list of favorite films of all time. The… The post Episode 161 – My Brilliant Career appeared firs... more
Is Rushmore (1998) your favorite Wes Anderson film? It is certainly mine. When I first saw it in the theater when I was about 22, it hit me where I lived. This rich vein of the blackest comedy combined with pathos of a young man’s singular saga delighted and moved… The post Episode 160 – Rushmore appeared first on The... more
We owe a debt of gratitude to Tremors (Underwood, 1990). Its arrival kicked off another boom cycle for one of our favorite subgenres – the creature feature! About every twenty years we get a new permutation of this subgenre and now it was the nineties’ turn. It was time for… The post Episode 159 – Tremors appeared fir... more
Is Diabolique (Clouzot, 1955) a film noir or a thriller? We firmly assert that it is one of the most delectable, and yes, diabolical noir masterpieces to come out of the 1950s. That it manages to be thrilling as well is a testament to the deft hand of Henri-Georges Clouzot,… The post Episode 158 – Diabolique appeared ... more
It’s May again! And you know what that means around these parts – film noir. We are in our second year of the Noir City festival postponement in Austin due to COVID, but we are soldiering on with some of our favorite titles that fall under the broad heading of… The post Episode 157 – The Square appeared first on The M... more
By special invitation from Mira Nair, we are guests at the raucous, glorious, marigold-covered Monsoon Wedding (2001). Delhi, its sights and sounds, its people, its rains, and its power outages are the setting for the traditional wedding ceremony set to consecrate the arranged marriage of Aditi Verma to Hemant Rai.… T... more
Much like the electric light, telegraph, and motion pictures it chronicles, My Twentieth Century (Enyedi, 1989) is a marvel of its age. Luminous to the point of transcendence, it is quite simply one of the most beautiful things ever committed to film. The divergent paths of our twin protagonists Dóra… The post Episode... more
Rapturous. This word perfectly describes my feelings about A Room with a View (Ivory, 1985). You could also use this word to describe my feelings about the scenery, the performances, the score, the costuming, and Italy itself. I have been saving this gem since we started the podcast, and it… The post Episode 154 – A R... more
I carry a particular impression with me about Robert Bresson’s L’Argent (1983). It strikes me as a stately and austere museum whose only exhibit is devoted to the artifacts of a tragic and deadly crime. As I wander its minimalist halls, I am met with object lessons and vivid displays… The post Episode 153 – L’Argent a... more
Julie Dash’s Daughters of the Dust (1991) is a groundbreaking and timeless film. It was the first feature film directed by an African-American woman distributed theatrically in the United States. It was a visual and artistic triumph, earning a Best Cinematography award at Sundance for Director of Photography Arthur Jaf... more
I have been waiting to talk about Charles Burnett’s Killer of Sheep (1978) for a long time. I first recommended it all the way back in episode 005. In my estimation, it’s one of the most important American films ever made, independent or otherwise. It’s a moving document of a… The post Episode 151 – Killer of Sheep ap... more
Have you had anyone in your life like the title character from Toni Erdmann (Ade, 2016)? A family member, a friend’s dad, a work colleague? And are you still traumatized? All kidding aside, writer/director Maren Ade, along with her actors Sandra Hüller and Peter Simonischek, delves deeply into the complexities of… The... more
It’s our first show of 2021 and we want to wish everyone a happy new year! To get things off on the right foot, I wanted to choose something special for this first episode of the year. I hope you’ll agree that I’ve found it. In the spirit of magic,… The post Episode 149 – Céline and Julie Go Boating appeared first on ... more
Welcome to Ants In Your Pants of 2020! It’s our sixth annual episode in which we reflect on our favorite film discoveries of the past year. We are so glad you joined us for this episode, as it was certainly a very different year for cinema-watching adventures. As always, our… The post Episode 148 – Ants In Your Pants ... more