Danita Steinberg & Emily Gagne
We Really Like Her!Episodes
Episodes of We Really Like Her!
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Much like cinema, we're back, baby! Our official TIFF 2022 dispatch is here. Grab a pen and paper (if you're an analog lover like Emily) because we've got women-directed recommendations for your fall watchlists: Canadian gems ROSIE, THIS PLACE,
On the finale of their Fondavision miniseries, Emily and Danita try to wrap their heads around why someone as incredibly talented and charismatic as Jane Fonda would sign on to something as outrageously bad as 2014's This is Where I Leave You.
On the penultimate episode of WRLH's Fondavision miniseries, Danita and Emily hit the books with 1990's Stanley & Iris, a.k.a. the movie that supposedly made Jane Fonda leave acting for 15 years. Would this box-office bomb have succeeded if it
This week on WRLH! presents Fondavision, Emily & Danita need a tequila shot before watching (and talking about!) Sidney Lumet's The Morning After (1986). Was Jane drunk on set, or is that just an IMDb rumour? How much can one woman go through w
Tonight on Fondavision (WRLH!'s miniseries dedicated to actor/activist Jane Fonda!), Danita and Emily have a lil' meltdown as they investigate 1979's The China Syndrome. Did this film, produced by and starring Jane, really start the war on nucl
This week on another instalment of WRLH's Fondavision miniseries, Emily and Danita take a trip across multiple universes as they thrust themselves into the warped world of space-set sex bomb Barbarella (1968). Is it fair to call this orgasm mac
This week on WRLH! presents Fondavision, Emily and Danita make it a special 2-for-1 episode with a double bill of California Suite and Coming Home. From revamping her image to making some of the most important films of her career, no one was bu
Danita and Emily are back from their winter break and ready to backflip into Jane Fonda's filmography! In this new episode of WRLH! miniseries Fondavision, they revisit the movie that Jane made to get her estranged father, Henry, an Oscar: 1981
On this week's episode of We Really Like Her!'s FONDAVISION miniseries, Emily & Danita travel back in time to the depressing, depression-era La Monica Ballroom. What do today's reality shows have in common with the cruel dance marathons of the
"Well now friends just lend an ear, for you're now about to hear ... the ballad of Cat Ballou!" On this week's episode of We Really Like Her!'s FONDAVISION miniseries, Danita and Emily ride into Wolf City, Wyomin' to hang with the infamous Cat
Get thee to a nunnery as this week's episode of FONDAVISION (a Jane Fonda miniseries from WRLH!) takes Emily and Danita to heaven and hell and back. Yes, it's time to talk 1985 nun-centric "neo-noir" AGNES OF GOD, which sees Jane playing a slig
After workin' 9 to 5, Danita and Emily are clocking back in with another politically charged film about workplace hazards: Tout va bien (1972). All is NOT well as they investigate how the sausage was made on this anti-capitalist film about cla
Emily and Danita are back on the clock with an all-new episode of Fondavision, WRLH!'s special series dedicated to ACTor and ACTivist Jane Fonda! Pour yourself a cup of ambition and pull up a chair as they revisit 9 to 5, the classic workplace
We saw so many great movies directed by women at TIFF21 that we couldn't fit them all into one episode! Reporting post-festival, we get into Jane Campion's The Power of the Dog, Mia Hansen-Løve's Bergman Island, Betsy West & Julie Cohen's Julia
After a short summer hiatus, we're back! Dispatching from the Toronto International Film Festival, your trusty (and tired!) co-hosts have been watching a lot of movies directed by women - at home and IRL! This week, we are covering the Best of
In an all-new episode of Fondavision, Emily and Danita get hung up on Bree Daniels, the true star and subject of the neo-noir classic Klute (1971). Why is fruit so titillating? Is Emily a True Freak for listening to the spine-tingling soundtrac
From Bob and Jane to Don and Jane! In an all-new Fondavision, Emily and Danita escape with the rag-tag team of ex-cons of Steelyard Blues (1973), the second on-screen collab between Jane Fonda and Donald Sutherland. Is this scatterbrained comed
In the finale of Fondavision's Bob & Jane trilogy, WRLH! co-hosts Danita and Emily take a ride with The Electric Horseman (1979)! Is this western romance co-starring Willie Nelson the Ultimate Robert Redford/Jane Fonda Experience? Where does on
Have some more fun with Bob and Jane as Danita and Emily take on the most recent (and final?) Redford/Fonda collab: 2017's Our Souls at Night! How has Jane's chemistry with her favourite co-star evolved over the years? How does this Netflix ori
Newlywed month continues with FONDAVISION's first foray into the Jane Fonda/Robert Redford canon: Barefoot in the Park (1967)! Does this Neil Simon rom com hold up aside from the TRULY UNREAL chemistry between "frequent collaborators" Jane and
This week on FONDAVISION ... Jane Fonda doing her best Blanche DuBois in a sub-textually queer film from the writer of Funny Girl (the play and film)! Listen in as Emily and Danita navigate Tennessee Williams adaptation Period of Adjustment (19
After a brief hiatus, Danita and Emily are back with a new instalment of FONDAVISION! Join them as they cringe through Jane's most problematic movie yet: 1977's Fun with Dick and Jane. What was Activist Jane thinking when she made this failed s
In the second episode of WRLH!'s Jane Fonda series, Emily and Danita take cakes to the face with the challenging (and, honestly, occasionally chuckle-worthy) Monster-in-Law (2005). Was this early aughts comedy the triumphant return to cinema th
WE'RE BACK, BABY! Join We Really Like Her! co-hosts Emily and Danita as they kick off Fondavision — a new series dedicated to the iconic works of the one and only Jane Fonda — with the politically and erotically charged opus that is Book Club (
Climb into our fur(s) and get cozy because we’re closing out 2019 with an extended episode dedicated to our favourite films directed by women this past decade! We’re talking everything from underrated tearjerkers (YOUR SISTER’S SISTER, anyone?)
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