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Writing for Children

Institute for Writers

Writing for Children

A weekly Arts, Books and Education podcast featuring Katie Davis
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Writing for Children

Institute for Writers

Writing for Children

Episodes
Writing for Children

Institute for Writers

Writing for Children

A weekly Arts, Books and Education podcast featuring Katie Davis
Good podcast? Give it some love!
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Episodes of Writing for Children

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AN INTERVIEW WITH HANNAH HOLT In this rebroadcast, we talk with Hannah Holt, a children’s author with an engineering degree. Her books, The Diamond & The Boy (Balzer+Bray) and A Father’s Love (Philomel) weave together her love of language and s
FOUR WAYS TO LEARN TO LOVE NONFICTION Many writers view nonfiction as less: less creative than fiction, less fun than fiction, less interesting to kids than fiction, and definitely something they want to do less often. Some will accept the poss
LAUNCHING A STORY FROM A TITLE Chances are you fall into one of two camps when it comes to titles: You either love creating them or you dread trying to think up something clever that will catch a reader’s eye. Thanks to Jan Fields, today we’re
TOP THREE NARRATIVE NONFICTION MISSTEPS Nonfiction is basically broken into two broad types. Expository nonfiction describes, explains, and informs. Narrative nonfiction uses story elements to convey a factual experience. Narrative nonfiction t
INTERVIEW WITH A CONTEST JUDGE In this rebroadcast, we interview frequent ICL contest judge and longtime instructor Nancy Coffelt. As well as being a multi-published picture book author and illustrator, Nancy is a fine artist and has been showi
TIPS FOR YOUR WRITER WEBSITE Every author needs a website—yes, even if you're not published yet. In the Internet age, your website acts as your online business card for readers and even prospective agents and editors. In this rebroadcast, we di
5 QUESTIONS ABOUT AUTHOR PLATFORM A while back I sent out a one-question survey. Writers could submit any one question about author platform and marketing. I learned a ton from reading all the questions that were submitted, but there were defin
INTERVIEW WITH VICTORIA BOND Victoria Bond is a writer and professor. Her novel, Zora and Me, co-written with T.R. Simon, won the John Steptoe/Coretta Scott King Award for New Talent and was nominated for an Edgar Award in the category of Juven
FINDING YOUR CHILDLIKE VOICE Voice is the number one thing that can make or break your children’s story. So, let’s see how to find a childlike voice that appeals to your audience. Readers love dialogue. It lightens the page, making the whole st
AUTHENTIC KID VOICES A while ago on the Institute's Facebook page, someone was asking about dialogue, which made me think again about this important writing tool. Readers love dialogue because it makes a scene and a character come to life. Dial
INTERVIEW WITH MAGGIE TOKUDA-HALL & JAMIE TAN Katie interviews award-winning author Maggie Tokuda-Hall and Candlewick Senior Publicist Jamie Tan about Maggie's latest book THE MERMAID, THE WITCH, AND THE SEA. We talk about: Gender fluidity in
ACTIVE AND PASSIVE VOICE Voice can be a tough thing to define and a tougher thing to master, but when I ran across this article about active voice and passive voice from my old friend Mary Rosenblum I knew I had to share it with my listeners. S
INTERVIEW WITH TALIA BENAMY Talia Benamy is an associate editor at Philomel Books (an imprint of Penguin Young Readers), where she focuses on everything from picture books to middle grade and young adult novels. She has worked on books by Chels
THINGS THAT MAKE EDITORS CRINGE Nobody wants to make an editor (or anyone) cringe when they read your manuscript. Inspired by a post from Jamie K. Schmidt, we’re covering 10 things that make editors cringe with tips to avoid them. Be sure to he
INTERVIEW WITH AGENT ADRIA GOETZ Adria Goetz is a Literary Manager with Seattle-based Martin Literary & Media Management. She primarily represents picture books, middle grade, young adult, Lifestyle books, quirky gift books, as well as everythi
SUBMISSIONS It’s the beginning of a new year. A time that we as writers like to set goals for our writing success and dream about what our writing career will look like next year at this time. Maybe one of your goals this year is to submit your
YOU'RE THIS CLOSE We're wrapping up our five part series on National Novel Writing Month (NaNoWriMo) with special guest Jamie K. Schmidt. Even if you're not writing a novel this month, we think you'll learn some tips and techniques to help you
NANOWRIMO SUCCESS PART 4 - THROW IN A DRAGON? We are continuing our November National Novel Writing Month (NaNoWriMo) celebration with tips for writing 50,000 words in one month, which is 1,667 words per day. This is Part 4 in our 5-part series
NANOWRIMO SUCCESS PART 3 - GET PAST THE SLUMP We are continuing our November National Novel Writing Month (NaNoWriMo) celebration with tips for writing 50,000 words in one month, which is 1,667 words per day. This is Part 3 in our 5-part series
NANOWRIMO SUCCESS PART 2 - DIGGING IN Welcome to Part 2 in our 5-part series to help our listeners get through NaNoWriMo with support, encouragement, and some great tips and ideas from Jamie K. Schmidt. Jamie is a bestselling author and a NaNoW
NANOWRIMO SUCCESS PART 1 - PREPARE National Novel Writing Month (NaNoWriMo) is about to start. Every November, writers from around the world set out with the goal of writing a novel, about 50,000 words, in one month. We thought, how cool it wou
TIPS FOR YOUR MYSTERY OPENING CHAPTERS The first page of your mystery needs to intrigue your reader. It has to pull them in and make them wonder what’s going on or who did it. Today we bring you tips for your first pages from author Chaunie Bru
PLANTING CLUES You’re in a race with your readers. The readers are trying to guess what will happen. You’re trying to spring that ‘whodunnit’ on the readers before they guess. Who will win? Those readers really don’t want to guess…they want to
INTERVIEW WITH KATE MILFORD Kate Milford is the New York Times bestselling author of The Thief Knot, as well as Greenglass House (winner of the Edgar award for juvenile literature, long-listed for the National Book Award for Young People’s Lite
PLANNING YOUR NOVEL At any time you speak to a writer, they may easily be either planning a novel, writing a novel, or revising a novel. Always. And sometimes a writer could be doing more than one of those at a time. As a result, a fairly strea
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