0:00

If you're like me, you can't get

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and starring John that will stream

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live on Netflix during the Netflix

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going to be an unconventional show

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with very big special guests. Watch

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John Mulaney presents Everybody's in LA,

0:26

debuting May 3rd live at 7pm

0:28

Pacific Standard Time only on

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Netflix. Data

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rates and additional terms may apply. Thank you America and a member

1:01

of the IC. Just

1:29

two in a pack, shop Reese's Peanut Butter

1:31

Cups now at a store near you, found

1:33

wherever candy is sold, and often in my

1:35

pantry. Cause I love these. Finally,

1:38

a movie that asks a shitload

1:40

of questions and gives you no

1:42

answers. Plus, wait a second. Stop

1:44

looking at me you fucking cat! We saw

1:46

Sleepwalkers so you know what that means. Hello

2:58

People of Earth and welcome to how

3:00

did this get made? I impulse year

3:03

and I am joined as always. Buy

3:05

Juice! Music is how are you Jason

3:07

I'm I'm okay having watched this movie

3:09

I just don't know what to think.

3:12

This is an odd one in so

3:14

many ways. I'm so excited to ten

3:16

is Brigid film with all of oh

3:18

yeah and also excited to break it

3:21

down with ah or other cohost the

3:23

resident scaredy cat zoomed Henry Fields and

3:25

how are you in scenario pockets You

3:27

freaked. Out from the moment this movie

3:29

started yeah yeah I wouldn't say that And

3:32

fifteen hundred dollars to watch this movie with

3:34

each of the first moment of at the

3:36

same popped on there was no no no

3:38

no no no no ss. and then if

3:41

it got worse from this. Wow I

3:43

was due west last and as soon

3:45

as the reasons I said i actually

3:47

say and sun is set at this

3:50

is a rare one where I thought

3:52

I'd be less scared and more than

3:54

of able to handle it hired and

3:57

late at night then in the daytime

3:59

by myself. In our home

4:01

and. I'm I think

4:03

I'm either a decision or ago and

4:05

either a disease him some scares the

4:07

will get into as soon as i

4:09

have lot while will job i was

4:12

all of it say. We're

4:14

very excited to be joined with by

4:17

a very special guest today. Are you

4:19

know where from a hearse? Amazing podcast

4:21

with more leftists own. I've already spoil

4:23

who it is because your name is

4:25

as as are also. Ah the Wild

4:27

Horses show also here on here will

4:29

say she's been in Jurassic World. A

4:31

bunch of rates of our employees will

4:33

come on to. Say.

4:37

I'd also scared I didn't know this as a

4:39

scary movie. excited, didn't look into something. About it

4:41

needs an ipad and mel the

4:43

day by myself and Alec oh

4:46

no assistance as assists seat is

4:48

it is a weird movie. In

4:51

so many respects and and I would also

4:53

say. It's. Ultimately

4:55

weird because it introduces these characters

4:58

that we from moment one to

5:00

the end of the movie. I

5:02

still cannot describe what they are.

5:05

A very rare is it that

5:07

the protagonists of the movie are

5:09

the villains? Yeah right. that that

5:12

the people whose journey you're following

5:14

the mark of people who needs

5:16

I guess maybe like I'm a

5:19

Dracula is what they're going for.

5:21

but like Vic V. incestuous mother

5:24

and son. Nom are the

5:26

sit there in lies, lies

5:28

lies on. This movie is

5:31

buzzer. The. Reveal of them

5:33

being mother. And son were I

5:35

was up sandwich. Have been there

5:37

almost immediately. But it's so weird

5:39

because this movie in the movie

5:41

is about a mother and son

5:44

and incestuous. Mother and son were

5:46

kinda like vampires. kind of like

5:48

where was that they were there

5:50

seems to have died or Dallas

5:52

they're not mother and son there

5:54

to creatures. Okay, okay and I

5:57

do not believe the Psu creatures

5:59

are. Mulder creature and some

6:01

creature. I believe they are creatures I

6:03

agreed to sign. I was my Billie

6:05

Messy. I agree to this last line

6:07

cause I knew he wouldn't continue watching

6:10

the movie is now I think okay

6:12

let me ask you this. Yes, Okay

6:14

so let's take for example that let's

6:16

say for example, you are right in

6:18

that they are amisom. he merely posing

6:20

as mother and son are s Then

6:23

why do they keep calling each other

6:25

mother on only to each other like

6:27

robots? And why wouldn't they when no

6:29

one else. Is looking for each

6:31

other by their names or. In

6:33

it's did they think it site. Their

6:35

sex Daimler Ag. And sucked up and

6:37

then love it. But they are not

6:39

actually mother. And son the see you see

6:42

screams at the end. You killed my thoughts.

6:44

That. A

6:46

thought You take that to

6:48

mean I know you'll see.

6:50

I cannot continue this Podcast

6:52

assessment. Way if they are

6:54

actually. Mother and son oh boy prefer.

6:57

Do it a day. And who? They

7:03

basically as a basis for that little title card

7:06

of the top to kind of be like there's

7:08

some history about cats and then they're like will

7:10

Never explained that Will never. It's lame. And ever

7:12

never was there one person that was

7:14

like usually what would happen in the

7:16

movies. nobody is a relic. I know

7:19

what this is right. These are sleepwalkers.

7:21

These are safe shifters. These are nobody

7:23

ever says, Never a college professor. There's

7:25

never a Van Helsing. There's nobody who

7:28

comes along who's like I know if

7:30

this is I know how to fight

7:32

well. but I would argue with the

7:34

cats as and I just like much

7:36

as a non verbal and nonverbal have.

7:40

Known for hotels of feral. I

7:43

need a break down a couple things here.

7:45

First of all, to answer this question. I'm.

7:47

Believing that they are clean of vampire or

7:50

at least something that I'm seeing their because

7:52

they have a lot of Sat says the

7:54

top rate and then this is this is

7:56

what it says. The problem Ago I wrote

7:58

to them. We bought her

8:01

a noun nomadic shape shifting creatures

8:03

with human and see line origins

8:05

vulnerable to the deadly scratch the

8:08

cat was. sleepwalker feeds upon the

8:10

life force of virginal human females.

8:13

Probable source of the vampire legend,

8:15

so this would have me believe

8:17

they are. Born of tests and

8:19

also vulnerable to surpass. Yeah, so it's kind

8:22

of exciting mad ask like I'm from Krypton

8:24

encrypt on also decide think that is correct

8:26

but that by the way and this is

8:29

a promise. All these movies this is the

8:31

top in the middle of the movies because

8:33

I know greeting it's the up through. Sea

8:37

ice I like, cats are important and

8:39

and at Tebow and I I rewound

8:42

to go back to this at one

8:44

point because I get anything yes the

8:46

the the sentence that is vulnerable to.

8:48

Cat scratches I was like no

8:51

that's why these ten these cats

8:53

want to spreads verb the same

8:55

says mommy daddy their the time

8:57

I miss a guy that gets.

8:59

You just admit fine. If you think

9:01

you just admit that as creatures, they

9:03

don't even really have a sec. Speed.

9:05

You know they does not exist

9:08

like crazy. You know the ones

9:10

that are real world series rings

9:12

are and can you remember when

9:14

they were here Then let me

9:16

ask you know me as exacerbate

9:18

when you see in the mirror

9:20

them having sex as the creatures

9:22

are the gender lists. Maybe.

9:25

When I look like they have a gender is

9:28

free but they haven't I begged me and said

9:30

that I don't know. He could be

9:32

a man. I mean he to be a woman.

9:34

She could be a man. Like they're taking human

9:36

form as whatever they please. And in this world

9:38

that's mother, son. But I do

9:41

not think we we would be

9:43

so dumb to assume that in

9:45

their three to world they are

9:47

mother son y z idea or.

9:49

layer and are all the usa

9:52

i do think in their world

9:54

they are just lovers yes absolutely

9:56

but this is why is that

9:58

any less white lies you allow

10:00

for them to have a gendered

10:02

lovers relationship and not a gendered

10:05

mother-son relationship? It's the same. Mother-son

10:07

as what? As creatures or as... Yeah,

10:09

as creatures. It's what you're saying

10:11

as creatures... It's fucking disgusting and it's wrong.

10:13

Well, yeah, I think that's the point, Clint,

10:15

it's wrong. I thought it

10:18

was a great relationship. What is

10:20

one of the healthier relationships you've seen in a

10:22

movie? I will talk about this. I

10:24

still even want to tackle the opening

10:26

scene, which really doesn't tie into much.

10:29

So the opening scene, the first

10:32

movie, the hero, or the lead

10:34

young boy cat, he is looking

10:36

through a yearbook. He

10:39

says, Tanya, then he takes a

10:41

knife and slowly carves a tee

10:43

into his arm. I

10:45

totally forgot that. He's sitting shirtless

10:47

in that room for a very long

10:50

time. And we watch him slice

10:52

his arm forever. And

10:54

I just start to wonder, how are they making the voice comments?

10:57

The first scene is much... The cold

10:59

open of this movie... The corpse. The

11:02

corpse and the cats hanging from the trees.

11:04

It was like a bad... Somebody fucking hates

11:07

cats. It was like a bad version of

11:09

the hang in there poster because all the cats

11:11

literally hung like... By the

11:13

way, make that poster everybody. How did this get made,

11:15

hang in there? And it's just a still from this

11:17

movie with cats hanging from the tree. By the way,

11:19

that would be our great next piece of merch, like

11:22

a very floral hang in there. Hang in there. Cats

11:24

on nieces. Here's the thing that's weird that I didn't

11:26

understand. I guess we

11:28

are to assume that the

11:30

creatures we will come

11:32

to know killed those cats and killed

11:34

that little girl. They go from town to

11:37

town sucking... Understood. But then if

11:40

they can kill all

11:42

of those cats and hang them, why couldn't

11:44

they kill the cats later on in the

11:46

town they were in? Why are they setting

11:48

traps up and staying inside for weeks? I

11:50

think they are... With cats on the lawn

11:52

staring at them. Well, this gets at one

11:54

of the very strange things. It occurs in

11:57

this movie which is these

11:59

people... shape-shifting monsters

12:02

who are mother and son, but also

12:04

lovers, that are engaged in a very

12:06

powerful sexual relationship with each other. They

12:09

are only

12:11

vulnerable to the scratch of ordinary

12:14

house cat type cats and as

12:17

a result, adult

12:19

people act terrified

12:21

of tiny cats, which

12:23

is a huge problem.

12:26

The woman's reaction to

12:28

the woman acts like,

12:33

like she's in a home, she's inside

12:35

the house and they act like cats

12:37

are going to like be able to

12:39

keep the door down. Well Jason, they

12:41

are sitting on her lawn staring at

12:43

her. Oh no doubt. No doubt

12:45

it's creepy. They have set up bear traps.

12:47

Yes. Across the lawn. Lots

12:50

of cat traps. Which didn't catch one. No, no

12:52

one. They got one. Oh okay, there was

12:54

one more. I was about to. I was like,

12:56

no. Yeah, no they are trying to kill as many

12:58

cats as they can. Why can the

13:01

son creature, who is

13:03

not really a son, whatever, but how can

13:05

he go outside with no problem and why is

13:07

he in a home? I couldn't figure that out. He gets in

13:09

and out of his car. What

13:12

I could never figure out is both of them

13:14

do at certain points leave the house. He goes

13:16

to high school, she drives around, blah blah blah.

13:18

Why don't the cats ever attack them? Well

13:21

like there is a bunch of cats around. All

13:23

they need is one scratch. Jump scratch. What are we doing

13:25

here guys? I think there is

13:27

a couple of issues that I have. I guess the

13:30

cats needed the leader of Clovis. Well gosh, Clovis. We

13:32

were waiting for him. I have a couple of major

13:34

questions. Just so you guys know, this is the only

13:36

Stephen King film

13:40

that was written to be a film. So not

13:42

based on a book in other words. Does he always

13:44

do, not to skip ahead, but does he always do

13:46

a cameo in his movies? I think that's kind

13:48

of his thing. It was killing me. Oh his

13:50

cameo. Oh and it's so long.

13:52

You liked it? I liked it. It's so long.

13:55

There's a lot of fun landis in there. I liked

13:57

it. Did you realize? And I wrote this. down

14:00

this but then I realized it was true. I was

14:02

like, this guy looks like Mark Hamill in the opening

14:04

scene. The cop is Mark Hamill. Oh yeah, with a

14:06

mustache. Yeah, with a mustache. With a fake mustache, yeah.

14:09

And then so it's also John Landis, Joe Dante, Clive

14:11

Barker, and Tob Hooper who directed

14:13

Life Force, all are in

14:15

this movie. But Stephen King- And Leatherface

14:17

takes his chance on Massacre. That's- Toby

14:19

Hooper. Oh, Toby Hooper,

14:22

yeah. So there's something weird though because the

14:24

movie does, I have so many things to

14:26

bring up, like the movie does alternate between

14:28

comedic scenes, like even when,

14:30

well that's jumping to them, but Stephen King

14:32

has a comedic performance, which I have. Well

14:35

it has- I thought he did quite well. And

14:37

it has all those like Stephen

14:39

King-y hallmarks, which I don't mind,

14:41

like the small town

14:43

characters, like I loved the teacher, the

14:46

vindictive teacher. Oh, he was insane. Like

14:48

I like that stuff. There's

14:50

stuff in here that I didn't mind in that respect.

14:52

All this stuff felt fast forwarded because it seemed like

14:54

they just moved to the town, he

14:56

looked through a yearbook, he's like, she's a virgin. He

14:59

didn't seem to ever meet- that's what I'm saying, he

15:01

didn't even know her to know that she was a

15:03

virgin. He's met her before, he does know that, because

15:05

remember he already knows that they're in class together. I

15:07

think he has been, because they killed the girl

15:09

with the rose in her hair at the beginning.

15:12

Which by the way, the way that corpse looked,

15:14

I mean you did not say little girl at

15:16

all. It was like the most insane- The braces.

15:19

Oh, okay. It was the braces that I remember. And that's

15:21

why Mark Hamill goes- I know, it was like, it was

15:23

a drunken head. It was a strange

15:26

choice though, because even to put braces

15:28

and then say little girl. Oh yeah.

15:30

I mean it was- I mean she's

15:32

not a little girl if she's braces. I think

15:35

the reason that it happened was because they

15:37

were trying to create a special effect that

15:39

looked like the life force had been sucked

15:41

out of the youth and life force had

15:43

been sucked out of her. So that's why

15:45

she looked like desiccated and like

15:48

hollowed out. But then they were like,

15:50

oh but now she looks like an old woman. So they

15:52

put braces on her and gave him a line that said,

15:54

it's a little girl. But there was

15:56

nothing- Oh crazy. Nothing to show that- Because

16:00

I think otherwise people wouldn't have understood

16:02

that it was a virgin. No. That's

16:05

the deal. They have to find a virgin and

16:07

do that like, it's almost like

16:09

the Dementor's kiss. And again, this is too much

16:11

information at the top of the movie where you're

16:13

not like, no one's going, hey, this is the

16:15

third time we found this. You're not

16:18

piecing it all together right away. And I will say that

16:21

this movie is full of like, fuck you scares.

16:24

Because it's like, they're not real scares. Like, one

16:26

scare is that girl popping out of the closet.

16:28

They open a closet door. Oh yeah. A

16:30

cat jumps out. I buy that scare. That's a

16:32

fine, like, totally movie scare. But then like, beat, beat,

16:35

beat, body flies out. Like, where are all

16:37

the bodies? Why did the cat have pulled

16:39

out? Like after a few seconds. There's an

16:42

audible female scream. Yeah. There's

16:44

an audible female scream that comes when

16:46

a woman falls. And there are

16:49

no women? There's nobody there. There's a cute cop.

16:51

The eye is like, oh, she's still alive. Because

16:53

she makes an audible, yeah, like there's a, there's

16:55

a, it's meant to. It's like a creek scream.

16:57

And why is no one going to this house?

17:00

They have over a dozen cats

17:02

hanging on their front lawn. Like, wouldn't anyone go,

17:04

how long have those cats been there? Should we

17:06

maybe go check out this house? I don't know,

17:08

Paul. I mean, I watched it with you. And to

17:10

me, I think a scare

17:12

is a scare is a scare. Okay. And

17:15

you were, you had a couple of really big

17:17

jumps. So I don't think. Really

17:19

big. Wow. We. Oh,

17:22

dear. I was thinking you were flying off

17:25

the couch. Oh, man. I

17:27

don't think I had scares, but all right. Oh, wow.

17:29

Guys, don't fight. No, it's whatever. You

17:32

know, whatever. Fight. But so

17:34

I guess when, when they do like, so

17:36

yes, the house is a massive target. When

17:38

you, when you hang over a dozen cats

17:40

in your front lawn, somebody

17:42

should have come to check something out. A neighbor

17:44

should have reported. It wasn't like that. Oh, I

17:46

have a question. That just happened one night. Do

17:48

you think that was the home

17:50

of the teenage girl or do you think

17:53

that was the home of the sleepwalkers? Sleepwalkers.

17:55

That's interesting. Okay. Yeah.

17:58

Cause I think that that was. where they're hanging.

18:01

And then why, when they fuck in

18:03

the first scene, the mother and son,

18:06

you see the outside window and it's

18:08

glowing like, whoa. Purple glowing. But then

18:10

when they're inside. Because I think it,

18:13

so I think there's a world in

18:15

which that scene, that opening

18:17

scene had just happened. So he's still

18:19

filled with her. Virginal. Virginal

18:22

power. And so he's transferring

18:24

it over and now they're on. And do you think

18:26

that. That is so much. Yeah, and shouldn't she have

18:28

been older than the first time we saw her and

18:31

then he can shoot that in her mouth and then

18:33

the mother could be younger. I think that is what's

18:35

going on. In the opening credits, there is a drawing

18:38

from a fake textbook that

18:40

is a girl whose

18:42

mouth is open screaming and the

18:44

energy coming out of her mouth.

18:48

Again, it's too tough to put all this

18:50

stuff with draw your own

18:52

conclusions. But basically, what they

18:54

need is they need a virgin to suck the life

18:56

force out of to keep them young. Is

18:59

it them or is it just the mother?

19:01

I believe it to be both of them. Isn't

19:03

that what Hoka's Pocus was? I

19:05

don't. Oh, maybe. Maybe. I

19:08

mean, yeah, I think it's all like. It's

19:11

all things. It's vampires, it's all

19:13

those kind of things that feed

19:15

off the youth or virginal

19:18

purity or any of those kind of things.

19:20

But also, what I didn't understand is, so

19:23

is the sun cat, does he have

19:25

a history of actually falling over his

19:27

virgin? Just I want to point out

19:29

something because I knew that this was

19:32

right. The director, McGarrus, wrote Hoka's Pocus.

19:34

Whoa! Whoa! That's

19:36

interesting. Yeah. Interesting. He's

19:38

like, I want to do a better job with

19:41

this sort of idea. And Bette Midler was like,

19:43

my man. And Sarah Jessica Parker's like, me

19:45

too. By the

19:47

way, that's a really good SJP. Thank you. I

19:50

was like, suddenly for a second, I was

19:52

like, uh-oh, Carrie's here. And Carrie, I'm a

19:54

big thing. Oh, oh, oh, Mr. Big. Today's

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23:04

I love Hocus Pocus. The only, oh, sorry, but I

23:06

interrupted what you guys were saying about we were going

23:08

on from Hocus Pocus, did I fuck up everything? You've

23:10

missed the whole show. No, what I was gonna say,

23:12

my last thing to say was. Show over. Run the

23:14

credits. So, he has a history,

23:16

does he have a history of falling in

23:18

love with these virgins and actually caring about

23:20

them? There is, okay, well, June, this is

23:22

gonna really get us into a much deeper

23:24

conversation about the nature of the love between

23:26

the mother and the son, because he appears

23:28

to be. Well, no, let me stop there

23:30

for a second, though, Jason, because my issue,

23:32

no, my issue with this is like, we

23:34

wouldn't, you'd never see the reverse of this,

23:36

right? It just wouldn't fucking fly to have

23:39

a father and a daughter. Oh,

23:41

yes. And to play that out in a

23:43

major motion picture. Of course not. And

23:45

the reason why is because that's a real, that's

23:48

a real thing that happens, which is

23:50

dads molest their daughters. The chapter?

23:52

Moms can molest sons. They absolutely can molest

23:54

their sons. You're 100% right. Psycho

23:56

is a prime example of that. But the reason why we're like not seeing

23:58

the reverse is. because there's a reality

24:01

to it. It's good to keep them comfortable.

24:03

I also think there is something going on

24:05

here that is trading on story

24:08

archetypes that go back hundreds and

24:11

hundreds of years as evidenced by

24:13

the fact that the chapter title

24:15

of the incest reveal is

24:17

called Edible Slowdance. Should

24:21

I play that scene of them talking

24:23

and dancing? No. Yes. I

24:26

hated it. I hated it, Paul. It

24:28

is. Play that scene of it. Roast chicken

24:31

in cranberry bread. Pumpkin pie

24:33

for dessert. Cranberry bread. Cranberry bread.

24:36

Going anywhere tonight? Where? Anywhere

24:39

tonight? With a

24:41

friend? With a special friend? I'll

24:44

buy my lonesome. Oh. Don't

24:47

ask your mother. Ugh.

24:51

So creepy. It's very insulting. And it only gets

24:53

creepier from there because what she, it's interesting, the

24:55

dynamic that plays out is she needs him to go

24:57

out in the world and find virgin girls to seduce

24:59

and bring back so that they can suck the life

25:01

force out of her. Got it. Okay,

25:04

we get that. But she also

25:06

gets insanely jealous of him having

25:08

relationships with the young girls because

25:10

she's his lover and he's like,

25:13

they're in a dynamic where he's like, what

25:15

are you, jealous? And he's like stoking her

25:17

jealousy and then that gets them all horny.

25:20

And then you're like, wait, what's gonna happen here? Because

25:22

their mother and son, oh, oh, oh. Yeah.

25:25

Straight up bone zone. Well,

25:27

and it's, and then

25:30

I also feel like the young, virginal woman

25:32

that he's supposed to fall in love with,

25:34

Tanya, who when you

25:36

see her in certain shots, she seems

25:38

like, I don't know, someone who

25:40

would seduce their therapist. She looks like she's like

25:43

maybe like 37. Like she

25:45

doesn't look like a high school student. Oh

25:47

no, really? This is during the time. I

25:49

thought Nathan Amick is playing the girl from

25:51

Twin Peaks and also Gilmore Girls and Riverdale.

25:53

She's, this is during a time in

25:55

movies where like every teenager looks like they're 35. I

25:58

was thinking about the 90s. maybe the

26:00

high-waisted pants or something, they all look older. They

26:03

all look like they are trying to

26:05

be in Working Girl. They're

26:08

all wearing shoulder padded blazers and

26:11

dressed like working women. By

26:14

the way, I liked Tanya. I liked Tanya

26:16

in this love. And she sold some

26:18

crazy stuff because there's a point in the

26:21

movie when she's dancing to like, do you

26:23

love me? I love that part. Why? Why

26:25

is she listening to oldies? Really, and I

26:27

loved it. I loved the scene. Why is

26:29

she listening to oldies in the 90s? Because

26:32

I thought in a way. Think about that. I'm

26:35

sure he is also. I'm not sure he knew

26:37

that song in the 90s. The soundtrack for this

26:39

movie is all song. This movie is contemporary for

26:41

the time, 92? Yeah, 91. The

26:43

soundtrack is all songs from the 50s. But

26:46

that's why when you first start watching it, I

26:48

was like, oh, am I wrong? Because the movie

26:50

theater's a little bit old. This is Stephen King.

26:52

Okay. It's all Stephen King

26:54

soundtrack, basically. I love that moment when she

26:56

put on the headphones to start doing the

26:58

rolly vacuum, and you just knew something bad was gonna

27:00

happen, because it's like that horror movie thing of like, she's

27:02

so oblivious, something bad. And then it wasn't that

27:04

big of a deal. They just scared her and

27:07

the popcorn fell on her head from the top

27:09

of the popcorn machine. Which was also a weird

27:11

way. They seemed to have the display popcorn. It

27:13

was like, they glued popcorn to the front of

27:15

it. There was no way that that

27:17

should have fallen. There wouldn't be popcorn there. Yeah, you would

27:20

never attach. On the hot machine.

27:22

Yeah, yeah, yeah. Because also, it would

27:24

be incredibly stealable. You could

27:26

steal all that popcorn very easily. Well, look, she's giving

27:28

it away. I would also argue

27:30

that if your plan is to come to

27:33

town and suck a

27:35

virgin's life force, you wouldn't maybe make

27:37

a school report about it. The only person that reveals-

27:40

His story, oh my god. The only person

27:42

that reveals anything about these characters and where

27:44

they're from is the main character in a,

27:46

do you think he goes from town to

27:48

town, enrolling in school to school, doing,

27:51

like just honing this short story

27:53

about him and his mom? I

27:58

wanted to play that as well because this is the- This is by

28:01

far the only information that we get.

28:03

There's no cop that has any information.

28:05

No one explains a goddamn thing except

28:07

for him. And here we go. They

28:10

were sleepwalkers, hiding in

28:12

human robes, feeding

28:14

on virtue, loving

28:16

to feed, feeding to breed.

28:19

Blech. Feeding to breed. So in

28:21

the end, they ran. In

28:23

the end, Robbie and his mother always had to run. One

28:27

night, the men would come. In their old

28:29

cars, men with lights and guns. Those guys never

28:31

come. The boy and his mother. Right. A

28:34

boy and his mother. The screams of rage always sound the

28:36

same. Like the

28:38

laughter of cruel gods. You

28:41

saw. Time of happiness, too

28:43

brief to be anything but golden, had

28:46

run out. OK,

28:48

by the way, that is

28:50

an interesting story. If

28:52

they are demons who are being chased by demon

28:54

hunters or whatever, like where are the men in

28:56

the old cars with the guns? I want to

28:59

see that. I want to see that there are

29:01

people who are after them. Well, your big problem

29:03

is you have a movie where your

29:07

main villain's villain are

29:10

silent cats. Yes. Like the

29:12

only people that are after

29:15

the antagonist for the anti-heroes

29:17

are just cats. Cats with

29:20

seemingly are just kind of, by

29:22

virtue of being a cat, they're like,

29:25

we don't like you. We see your

29:27

sleepwalker ways. And so are cats

29:29

protecting humans always? I think so. From sleepwalkers?

29:31

I think that's part. I think when cats

29:33

sense a sleepwalker is nearby, they're like, we

29:35

got to take care of this shit, guys.

29:38

But like what's the one thing about the mother-son

29:40

of it all? Because it is. Well,

29:42

and I heard it a little bit more like listening

29:44

to this story. So I think that what

29:47

he's saying is true. They are demons.

29:49

They are not man. They

29:51

are not woman. They do not subscribe

29:53

to the rules of society as we

29:55

know them. Their relationships to each other.

29:58

They are feral fucking people. of

30:00

energy so but

30:02

I think it's funny they think

30:04

it's fucking funny that we're like

30:33

to bring down the humans like they're gonna

30:35

be like nobody knows ha

30:39

ha no but like what if two demons

30:41

who were mother and son oh my god

30:43

well yes

30:50

but they're not mother son they're not I

30:52

know words why can't they be

30:54

driving meaning to those words that they

30:56

don't have that you're saying they are great

30:58

gods who just like you right there you

31:01

are the words only with each other it's

31:03

only with each other do you need to

31:05

wrap your head around this you need to

31:07

wrap your head around this they are using

31:09

the words to each other only to each

31:11

other funny you killed my son you killed

31:13

my son ha ha ha because you're thinking

31:18

they couldn't say you killed my lover because

31:20

they wouldn't understand the importance of it because

31:23

but then why not make them the same

31:25

language that we have and to like put

31:27

all of our you know norms

31:29

and stuff onto them but wouldn't

31:31

that march to do that wait a

31:33

minute wouldn't that if they are limited

31:36

in the way we're looking into

31:39

society why would they choose to

31:41

be an incestuous couple as a

31:43

joke on humanity why wouldn't they

31:45

just choose to be peers because

31:49

they need to go they are not funny

31:51

at all funny people even remotely well

31:53

no no he's very funny in the

31:55

cemetery scene when his face is being

31:58

ripped off If you

32:00

like, hey. I hate funny, I hate funny

32:02

in a private joke way between the

32:04

two of them. Oh wow. I mean evil

32:06

funny. June, you need to wrap your head around the fact

32:08

that this is an incestuous mother and son of a. I

32:10

did say to June though, I did say maybe,

32:13

because we were talking about this last night,

32:15

I said maybe it's like interview with a

32:17

vampire where what's her

32:19

face from Bring It On and I'm

32:21

forgetting. Here she comes. Is like

32:23

she was made of them. Because she was turned,

32:25

she was turned as a child. Right, but these

32:28

are not that. These are

32:30

just beasts. These are sleepwalkers.

32:33

But they can put any form they want. And they

32:35

must, they must have genders. They must

32:37

have genders in order to have sex.

32:39

They have sex repeatedly in their beast

32:41

form that we see in the mirror.

32:44

So they have sex with a. All right,

32:46

I will allow that they may have some

32:48

sexual, they may have

32:51

some like defining sexual characteristics.

32:54

Like genitals. Like genitals. Okay. But

32:56

I do not think. Like rubbery. That

32:58

they were mother, son. I don't think

33:00

they even. What evidence of. I think

33:02

they have family relationships. Why? You

33:05

think that because they couldn't. Because maybe what

33:07

June is saying is that they couldn't pick

33:09

husband, wife, because then he couldn't flirt

33:12

with the young girls. And they couldn't pick brother,

33:14

sister, because where's the mom

33:16

and why are they in these towns? They had

33:18

to choose mother, son. And

33:20

it's a funny joke. Oh

33:22

my God. Ah! I

33:26

would go along with that if in private

33:28

they spoke to that at all. But I

33:30

feel like only. Even funnier in private. In

33:32

private I feel like they only double down

33:34

on the fact that they are mother and

33:36

son. They're so committed to this bit. This.

33:39

But June, can I ask you this?

33:41

Sexy too. June, don't you think that

33:43

this is Stephen King purposefully trying to

33:45

make us uncomfortable by this relationship? Of

33:47

course. Absolutely. But then why

33:50

give us an out for it? If they,

33:52

if it's meant to be like they are

33:55

the, you're meant

33:57

to kind of be made. Incredibly

34:00

ill at ease. I am, I still

34:02

am. I still am. If they're not,

34:04

if they're just play acting. Even if

34:06

they're play acting it's still uncomfortable, but

34:08

I just don't believe that the creature

34:10

is our mother's son. But only for

34:12

the film audience. The people

34:14

in the town. It's really only for June.

34:16

It really is. Just a way for her

34:19

to wrap her head around her. This is

34:21

keeping tape, like I'm gonna serve this up

34:23

in the longest payoff from 91 to 2017.

34:27

I just feel like the whole movie is so

34:30

dumb and bad that the idea that there are

34:32

layers to any of the characters is like impossible.

34:34

They barely give you a layer to what we're

34:36

in. Oh, there's no text. The names of Dory

34:38

is not even like, this movie is all text.

34:40

By the way, I was like, the last half

34:42

hour of this movie is kind of what would

34:45

have happened after the credits roll. Like it feels

34:47

like, I'm like, oh this movie's almost over. Oh

34:49

no, 20 minutes left. Yeah, it's like, oh, when

34:51

I watched it, it was like, oh, I'm like,

34:53

oh, 20 minutes left. Yeah, I checked it right

34:55

then too. I'm like, oh, that was a quick

34:57

one. And I was like, oh, but they're like, now we're gonna go

34:59

back and see the police investigate, take pictures, like, she's

35:01

gonna take a bath. That's like when the camera

35:03

pans up into the sky, like, and then the

35:06

town was the same. Like, no, no,

35:08

no, we'll see the bath, we'll see the parents. By the

35:10

way, love that it was the parents for Ferris

35:12

Bueller's Day off. I know. That was so cool. They were married

35:14

in real life, as a matter of fact. Wait, was it the

35:16

same mom? The same mom. I was like, I recognize her, but

35:18

I can't figure out why. And it's his short blonde hair in

35:20

Ferris Bueller's Day. Oh, I didn't know that. Yeah, same. I love

35:22

that they were married in real life. Married in the same life

35:24

and then divorced in 1992. Oh, no!

35:27

Oh, damn! Make it work! The movie broke

35:29

them. What happened, you know? I don't know

35:32

what happened. Wait, 1992? 92,

35:34

yeah. Wait. So the year of this movie. Well,

35:36

91 is, I think, when it came out. So

35:38

yeah, they are. Sorry. So yeah, maybe the bad

35:40

reviews. Wait, did they get married before Ferris Bueller

35:43

or...? They were married for a long time.

35:45

That's all I know. There was a review that was like, I

35:47

don't see these two people as married parents. And they were like,

35:49

you know what? We don't either. Let's go and quit. Wait,

35:51

now, there was something also that was like... There's

35:55

so much here. The teacher who

35:57

is the interior designer from Beatles. Thank

36:00

you guys for the IMDb. I was just like

36:02

trying to figure it out. Why do I know

36:04

him? I love this teacher. He was so kind

36:06

of great, but again in this

36:08

weird world where we're not explaining

36:10

anything, this kid gets up, tells his whole

36:13

story kind of like Shaq when he did

36:15

the rap in Kazam. He

36:17

just reveals himself, outs himself in front of everybody

36:19

for no reason, and it's a good story and

36:21

you would imagine like for high schooler you must

36:23

be like not bad. He's

36:26

on his side and then

36:29

like he's like yelling at other kids in the class and

36:31

then makes them sort of reference about a box having

36:33

four sides. Our sleepwalker goes

36:35

actually that's six. And then from

36:37

that moment on he's like I'm

36:40

I'm gonna find out what you are and

36:43

then I'm gonna try to fuck you. Like those

36:45

are the two things like I'm

36:48

gonna hate fuck you. I mean that's really like

36:50

oh no, his motivation is it's as if he

36:53

has been completely humiliated

36:55

by the kids. Actually a box has

36:57

six sides. Yeah, and it's like he

36:59

then chases him down in his

37:01

Volkswagen bug. Which can you pull over? I mean

37:04

that kid pulls over as if he was a

37:06

cop and then the kid just murders him straight

37:08

up rips his hand off. He just murders him

37:10

and that's like. If you're

37:12

trying to fit in, you've only been here a couple

37:14

of weeks like don't straight up start murdering people. If

37:16

he can disappear and become invisible like

37:18

why not do that then? Yes, great

37:20

wanted to like just have a chase.

37:23

Like I mean first of all I also want to

37:25

give it up to Otto the interior designer for Beetlejuice

37:28

for that's how I'm gonna

37:30

refer to him as full title. For being kind

37:32

of collected for he goes down to kind of

37:34

grab a handful of penis and

37:36

and then you know the boy grabs it rips off

37:38

his hand hands it back to

37:40

him in his other hand. Yeah, he does

37:43

not scream. There's no like He's

37:46

like hmm and then runs perfectly

37:49

normal without a hand like yeah, he

37:51

gets crawling and stuff. It's like he doesn't even

37:54

know. Yeah, the hand is ripped off so

37:56

kind of cleanly. Oh man, everyone here

37:58

who gets brutally hurt. Does

38:00

not have any real reaction to it. I

38:02

like, but I thought that one was an

38:04

odd one because he goes for a long

38:06

distance. And this is the, this is where

38:08

the kid with Charlie, is this that same?

38:10

Charlie turns from the

38:12

kind of doo-doo-doo, well-meaning smile

38:14

on his face, kind of

38:16

bland kid, teenage kid to

38:18

like really weird creepy

38:21

like clown type character. So I

38:23

felt that they put in

38:25

someone else's voice? Almost, yeah.

38:28

When he like, when that happened

38:30

with the teacher and when he pretty

38:32

much rapes Tanya, he goes

38:34

into this like, he's done, yes, yes,

38:37

yes, yes, he's not like me. It's

38:42

terrible. It's kind of like, like Jim

38:45

Carrey and the Mask, almost. It's

38:47

like this performative big broad voice.

38:50

Yeah, suddenly he's got this big personality. And

38:52

I was like, why would this be the case?

38:54

I don't know, especially since when

38:56

the mom becomes her

38:58

cat self, she doesn't have a

39:00

voice. No, it's different. No, it's sort of like,

39:03

I think he's like a real mischievous guy. Oh,

39:05

a mischievous cat. Yeah, and but you know, it

39:07

probably, it's probably all just because of ADR. Like,

39:10

he probably could not get a word out in

39:12

that stupid mask. And like with all that

39:14

blood and it's like, all right, just do it

39:16

all in the ADR. And he's like, maybe

39:18

I'll just dress it up a little bit. Hey,

39:20

buddy. Like, because he really takes on, there

39:22

are some jokey scenes. There's a scene when he

39:25

goes to visit the girl in her bedroom, and

39:27

she's got all this underwear, like hanging from

39:29

every way. And it's like, I

39:31

get like your room is messy, but I also

39:33

don't get why there's like eight pair of different

39:35

underwear. That would posit a world in which she

39:37

just takes either a bra or underwear off and

39:39

just throws it. Yes, and it lands where it

39:42

lands. On the floor, on the dresser. When

39:44

it's on the dresser, there's like a hero

39:46

pair underwear that's on the dresser. It

39:50

is really hard to understand why it's there. I

39:52

would get there. Because it's up high. And it's like, well,

39:54

it's in the door. Or to me, it's on the floor.

39:56

It's not like it's like that. Or your bed. It's not

39:58

like it's on the floor. or near the hamper. I

40:02

get it's- No, it's like

40:04

strewn amongst precious moment. And it's

40:06

like one of four or five pairs. Which you've

40:08

already gotten rid of, of underwear. And if they're

40:10

clean, why are they just about? And if they're

40:13

dirty, why are they about? It's all gross. I

40:15

can't make any sense of it. Well, I felt

40:17

like I wrote down that this, that scene felt

40:19

like, to me, like a Mentos commercial that never

40:21

got going. It was like, boom, my boy. Like,

40:23

you know, like, where it's like, all like a

40:25

little far in, the light is a little bit

40:28

more blown out, and it's like running around, you're

40:30

like, he fresh goes better. This movie would make

40:32

a lot more sense if it was all a

40:34

Mentos. I would like someone to edit that

40:36

scene to a Mentos commercial. It's so much,

40:38

if you like gave him on when he

40:40

was being the cat attacking her and he

40:43

was like, I'm better now. The movie, the

40:45

movie I genuinely wanted so much more than

40:47

this, was a buddy cop movie between the

40:49

police officer and Clovis, the police

40:51

cat, the attack cat. That's

40:53

what those two. Obsessed. That

40:56

guy was amazing. So delightful. I

40:59

was heartbroken when he died. I was an offered

41:01

candy. That was a crazy cop kabob, which I

41:03

also, it was emotional

41:06

when Clovis went over and

41:08

sat on his chest. Yes, that was the, I

41:10

really, I wrote that. I felt nothing. I

41:14

felt really sad. Like, I really

41:16

felt like I was like, oh, that guy

41:18

died. Like, I was like,

41:20

and I just watched action movies where people

41:22

got fucking shot in the head, John Wick, like no problem. And this

41:24

is like, oh, wow, the cat's gonna

41:26

be, man, they only,

41:28

yeah. Can I play a best of Andy

41:31

and Clovis? By the way, he says Clovis

41:34

so many times. This is Deputy Andy and

41:36

Clovis. Here we go. Come on,

41:38

boy, get the bad guy, get the bad

41:40

guy, get the bad guy, come on, Clovis.

41:43

Get that motherfucker! All right, good boy,

41:45

Clovis. Hey, there comes Johnny with his

41:47

pecker in his hand. He's a one

41:49

ball man and he's off to the

41:51

road, yo. Well, a man

41:54

live now, a man ragamond. You fucking turkey, get

41:56

your right foot right. Get off the stage,

41:58

you fucking jerky, you noob. Oh

42:04

He's singing these oh yeah, we're so weird

42:06

and they're so like oddly vulgar and he

42:08

has this cat and the cat Luckily

42:11

luckily by the way what a fucking

42:13

partner He is a cat and what

42:15

a can't beat that the like the

42:18

only Like the

42:20

conceives like this whole operation gets

42:22

blown essentially because the

42:24

cop who carries a cat with him

42:27

Like catches on to the plant like it's

42:29

so convoluted with sleepwalkers. Yeah, he's like the

42:31

only natural enemy of cats I

42:34

mean, oh wait the cat was always his

42:36

friend. Yeah, I must fill in the very Beginning

42:39

he like has a cat and it almost it almost it

42:41

almost like Suggests

42:43

that there's a world in which just like

42:45

police dogs. There are police cats, which is

42:47

crazy I mean, I've never seen anyone

42:50

even like the most you know, rabbit

42:52

animal lover take around a cat But

42:54

no cat in the car in a

42:56

car cat is not gonna be like horrible

42:58

idea Terrible and that cat and but again,

43:00

I just want you what do

43:02

you have this actor's name? the Detective

43:06

Andy Actor is Dan

43:08

Martin is doing amazing Oh because he is

43:10

alone in a car with a cat that

43:12

is giving him nothing and he is the

43:14

most charming character in this movie I mean,

43:16

by the way Has a death scene that

43:18

like the only person I care about like

43:20

I could like that girl could have been

43:22

the only person I cared about more was the person

43:25

that got killed by a corn cob. Oh They

43:29

they started they stabbed in the back

43:31

it went to the spine

43:33

Yes, they basically just started saying anything.

43:35

That's an object is a full on

43:38

Sharp and shit. Nice like I like the

43:40

lube or getting pulling and he gets the

43:42

test of Andy first He gets a pencil

43:44

in his ear. He's okay. That's his first

43:46

injury before he's shot Yeah,

43:48

he's fine after that like he's still a

43:50

kind of communicating his brain has a pencil

43:52

in it guys I lived in an episode

43:55

of fresh off the boat with Dan

43:57

Martin and I didn't realize Yeah,

44:00

that's cool. Yeah, I should have. Oh man. I wish I would have known

44:02

that would have been a great He's

44:04

still working very

44:07

Yeah, cuz he's great. Yeah, I'm happy about

44:10

that. Yeah, he has been on he was

44:12

a series regular a Malcolm in the middle

44:14

he also has been on numbers for many

44:16

episodes and with a mold bold

44:19

in the beautiful and is

44:21

in a new place a new show called wanders place by

44:23

the way, why make Tanya's mom

44:25

a gravestone

44:28

etcher I

44:30

didn't get that was bizarre and put them

44:32

in a cemetery where he wouldn't be Exactly

44:36

and also great. Well, I didn't make nothing

44:39

to the mythology It's you like they could

44:41

have gone to like make out point and

44:43

have the same Yeah, but yet the drawing

44:45

that that jock draws in class I blew

44:48

it up is a picture of

44:50

two people fucking in a grave. Well, that's homeland

44:52

homeland is where kids go to fuck Okay, I

44:54

didn't realize that okay I

44:56

didn't even use of that. Yeah. Yeah.

44:59

No homeland is make out

45:01

point Oh, so Steve King is kind of lying

45:03

when he's like, hey, man, I don't need this

45:05

stuff I know cuz he's basically created a fuck

45:07

zone. Yes, so he is guilty Stephen King. I'm

45:09

not really keeping the upkeep I know right not

45:12

being able to keep teenagers out Yeah

45:14

is what it is. Cuz that's the thing is the

45:16

kids drawing is kids fucking at the graveyard was like

45:19

a really It

45:22

was really good drawing if somebody wants to recreate that drawing for us

45:24

here at how does this get me Just

45:26

give me a forest time. His mom has

45:28

with Charlie. I mean

45:30

it just seems so insane like what? How

45:33

would two people know? What

45:36

are the chances that two people would be

45:38

interested in this niche? Craft

45:41

I feel like so bizarre. I feel like

45:43

did you guys how old do you think

45:45

Charlie and his mom are? Like

45:48

either actors. No, I Got

45:51

million, you know, I feel like

45:53

they're all be like vampires. They're supposed to be

45:55

like hundreds of years old or something So I

45:57

was like, maybe this is like because they're so

45:59

old Oh, they know things they yeah,

46:01

or they this used to be more of a

46:03

common thing that people would make a rubbing of

46:06

a Gravestone because they couldn't get back there or

46:08

something. I genuinely don't know. I

46:10

also like this is nonsense It also just

46:12

seemed like it didn't seem

46:14

in line with the rest of the home that

46:17

Tanya's mom was trying to create to have Giants

46:20

dead Prince of well like

46:22

yeah gravestone. Yeah, I agree.

46:25

Yeah They

46:27

have like a beautiful suburban home

46:29

But then they get into a

46:31

conversation about doing gravestone rubbings

46:33

that is so specific that they're

46:36

talking about different numbers of graphite

46:38

to use On

46:41

when you're making your rubbing it was

46:43

crazy But maybe that he did

46:45

it so that he could have his rubbing joke later when they're

46:48

in my graveyard We

46:50

better get started rubbing or whatever and she

46:53

goes we better he's like by herself like

46:55

yes, we should I was

46:57

nervous that that lip was gonna be bit off because she

46:59

was in her lip Like

47:02

someone told her that that's like a sexy look and

47:04

she did it then for the rest of her time

47:07

Every line was bite and then bite that lip but

47:10

then they also like Well also

47:13

that goes back to the my first point which is

47:15

like why carve that T in

47:17

your arm? Any remind

47:19

himself here's this thing is

47:21

he falling for Tanya and it seems

47:23

like he is I think so too But

47:25

then when he actually seems to get

47:28

Tanya he turns into such a maniac Yeah,

47:30

I mean, I guess that's the whole thing.

47:32

Maybe that Maybe if you can't

47:34

control that I don't know but here's

47:36

my issue there have to be

47:38

other virgins in this school Virgin

47:45

like there's nothing like like I guess like my

47:47

choice would be like just just

47:50

like Maybe there's nothing like

47:52

you wouldn't look at her back virgin. No,

47:54

I'm like, she's a hottest girl. Any's

47:56

long She's very she's a very

47:59

sexy right? Put the glasses on her and

48:01

make her like, I'm a nerd. Her

48:03

friends are like girls who have sex. They talk

48:06

about it, blah, blah, blah. So why would you

48:08

think, oh, she's the one amongst those girls who

48:10

must be the virgin? I don't know, unless

48:12

there's something about him, you know, his cat-like

48:14

senses. But also, what do you mean?

48:17

You could tell from a photo. You can just, you

48:19

can know. Maybe he's infected. I don't know. Or had

48:21

he already met her by the time he was looking

48:23

at her in the yearbook? Well, and the mother keeps

48:25

saying, does she seem pure? The mother keeps saying like

48:27

the grossest thing. The mother was so

48:30

gross. The mother was so gross. Her

48:32

hair was so long. Too long. I

48:35

get really creeped out by women who

48:37

have really, really long hair. How do

48:39

you feel about Crystal Gale? I

48:42

don't like it. She's

48:45

a country singer that has like hair to

48:47

the floor. It's so creepy to me. I

48:50

agree. There's something very strange about it. It means something.

48:52

You know what I mean? Like they have something going

48:54

on they're not dealing with. Yeah, 100%. Today's

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50:58

here's one thing that I love. When Charles

51:01

is driving in his Trans Am, and he's

51:03

driving really fast, and Officer Andy and Clovis

51:05

pull up alongside him, he's like, pull over,

51:07

pull over! And then Clovis peeks his head

51:09

up, and the cat looks

51:12

at the kid, and the kid

51:14

freaks out! And his face goes

51:16

through, like, multiple transformations. Yes. Just

51:19

because a cat is looking at him.

51:21

Yeah, and it's so silly! Like, and

51:23

the face transformation, it looks a little

51:25

bit like Sloth from Chunk.

51:27

Then it looks like a cat. It's like, well, what

51:29

do you, like, there should only be

51:31

one other thing. Sloth from Goonies, not Sloth from Chunk. Only

51:33

because the boards are going to go crazy. Oh, yeah, not

51:36

Sloth from Chunk. Oh, yeah, it's not Sloth from Chunk! Ha

51:38

ha ha! But, like, wouldn't you

51:41

just think there's one version? Oh, there's

51:43

multiples. You're either that, or you're not.

51:45

Yeah, you're not like five others. It's

51:47

like a Rubik's Cube. Well, because there's

51:49

like a cat face they both have.

51:51

Yeah, for sure. Then there's like an

51:53

even more cat face. Yeah, there's a

51:55

series. And then there's a thing that

51:57

just looks like a hairless mole. Yeah.

52:00

or something that looks like a hairless, like, beast

52:03

thing that is still a

52:05

mother in a tongue. But

52:07

that is so gross that I'm like,

52:09

I don't know why I have four,

52:11

at least four distinct

52:14

looks, if, if they're never

52:16

explained. Can you pull up the

52:19

picture of the creatures fucking so we

52:21

can see if they have any defining like

52:26

sexuality? I just wrote in, are

52:28

cats incestuous? To

52:32

see what the answer is. And

52:34

they say yes, as a woman on Yahoo, not

52:37

that this is the definitive. Okay, so obviously it's

52:39

right. He said yes, once had a kitten from

52:41

a litter born of a mother and a son

52:43

cat, the rest of the litter was born deformed

52:45

to the point that some were missing cranial caps.

52:47

Oh my god. This is, well, yeah. Oh god.

52:50

Alright. Yeah, okay. So, I

52:53

was saying with cats, brother,

52:55

mother, sister, cousin, it makes no

52:57

difference. And

52:59

kittens often have problems with mating

53:01

with their own. Well, sure. But

53:03

like animals, if they're not around

53:05

any other cats and they are

53:07

horny. They're gonna go laugh. Yeah.

53:10

Yeah, well that's true. That's what's happening there, mother,

53:12

son. No, it's not. I

53:16

think though that they are. They're not cats, they're

53:18

demons. Well they're born

53:20

of a cat. They are some, yeah,

53:22

no, I agree. They are some sort

53:24

of ancient, that's why they've got like

53:26

the Egyptian statues in the

53:29

beginning that are humanoid, feline hybrids

53:31

or whatever. Wait, the best picture,

53:33

the best thing in the beginning

53:35

is there is a picture that

53:37

is a triptych, right? In one,

53:39

in the first oval is an

53:41

old-timey old lady. In the second

53:43

is just a house cat. And

53:45

in the third is a picture

53:47

that is half the old lady,

53:49

half the cat, but split down the

53:51

middle. So it's on either side, half

53:54

of an old lady and half of just a

53:56

house cat. I was like, this is fucking crazy.

53:58

Well, you know what's up, man? the tagline

54:00

for this movie was, who cares? It

54:04

was, they feast on your fear and

54:06

it's dinner time. Oh, I mean, I still

54:08

think more and more. And that's true. And

54:10

that's not true. It's like, really, really nice

54:13

and your youth. Yeah. You're hungry.

54:15

Yeah. And one needs it in this

54:17

moment. Like it's like the mother kept

54:19

the mother saying like, I'm so hungry.

54:21

I need to feed all this stuff

54:23

was so gross. But you were not

54:25

talking about the best line ever when

54:27

that cat does look at our

54:29

lead, Charlie. This is what he says. And I

54:31

mean, we have to play because I feel like

54:33

it's the best line ever. Stop looking

54:36

at me. Oh, yeah. Oh, yeah.

54:38

Stop looking at me, you fucking cat.

54:43

And why didn't why weren't we

54:45

told earlier on that the cat

54:47

people can turn themselves invisible? Cats

54:49

can't do that. Well,

54:52

why can they turn themselves dim?

54:55

What is that? Well, that's the sleepwalkers there.

54:57

I guess they're mixing in. I couldn't. That

55:00

bothered me. I was like, that should have

55:02

been that. That's a really

55:04

convenient. Yeah. You're so weird. They need to

55:06

be like a kid at school who like knew all

55:08

about this and was like someone something and then

55:10

he can't tell people or something. No one

55:12

believes them or something. The goth kid at

55:14

school. I know what this is. By the

55:16

way, like I said, it was the first

55:18

Stephen King book, first Stephen King original screenplay,

55:21

but it was based on an unpublished

55:23

short story. And maybe he should

55:26

have like, I feel like at this point,

55:28

Stephen King is like, here's something I had.

55:30

There you go. Like, like, it was like,

55:32

like it was published for a reason. I

55:34

feel like it's possible Stephen King like woke

55:36

up after a night of drinking and these

55:38

pages were on his desk and he was

55:40

like, let's fucking do this. Because this does

55:42

feel like elements of like pet cemetery are

55:44

in here. As for everything with Stephen King,

55:47

there were better versions of this at one point.

55:49

Or like you said, like he rewrites the same

55:51

story until he kind of gets it right. So

55:53

like this is like, yeah, this

55:56

is something I'm going to play with later, but

55:58

you can enjoy this. The half. Oh. It's

56:00

half-baked at best. There's no

56:02

villain. There's no

56:04

anything. Well, no, they are the villains.

56:06

That's the thing is, what's weird about

56:08

it is they are the villains, but

56:10

they keep- We're taking their point of

56:12

view. And we don't care about anyone.

56:14

Yeah, except for Tanya, I guess, but

56:16

she- And Clovis. Oh, of course

56:18

Clovis. Clovis is the hero of this. Guys, that's

56:21

why I say, I wish this movie was about

56:23

Clovis and Lieutenant Andy. Oh, I

56:25

mean, I would watch that as a TV show. Netflix,

56:27

let's do that. Let's bring back Clovis and Andy. There

56:29

is, I will say, there is a great comic

56:32

book series that

56:34

is called, God

56:37

damn it, Dark Horse

56:39

puts it out. It's something beasts.

56:41

It's about all these animals in

56:43

a demonic town that fight the

56:46

supernatural threats. It's like not-

56:48

Not Ranged. It's not Red-R- It's on there.

56:50

Yeah, okay. Hold on. Can you

56:53

just keep talking? I just want to talk about the

56:55

end before we get into these second opinions here, where

56:57

the end of the movie, they just- I feel like

56:59

everyone just kind of gives up because the mom

57:01

goes to the house, she kills someone with a corn

57:03

cob, then someone else gets impaled on a white picket

57:06

fence, and then she takes a gun- Beasts of Verdant.

57:08

Oh, Beasts of Verdant. She takes a gun, shoots

57:10

a car, it blows up as if she shot dynamite

57:12

at it. Yes. And then does another

57:14

one. One shot, the other one, one shot. She blows

57:17

up two giant cars, and all the

57:19

while our lead actress, Tanya,

57:23

can't get a key. She has the keys

57:25

in her hand. And she has the keys

57:27

in the car even. Can't get the thing

57:29

to start. And that's like, it's

57:31

sort of like, yeah, yeah, yeah, she'll just stay there.

57:34

She should have left ages ago. Oh

57:36

yeah. What if? Well,

57:38

how about when she and Charlie are in

57:40

the graveyard, she clobbers Charlie with her camera,

57:43

and then goes over to see if

57:45

he's okay. Yeah. That made me

57:47

angry. He's attacking her, his face turns

57:50

into like a demon face, he is

57:52

mocking and attacking her, and then

57:54

he says, you better

57:56

start thinking of yourself as lunch. She

57:58

hits him with her camera. But are you

58:01

okay? Yeah, and then she's like Charlie I

58:04

was like come on. Yeah. Wait. Did we

58:06

ever see the pictures on her camera? Yes. Oh,

58:08

okay. I don't remember That's why I don't

58:10

remember anything. I watched it yesterday. No,

58:12

it's completely forget By

58:15

the way, there is like that's another scene that should have been cut

58:17

out Like I did take pictures of them.

58:19

I want you to develop them. Okay, I will it's like

58:22

You're gonna just cut that whole sequence out

58:24

like she has these pictures here And this

58:26

police force in the course of 24 hours

58:29

has like six dead townspeople and

58:31

are still moving so slowly Oh,

58:34

yeah. Well, they don't think they outright go Like

58:37

like someone was murdered the cop was

58:39

murdered. They're like, we don't know we

58:42

don't murder even before that Yeah, we're

58:44

not positive. Yeah, we're not positive that

58:46

these stories things like that girls got

58:48

an active imagination Oh the girl who

58:51

saw the cop get murder is like

58:53

who cares? Why would she ever

58:55

make that up? Why why

58:58

would she ever like she's also covered in blood

59:00

like she likes yeah happened Really

59:03

made me crazy when the cop was killed in

59:05

her home and the phone was hanging and you

59:07

could hear the police department Yeah, I'm like asking

59:09

where he was. We're going to pick up the

59:11

phone for a long No,

59:14

here's the other thing a car and drive over

59:16

Lieutenant Andy is like tells the sheriff. It's almost

59:18

like the guy didn't have a face at all

59:20

It's almost like he was like a whatever a

59:22

shapeshifter and the sheriff's like don't tell the judge

59:24

that you idiot and then Tanya's

59:27

like he's not human his face was different

59:29

and he's like, you know, basically like don't

59:31

tell the judge that like he's like stupid

59:36

And then all the thank God Ron

59:38

Perlman comes in police rump from home

59:40

They police and and I thought

59:42

that Ron Perlman what you're gonna edge out that he also

59:44

was a cat I thought so too like and he was like

59:46

a cat under cover That

59:48

because the mother and son even say at one point there

59:51

are no more of us or we don't even know if

59:53

there are more Of us and I was like, that's a

59:55

clue. Somebody's gonna be a capper and I was like and

59:57

he's gonna clean up the whole mess And be like it

59:59

was not Nothing, you know, but he was not.

1:00:01

He was a normal cop Who

1:00:04

gets killed? Yeah young Ron Perlman though. God.

1:00:06

I love it. I love it. That was

1:00:08

great We haven't

1:00:10

talked about I think the defining scene of

1:00:12

the movie the mother bringing Tanya back to

1:00:15

the house The Sun is clearly dead on

1:00:17

the couch and she says dance

1:00:19

with him Can

1:00:24

I ask you a question is she Manipulating

1:00:27

his body via telekinesis. Yeah. What

1:00:30

was it? Okay He's

1:00:33

not in some sort of way by the way He

1:00:37

wakes up he does and he goes totally

1:00:40

back to normal so I don't

1:00:42

know no He said that he was but

1:00:44

then how did he come back? How did he come

1:00:46

back from cuz he's in the middle of that dance

1:00:48

like hey, I'm back Yeah, and then he's like and

1:00:50

then he's alive until he catches on fire, which

1:00:52

I didn't even understand Did he

1:00:54

catch on fire she did the mom

1:00:56

is on fire. Why does the cat

1:00:59

scratching? eventually

1:01:02

you Know I

1:01:04

mean like it's it seems like she keeps

1:01:07

she's getting scratched. Okay. Cool. This is her

1:01:09

tonight But then the cats

1:01:11

scratch enough that they

1:01:13

are combustible and she goes up

1:01:15

in flame Screaming you killed

1:01:17

my son. You killed my son And

1:01:21

which we never which is the end of a

1:01:23

joke we never Great

1:01:28

callback their joke on humanity

1:01:31

is that they've been playing at mother's

1:01:33

light to the end very Indicominess

1:01:36

of that mother never let it let

1:01:38

it go Mary Brady. He did it

1:01:40

tribute like the greatest jokes I ever

1:01:42

had oh my god the original title

1:01:44

of this movie the greatest joke we ever had I Joke

1:01:48

on you human Um they we never saw him

1:01:50

burst into flames which at the end of the

1:01:53

movie led me to believe He was gonna come

1:01:55

out and be alive. I watched

1:01:57

though. Yes. He was he was scratched by

1:01:59

clove it He was the first scratch, that's why he

1:02:01

goes, I'm

1:02:05

dying, mom. I

1:02:07

also like when- It's

1:02:10

at those times when you're on death's doorstep that

1:02:13

you keep the joke going. I

1:02:16

also like that when the mom brought

1:02:18

a vase over to Ferris Bueller's parents

1:02:20

and she hits them in the face

1:02:22

with the vase, the mark that's left

1:02:24

is three cats scratch everything. I know!

1:02:27

Why is everything a cat scratch? And

1:02:30

he was bleeding all over his shirt by the time

1:02:32

he was on the ground, like it was all

1:02:34

over. That should have just been

1:02:36

a knockout. And Tanya twice scratches

1:02:39

people in the form of a

1:02:41

cat paw scratch, like three flash

1:02:43

marks. Yeah, when she scratched him it was

1:02:45

so weird. Wouldn't that rip your nails off? You

1:02:47

wouldn't be able to do that. If you

1:02:50

just were like rip and it got them- Yeah, the

1:02:52

tension on the skin would be too much. Think about

1:02:54

the fact that she made out with him and

1:02:57

he's like that gross being. He has to live

1:02:59

with that forever. You

1:03:01

know? Well that's why she was taking

1:03:03

a bath for a long time. Yeah,

1:03:05

long bath. I'm okay with that. He

1:03:08

can't hear you. And

1:03:10

then he appeared to her. I

1:03:12

couldn't tell if that was him projecting himself into

1:03:14

her mind or I didn't- again this is where

1:03:16

I'm like what is the power set of these?

1:03:18

Yeah, I thought you just remembered it. Yeah, maybe

1:03:21

you're right. There's so many

1:03:23

questions and by the way wouldn't it have just been an

1:03:25

easier answer if the teacher was into like

1:03:27

mythical shit. And all he would have had to

1:03:29

have done is like huh, sleepwalkers. And go I

1:03:31

know you're a sleepwalker. Yes! I

1:03:34

looked up your story. And it

1:03:36

would have made sense of like so many things. But

1:03:39

it's just a teacher who wants to be like how

1:03:41

dare you say a six sided box, I'm gonna fuck

1:03:43

you. So that doesn't make any sense. The fact that

1:03:45

like this girl

1:03:47

is hard, nothing makes sense. The

1:03:50

easiest connections are not- Also, he's a shape

1:03:52

shifter. They are shape shifters.

1:03:54

I get that. That is like

1:03:56

a classic storytelling archetype. Got it.

1:03:58

Why can he- He changed the shape of

1:04:01

his car. I know,

1:04:03

and the color. That's not how

1:04:05

it works. I

1:04:07

can change shapes, and I can also change

1:04:09

other shapes. What? Yeah, like,

1:04:11

unless the car itself is a

1:04:14

sleepwalker. And

1:04:16

why don't they get rid of the cats and

1:04:18

make them disappear or something? Yes, perfect. Like, they

1:04:20

can get rid of their car. Perfect. Why can't

1:04:22

they make their house and themselves dim so the

1:04:24

cats can't see? Like, there was

1:04:27

so much that was at

1:04:29

one point rules and regulations. Yeah, they

1:04:31

did a terrible job of world building.

1:04:33

At one point, they also make themselves

1:04:35

invisible when the cops come. Yes. But

1:04:38

then they should have killed those cops, too, right?

1:04:40

I mean, I guess. But I think the idea,

1:04:42

I think what we're supposed to understand is the

1:04:44

mother is weak. She can't leave the house. She

1:04:46

needs this thing. That's why the son's there. And

1:04:49

the mother can't attack. The mother has no

1:04:51

powers left. But does he

1:04:53

ever transfer some of that virtual energy to the mom?

1:04:56

I think during that. He lied, too. I think

1:04:58

during sex. With her

1:05:01

mom. With the son and the mom. The

1:05:03

son and the mom. That's the purple light. When they

1:05:05

were having sex. Because the light in the north is

1:05:07

purple coming out of the girls. Right. And so I

1:05:09

think it's purple going into his mom. Oh my god.

1:05:11

You know, it's like really swollen in purple. I feel

1:05:13

like, ugh. The sun's.

1:05:15

They did look like latex creatures that

1:05:19

you wet down with a water bottle. They were just like wet. Or

1:05:22

like KY. I feel like

1:05:24

they put Vaseline all over them. Like, hairless

1:05:26

cats. When he was all cut up and

1:05:28

on the couch, it was. It was disgusting.

1:05:31

It was disgusting. Could not look. It was real gross.

1:05:33

It was like in a way that I was like, OK. But

1:05:35

it's so in his hand. Does someone have

1:05:37

the hand? Ugh. That was disturbing. Although, wait, I have

1:05:39

to say, I feel like, of course, this is like

1:05:41

the point of your whole show because it's called How

1:05:44

to Biscuit Made. It is. Thank you. But I'm like,

1:05:46

literally like, how did no one at like, I

1:05:48

can't imagine the process of like, people reading this

1:05:50

and being like, I get it. That's perfect. Like,

1:05:52

how was the thought? You did it again, Stephen. Like,

1:05:54

what? I have so many questions, and

1:05:56

I was barely even like, knowing what's going on. You

1:05:58

know what I mean? Involved in

1:06:01

the process now imagine a world

1:06:03

Lauren in which you've been doing

1:06:05

this for six years To

1:06:11

Lauren's plan let me ask you guys a question this

1:06:13

this movie with the budget was 15 million

1:06:15

dollars Well,

1:06:22

yeah, by the way There's a there's like two

1:06:24

thirds of the cats in this movie are fake

1:06:26

and like fake like Oh, yeah, is the cat

1:06:29

from fair life fake? They are like

1:06:31

bearably face someone throwing They

1:06:34

do have they clearly can't control it

1:06:36

all most of the time They're

1:06:38

just sitting there and like not they're not doing

1:06:40

what they want them to do I feel like

1:06:42

one shot as sorry Paul the very end where

1:06:44

there are a ton of real cats I

1:06:47

think watching the house like the very

1:06:49

very end of the movie. They are

1:06:51

truly Just sipping there.

1:06:53

Yes, sort of it looks like they're looking

1:06:56

around like anything else. Yeah Oh,

1:06:58

yeah, are we done here? Yeah? What

1:07:00

do we got to do? Okay, just do quick order of

1:07:02

business here and then we'll see guys back later Well, it's

1:07:04

also like they you want them to

1:07:06

feel as though they're a threat to the people

1:07:08

in the house But they're looking in all different

1:07:11

directions There's no there's no Look

1:07:14

watching people run by like they are not

1:07:16

there's just you know By

1:07:19

the way, I'm like 90% confident that

1:07:21

the lawn of Tanya's house or that

1:07:23

area is like from lethal weapon I

1:07:25

feel like that's a bank lot. Okay,

1:07:27

so made for 15 million opening

1:07:29

weekend Wanted anyone or

1:07:32

anyone like they could guess on how

1:07:34

much it made total total. Okay I

1:07:36

don't know if this is gonna be surprising

1:07:39

because it's so low or so high and

1:07:41

you're right Jason It is 19. It is

1:07:43

1992. I was wrong the top three movies

1:07:45

in 1992 Aladdin Home Alone Batman Returns What

1:07:49

if you like top three movies Aladdin Home

1:07:51

Alone Sleepwalker? So that's

1:07:53

just you the idea total I'm

1:07:55

gonna say opening weekend and made three million

1:07:57

got it total it made ten million got it

1:08:00

Anyone I am gonna

1:08:02

say opening weekend it made

1:08:04

five million total it made 25

1:08:08

million are we are we doing prices right rule

1:08:10

we are I'm gonna do one dollar No,

1:08:14

I'm gonna say I'm gonna go the opposite I'm gonna

1:08:16

say it made 50 million dollars Well,

1:08:19

here's the interesting opening weekend ten

1:08:21

million dollars. Yeah And

1:08:25

then domestic gross thirty million

1:08:29

This movie is a success If

1:08:34

you didn't know anything I get right now you're

1:08:36

like even King movie it's gonna

1:08:38

be scary totally Yeah, people go

1:08:40

to horror films like regardless regardless.

1:08:42

Yeah, I think that's true Well,

1:08:45

obviously we had an opinion about this movie, but there are

1:08:47

people out there that had a different opinion It is now

1:08:49

time for second opinions

1:08:57

Oh Wow

1:09:28

amazing Hannah

1:09:38

Willis Hannah Willis and the new opening scene that

1:09:40

we played today was from Joseph Frisch. So thank

1:09:43

you both for sending those in Okay,

1:09:46

here we go. Some second opinions. Let's get

1:09:48

it started right here all in caps Love

1:09:50

that it written by Paul jr. Not me

1:09:52

not my son. The title is

1:09:55

simply fangs This

1:09:57

is written in 2014. Just so you know Not

1:10:00

bad for an 80s movie. Well, first strike there, I'm

1:10:02

not an 80s movie. The plot

1:10:04

was good, acting was good. Location

1:10:06

is great. Why? Location

1:10:09

is great. The thing that got stuck in

1:10:11

my throat though, was the son having sex

1:10:14

with his mother. Oh really, that got stuck

1:10:16

in your throat? Maybe creatures do this. Maybe

1:10:19

creatures do this. This is

1:10:22

a good DVD to have in your

1:10:24

collection. But remember, there are strange things

1:10:26

in this world and nature

1:10:28

does it her way. Five

1:10:31

stars. Wow. That makes me

1:10:33

worried for that person. Yeah, and that by the

1:10:35

way was all in caps. I didn't read it

1:10:37

with the intensity that maybe it should have been

1:10:39

read. Second review written by Bert Tram, also in

1:10:42

2014. I guess this

1:10:44

movie was released in a big way.

1:10:47

Okay, this one it says, title

1:10:50

is my favorite Stephen King movie. Oh

1:10:52

no. This is a

1:10:54

movie not really like any other.

1:10:57

You might not think that unusual

1:10:59

because it's a Stephen King movie,

1:11:01

but it really not like any

1:11:04

other Stephen King movies either. Which

1:11:06

is part of the reason I

1:11:08

like it so much. A story

1:11:11

about supernatural creatures, mother and son,

1:11:13

trying to hide and survive in

1:11:16

modern society. Nostalgia, love,

1:11:19

apprehension, fear, all wrapped together.

1:11:23

Excellent acting, excellent dialogue,

1:11:26

music score and special

1:11:28

effects, five stars. It's

1:11:30

apprehension. Apprehension is like,

1:11:32

what's apprehension? Because he's really

1:11:34

connecting to the idea that these

1:11:36

two creatures are the protagonist of the

1:11:38

film. The mother and son. Yeah, yes, like

1:11:41

that they are who we are rooting for.

1:11:43

We're rooting for and hoping they can

1:11:45

survive like modern society. Yeah, it's, I

1:11:48

love- Really disturbing. But to me the apprehension

1:11:50

of getting caught, is that what, that he

1:11:52

like, he's really like in the moment like,

1:11:55

oh I hope these guys get that word and I

1:11:57

hope they do it. This

1:11:59

is from Zachary Tilly as

1:12:02

awesome now as when I was a

1:12:04

kid. I do wish they had

1:12:06

developed more of a backstory for the sleepwalkers

1:12:08

and it's kind of a disconnect from me

1:12:11

how Brian Kraus goes from being reluctant to

1:12:13

hurting the virgin to all-out blood thirsty. I

1:12:15

mean shoot if this movie came out now

1:12:17

and they developed an angle a little

1:12:20

bit better this could be

1:12:22

a horror bust Twilight. LOL.

1:12:25

Also wish SK would

1:12:27

publish this story. So

1:12:30

he's really giving it five stars

1:12:32

Stephen King movies get better with age. He's

1:12:34

really seeing Pat like he's almost like an

1:12:36

editor of a Stephen King now. He's like

1:12:38

Stephen there's a lot a lot of great

1:12:40

stuff here. We can... I

1:12:44

want this person in my life like

1:12:46

five stars judging on the potential. Yeah.

1:12:48

Oh if you just if you just

1:12:51

developed and connected the dots.

1:12:53

Something that you already put out into the

1:12:55

world. If we just got it prime for...

1:12:59

by the way this could be a cool

1:13:01

rebooted movie because I think the

1:13:03

premise is interesting. Well I don't know. Well

1:13:05

I just need they just need to fill in so

1:13:08

many blanks. So many blanks need to be filled

1:13:10

in. I just want to see a

1:13:12

movie like about cat creatures that are kind of... I

1:13:14

do like yeah I mean like the reboot idea of

1:13:16

this movie feels like like I

1:13:18

think there's something interesting about like these guardians

1:13:20

of you know Egyptian you know like why

1:13:22

were you know I like that mythology could

1:13:24

be cool but I don't even know what

1:13:26

they are. I don't even know think they're

1:13:28

cats. Well then and I will sleep on.

1:13:30

I'm once again going to refer

1:13:33

everybody to Beasts of Burden by Evan

1:13:35

Dorkin which is about like

1:13:38

like animals that are basically badass

1:13:40

supernatural bad guy fighters. I'm into

1:13:42

that as a movie. Yeah and

1:13:44

that other one which is what's

1:13:46

the guy who writes Walking

1:13:48

Down, forgetting his name. Kirkman, Robert. Did he write Range...

1:13:50

Bobby Kirk's? Bobby Kirk's

1:13:52

refers to be called Bobby Kirk's. Didn't he write

1:13:54

Ranger Red Rover or similar that's somebody else maybe.

1:13:56

I don't know that book. Okay it's like it's

1:13:59

another good animal book. All right,

1:14:01

so anyone have any

1:14:03

final thoughts anything else? You

1:14:05

Tommy Lauren final final thought

1:14:07

this movie is

1:14:09

some really messed up I want to talk

1:14:11

about cameras the camera angles on this movie

1:14:13

Yeah are like the Dutch angles are like

1:14:16

Craig ever like there's a sequence where like the

1:14:19

couple falls on the ground like in a little

1:14:21

love tussle and the cameras like Boom. It also

1:14:23

goes in the ground There's a moment where they

1:14:25

create one of those bullshit scares where like she's

1:14:27

like Brian Brian and the camera like Whips around

1:14:30

in 360 to reveal and he's

1:14:32

not scary at that point It's just like there's

1:14:34

a lot like the camera is always moving in

1:14:36

this and like coming down seems I guess

1:14:38

my final thought is that when

1:14:40

law enforcement sees these creatures

1:14:43

a ton of these cops just throw their guns

1:14:45

down Yeah, and run away Well

1:14:48

that one cop got away from the cat

1:14:50

lady in the house He shot at her

1:14:52

like five times and missed that's all far and then

1:14:54

he just ran out the back door No, he didn't

1:14:56

run at the back door. He ran into the kitchen

1:14:59

and called the sheriff Like

1:15:13

that's the thing is there's a killed by the queen

1:15:15

he was the corn cob I

1:15:17

know what the parents was no all right.

1:15:19

No the mom was thrown out the window

1:15:22

and the dad Yeah, okay, okay, and the

1:15:24

mom seemingly gets away. She's okay. She's okay.

1:15:26

Yeah, the dad's okay. I think he is

1:15:28

good Also,

1:15:32

I did like when the cop deputy Andy

1:15:34

does say get me back up bye

1:15:39

Never never to rush for a man I

1:15:44

really again the the movie of

1:15:46

them is the movie Clovis is

1:15:49

The MVP of this movie the cat the

1:15:51

attack cat Clovis MVP of the entire movie

1:15:53

well Clovis. Let's see that movie Let's do

1:15:55

that. Yeah the prequel

1:16:00

Tanya wanted to take care of

1:16:02

Clovis after Dan Martin

1:16:04

was killed. Did we ever see how

1:16:07

he escaped the headquarters? Oh,

1:16:10

I don't know, but he ends up there with

1:16:12

her at the end. I know one party don't anymore,

1:16:15

but could he head... He's a cat who gets in

1:16:17

and out. It's just you and me now, Clovis,

1:16:19

is what she says, right? Clovis heads to the house,

1:16:21

I guess, to take revenge. Like it's 1992? Maybe.

1:16:24

Let's in 1992 spin this off into a

1:16:26

sitcom like Caroline and the City, or something

1:16:28

like that. A multi-cam. Yeah, a multi-cam. This

1:16:30

is me and Clovis. Tanya and Clovis, she

1:16:32

moved to the big city after her parents

1:16:34

were murdered by sleepwalking. It's all about her

1:16:37

sleepwalkers are trying to get to Tanya, because

1:16:39

she's still a virgin. That's the other thing,

1:16:41

I was like, she's never even... Poor Tanya

1:16:43

is never even aware why she's being targeted

1:16:45

by this monster. Yeah, she could just have

1:16:47

sex with someone. All she needs to do

1:16:50

is be like, oh, quick, something has sex

1:16:52

with me. And I can just be invisible.

1:16:55

The dad was supposed to do it, but

1:16:57

morals of the society didn't happen. Oh, God,

1:16:59

can you imagine if the only answer to

1:17:02

keep his mother alive was to create another

1:17:04

incestuous relationship in this story? To

1:17:06

keep his daughter alive rather? I only brought it up because you said

1:17:08

you would never see that in a movie. It's

1:17:12

a joke now. It's a joke too

1:17:14

much. Alright, so let's talk about what

1:17:16

we want to tell people about. Lauren,

1:17:18

what are you up to? What do

1:17:20

you want to tell people about? You

1:17:22

should watch Crashing on HBO. I'm

1:17:25

recurring on that show and it's really fun. You

1:17:27

can follow me on Twitter at Lauren Lapkis and

1:17:29

on Instagram the same deal. That

1:17:31

is awesome. Yeah. June. So

1:17:34

the third season of Grace and Mary is out on Netflix. So

1:17:37

check that out. And I did

1:17:39

a web series with a friend of mine

1:17:42

called Threadbare on her YouTube channel, which is

1:17:45

Cubana Mama Pictures. That's

1:17:48

really funny and wonderful. And

1:17:51

yeah, check that out too. Jason.

1:17:55

You know what? Just because I've talked about it on

1:17:57

this podcast, I'm going to just plug a piece of

1:17:59

burden by Evan Dorkin. Also, I

1:18:01

will say follow Big100 on Instagram

1:18:03

and I will plug DriveShare, which

1:18:05

is on Go90. Jason is a

1:18:07

part of that. It's very

1:18:10

funny. It's super fun. 30 episodes. They're

1:18:12

totally for free. You don't have to sign up for shit. You

1:18:14

can see Jason and I if you want to go back in

1:18:17

time and look at us in the last episode ever of Workaholics.

1:18:19

Oh, yeah. I haven't watched it yet. It's very

1:18:21

funny. Oh, great. Nice. Make

1:18:24

sure you follow us at hdtgm on Twitter and

1:18:26

on Facebook. Make sure you listen to our mini

1:18:28

episode as Blake Harris sits down with someone

1:18:30

from sleepwalkers. I'll keep it a secret for

1:18:32

right now, but someone from sleepwalkers. Listen to

1:18:34

our mini episode and you have anything to

1:18:36

add, call us at 619-PAUL-ASK. That's

1:18:39

619-PAUL-ASK and we will play it in our

1:18:41

mini episode. Thank you very much. Thank you

1:18:44

to Engineer Ryan. Bye-bye. That is great. Here

1:18:46

we go. Everybody

1:18:49

loves

1:18:52

McDonald's

1:18:55

fries.

1:18:59

So, yes, you accuse your mom of

1:19:01

stealing some of your fries on the

1:19:03

way home. But

1:19:05

the bag did feel a little light.

1:19:08

Hi there. This is Mary Holland. You may know

1:19:10

me from Happy's Jingle. Hi there. This

1:19:13

is Mary Holland. You may

1:19:15

know me from Happy's Season

1:19:18

or Veeth or the woman in

1:19:20

the house across the street from

1:19:22

the girl in the window. Or

1:19:25

you may know me as Janice

1:19:27

Kram. Huh? I want

1:19:29

to wish Comi Bang Bang a

1:19:31

happy 15th anniversary. Wow. 15

1:19:34

years old. Comi

1:19:36

Bang Bang is about to get

1:19:39

its driver's permit. I'm so excited

1:19:41

for it and I'm, you know,

1:19:43

really grateful because Comi Bang Bang

1:19:45

has brought me so much joy

1:19:48

as a listener and a performer

1:19:50

and I'm just very grateful for

1:19:52

this community that we have in

1:19:54

Comi Bang Bang. You can hear

1:19:57

me and a lot of other

1:19:59

very funny people. people don't come any bang

1:20:01

bang wherever you get your podcast. So

1:20:03

what are you waiting for? Tune in!