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Collider
Collider PodcastEpisodes
Collider
Collider Podcast
A weekly podcast featuring Matt Goldberg and Adam Chitwood
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Episodes of Collider Podcast
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This week on our final episode of The Collider Podcast, we're talking about the history of the podcast, how the podcast changed over the years, why it was difficult finding an audience, the competitive world of movie podcast and podcasting in g
This week on our final episode of The Collider Podcast, we're talking about the history of the podcast, how the podcast changed over the years, why it was difficult finding an audience, the competitive world of movie podcast and podcasting in g
This week on our penultimate episode of The Collider Podcast, we're launching into the second part of our long-awaited James Bond podcast. In this part, we examine the films of Pierce Brosnan and Daniel Craig, how Bond needed to be reinvented a
This week on our penultimate episode of The Collider Podcast, we're launching into the second part of our long-awaited James Bond podcast. In this part, we examine the films of Pierce Brosnan and Daniel Craig, how Bond needed to be reinvented a
This week on The Collider Podcast, we're launching into our long-awaited James Bond podcast. This will be a two-part podcast, and in this first part, we'll focus on the films starring Sean Connery, George Lazenby, Roger Moore, and Timothy Dalto
This week on The Collider Podcast, we're launching into our long-awaited James Bond podcast. This will be a two-part podcast, and in this first part, we'll focus on the films starring Sean Connery, George Lazenby, Roger Moore, and Timothy Dalto
This week on The Collider Podcast, we're talking about the new Ryan Reynolds movie Free Guy. We talk about why the film works so well even with some minor flaws, how its box office strength shows that all bets are off in 2021 when it comes to p
This week on The Collider Podcast, we're talking about the new Ryan Reynolds movie Free Guy. We talk about why the film works so well even with some minor flaws, how its box office strength shows that all bets are off in 2021 when it comes to p
This week on a bonus episode of The Collider Podcast, we're pleased to welcome to the podcast director Brian Andrew Mendoza. Mendoza is the producing partner of Jason Momoa and also the director of Momoa's latest film, Sweet Girl, which debuts
This week on a bonus episode of The Collider Podcast, we're pleased to welcome to the podcast director Brian Andrew Mendoza. Mendoza is the producing partner of Jason Momoa and also the director of Momoa's latest film, Sweet Girl, which debuts
This week on The Collider Podcast, we're pleased to welcome to the podcast director Martin Campbell. Campbell is the director from the some of the best action movies of the last 25 years including GoldenEye, The Mask of Zorro and Casino Royale.
This week on The Collider Podcast, we're pleased to welcome to the podcast director Martin Campbell. Campbell is the director from the some of the best action movies of the last 25 years including GoldenEye, The Mask of Zorro and Casino Royale.
This week on The Collider Podcast, we're talking about The Suicide Squad. We talk about how the film compares to the 2016 version, why audiences may have been confused by the similar titles, how the film's box office was affected by mitigating
This week on The Collider Podcast, we're talking about The Suicide Squad. We talk about how the film compares to the 2016 version, why audiences may have been confused by the similar titles, how the film's box office was affected by mitigating
This week on The Collider Podcast, we're talking about Jungle Cruise as well as Scarlett Johansson suing Disney over lost box office revenue from Black Widow. With Jungle Cruise, we discuss how the film works as a light adventure, why it's most
This week on The Collider Podcast, we're talking about Jungle Cruise as well as Scarlett Johansson suing Disney over lost box office revenue from Black Widow. With Jungle Cruise, we discuss how the film works as a light adventure, why it's most
This week on The Collider Podcast, we're joined by Associate Editor Greg Smith to talk about Old and the films of writer-director M. Night Shyamalan. We talk about the strengths and weaknesses of Old, how it reflects Shyamalan's earlier work, h
This week on The Collider Podcast, we're joined by Associate Editor Greg Smith to talk about Old and the films of writer-director M. Night Shyamalan. We talk about the strengths and weaknesses of Old, how it reflects Shyamalan's earlier work, h
This week on The Collider Podcast, we're talking about the precipitous drop of Black Widow during its second weekend at the box office, and that why that has theater owners upset. We discuss if the National Association of Theater Owners (NATO)
This week on The Collider Podcast, we're talking about the precipitous drop of Black Widow during its second weekend at the box office, and that why that has theater owners upset. We discuss if the National Association of Theater Owners (NATO)
This week on a bonus episode of The Collider Podcast, we're joined by TV Editor Liz Shannon Miller to talk about the first season of Loki. We talk about why the show worked so well, our mixed feelings about the finale, how it rectifies an earli
This week on a bonus episode of The Collider Podcast, we're joined by TV Editor Liz Shannon Miller to talk about the first season of Loki. We talk about why the show worked so well, our mixed feelings about the finale, how it rectifies an earli
This week on The Collider Podcast, we're joined by Senior Editor Haleigh Foutch to talk about Black Widow. We talk about what we liked and disliked about the new Marvel movie, why it feels awkward to get this film now, what it means for the fut
This week on The Collider Podcast, we're joined by Senior Editor Haleigh Foutch to talk about Black Widow. We talk about what we liked and disliked about the new Marvel movie, why it feels awkward to get this film now, what it means for the fut
This week on The Collider Podcast, we're talking about No Sudden Move and the work of director Steven Soderbergh. We talk about how No Sudden Move fits in with Soderbergh's other recent efforts, why it's probably best it was released on HBO Max
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