Stepping inside Isn’t it lovely?, Phoebe Wang asks the audience to leave the known territory and comfort of the white-walled gallery space to become immersed in an isolated environment. Here, sights and sounds of walls, carpets, speech and din create a faux-warmth that is at once invasive and curious. The listener then must subject themselves to the sounds that enter their ears.

The fragments of recorded memories that make up Isn’t it lovely? hover over meaning, never landing solidly. As the audio progresses, Wang prompts and engages in a series of conversations that attempt to ask, “why choose to keep going in a world that is not built for you?”

In Isn’t it lovely?, Wang constructs a refuge of sorts – yet the systems and histories she seeks to evade or emancipate herself from continue to be felt here, too.