Episode Transcript
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0:00
Hey. There it's Kathy. I just wanted to
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let you know that you can listen
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Kroger. Fresh for every. Savings may
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for details. In
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December. Nineteen Ninety One, A few
0:45
hundred comic book collectors jammed into Saw
0:47
The Bees New York Auction House for
0:50
a highly anticipated sale. As
0:52
the event got underway, among those raising
0:54
a bidding paddle was a man dressed
0:57
in a span back spider suit. He
0:59
insisted he was Peter Parker, but it
1:02
turns out he was an actor sent
1:04
by Marvel on a mission to purchase
1:06
a prototype cover of Marvel Comics number
1:09
two, dating back to Nineteen Thirty Eight.
1:12
With great power comes great responsibility
1:14
and fake Spidey successfully secured it
1:16
for fourteen thousand dollars. It was
1:18
just one of five hundred comics
1:20
in original com a guard that
1:22
sold bad Day for over one
1:24
point Two million dollars. The.
1:26
Auction was a landmark moment for the industry
1:29
and was the ripple that would set off
1:31
the tidal wave of a speculation boom. I'm
1:34
Cathy Guns or Of and This is
1:36
History of the Ninety's a podcast about
1:38
a decade that change the world. On
1:40
this episode were tracking the comic book
1:43
boom and bust of the nineteen Nineties.
1:50
For. A couple of years leading up to
1:52
that historic auction at Saw the Bees,
1:54
the comic book industry was riding high,
1:57
thanks in part to Tim Burton's dark
1:59
and stylish Adam. The nation of a
2:01
classic. Superhero stories, Kind
2:05
of your. To me up
2:07
when you to tell all your friends about me.
2:12
And bet. The.
2:17
Nineteen Eighty Nine, Batman Movie. Starring
2:20
Michael Keaton. As the Millionaire
2:22
Gotham City Vigilante alongside Jack
2:24
Nicholson as the Joker was
2:26
influenced by Frank Miller's groundbreaking.
2:28
Comic Book mini series, The Dark
2:30
Knight Returns. It was released three
2:32
years earlier in Nineteen Eighty Six
2:34
by Dc Comics and put a
2:36
new spin on Batman. Gone
2:39
was the campy caped crusader. Of
2:41
the sixties Tv show the Bans
2:44
and that the powers were replaced
2:46
by darkness and violence as Batman
2:48
became a hardened loner with no
2:50
patience for criminals. despite
2:53
an initial backlash. Over the
2:55
decision to cast Keaton as
2:57
Batman, Tim Burton's adaptation became
2:59
a pop culture phenomenon. In
3:02
fact, it was the highest grossing. Film
3:04
of Nineteen Eighty Nine, earning over
3:06
four hundred and ten million dollars
3:09
worldwide. The success
3:11
was thanks in. Part to an unprecedented
3:13
merchandising and marketing campaign by Warner
3:15
Brothers, the studio that made the
3:17
movie. In the months leading
3:19
up to the premier posters and billboards
3:21
Simpli displayed the iconic Batman emblem with
3:23
the movies were least eight and they
3:26
seem to be everywhere, building up an
3:28
anticipation similar to what we saw. With
3:30
the Barbie movie And Twenty Twenty Three. Even
3:33
the Batman soundtrack by Prince help you
3:35
will phenomenon with songs like That Dance
3:37
which is a six minute mash. Up
3:39
of movie dialogue over and in such
3:42
as the To and Shredding Guitars. and
3:53
here Author
4:01
and comic book historian Jason
4:03
Sacks says in 1989 Batman
4:05
mania swept across North America.
4:08
I think it's easy to forget how much
4:10
Batman 89 was an enormous pop culture phenomenon.
4:13
It hit like a lightning bolt and
4:16
ordinary non-comic fans or casual comics
4:18
fans were interested in the art
4:20
form because they were excited for
4:22
the Batman film. And then
4:24
when the film came out and really hit the
4:26
audiences in a big way in 89, it
4:29
continued to build up a lot
4:31
of momentum around the industry. In
4:34
particular, demand for Batman comic books
4:36
went through the roof. Comic
4:38
book stores were barely able to keep up
4:40
and sold about a half a million Batman comics a month.
4:44
And the interest in Batman helped drive up sales of
4:46
other comics too. You see,
4:48
before the Batman movie, the general public's perception
4:50
was that comics were mostly for little kids.
4:54
But Jason Sacks says the people drawn
4:56
to stores looking for Batman comics found
4:58
out there was lots of other stuff that
5:00
appealed to older readers too. Books
5:03
like Sandman and Doom Patrol, for
5:05
example, from DC Comics, were
5:08
there and available and just a little
5:10
more mature in the right way. Not
5:13
just sex and violence, but intellectually
5:15
and emotionally fitting an
5:17
adult audience. So people were finding there was stuff
5:19
that was very exciting to them. Plus,
5:22
this was a time when there was lots of
5:24
new talent causing a buzz in the comic
5:26
book industry. Folks like
5:28
Todd McFarlane on Spider-Man, folks
5:30
like Rob Liefeld on The New Mutants,
5:33
folks like Jim Lee and Mark
5:35
Sylvester on the X-Men titles, and Will
5:38
Portacio as well with that group, were
5:40
showing just a new type of comic
5:42
art that felt different, felt new,
5:44
felt...it really appealed to younger readers. And
5:47
so, whether you were college
5:49
age or younger than college age, you were
5:51
coming into comics, maybe trying out a
5:53
little bit, and discovering there was stuff
5:55
that really fit your view of the world. Jason
6:01
mentioned Jim Lee, who I should
6:03
clarify is no relation to Stan Lee,
6:05
the legendary comic book creator behind Marvel
6:08
superheroes like Spider-Man, Iron Man, and The
6:10
Hulk. In
6:13
1991, at the age of just 27,
6:15
Jim Lee was considered the biggest
6:18
young star in the comic industry.
6:20
He started working at Marvel five
6:22
years earlier, after graduating from Princeton
6:24
with a BA in psychology. Instead
6:27
of becoming a doctor, Lee decided
6:29
to pursue his other passion, drawing
6:31
comics. He put together
6:33
samples of his superhero drawings and began
6:35
knocking on doors. Lee
6:37
was met with one rejection after another,
6:39
until he handed over his samples to
6:41
a Marvel editor at a comic book
6:43
convention. The editor was
6:45
so impressed that he hired Lee on the
6:47
spot, and from there, it wouldn't take long
6:50
for Lee to climb the ranks at Marvel,
6:52
thanks to his detailed and vivid illustrations
6:54
in books like The Punisher. Then
6:57
Lee was tapped to draw the latest X-Men series,
6:59
alongside longtime Marvel writer Chris
7:02
Claremont. For Lee,
7:04
it was a dream come true. He
7:06
had grown up reading and collecting X-Men
7:08
comics, which featured a group of outcast
7:11
mutants born with the X-Factor chromosome that
7:13
gives them special superhuman power. The
7:16
series was originally created by Stan Lee and
7:18
Jack Kirby in 1963 under the title The
7:22
Uncanny X-Men. Through
7:24
the 70s and 80s, the X-Men comic
7:26
books were big sellers, but then Jim
7:28
Lee's series took things to a whole
7:30
other stratosphere. X-Men
7:32
number one, released in August 1991, sold
7:34
more than 8 million
7:37
copies, making it the largest selling
7:39
issue in history. So
7:42
what exactly was going on 30 years
7:45
ago? Why was there so much excitement
7:47
for this one particular comic? Well
7:51
a couple of things. First of all,
7:53
as I mentioned, the Batman movie had generated
7:55
a massive new interest. Suddenly it was
7:57
cool to be crazy about comic books.
8:00
Also, shops were popping up in malls
8:02
and on main streets around North America, thanks
8:05
to a move by publishers 15 years
8:07
earlier to concentrate on their most
8:09
loyal buyers who shopped at specialty
8:11
comic book shops. Distributors
8:14
offered deep discounts to the shops, unlike
8:17
grocery stores and drug stores where comics
8:19
were traditionally sold. In
8:21
exchange for the deep discounts, comic book
8:23
shops gave up the right to return
8:26
unsold merchandise to publishers, something
8:28
that grocery and drug stores had always been able
8:30
to do. This
8:33
change allowed small publishers to enter
8:35
the market. No longer did they have
8:37
to worry about costly returns. Plus,
8:40
printing and colour technology had become
8:42
less expensive and accessible enough that
8:44
independent comic companies were able to
8:46
create products that looked as refined
8:48
and professional as what Marvel and
8:51
B.C. were making. And
8:53
as a result, new comics proliferated. By
8:56
the 1990s, stores that typically carried
8:58
70 or 80 titles now offered
9:00
as many as 500 titles.
9:03
Everything from superheroes and aliens to
9:05
comic books about spies and cowboys.
9:08
There was literally something for everyone. Another
9:13
big thing happening in the comic book industry
9:16
actually has ties to the trading card frenzy
9:18
that began in the late 80s, something we
9:20
covered earlier on History of the 90s. Many
9:24
of the collectors and speculators swept up in the
9:26
trading card boom expanded their focus
9:28
to comic books, pushing up the
9:31
prices for old books and in some
9:33
cases prices went through the roof. For
9:35
example, in 1971 a mint
9:37
copy of Action Comics number 1 from 1938 was worth
9:40
about 20
9:43
years later in 1991 it was selling for $100,000. In
9:49
response to the growing market, publishers
9:51
like DC and Marvel churned out
9:54
new titles and employed novel tactics,
9:56
including releasing certain issues with
9:59
multiple cover-ups. known as
10:01
Variants. So getting back to
10:03
that X-Men number one which sold 8 million
10:05
copies, Jason Sacks says you
10:07
can chalk that up to the fact
10:10
that Marvel released five different versions over
10:12
the course of a month. That's
10:14
five different covers letter A through E
10:16
and had different members of the X-Men
10:18
team fighting Magneto
10:20
in a parody of the cover of the original X-Men
10:22
number one from 1963 and then
10:26
there was a gateway cover, a gatefold cover
10:28
which had all five of the images all
10:30
put together. Kids and
10:32
collectors scrambled to get each one of
10:34
the X-Men variants leading to the record-breaking
10:36
sales. X-Men
10:39
1 wasn't the first comic with multiple
10:41
covers. In 1986 the first issue of
10:44
the DC comic The Man of Steel featuring
10:46
Superman was released with two different
10:48
covers with the sole purpose of
10:50
boosting sagging sales and it worked
10:53
but in the 80s that kind of marketing
10:55
ploy was still pretty rare. In
10:57
fact in an interview for IGN Todd
10:59
McFarlane said when he suggested two versions of
11:02
a cover for the 300th issue of The
11:04
Amazing Spider-Man in 1988 he was shot down
11:06
by Marvel
11:08
executives. They said quote
11:10
Todd nobody does more than one cover
11:13
for a book that's silly. By
11:16
the 90s however variant covers exploded
11:18
as publishers cashed in on the
11:20
red hot market. Each
11:22
new release outdid the last as
11:25
publishers introduced things like foil and
11:27
hologram covers. Readers were
11:29
told to collect them all with promises
11:31
of eventually getting rich so many people
11:33
felt they needed to buy multiple copies
11:36
one to read and one to save. So no
11:39
surprise variant covers and other marketing gimmicks
11:41
helped drive sales through the roof and
11:44
it led to rampant speculation. Comics
11:47
were suddenly considered a commodity
11:49
whose value would increase over
11:51
time. Sadly
11:53
it seemed no one really understood that
11:55
it is scarcity that drives up
11:58
prices when thousands or or
12:00
millions of the same comic like X-Men
12:02
1 fled the market, those
12:04
comics are destined to end up in the
12:06
dollar bin. Either way,
12:08
at the beginning of the 90s, it seemed like
12:10
comic books couldn't get any hotter. Then
12:13
an historic and highly hyped auction set
12:16
the whole industry on fire. TIAA
12:22
is on a mission. Why?
12:25
Because 54% of Black Americans don't have
12:28
enough savings to retire. So
12:30
in collaboration with big name artists
12:32
like Wyclef Jean, TIAA released
12:34
Paper Right, new music
12:37
inspiring a new financial future with
12:39
100% of streaming sales going
12:41
to a nonprofit that teaches students how to
12:44
invest. Streams Paper Right now
12:46
and help close the gap. On
12:54
December 18th, 1991, Sotheby's hosted its
12:57
first ever comic auction at its
12:59
swanky Manhattan facilities, which are normally
13:02
reserved for fine arts. The
13:04
auction included 500 rare single books and
13:07
original artwork. And bidding
13:09
was dominated by one young man. And
13:12
it wasn't that guy dressed up as Spider-Man who
13:14
I mentioned at the beginning of this episode.
13:17
It was actually 26 year old Harold
13:20
Anderson from Florence, Alabama. He
13:23
purchased 21 items, spending over $200,000
13:27
on comic books and artwork. Most
13:29
notably, he fought hard against an anonymous
13:31
bidder to win a comic that featured
13:34
the debut of Batman. Anderson
13:36
paid $55,000 for Detective Comics Number 27, which
13:41
originally sold on newsstands in 1939 for a dime. $55,000
13:47
was nearly double what Sotheby's expected.
13:50
And it set a record at the time
13:52
for the most expensive comic sold at auction.
13:55
Anderson snagged several first issues of comic
13:58
books, including a copy of the book. of
14:00
Action Comics number one from 1938,
14:02
the comic that introduced the world
14:04
to Superman. That one cost him $29,000.
14:09
And excited Anderson told reporters who were on
14:11
hand to witness the auction that
14:13
he believed comic books were on the ground
14:15
floor of a collectible explosion led
14:17
by baseball cards. With
14:20
the help from his father's business, the
14:22
Anderson Media Corporation, he planned
14:24
to use the comics he bought to
14:26
create a traveling museum that toured around
14:28
the U.S. visiting towns and cities. The
14:32
most expensive item sold at the auction
14:34
incidentally wasn't a comic book, but rather
14:36
an original oil painting of a
14:39
nude vamparella. It was
14:41
created in 1969 by illustrator Frank
14:43
Frazetta when the vampire super heroine
14:45
was introduced in a comic by
14:47
Warren Publishing. It was
14:49
purchased at the Sotheby's auction by an anonymous
14:51
telephone bidder for $70,000. The
14:56
success of the auction sent shockwaves through the
14:58
comic book industry and it was something
15:00
closely watched by mainstream media as well.
15:04
A story appeared on the front page
15:06
of the Chicago Tribune with the
15:08
headline, Holy Bidding War Batman Were
15:10
Rich. Similar coverage
15:12
appeared in the Washington Post and the New
15:15
York Times which ran a headline that said
15:17
Holy Record Breaker $55,000 for first Batman comic.
15:22
Most of the comic book windfalls had many people
15:24
going through their basements and attics looking
15:27
for long lost relics that might be worth
15:29
big bucks. But not
15:31
all of the coveted items at the auction
15:34
were antiques. Two young
15:36
illustrators sold their recent works, proving
15:38
that they had become superstars of
15:40
the industry. 37
15:42
pages of original artwork by Jim Lee that
15:45
made up the first issue of the new
15:47
X-Men series from just three months earlier sold
15:49
for $40,000. Jason
15:52
Sacks says original artwork from Todd
15:54
McFarland's Superman No. 1 published in
15:56
1990 also sold
15:58
at auction for $40,000. Four thousand dollars.
16:01
Was one of those moments where it's
16:03
like, oh, appeared above. Todd Mcfarlane sadly
16:05
said. You know I can make
16:07
a lot more money. I was working for
16:09
myself. I wasn't were working for Marvel by
16:12
creating my own ip. This money would be
16:14
most okay because I would be able to
16:16
that point. I. Said working
16:18
for higher in to scanning what Marvel's giving me
16:20
I would be able to work for myself and
16:22
be able to make all the Ross was I
16:25
want to make for my worth. So we saw
16:27
this forty four thousand dollars in a way has
16:29
thing a down payment or when could make in
16:31
the future. To. Understand
16:33
what happened next. You need to understand
16:35
how things. Work at Dc and Marvel
16:38
Comics, and even some of the smaller
16:40
publishers. In the comic
16:42
book industry. Creators are hired on contract
16:44
so no matter what they create
16:46
under the publishers banner, it belongs
16:48
to the publisher and less a
16:50
book sales really big amounts, the
16:52
creator is not given any royalties.
16:56
Todd Mcfarlane and Jim Lee. Along
16:58
with Rob Life Out another young
17:00
star who created the X Force
17:02
in Nineteen Ninety. or definitely earning
17:04
royalties. Or this new generation
17:06
of talent wanted more and not just
17:09
more money, They wanted freedom. To. So.
17:11
Macfarlane Li and Life Old along
17:13
with several other. Popular young artists
17:16
including Erik Larsen will Sports Hall
17:18
Show Gym, Valentino and Mark Sylvester.
17:20
He left Marvel to form their
17:23
own publishing company called Image Comics
17:25
and they said. Let's.
17:27
Just put out books so we really
17:29
care about us to work that's meaningful
17:32
to us. So. He to
17:34
the creators. The had I do
17:36
a mind as as you off and do and if you're
17:38
the crater for. And the
17:40
decide to just try it out put up
17:43
their own mind. In
17:45
a now notorious meeting. The group showed
17:47
up at Marvel offices to tell executives
17:49
they were all quitting. They were them.
17:51
Went to Dc Comics the next day
17:53
and said hey, we're just telling you
17:55
were going somewhere else now we're never
17:57
going to work for you And then
17:59
A to. went off to California,
18:01
got together at Silvestri's beach house in
18:03
Malibu and created a
18:06
perform for Image Comics. Image
18:09
Comics shook up the industry, giving Marvel
18:11
and DC an unexpected new competitor
18:13
made up of some of their
18:15
biggest ex-stars. In fact, the
18:17
seven creators who left the big two
18:19
to start Image had worked on 44
18:21
of the 50 biggest selling books of
18:23
91. Image Comics first
18:26
release, Liefeld's Young Blood No. 1, was
18:28
released six months later in April 1992
18:30
and it sold
18:32
over a million copies, placing sixth in
18:35
monthly sales which was a huge feat
18:37
for a book not published by Marvel
18:39
or DC. Then the
18:41
next month, McFarland's Spawn No. 1 was
18:44
released, selling 1.7 million
18:46
copies, making it the number one
18:48
comic in the country, outpacing Marvel's
18:50
flagship title X-Men. By
18:53
the end of 1992, Image had 24 of the top 100 selling books released
18:55
that year,
18:59
which was an unheard of accomplishment
19:02
for a creator-owned publishing company.
19:05
Everywhere they went, the Image founders were
19:07
followed by adoring fans. Their
19:09
signings were events of a size typically
19:11
safe for rock stars. In
19:14
fact, 1992's Chicago Comic Con needed
19:16
a special tent in its parking
19:18
lot just to accommodate Image's tens
19:20
of thousands of supporters. But
19:24
managing this success wasn't always easy
19:26
for the new publisher. There were tremendous amount
19:28
of delays in the Image books. Some
19:31
creators became notorious for the delays.
19:33
There was one month
19:35
where literally every single Image comic
19:37
was delayed. In
19:39
some cases, advertised comics never came out
19:42
at all. But despite
19:44
the struggles, Image was still moving massive
19:46
numbers of comics. At
19:50
the same time, there was another new
19:52
publisher on the scene, also causing waves
19:54
in the industry. Valiant
19:57
Comics was co-founded in 1980, 1989
20:00
by comic legend Jim Shooter, two years
20:02
after he was fired as editor-in-chief
20:04
at Marvel, along with Bob
20:07
Layton, who was known for his work on Marvel
20:09
Comics' Iron Man and Hercules. It
20:12
wouldn't take long for Valiant to become a force
20:14
in the comic industry, with a universe
20:16
of new and classic characters. They
20:19
bought the copyright for several forgotten
20:21
superheroes, like Solar, Man of
20:23
the Atom, and Magnus, Robot Fighter, and
20:26
then updated and altered them. The
20:29
success of those paved the way for Valiant's
20:31
new titles like Bloodshot, Harbinger,
20:33
and Ninjak. By
20:36
the end of 1992, industry trade
20:38
magazine Wizard reported that seven of
20:40
the ten best-selling comics of December were
20:43
Valiant series, and their market share
20:45
would continue to grow, giving
20:47
the big two a run for their money. And
20:50
just like DC and Marvel, Valiant helped inflate
20:52
the speculator's bubble with their own
20:54
marketing gimmicks. During
20:56
the now-famous Gold Logo Issues, which were
20:59
released in limited amounts, usually about $5,000
21:01
per issue, they
21:03
were awarded to retailers and fans who helped
21:05
support Valiant, meaning if a retailer bought so
21:08
many titles, they would get one or two
21:10
special editions with a Gold Inc. logo in
21:12
the title as a thank you. This
21:15
created a new income stream for Valiant,
21:18
and maybe even more importantly, it created
21:20
another unique collectible variant. Kevin
21:24
Van Hook, an artist and writer who worked
21:26
at Valiant, told IGN that it got to
21:28
the point where some people in the comics
21:30
press referred to Valiant as
21:32
the Franklin Mint of comics
21:35
because they created and manufactured
21:37
collectibles. Van Hook,
21:39
incidentally, was co-creator of Valiant's 1993 comic Bloodshot
21:41
No. 1, which was
21:44
the first of many shiny metallic
21:46
chromium covers released by the publisher,
21:49
which became another fan favorite in the 90s.
21:53
But it wasn't just variant covers and collector
21:56
items that propelled the comic industry in the
21:58
early 90s. There were also... Also
22:00
some massive storylines that caught
22:02
everyone's attention. Man of Steel
22:04
has proven to be as vulnerable as
22:07
the mere mortals who looked up to
22:09
him for more than half a century.
22:11
Superman died Wednesday. East Greg Agnew reports
22:13
on a world without the first superhero.
22:16
On November 17, 1992, DC Comics
22:18
killed off one of its oldest
22:21
and most famous superheroes. And it
22:23
became an international news event. Perhaps
22:27
it was a slow news day. Maybe Superman
22:29
means more to people because he's an
22:31
OG superhero. But either way, the
22:33
attention his demise received even caught
22:35
the writers of the series off guard.
22:38
Throughout a six-issue storyline, Superman
22:40
battles a titanic monstrosity known
22:43
as Doomsday, eventually dying from wounds
22:45
he suffered while saving Metropolis. The
22:48
battle concluded on the final page of Superman
22:50
75. And demand
22:52
for that issue was so huge that
22:54
fans waited patiently in long lines outside
22:57
comic shops to get a copy on
22:59
release day. As
23:01
a result, shops sold out almost immediately
23:03
after opening their doors, some selling
23:05
500 copies in under 30 minutes. The
23:09
plain newsstand edition was $1.25, while
23:11
a deluxe bagged edition that included
23:13
a commemorative arm band, an obituary,
23:16
and a trading card cost $2.50. Almost
23:20
immediately, the deluxe edition was being
23:22
resold for $100 by speculators. Anticipating
23:26
the demand, DC Comics printed more
23:28
than 3 million copies of Superman 75, and
23:32
even still, they ran two more print runs
23:34
of the issue to keep up. It was
23:36
the biggest press run ever for the Superman
23:38
comic. Ironically, before
23:40
the Doomsday series, Superman had
23:43
become pretty passe. Young
23:45
comic book readers thought he was too
23:47
perfect and kind of lame in his
23:49
blue and red leotard, compared to the
23:52
new generation of flawed superheroes like the
23:54
Punisher and Wolverine. The Superman
23:56
comics were kind of your mom and dad's
23:58
comics. They were kind of... dull
24:00
very up-and-down sorts of things with
24:03
coherent stories and professional art that wasn't
24:06
slick at all and They
24:08
were selling kind of mediocre numbers Now
24:11
DC's decision to kill him off had jump-started
24:14
interest in the Man of Steel It was
24:16
a brilliant move and kind of interesting how
24:18
it came about the
24:20
Superman team went on their editorial retreat as they
24:22
did every year and We're
24:24
talking about what they can do to brighten up the
24:27
Superman line in 91
24:30
and 92 like what are our plans for the
24:32
next year and they had landed on the idea
24:34
of having Superman and Lois Lane get married Thinking
24:36
that would get a lot of attention to the
24:38
line But you might remember
24:41
there was a very popular TV show in
24:43
the 90s that featured the superhero and his
24:45
Daily Planet co-worker you're
24:49
Superman Yeah,
24:51
Lois. I mean
24:55
You're Superman Of
24:58
course, you're a Superman. How
25:00
about some dinner? The
25:03
ABC series Lois and Clark the new
25:05
adventures of Superman wasn't on the air
25:07
yet when DC's editorial team sat down
25:10
to plot out Superman's next move But
25:12
the TV show was in the works with ultimate
25:14
plans for a wedding between the two main characters
25:18
So the Superman comic book team was
25:20
essentially told by network executives Don't steal
25:22
our thunder come up with another idea
25:24
and then one of the people in
25:26
the retreat suggested kind
25:29
of in a laughing way, but what if we kill
25:31
Superman and Everyone
25:34
laughed kind of uncomfortably and they said what
25:36
the heck wall not The death
25:39
of Superman would go on to be the best-selling
25:41
comic book of 1992 But
25:43
it came at a cost for the entire
25:46
industry Killing off a
25:48
character only to bring him back in a
25:50
later issue is not uncommon But
25:52
even still when DC resurrected Superman less
25:54
than a year later in June 1993
25:58
The decision wasn't met with enthusiasm.
26:02
Comic shops believed the comic would sell through the
26:04
roof again, but at that point
26:06
everyone realized they'd kind of been conned, kind
26:09
of a sense of feeling cheated, and the
26:12
return of Superman comic was bought
26:14
by comic shops and
26:16
like over a million copies, but
26:19
not very many copies were sold. And
26:21
it was an enormous bust for the stores because
26:24
they had invested the money in the copies of
26:26
the book and it never sold well. And
26:29
remember what I said earlier about the deal
26:31
between publishers and bookstores? The specialty
26:33
shops got deep discounts on comics
26:35
compared to do-stans, but in exchange
26:37
the shops gave up their right
26:39
to return any unsold copies? Well,
26:42
when the return of Superman was a
26:44
flop, stores were stuck with stacks
26:46
upon stacks of unsold copies. Things
26:50
would get even worse as they ran into
26:52
major cash flow problems because of those delayed
26:54
image comics they had purchased and were late
26:56
or not arriving at all. At
26:59
the same time, readers were finally growing
27:01
tired of the variant covers and storyline
27:03
events like the much-hated Spider-Man
27:05
clone saga, which was originally supposed
27:07
to rival the death of Superman but
27:10
quickly became one of the most controversial
27:12
Spider-Man stories ever told. Plus,
27:15
the market had become completely
27:17
oversaturated. There were just
27:19
so many comic books on the rack. There
27:22
were so many different publishers out there,
27:24
so many different people chasing the dollar
27:28
that there was just no way to make
27:30
a decision as a reader. As
27:33
a result of the discontent, sales of comic
27:35
books began to nosedive, adding even
27:37
more pressure on comic book stores.
27:40
By the end of 1993, nine out
27:42
of every ten comic book stores had
27:44
closed down. The comic
27:46
book bubble had finally burst. Speculators
27:55
left comics behind as their sales
27:57
potential plummeted. Publishers responded
27:59
by cutting back their lines, which led to
28:01
even more shops closing. By
28:04
the mid-90s, the landscape of the comic book
28:06
industry was undergoing massive changes.
28:09
Over at Valiant Comics, Jim Shooter was forced
28:11
out by the venture capital company that
28:14
got Valiant on its feet. They
28:16
weren't interested in being permanent investors and
28:18
sold the company for $65 million to
28:22
Acclaim Entertainment, the publisher of
28:24
Nintendo and Sega Software. Acclaim
28:27
wasn't all that interested in the
28:29
Valiant universe or continuing the tightly
28:31
woven storytelling that Jim Shooter had started
28:33
for the company. Meantime,
28:35
Image Comics had lost two of its
28:37
founders. Rob Liefeld left amid
28:39
a swirl of controversy after he'd
28:42
created a competitive comics company and was
28:44
accused of attempting to poach talent from
28:46
Image. Then, Jim Lee sold
28:48
his studio Wildstorm to DC Comics so
28:50
he could focus on the creative side.
28:53
A bunch of smaller comic book
28:56
publishers also went under during this
28:58
period, including Malibu Comics, Eclipse Comics,
29:00
and Comico Comics. And
29:02
in a move that seems nearly impossible
29:04
today, Marvel declared bankruptcy.
29:08
On December 27, 1996, the publisher
29:10
known for legendary comics like X-Men,
29:13
Fantastic Four, and The Amazing Spider-Man
29:16
filed for bankruptcy protection because of a
29:18
web of debt and a complicated takeover
29:20
battle. In
29:23
1989, at the height of the collector boom, Marvel was
29:25
purchased by the cigar-smoking New York
29:27
gazillionaire Ron Perlman for $82.5 million.
29:32
Perlman decided to cash in on the
29:34
sizzling comic book market by taking Marvel
29:36
Public, selling off about 30% of
29:39
the company to public investors. That
29:42
was followed by a massive acquisition spree
29:44
by Perlman, who wanted to expand
29:46
Marvel into other areas of the
29:48
collectibles markets. The
29:50
By 96 Marvel had taken on
29:53
two different trading card lines, a
29:56
sticker company, a couple
29:58
of mainstream publishers, just
30:00
a whole slew of different companies. And
30:02
the death that was piled upon the company
30:04
was insane. And
30:07
Perlman's timing was terrible because after the
30:09
comic book bubble burst in 1993, Marvel's
30:13
sales plunged by a whopping 70%. In
30:17
an effort to save the company, Perlman
30:19
proposed a plan that would shift Marvel's
30:21
focus from comics and cards to film.
30:25
In 1995, he put forward the idea
30:27
of launching Marvel Studios. But
30:29
a group of shareholders led by
30:32
Wall Street Titan, Carl Icahn, opposed
30:34
the plan. While the infighting continued,
30:36
Marvel's shares plummeted from just over $35 in
30:38
1993 to
30:41
a low of $2.38 in 1996. Buried
30:45
under a staggering debt of $610 million, Perlman
30:49
filed for Chapter 11 bankruptcy
30:52
without shareholder consent. What
30:54
he was really trying to do was retain control of
30:56
the company so he could move forward with
30:58
his plans for Marvel Studios. But
31:01
following a two-year court battle, both
31:03
Perlman and Carl Icahn lost. And
31:05
the winner was Toy Biz, the
31:08
exclusive maker of Marvel toys. Under
31:11
court restructuring, Marvel merged with Toy
31:13
Biz, which was owned by Isaac
31:16
Perlmutter. And with the help
31:18
of his business partner, Avia Rad, they began
31:20
to dig Marvel out of its slump. And
31:22
they did it by auctioning off the film rights
31:24
to some of its most prized characters. Spider-Man
31:27
went to Sony, The Hulk went to Paramount,
31:30
and 21st Century Fox bought the
31:32
rights to Daredevil, the X-Men, and
31:34
Fantastic Four. But then
31:36
in 2005, Marvel began an amazing comeback thanks
31:40
to a unique financing deal with Merrill
31:42
Lynch, which allowed them to start
31:44
buying back their iconic characters. Under
31:48
the deal, Marvel would receive $525 million over
31:51
an eight-year period to make movies from 10
31:54
of their less popular characters, including
31:57
Iron Man, Ant-Man, The Avengers, Black
31:59
Panther, Panther, Captain America and
32:01
Doctor Strange. As
32:04
collateral, Marvel promised if the first
32:06
four films failed, Merrill Lynch would
32:08
get the movie rights to the
32:10
remaining six characters. The
32:12
first movie was released in 2008 and
32:15
kicked off a cinematic universe that
32:17
is still unfolding today. I
32:19
have indeed been uploaded, sir. We're online
32:21
and ready. Start the virtual walk around?
32:24
Importing preferences and calibrating virtual environments.
32:26
You can check all surfaces. As
32:29
you wish. Iron
32:31
Man not only saved the career of Robert Downey
32:34
Jr., it was a box office smash earning $585
32:36
million and kicked off a cycle of success for
32:38
Marvel movies. The
32:43
company had pulled off The Impossible, a
32:46
series of interconnected superhero movies
32:48
that won over critics and
32:50
audiences alike. And
32:52
by 2009, that caught the eye of Disney, which
32:55
swooped in and acquired Marvel for $4.3 billion.
33:00
Today, the Marvel Cinematic Universe has become
33:02
one of the world's most successful film
33:05
franchises. The 33 films to
33:07
date have made a combined $11.7 billion in the US
33:09
and almost $30 billion worldwide.
33:16
As for DC Comics, which today is owned
33:18
by Warner Brothers, it also has
33:20
a successful film franchise based on
33:22
its comic creations. Although it's
33:24
struggled a bit compared to Marvel. The
33:27
DC Extended Universe began with The Man of
33:29
Steel in 2013 and since then has released
33:33
15 other movies earning $7 billion worldwide.
33:36
For both Marvel and DC, movies
33:38
adapted from their comics have become
33:40
a financial pillar, with box
33:43
office receipts propping up and underwriting
33:45
Marvel and DC's publishing efforts. As
33:49
for Image Comics, they eventually overcame their
33:51
shipping and deadline issues which allowed
33:54
them to focus their efforts on
33:56
making outstanding comics. independent
34:00
minded creators would come and create work and
34:02
really be rewarded in the
34:04
way they deserve to be rewarded. One
34:08
of those creators who joined image
34:10
was Robert Kirkman who co-created the
34:12
superhero comic Invincible but
34:15
what he really wanted to make was a
34:17
zombie comic. So Kirkman pitched a
34:19
book called World of Zombies to
34:21
image publisher and co-founder Jim
34:23
Valentino but Valentino wasn't impressed.
34:26
In fact he told Kirkman it was
34:28
horrible. Valentino insisted that
34:30
if the book was going to work
34:32
it needed a hook. Kirkman responded by
34:35
saying okay then the zombies are an
34:37
alien invasion. With the
34:39
change Valentino greenlit the series but then
34:41
three or four issues in an image
34:43
boss called Kirkman and said so where
34:46
are the aliens? Kirkman
34:48
laughed and said there are no aliens I
34:50
just told you guys that so you would
34:52
publish it. By the way
34:54
that series also had a new name World
34:56
of Zombies had become The Walking Dead
34:59
the post apocalyptic zombie story
35:01
starring Kentucky deputy Rick Grimes.
35:05
Kirkman's Walking Dead comic started out
35:07
with low sales but steadily increased until
35:09
it became one of the industry's top
35:11
sellers and from there the
35:13
TV show launched and a media empire was
35:15
born. And because image
35:18
was founded with the intention of creators
35:20
keeping control of their work Rob Kirkman
35:22
and image have each reaped the rewards
35:24
from the success of his Walking Dead
35:27
series. Comic
35:31
book sales have never again reached the height
35:33
of the 90s but like a
35:35
superhero that won't die the comic book
35:37
industry continues to hang on to fight
35:39
another day. After a massive
35:42
spike in interest during COVID when comic book
35:44
sales jumped 62% the industry
35:47
has leveled out with reported sales
35:49
of just over two billion dollars
35:51
in 2022 and it's important to
35:53
note that Japanese manga is far
35:55
and away the primary sales driver And
35:58
thanks to the rise in manga. And graphic novels,
36:01
publishers no longer have to rely
36:03
on variant covers and other marketing
36:05
gimmicks for a steady source of
36:07
revenue. And as a result, the
36:09
comic book industry is healthier. Overall.
36:12
Sure, the collectors market still remains
36:14
strong on E Bay, but the
36:16
value of comic books are largely
36:18
determined by supply and demand, rather
36:20
than variance and speculation. And
36:23
in case you're wondering whether some of
36:25
those comics that sold huge numbers in
36:27
the nineties are worth anything today, I'm
36:29
sorry to tell you. X Men One
36:31
and Superman seventy five. Aren't going
36:33
to make you rich? You should. Probably just
36:35
add them to your. Been of beanie
36:37
babies and baseball cards. Another relic
36:40
to remember the nineties. Thanks.
36:46
For listening to the Slovak. As a
36:48
comic book boom and bust a topic
36:50
suggested by many listeners over the past
36:52
few years, including. Ricky
36:54
Roma Patrick Presents and in Tom Camper
36:56
No! Lo thanks for your patience and
36:59
hope you enjoyed the episode. And.
37:01
Thanks to my special guest, Jason Sachs,
37:03
he is a comic book historian and
37:05
co author of the nineties edition of
37:07
the Comic Book Chronicles published by Tomorrow's
37:09
Of what info about the book in
37:11
the show Notes: If you have an
37:13
idea for an episode, let me know
37:15
You can email or send a message
37:17
through social media i'm on Instagram at
37:19
that. Ninety podcasts and the email for
37:21
the show. His nineties act. Serious cost
37:24
odds? Yeah. This episode was hosted
37:26
and written by Need Coffee Cans or of
37:28
or producer is deal of Alaska's and sound
37:30
design and final. Production is by Rob
37:32
Johnston. See you next time for more
37:34
history of the nineties. Evidence
37:42
was has a story.
37:45
people do the same
37:47
risks. Mobile
37:50
come back and next day. For
37:56
a living. We
38:00
know. The new season returns.
38:02
Fellas always leave a trail.
38:04
DSI Vegas new season on
38:06
a new next Sunday, February
38:09
18th on Global.
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