Welcome to JazzPianoSkills; a unique Jazz Piano Program dedicated to introducing aspiring jazz pianists to essential Jazz Piano skills. Each Podcast Episodewill help you successfully Discover, Learn, and Play a specific Jazz Piano skill.

This Jazz Piano Lesson will help you Discover, Learn, Play the Dominant Fully Altered Sound.In this jazz piano lesson you will:

1. Discover: The Fully Altered Dominant Sound
2. Learn: How to construct the Fully Altered Dominant Sound
3. Play: The Fully Altered Dominant Sound Harmonically/Melodically

For maximum musical growth, be sure to download the Podcast Guides for this Jazz Piano Lesson.

• Illustrations(Detailed graphics of the jazz piano skill in all 12 keys)
• Lead Sheets (Beautifully Notated music lead sheets for all 12 keys)
• Play Along Tracks (ensemble assistance and practice tips for all 12 keys)
• Bundle (get all three Podcast Guides)

All three Podcast Guides are designed to help you gain a functional command of the Fully Altered Dominant Sound. The Podcast Guides are invaluable educational tools to have at your side and finger-tips while studying and practicing JazzPianoSkills.

You canlisten to this Podcast Episode at JazzPianoSkills and have access to the SpeakPipe Widget that allows you to speak immediately and directly to Dr. Bob Lawrence. Ask your questions, get answers, and interact one-on-one with Dr. Lawrence.

EPISODE OUTLINE:

1. Discover
   1. Fully Altered Dominant Sound Harmonically
      1. Two-Handed Voicings (C Dominant)
         1. LH: 3rd and 7th | RH: C# Minor Triad
         2. LH: 3rd and 7th | RH: Eb Minor Triad
         3. LH: 3rd and 7th | RH: Gb Major Triad
         4. LH: 3rd and 7th | RH: Ab Major Triad
2. Learn
   1. Fully Altered Dominant Sound Melodically
      1. Academic Approach
         1. Originates from the Melodic Minor Scale
         2. C7b9#9b5#5 = Db Melodic Minor Scale starting on the note “C” (Super Locrian)
      2. Practical Approach
         1. C Dominant Scale
            1. Lower the 2nd (9th) one half-step  to create a b9 alteration
            2. Lower the 3rd one half-step to create a #9 alteration
            3. Lower the 4th one half-step to get a 3rd (needed)
            4. Lower the 5th one half-step to create a b5 alteration
            5. Lower the 6th one half-step to create a #5 alteration
3. Play
   1. Root to 7th (C Db Eb Fb Gb Ab Bb)
   2. 3rd to #9th (E Fb Gb Ab Bb C Db Eb)
   3. #5th to b5th (Ab Bb C Db Eb Fb Gb)
   4. 7th to #5th (Bb C Db Eb Fb Gb Ab)
   5. #9th to b9th (Eb F Gb Ab Bb C Db)
   6. II-V-I Application
      1. Key of F Major
         1. II-V-I Progression

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