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The documentary industry has seen huge changes in the last decade. So where does the industry stand today? What are some of the greatest challenges documentary filmmakers face? And what kind of work do industry gatekeepers want to support?Our g
Aisha Jamal is a filmmaker, programmer and college professor. She is Canadian film programmer at Hot Docs Documentary Festival and previously worked for TIFF and Syria Film Festival Toronto, among others. In this episode, Aisha talks about her
When filmmaker Amanda Kim discovered the artist Nam June Paik, she knew she wanted to make a documentary about him. Five years later, Amanda's debut film Nam June Paik: Moon is the Oldest TV premiered at the Sundance Film Festival. Amanda came
The Oscar-nominated documentary All That Breathes has a distinct visual style: long, beautiful, perfectly-constructed shots akin to narrative films. How can one stay true to this style in the unpredictable, often chaotic environments that defin
In this episode, we sit down with director, producer, and cinematographer Rita Baghdadi, who's latest film Sirens premiered at the 2022 Sundance Film Festival and went on to win the Grand Jury Prize at Outfest.Rita talks about how she transitio
Indian filmmakers Rintu Thomas and Sushmit Ghosh were pleasantly surprised when their independent feature doc Writing with Fire swept up awards, including at Sundance, and became the first Indian feature doc to ever be nominated for an Oscar.
What Do Filmmakers Owe Their Subjects? Souki Mehdaoui is a documentary filmmaker, DP, and subject coordinator. Her cinematography can be seen on Netflix, HBO, New York Times, and the Sundance-premiering documentaries The Great Hack and Mucho Mu
It's a scenario most documentary filmmakers dread: someone else is covering the same story. Dueling documentaries are becoming more common, but is competition always bad for filmmakers?Director Jenner Furst came on the pod to talk about this ph
A documentary filmmaker's relationship with their film's participants, or "subjects", is one of the most important but challenging parts of making a film. The director might have to consider: What are the boundaries of my relationship with the
This episode is all about music in film—choosing the right tracks, licensing music, music supervision, and more. We sat down with all star Music Supervisor Justin Feldman, whose credits include The Last Dance, Silicon Valley, Biggie: I Got a St
You've finished a film. Now how do you get it programmed at your preferred festival? Samah Ali is a film festival strategist, meaning she works with documentary directors and producers to achieve their film festival goals. Samah is also a distr
Jon Gerberg is an award-winning video journalist on the national and investigative beats. He joined The Washington Post in 2017 and was previously a foreign affairs producer at the “PBS NewsHour.” He has reported overseas for the New York Times
*Republishing an old favorite*Chloe Gbai is the director of If/Then, a Tribeca Film Institute initiative that gives grants and provides mentorship to filmmakers creating short documentaries. She was previously a programmer at PBS POV Shorts. In
Poh Si Teng is a documentary filmmaker and the Funds and Enterprise Program Director at IDA, one of the largest documentary grant funders. Before IDA, Poh worked as an independent filmmaker in India, a staff reporter at the New York Times, and
Since it launched in 2014, Vox Video has amassed nearly 10 million subscribers on YouTube, and has expanded to platforms like Netflix, HBO, and Quibi. Its new docu-series Level Playing Field, about the intersection between sports and politics,
What kinds of stories are best told in virtual reality? Why is VR so effective, and how can emerging filmmakers get started with VR? Gary Yost and Adam Loften lead The WisdomVR Project, a library of VR documentaries and experiences. One of thei
As a freelancer, how do you negotiate a rate? What should you consider when setting a price? Doc filmmakers from both sides of the negotiation share their expertise in this special episode. Guests:Rebecca Davis (NBC News, Vox, NY Daily News)Lea
Hao Wu is an award-winning documentary filmmaker born and raised in China. His most recent film, 76 Days, documents Wuhan’s COVID-19 outbreak. The film is shot completely vérité with no interviews, and gives viewers a first-hand account of Cov
Geeta Gandbhir is a documentary director, producer, and editor who has been nominated for three Emmy Awards and has won two. As editor, she won a Primetime Emmy for Best Editing for Spike Lee's HBO documentary series When the Levees Broke and
Jeremy Workman is a documentary filmmaker and founder of Wheelhouse Creative, a company that makes trailers for narrative films and documentaries. In this interview, Jennie and Jeremy discuss the three acts of a trailer, why trailers are so imp
Emily Strong is an NYC-based documentary filmmaker and freelance location sound mixer. She's contributed to Taylor Swift: Miss Americana and New York Times the Weekly, and was just listed in Doc NYC's 40 under 40. Her newest project, We Are the
Uptin Saiidi was a multimedia journalist for CNBC for 7 years based in Singapore and Hong Kong. His videos about business and tech like this one about Singapore's Airport and this one about 'digital nomads' have received millions of views on Fa
Julie Cohen is a documentary filmmaker and television news producer. Most recently, she directed and produced RBG about Supreme Court Justice Ruth Bader Ginsburg, along with Columbia J school professor Betsy West. Cohen is now directing the upc
Director Nick Bruckman and Producer Amanda Roddy talk about their upcoming film, Not Going Quietly. The film follows activist Ady Barkan as he travels the country fighting for healthcare reform. Over the course of the film, Ady's health deterio
How do you get funding for your film before you have anything to show? In this episode, Jennie sits down with Co-founders Lisa Kleiner Chanoff and Bonni Cohen, and Senior Program Director Megan Gelstein of Catapult Film Fund, which provides dev
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