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30.5 Michelle Blades: She Does Music
MUSIC FEATURED IN EPISODE 30 Photograph provided by River Jones Music Curated by Sarah GinsburgMichelle Blades is an eclectic musician who was born in Panama, raised in Miami, spent time in Arizona along with a handful of other locations around the world, and is currently based in Paris. Her music is as fluid as she is, going from acoustic sounds in her early albums to experimentation with electric guitar, synthesizers, found sounds and repeating vocals in her more recent releases. LISTEN to and PURCHASE the music of Michelle Blades on Bandcamp, iTunes and Spotify. Her music can also be heard on Midnight Special Records' Soundcloud. Take a peek at her blog while you're at it!  
13.5 Brooke Singer: She Does Music
MUSIC FEATURED IN EPISODE 13Curated by Elaine SheldonBrooke Singer is the songwriter, vocalist and pianist of French for Rabbits, a New Zealand based dream-folk band, along with guitarist, John Fitzgerald. Brooke says songwriting is a life-long passion. She started writing songs as a child; sitting at the piano and coming up with her own tunes. She was six years old when she wrote her first song. It was a ditty about her cat who died. French for Rabbits may be best known for their songs about the sea. Brooke said their home country, New Zealand, influences their work greatly. In addition to be inspired by nature, Brooke also is inspired by real events in her life. French for Rabbits is working on their new EP now. Special thanks to Lefse Records for connecting us with Brooke.Q&A:How does being from New Zealand Influence your work? I didn't realize it until I left, but New Zealand is quite isolated. It's not until you get on a plane and you're on that plane for 24 hours to get somewhere else that you realize how far it away it is from Europe and America. Where we're living is a small settlement in a harbor. There are still big forests here and it's just alot more wild than other countries. I think nature is a big aspect to our music. I have always lived by the sea so it tends to creep into my lyrics even if I try to avoid it. Where do you go to spark creativity? For me, creativity comes from a few different sources. It could be reading a book, or just going out in nature, or watching people and experiencing things. I do like mining. I like taking a situation that has happened to me and turning it into a song. I do that quite a lot. I like bad things to happen occasionally so I can write a really good song. What advice would you have for aspiring musicians? You have to have confidence in your ideas and go with it. You don't know what will come out of an idea before you follow it through. You have to have a passion for music. It doesn't have to be a career, it can be something that you do in your bedroom or play tiny shows to your friends. You have to take it where you want to take it, and that's all. What would you say to someone who is "waiting for the right moment" to make their first album? In New Zealand, people just kind of 'do it.' They just make it happen, regardless of the gear that you have. I think limitations are a good thing. It changes your process in a way that could make it better. I don't have every piece of equipment that I would like to have, but that's probably a good thing. I can't go too wild. I think people should just start and see what happens.LINKS:LISTEN: BandcampPURCHASE: French For Rabbits WebsiteCONNECT: Facebook, Twitter, Record Label
3.5 Cassie Lopez: She Does Music
MUSIC FEATURED IN EPISODE 3  Curated by Elaine SheldonI discovered Cassie's tunes while wasting time on Facebook. Turns out Facebook can lead you to some great talent. A friend from home shared it, I clicked and was hooked. I knew when I heard Cassie's music that it would be perfect for Anna Sale's episode. Q&A What is your role in this musical project? I write songs, sing and play guitar and piano.How personal is your music? My music is very personal. It's important to me to be honest with myself when I'm feeling intense things, and that happens naturally for me with music. When I'm making demos I just trust myself and write. In the studio, I like to collaborate with others, so I try to separate myself from the emotions and focus on trusting the other musicians and creating the most dynamic sounds. I love being able to listen back even years later and immediately go back to specific feelings. I don't perform often, so when I do I'm usually fighting a bizarre mix of self consciousness and overzealousness.At what moment did you decide to make an album? I've been recording songs since I was about 15, but I didn't make a complete record until after I had made records with two different bands. Working with other people made *writing a record* seem less daunting, and it gave me confidence to do it on my own. I think I have good intuition about sequencing records just from listening to so much music. Once I start putting things in some order, I can feel it if something's missing. I did one record that just kept getting longer because none of the songs I was writing felt like a good opener.LINKS: Cassie Lopez on Bandcamp and Interview on BreakThru Radio 
27. Alexis Wilkinson: Let Me Work It Out
Alexis Wilkinson went from being the first black woman President of Harvard’s acclaimed humor publication, The Lampoon, to writing for HBO’s hit comedy series, “Veep.” She’s become an outspoken public figure and writer--with work featured in Slate, Opening Ceremony and TIME--but as we know, big victories such as these don’t come without a lot of work, a few disruptions and some twists and turns in the road. In this episode, Alexis recalls her experiences of “comping” or trying out for The Lampoon multiple times, finding her place in the middle of an elitist institution, losing her best friend and working to create media that represents this diverse world as it actually is. Her response to naysayers? Laughter. And this is why she chose comedy. Music in this episode is by Chargaux. “The best thing you can do when the unexpected happens is to laugh at it. That’s the best outcome. You either get angry or you laugh at it.” — Alexis Wilkinson RELATED LINKS:Alexis on TwitterAlexis' writing on Opening Ceremony, Slate, Time, Cosmopolitan & xojaneBoston People feature on AlexisAlexis on Studio360Veep CLIPS USED IN SHOW:Veep Theme SongAlexis at Chicago Ideas Week ConferenceNPR Interview with AlexisAlexis on Melissa-Harris PerryClip from Veep Episode 7, Season 2 - "The Shutdown"Clip from Veep Episode 1, Season 1 - "Fundraiser"   Name: Alexis WilkinsonCurrent City: Los Angeles, CaliforniaWhat are you listening to now? "I Wanna Boi" by PWR BTTMWhat film/book/show/piece of media changed you? I've gotten really into the director Alexander Payne lately. "Citizen Ruth" is a great movie. I've been thinking a lot about smart satire and treating "unlikable" characters with compassion and that film does an amazing job of both. Who is your career role model? Shonda RhimesWhat is a tool you can't live without? My foundation primer by BECCA! My skin is oily like an empty bag of chips without it. I also have a Mophie phone charging case that has changed my life. How do you drink your coffee/tea? Milk and sugar if I'm relaxed. Black if I'm getting down to business.What's your spirit animal? House cat: attractive, inflated sense of importance, adaptable, rudeUpdates? We're finishing up shooting the last episodes of Veep, which everyone should check out! The new season premieres the 24th of April. I've got a couple projects in both film and TV that are moving forward, but it's a bit too soon to tell. Fingers crossed! CREDITS:Produced by Sarah Ginsburg & Elaine SheldonSound design by Billy WirasnikIllustration by Christine Cover MUSIC in this episode is by Charly & Margaux of CHARGAUX. Visit their website, purchase their music on iTunes and check out their MusicMaker episode Wednesday, February 17th.  Songs you heard: Lullaby (feat. Soft Glas), Tell William, I'm So Pretty from the album Broke & Baroque // All The Parties, Lone Ranger, Great Expectations from the album The Gallerina Suites
24. Molly Crabapple: What Pretty Guts
Molly Crabapple is an artist and writer who combines illustration, art and journalism to document societal and political issues. Her work is influenced by her own personal experiences and radical encounters with injustice around the world, and aims to shed light on marginalized communities. She’s written and illustrated stories about Guantanamo Bay, issues sex workers face, the prison system, among many other topics, for Vice, Fusion, The New York Times, The Paris Review, Vanity Fair, The Guardian and Newsweek. Molly’s captivating paintings, and pen and ink illustrations can be seen on book covers, canvases, backdrops, and have accompanied articles written by both herself and by others; her art is featured in MoMA’s permanent collection. She’s the recipient of the Yale Poynter Fellowship, a Front Page Award, and a 2014 Gold Rush award. She was shortlisted for a 2013 Frontline Print Journalism Award for her internationally-acclaimed reportage on Guantanamo Bay.In Dec. 2015, Molly released “Drawing Blood,” a memoir that details her life as a high school outcast, traveler of the world, Internet model, political activist, illustrator and many moments in between. In this episode, we dive into Molly’s intricate work, discussing the vampiric nature of being an illustrator, the inside of Guantanamo Bay detention camp, beauty as capital, her abortion, underground nightclubs, and using art to fight injustice. Molly's memoir, Drawing Blood, is out now. Visit Indiebound to find a copy at a bookstore near you, or purchase it at Barnes & Noble or Amazon!     “When you take a photo, you’re at the mercy of what’s in front of you. When you draw, you have all of your memory. You have all all your imagination. You have everything to go from.”  MUSIC in this episode is by french composer and musician, Cécile Schott who makes work under the name COLLEEN! Join us next Wednesday (12/9/2015) to learn more about her! In the meantime, listen to her music on Spotify and Soundcloud and check out her website,  Photo by Thomas Guionnet SONGS you heard: Holding Horses, I'm Kin, Salina Stars, Lighthouse, Captain of Dub from the album Captain of None (Japanese Version) // Break Away, Ursa Major Find from The Weighing Of The Heart //  What Is a Componium, Pt. 1, Your Heart Is So Loud, I'll Read You a Story from  // Ritournelle, Goodbye Sunshine, Everyone Alive Wants Answers, Your Heart on Your Sleeve, Nice and Simple from Everyone Alive Wants Answers // The Happy Sea from The Golden Morning Breaks // Pista 10 from Les Ondes Silencieuses  RELATED LINKS:Sneak Preview of Drawing Blood on BoingBoingMolly's work on VICE"The Best Path Is the One You Build Out of Your Own Dysfunction" on 99u Week in Hell ProjectVISIT Molly's website and FOLLOW her on Twitter and Instagram!CLIPS USED IN SHOW:How Police Profile and Shame Sex Workers (Animation)Locking Up Immigrants For Profit (Animation) CREDITSProduced by Elaine Sheldon & Sarah GinsburgSound design by Billy WirasnikIllustration by Christine CoverProduction Assistance by Alijah Case
24.5 Cécile Schott of Colleen: She Does Music
Photo by Estudio Primio MUSIC FEATURED IN EPISODE 24Curated by Sarah GinsburgCécile Schott, a musician and composer originally from outside of Paris, has been making music since she was 15 and she started releasing albums under the name Colleen at age 27. She has 6 full albums and 1 EP in total, her most recent album being Captain of None, released in April of 2015 with Thrill Jockey Records. Our talented sound designer and friend, Billy Wirasnik, has been a long time fan of Colleen. Billy calls her work, “The music a beautiful brain would make if you could plug a quarter inch jack into it.” Cécile uses repetitive loops of old scratchy recordings, instruments like the glockenspiel, guitar, viola da gamba, bells, chimes and a variety of music boxes to make up the sounds in different combinations across her albums, building mysterious atmospheres that can be dark and playful at the same time. Colleen tracks differ from album to album, but are all unified by a tenderness, a curiosity, and a will to experiment and play, always taking you somewhere you weren’t expecting. In this episode, we talk about falling in and out of love with music, taking time to pursue other creative outlets, an artistic response to hardships and tragedy, and really, just living a simple, happy life.                                                                                                                                                 CONNECT via Colleen's Website and FacebookLISTEN to Colleen'sREAD: NPR's top 50 Albums of 2015, FACT Magazine Interview, NYT ReviewPURCHASE Colleen's Albums on Thrill Jockey or on vinyl directly from her “I think it’s always worth trying to have your voice heard if its something that you really care deeply about.”
22.5 Stag Hare: She Does Music
Photo by Sara Allyson MUSIC FEATURED IN EPISODE 22Curated by Sarah GinsburgLiving in Boston where I mostly walk, bike, and take the train, I don’t often get to scan through the radio in a car like I would when I zipped around the suburbs back in high school. But a few months ago, I found myself enjoying a car-driving, radio-listening experience. I stopped the radio from scanning stations and settled into an unfamiliar but uplifting track that was hard to ignore. Warm, locomotive synth tones filled the car, rising and falling to different levels of intensity. The 12 minute long track is called Grays (Doom and Gloom Mantra) and it’s from Stag Hare’s 2014 album titled Angel Tech. This song, much like the rest of Stag Hare’s music, made me feel alive and present in each moment as they happened. The maker behind Salt Lake City based Stag Hare is Zara Asha Moonbeam Biggs-Garrick, a kind and thoughtful soul that I had the pleasure of speaking with. Listen to our conversation and enjoy her music as it soundtracks Episode 22 with Andrea Sisson. “The experience of having a child really made a lot of things that were kind of easy for me to push to the back of my mind, it shattered all of that. It became very immediate to be the most authentic, true version of myself that I can be. Because when you have this little person that’s just looking up at you, any facades or inconsistencies that I had in my life, I had to shake those out and be solid.” — Zara LINKS:Read: TOME TO THE WEATHER MACHINE on Stag Hare, Sputnik Music ReviewListen: Bandcamp, SoundcloudConnect: Website, Facebook, Instagram NEW PROJECT BY STAG HARE: TAPESTRY On November 11th, Stag Hare released Tapestry, a collection of 16 tracks commissioned by individuals and recorded under the inspiration and direction of each patron between December 2014 and July 2015. Released by Inner Islands as a box set of 4 cassette tapes clocking in at 4 hours total, Tapestry is a project inspired by the history of art patronage. Purchase Tapestry!
18. Kalyanee Mam: The Camera Doesn't Even Exist
Kalyanee Mam is a documentary filmmaker whose work focuses on the preservation, the meaning, and the importance of home. She was raised in the U.S. but was born in Cambodia, generating an ongoing desire to explore the notion of home and displacement, specifically in Cambodia. Her first feature, A River Changes Course, won the World Cinema Grand Jury Prize for Documentary at Sundance in 2013. Her 2014 short, Fight For Areng Valley, was featured as a New York Times Op-Doc. Kalyanee is currently working on her second feature, The Fire and the Bird's Nest, which tells the story of a Cambodian family fighting to protect their homeland from a proposed hydro-dam project. We talk about the upsides of insecurities, drastically changing your life plan, learning how to ride a bike, learning how to use a camera, learning how to forget about the camera, and most importantly, having compassion for this planet and the humans that inhabit it. Name: Kalyanee MamCurrent City: Guerneville, CA Born: January 1977What are you listening to now? "Only the Lonely", The All Time Greatest Hits of Roy Orbison What film piece of media changed you? I recently finished reading a book called "Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants," by Robin Wall Kimmerer, a biologist and member of the Potawatami tribe. I discovered her work while listening to an interview on "To the Best of Our Knowledge." I love wild mushrooms and foraging for them and she described the most amazing phenomenon captured in one single Potawatami word: puhpohwee, which translates to "the force which causes mushrooms to push up from the earth overnight." I thought this was just the most beautiful thing. No Western scientific word exists to describe this inexplicable force. And here was a Potawatami word that captured it so eloquently. There are limits to our scientific knowledge that can be complimented with indigenous knowledge and a perspective of the world that brings animism, spirit, and life to plants, animals, and all creatures that exist. Who is your career role model? There are so many people I admire for their work and contributions to a better understanding of our place in the world and how we can live with more humility and respect for nature. Robin Wall Kimmerer, Barry Lopez, John Muir are some of the names that come to mind. However, the most important thing I've learned from each of them is to admire and learn from the teachings of our ancestors - the plants and animals that have come before us and hold within their way of living the key to understanding life itself. So I've always admired, from my very first hikes in the Sierras, the grace and elegance of the foxtail pine, a rare pine endemic only to the subalpine forests of California's Sierra Nevada. I imagine this pine being alive for hundreds of years witnessing without judgment, the changes of terrain and season, of weather and storms, bending without breaking, and just being.  CREDITS:Produced by Elaine Sheldon & Sarah GinsburgSound design by Billy WirasnikIllustration by Christine CoverProduction Assistance by Alijah Case CLIPS FEATURED IN SHOW:Documentaries | Cambodia From 1975 To 1979 Controlled By Khmer RougeKhmer Rouge Song: 17 April 1975A River Changes Course - Feature Film (2013)Fight For Areng Valley - Short Film (2014)     “When you really love what you’re doing, when you really care about what you’re doing, you don’t even have to exhort confidence, it’s just who you are. It’s just being.” — Kalyanee Mam   What is a tool you can't live without? My kitchen knife and dutch oven. Two things I literally can't live without and that bring me absolute pleasure. Cutting and slicing vegetables, throwing them into the pot, and then straight into the oven to be surprised by a complete meal only a few hours later. There must be a Potowatami word that describes the magic of that delicious transformation! How do you drink your coffee/tea? I usually start my morning with my own tea blend of peppermint, chamomile, lemongrass, ginger, and turmeric. And then a shot of espresso with frothy steamed milk! What's your spirit animal? There are so many animals I would love to be depending on my mood and the time of year - a black bear in the autumn and winter, hibernating in front of a fire with a cup of hot chocolate, or a hummingbird in the spring, sampling the sweet nectar of every flower, or a wild mountain goat hobbling up the mountains in the summer.   Any updates since we interviewed you? I'm currently working on my second feature documentary about the life of Reem Sav See, an indigenous Chong woman from Areng Valley in Southwest Cambodia, and the ancestral stories she and her people tell that compel them to protect their cultural and natural environment. The film is called The Fire and the Bird's Nest and I just completed by second production trip at the beginning of the Summer. I am also partnering with Mother Nature Cambodia to implement an environmental media project to help expand public debate about conservation and development in Cambodia. The project is being funded by MacArthur’s Conservation and Sustainable Development Program. We plan to release bi-weekly, short and thought provoking videos on social and traditional media and eventually screen The Fire and the Bird's Nest. RELATED LINKS:Kalyanee on TwitterA River Changes Course feature documentaryVideo Interview with Kalyanee‘A Threat to Cambodia’s Sacred Forests’ NYT Op-Doc MUSIC FEATURED IN SHOW: Our featured MusicMakers this week are Anna & Elizabeth, a folk duo who aims to bring history and tradition into the contemporary world. Tune in for episode 18.5 to hear their story.TRACKS: Off self-titled album, Anna & Elizabeth: Ida Red, Don't Want to Die in the Storm, Little Black Train, Very Day I’m Gone (Rambling Woman), Father Neptune, Goin’ Cross the Mountain, Orfeo, Greenwood Sidey, Troubles, Long Time Travelin’. Off Sun to Sun: Darlin’, Don’t You Know it’s Wrong?, Sun to Sun, Lone Pilgrim    
16.5 Dubb Nubb: She Does Music
Photo by Kylee Gregg  //   Hannah Rainey (left) and Delia Rainey (right)   MUSIC FEATURED IN EPISODE 16 Curated by Sarah GinsburgHannah and Delia started writing and playing music together at age 15, but they’ve known each other for 23 years. They’re twin sisters. And when they play together, they go by Dubb Nubb. Hannah plays guitar, Delia plays the ukulele, and sometimes their older sister Amanda joins in with percussion. They hail from St. Louis, Missouri but I saw Dubb Nubb play at True/False about five years ago, and then again every year since. They’ve become familiar faces and voices in the Columbia and St. Louis music scenes, and this has a lot to do with their tangible synergy onstage. Between the musings on home and the raw harmonies, Hannah with the lower and Delia with the Higher, Dubb Nubb pulls you in, making you feel like a part of the family. My words can’t do them justice. Lend them your ear and listen—you won't regret it. LINKS:LISTEN: Bandcamp, iTunes WATCH: "Don't Ever Find Me"FOLLOW: Twitter, Instagram, Facebook 
6. Lina Srivastava: Hashtags Don’t Make Change
Lina Srivastava is an impact strategist who combines media, technology, art and storytelling for social transformation. She has assisted filmmakers (“Born Into Brothels,” “Inocente,” “Who is Dayani Cristal”) in positioning their media to have meaningful impact. She also provides design consultation to social impact organizations, including UNESCO, the World Bank and UNICEF.  She practiced law for four years, before transitioning to the social impact field. She shares how she has helped filmmakers create impact campaigns to make real change, including providing clean water for a community in Honduras. Whether you are plugged into the impact metrics conversation, or feel alienated by it, this episode is for you. Lina breaks down how to catalyze and amplify social impact through creative media and warns of pitfalls she sees in the industry, shattering unrealistic expectations and pressure put on filmmakers to make change.  “Newsworthiness, in terms of documentary, is a really good standard. But a higher standard is ethics and accuracy. And when you’re thinking about social impact documentary, I go that step further in saying, if I’m documenting a particular social issue, I’m going to have to figure out what I can do. Some people think that documentarians are aligned with journalists, and you shouldn’t interfere. I don’t come out of that tradition. I’m an activist, I’m like, ‘We have to do something. We can’t just hijack somebody’s story.’” — Lina Srivastava RELATED LINKSLina on TwitterRegarding Humanity on FacebookLina’s BlogLina's Current Projects: Priya’s Shakti, Who Is Dayani Cristal?, Traveling While Black.Lina curated list on MIT’s DocubaseLina on Huffington PostName: Lina SrivastavaCurrent City: New YorkWhat are you listening to now? Radio Gladys Palmera, The Avener, and Cassandra Wilson are in rotation right now.What film/book/show/piece of media changed you? This is a hard question to answer because there have been so many. When I was in grade school, we used to be assigned Newbery Award winning books. I especially remember A Wrinkle in Time, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, Roll of Thunder Hear My Cry, and The Westing Game. They were mind-expanding, sparking a young and active imagination. As I grew up, Things Fall Apart, 100 Years of Solitude, and Pride and Prejudice did. In the past few years or so, Junot Diaz, Zadie Smith, Nicole Krauss, Hilary Mantel, Nayyirah Waheed, Colum McCann, and Aleksander Hemon have all opened my eyes. So did the film The Act of Killing. And of course Who Is Dayani Cristal?Who is your career role model? Paola Antonelli, Senior Curator of the Department of Architecture & Design, as well as the Director of R&D at MoMA. A pioneer and innovator who stands above the crowd in a (male-dominated) field of pioneers and innovators.What is a tool you can't live without? My cell phone. Pure and simple.How do you drink/take your coffee/tea? Hot, milk and sugarWhat's your spirit animal? ButterflyCREDITSPRODUCED by Elaine Sheldon and Sarah GinsburgSOUND DESIGN by Billy Wirasnik MUSIC FEATURED IN SHOW: Learn about our featured MusicMaker, Ana Karina DaCosta, here.The Derevolutions: I Feel A Goo WorldAutomate Your SoulTake it to the HoopLiving in the Not WorldCrazy Janey28 Degrees Taurus:From Part to Part, All the Stars in Your Eyes, Hearts Were MadeOff album Underwater Love Sequences EP: Circle & CrossOff album How Do You Like Your Love: Moments, Phases & TimingOff album Mirrors & Gates: Heart AttackCLIPS FEATURED IN SHOW:Flamenco Dancing "Born Into Brothels" (Full Movie)"The Devil Came on Horseback" (Full Movie)"Inocente" (Trailer)"Who is Dayani Cristal?" (Trailer)
2. Lyric Cabral: You Gotta Have a Beat
Lyric Cabral is a photojournalist and documentary filmmaker based in the Bronx. She, along with her co-director David Felix Sutcliffe, premiered her feature-length film (T)ERROR at Sundance this year in the US Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a photojournalist, being inspired by Gordon Parks, spending over a decade covering national security issues, and returning to a story 12 years after discovering it.Name: Lyric R. CabralCurrent City: New York CityDOB: 1982What are you listening to? D'angelo and the Vanguard "Black Messiah"What film/book/show/piece of media changed you? I really appreciate the silent film "Sidewalk Stories" by Charles Lane. I saw the film at a time when I was making the professional transition from still photography to moving images. The film is quite moving for me because each frame is beautifully photographed, and reflects an attention to detail that reveals the sensitivities and struggles of life in New York city.Who is your career role model? Someone who I admire personally and professionally is filmmaker Shola Lynch. I value that her body of work critically examines the lives of Black women (Shirley Chisholm, Angela Davis) in America, as these stories are typically lesser seen on screen. Shola is a meticulous archivist and historian, who researched "Free Angela" for 8 years. I am inspired by the tremendous commitment that motivates each of her films, and by the engaging narratives that she presents on screen.What is a tool you can't live without? I really appreciate Twitter. I am able to access the perspectives of citizen journalists around the world, and research stories in a unique way.How do you take your coffee?  One sugar and a little whole milkWhat’s your spirit animal? A calico cat   RELATED LINKS(T)ERROR on Facebook(T)ERROR at Sundance LabsCandescent Award at Sundance 2015Lyric: How I Shot That (Indie Wire)(T)ERROR at Sundance Film FestivalMeet The Artists, Lyric and David: Video Interview for Sundance  “I am the type of journalist that I’m never done. I don’t drop in and drop out. Whether they get a Christmas card from me, or I try to call, I just really try to stay in touch with people. I really don’t like the feeling of: I come in. I document you. I publish it. And then I just leave you alone with the consequences of whatever happens because you are now public. I’m never quite done.” — Lyric R. Cabral CREDITSPRODUCED by Elaine Sheldon and Sarah GinsburgSOUND DESIGN by Billy Wirasnik CLIPS FEATURED IN SHOW:Blank Panther archival, (T)ERRORMUSIC FEATURED IN SHOW:First RebirthGangiThe Passion HifiMarco RaaphorstAnenon
12.5 Emily Hope Price: She Does Music
MUSIC FEATURED IN EPISODE 12Curated by Sarah GinsburgEmily Hope Price is a beyond-talented cellist, vocalist and ⅓ of Pearl and the Beard, along with percussionist Jocelyn Mackenzie and guitarist Jeremy Lloyd-Styles, who are also vocalists in the band. I saw them just destroy it at True/False Film Festival a few years ago, and I mean that. When they play, it’s like they’re playing for the last time, everything goes into it. Emily, who comes from Logan, Utah, joined the Brooklyn-based band not long after Jocelyn and Jeremy created it, but it still took work and time and patience to become the family they are today. Even when they aren’t playing together, Emily continues to create. She’s worked on Broadway with Sting, scored a feature film, and recorded one song everyday for a year as a part of 365 Project. My conversation with Emily was a powerful, memorable experience, and you know what? So is listening to the music of Pearl and the Beard. We hope you enjoy both!Q&A:What was it like to join a band that had already been making music together? It took a long time for me to feel like I had a voice and allow myself to have that voice because I did feel like Jeremy and Jocelyn had main ownership. I felt like I was an au pair to our child for awhile. And then when I felt good about it, it felt awesome. It’s letting that selfishness go and letting go of that entitlement and that this isn’t just about you. It is a co-parenting situation no matter how many parents are involved. You’re all a part of it and everyone has a piece of themselves in it and it’s a matter of putting that together appropriately.How did you navigate the dynamic and your own role in the band? It was up to Jocelyn and I to kind of feel out our relationship as two women, and not only that, but two women who have egos, honestly. In order to be a performer, you really have to have an ego. Even if you feel like you’re the most humble. We really worked on being kind to eachother, and fair and honest. I didn’t know what it was like to try to get along with another woman, not only in a business sense but also in a personal sense, because it went beyond being friends; we were family. But I have to say, looking at it today, she has become my family. She is my sister.We call this, The Emily Hope Price Manifesto for musicians and all artists alike: If I could say anything to a young musician, it would be to just...create. Just create. Just keep creating one thing after another. Just write, write, write, write, write and play and play and play anything. If you don’t want to practice, if you don’t want to play, do something creative. Create everyday. Peoples’ souls need to produce. This is purely coming from a place of having experience of feeling trapped by my own perfectionism, actually stifling my own creativity because there was so much judgement and so much criticism upon myself and not letting my inner intelligence breathe and just live and make mistakes. Most, most of the time, most of the things I thought were mistakes, ended up being the best things I’ve done.LINKS:LISTEN: 365 Project & Pearl and the Beard on iTunesWATCH: Reverend Live Performance & The Lament of Coronado Brown Official VideoCONNECT: Emily & Pearl And The Beard on Twitter
11.5 Audrey Ryan: She Does Music
MUSIC FEATURED IN EPISODE 11Curated by Elaine SheldonAudrey Ryan is a one-woman band with some impressive multi-instrument skills. An electric guitar, accordion, ukulele, banjo, vibraphone, drums, kick, tambourine and a loop station are all part of her setup--among other tricks. She grew up on an island off the coast of Maine and comes from a musical family; her dad played guitar and her mom sang and played piano and the organ. She started learning the guitar at the age of 10 and violin at 7--playing folk tunes to the likes of the Indigo Girls, Joni Mitchell, and Bob Dylan. In college, her main gig was playing in bluegrass and jazz bands. It took her nearly several years, to find her voice and develop her own style as a solo artist in Boston, but she's done it and stands so strong. In the past, she has opened for artists like Suzanne Vega, Sam Amidon and They Might Be Giants. Audrey is a new mom with anew EP that you should download. She’s taken a break from touring and is collaborating with Will Dailey to create music for commercial licensing. Several years ago she wrote, “The Need to Be Heard,” a book for and about DIY musicians.Q&AHow would you describe your relationship with your fans? I’m very casual. I have this loft in Somerville, Mass. that I have been hosting shows at for years and it’s incredibly intimate. I usually ask people to tell me what they want to hear, instead of doing shot lists. I’m not someone who is distant from the audience. Here are these people staring at you, if you make them feel like there’s a lot of separation, they’re not going to connect with the music.What is a piece of advice you would give to a young musician? You should really hone in your craft and try to be really good at what you do, before you do it in front of other people. I myself, when I started playing out, was not very good. I hadn’t rehearsed as much as I probably should have, and probably spent alot of time rehearsing in front of other people. But the problem with that is, you turn people off. And then it’s going to be hard to get people to come back in two or three years when you are good.Where are you at in your career and where do you want to go? Things have changed for me in the past couple of years. In my 20s, I was touring non-stop, but now I don’t tour extensively. I’m focused more on licensing. I work with Will Dailey, a singer songwriter in Boston, to write pop and electronic songs for commercials. We’re both married and we both have a kid--he actually has two kids. We’re still artists and musicians but we have a very practical side of our lives now which makes it difficult to stay at bars until 2 A.M. So I’m moving more towards co-writing and working with someone. I think it’s better at this point to work with someone and not be an island.LINKS:LISTEN: Audrey Ryan on BandcampREAD: Review of Latest EP "Let's Go To The Vamp"WATCH: Audrey crushing the accordion in Dublin, IrelandCONNECT: Audrey on Twitter
10.5 Lira Mondal of Mini Dresses: She Does Music
MUSIC FEATURED IN EPISODE 10  Curated by Sarah GinsburgLira Mondal is as sweet as can be. She’s a native Arkansan, an aspiring pastry chef and the heavenly voice of Boston-based Mini Dresses. Comprised of Lira (who also plays bass), guitarist Caufield Schnug and drummer Luke Brandfon, Mini Dresses is making what you could call Boston’s beach music, a little dirty and not a lot of surfing going on, but listening to these folks might make you want to grab a board and try. It’s definitely not typical for music like this to be coming out of this city, but I’m glad it is. Staying true to their name, Mini Dresses has been steadily putting out EPs since 2012 and most recently released FOUR under shiny new label Little Death Records. Allow Lira to take you through the waves of Bianca Giaever’s story in Episode 10.Q&ADo you like to play another version of yourself when you are up on stage? When you're a performer, you're always playing around with how you put yourself out, how you present yourself, what your identity is. There's this pressure, especially on women, that you have to be this outgoing person who is making witty banter with the audience, always having that clever thing to say. It’s that pressure that you have to be a rock star with a capital "R" capital "S." I guess I've always flirted with the idea of playing around with the kind of personality that I want to give off, but then not being so comfortable with myself that I'm actually able to. But Mini Dresses isn't that kind of band, it's not a band that’s out to manipulate how we are perceived.Who, in your music and in general, are you influenced by? I’m really into Broadcast and love Trish Keenan. I feel like she was a really genuine person and she definitely came off in her music as this curious woman who had all of these different influences. She was into film and literature and occult but even though she had all of these far flung interests she always sounded familiar and so warm and inviting, even when she was singing some very dark things. I guess I really look up to her as an influence and that’s how I kind of want to come across but then sometimes I do want to be really cool and...I don’t know how to do that.Your latest EP FOUR was put out by Little Death Records who handprints cassette tapes in addition to a digital download. What is the benefit of the physical tape? I love recording on tape and listening to tapes, especially being a child of our generation on the cusp of both the CD coming into prominence, but also making mix tapes as a child, that was really attractive to me. People are more and more starting to appreciate the materiality that comes with tape and that it does sound richer, sweeter and warmer. Just like vinyl sounds different than an MP3 with the pops and the scratches. You have to be in tune to what you’re listening to. Little things like flipping the record or flipping the tape become these ritualistic experiences. That was something that resonated with me as a child because I would always listen to the radio with an empty tape in the deck, just waiting to hit record when my favorite song came on. I hope that they really do come back into play...quite literally.Where and how are you inspired to write the lyrics to your music? I have to be in control of what I'm singing and what I’m saying. That's why it's so hard for me to write lyrics because if I don't have an immediate source of inspiration like a book or a movie, which are the first things I go to, then I just have no clue where to go because I feel that if I don't have something to say, what's the point in trying to sing something because it won't be genuine.LINKS:LISTEN: Mini Dresses on Bandcamp and buy their latest EP release on cassette from Little Death RecordsREAD: Vanyaland ReviewWATCH: ‘Bracelets’ Video on Boston Hassle
9.5 White Hinterland: She Does Music
MUSIC FEATURED IN EPISODE 9  Curated by Elaine SheldonThere's no way you won't fall in love with Casey Dienel's voice. But take it from me, falling in love with her, as a person, is fairly easy too. I picked up the phone to chat with Casey for an hour, and within five minutes I felt like I was catching up with a good friend. She's full of talent and experience, but it was refreshing to see her humility and gratitude come through when talking about dealing with depression and sharing funny stories from her early career (HINT: listen to the last four minutes of Episode 9 to hear). You may know Casey from her hit Icarus, which has had a life of its own, including being featured on Project Runway. But spend 20 minutes with her last two albums, Kairos and Baby, and you can hear Casey's life bleeding into her music. They are vastly different in arrangement and tone. Pitchfork said it best, "Kairos was woozy both instrumentally and conceptually, leaning toward gossamer dream pop. Baby, her newest, sheds the downtempo beats of Kairos, experimenting with more jagged percussion and orchestral flourishes, notably horns." Casey explains the deeply personal journey of making Baby, among other tidbits. We're greatly honored to showcase Casey's talent in Episode 9 with Linda Pan.Q&AWhat is your process for writing? Every time I write it's like I am reinventing the process. I don't have one strict method and I'm not superstitious at all. I am always writing, even if I'm on an album cycle, I am still writing on my days off. I write a lot when I'm on tour. I just always keep it going so that way I'm not stressing the source. When I have writer's block it's usually because I'm getting antsy. So I found the best way to prevent that anxiety is to be pretty casual about it. You've toured around the world, so what piece of advice would you give to a young producer? Do it yourself, as much as possible. If you want to go on tour, and you're waiting for someone else to book it, don't wait. Just figure it out. If you want to make a record, and don't know anyone, it's so easy now to get a student copy of Ableton, Garage Band or Logic and just bang it out. Especially on the technology side, women aren't encouraged enough to take that on. I really think that the more girls take that stuff on themselves (like writing your own beats) the better it's going to be for us. Alot of times they just assume you don't know what you're doing. And the power of assumption is so insidious and quiet. And over the years, you will be like, 'Am I crazy?' But you're not crazy. When you walk into a studio and they're talking about microphones and then they're like, 'Let's just talk about clothes now,' because you're in the room. Baby is a very personal album, how does it feel to look back on it? I feel like Baby was this really cathartic work for me and it healed a lot of things that I didn't even realize were in pain. When I take a step back and look at that work, I'm like 'Holy shit, that person was really, really depressed and unhappy.' I'm also extremely grateful that I'm not there anymore. Like when you see a photo of yourself when you were a teenager and really depressed, and you are like "God...thank you to everybody who asked me how I was doing.' But here's the thing with mental health, you're never all better. But I think it's good to talk about because I think a lot of people who have depression are really embarrassed by it. LINKS:LISTEN: White Hinterland on SoundCloudREAD: Pitchfork Reviews White HinterlandCONNECT: Casey on Twitter, White Hinterland Official WebsiteWATCH: White Hinterland on VEVO
20. Kiran Gandhi: In Your Flow
Kiran Gandhi toured the world as M.I.A’s drummer, earned a business degree from Harvard, and trained to run a marathon, all at the same time, but there’s a lot more to her than that. She’s an outspoken, ambitious, radical young woman who pours herself and her skills into gender equality, especially within the music industry. Kiran made headlines, both positive and negative, after she ran the 2015 London Marathon as a “free-bleeder,” or without a tampon. We talk about how to handle pushback and criticism, about her wholesome but unconventional upbringing, about living spontaneously, about the role of gatekeepers, and how to find your own “inner Madame.”  RELATED LINKS:15 Best Lessons I Learned at HBSD.C. Lady Parts Justice ‘V to Shining V’ party to feature Kiran Gandhi“There Will Be Blood” - NYTDonate to Breast Cancer Care the organization that Kiran ran for in the 2015 London Marathon.Kiran's Website, Instagram, Twitter, Facebook, YouTube  MUSIC this week is by our guest, Kiran Gandhi herself. All the beats you heard in this episode came from Kiran. She’s working on a musical project of her own where she drums, sings, and lives life as a “young, bossy, busy lady”, otherwise known as Madame Gandhi.WazeyRough percussion Edit of DJ Obeyah's "African Flute Moomahton Edit"Kiran’s Drum Video Submission for M.I.A. CREDITS:Produced by Sarah Ginsburg & Elaine SheldonSound design by Billy WirasnikIllustration by Christine Cover  “I do have a business school degree and I worked in the music industry, but then I also have this radical, feminist, art, shock culture brain that I value. And I think my journey is going to be trying to reconcile the two and in doing that, providing solutions for the next generation.” — Kiran Gandhi Current City: NYCWhat are you listening to now? Fantasy by Alina BarazWhat film/book/show/piece of media changed you? MulanWho is your career role model? Kimberly Thompson, jazz drummerWhat is a tool you can't live without? My vocal loop pedal; Beats headphonesHow do you take your coffee/tea? Iced Cold Brew; black OR Hot Almond Milk Latte when in Boston!What's your spirit animal? Panther UPCOMING APPEARANCES:10.15 Berklee College Music Minds, Discussion, Boston, MA10.16 The Femme Show, Performance Art, Boston, MA10.17 The Femme Show, Performance Art, Boston, MA10.20 UCLA Feminism In Action, Speaker, Los Angeles, CA10.26 The Hum, Kaki King feat. Kiran Gandhi Show, NYC, NY10.27 Future of Music Conference, Panel, Washington, DC10.28 Vanderbilt University Music, Panel, Nashville, TN11.02 Ableton Loop Conference, Panel, Berlin, Germany11.10 SF Music Tech Summit, Panel, San Francisco, CA CLIPS FEATURED IN SHOWKiran playing Daybreaker NYCMighty Morphin’ Power Rangers MorphM.I.A. - Paper PlanesAtomic Living: Kiran Gandhi at TEDxBrooklynVirgin London Marathon 2015
17.5 Springtime Carnivore: She Does Music
MUSIC FEATURED IN EPISODE 17Curated by Elaine SheldonIn 2014, Greta Morgan released her first album as Springtime Carnivore. Following that release she has had an exciting 2015; touring with Of Montreal, Father John Misty and Jenny Lewis. When we talked with her for this interview she was gearing up to join Jenny Lewis on tour. “I’m doing this interview on a hammock. Something about talking about myself lying vertical makes me feel like this is therapy. So it might get weird.”It didn’t get that weird, but it definitely got exciting when Greta told us that she’s currently recording her next album, set to release next year. “This album will be the best thing I’ve ever made. It really feels like the past 10 years I've been preparing to make this record. Everything that’s happened in the last year has opened me up and allows me to be way more vulnerable and way more raw than I ever have.”Before that next record drops, we recommend you spend some time with her first album. It brought Sarah and I alive while editing, and made Pamela Ribon’s stories that much more impactful. Heck...even when we weren’t editing this episode we still craved this album. We listened to it while cooking and in our mid-day slump to give us a boost. We’re eternally grateful to have collaborated and met Greta. Songs like “The Collectors," "Name on a Matchbook,"  and “Last One To Know” are crowd hits, but I love what Greta has achieved with “Western Pink,” “Low Clouds,” and “Karen Bird’s Theme.” Instrumental tracks that say so much without saying anything at all. They are on repeat and keep me wishing for more. Keep 'em coming Greta. Do you have any pre-performance rituals? Before the show, the most important thing to do is make sure I feel really connected to bandmates. I play with a rotating cast of people depending on who is available; all people who I trust completely. We have a huddle moment where nothing else matters but us. I like the rituals of dressing for a show. I'm the least diva person you've ever met. Generally all my show clothes are crumpled in a grocery bag. But I like the feeling of doing a vocal warm up by just singing songs that I like and putting on show clothes. It's such a nice feeling, a beautiful kind of anticipation.Do you know what triggers creative moments? I've been of going through a ton personally. A breakup from a very serious relationship and pretty intense family stuff. There's been a lot of...growth emotionally and mentally. I'm processing a lot of feelings that I've never experienced before. Complicated venn diagrams with a million feelings all at once. There's alot of stuff to process, that really fuels my creativity, if I don't release the emotions I freak out.What does music have the potential to do? Everyday that we are living our lives, we are either moving closer to becoming the person we were meant to be, becoming the person we are possible of being, or becoming a numb, zombified, dumbed-down, mediocre version of what is possible. Music has been the the thing that keeps drawing me into the possible side. Music reminds people of who they are or of what they want; a sense of themselves that they might lose otherwise.Do you identify with your home city of Chicago? I really identify with Chicago and the Midwest. The people are salt of the Earth. People work without expectations and without delusion. There's a very realistic hardworking attitude that most of my Chicago friends and I have. I really identify with that. I love working and identify with the attitude that, 'Any job you do with dignity is a dignified job.'  INTERACT: Greta on Twitter and upcoming tour datesLISTEN: on iTunesREAD: Paste Magazine review, feature in Interview Magazine, VICE's Noisey BlogWATCH: Springtime Carnivore music videos
17. Pamela Ribon: Finding Your Own Fun
Pamela Ribon is a television writer, screenwriter, best-selling novelist and all around hilarious human. She’s been a writer in comedy rooms for both network and cable television and is the author of four novels. NPR called her new memoir, Notes to Boys, “brain-breakingly funny.” Pamela has developed original series and features for ABC, ABC Family, Warner Bros., Disney Channel and 20th Century Fox Productions. She recently finished working on a feature for Walt Disney Animation Studios and she’s currently writing for Sony Pictures Animation on an upcoming feature. Pamela started writing on the web in 1998, before most people even knew what a blog was. She has been building her audience ever since, breaking the internet with “Barbie F*cks It Up Again,” among other posts. We talk about standup comedy, how to make your work go viral, and why it’s important to mind your our beeswax and find your own fun. “Wanting what other people have will never get you what you want, because you’re not spending time finding your own fun. It’s not fun to be jealous of people and it’s such a waste of time, because nobody has the same story. You can take the craziest route if you just follow what’s interesting to you.” — Pamela Ribon RELATED LINKS:Pamela on TwitterPamela on FacebookPamela’s Books on AmazonNotes To Boys on Audible Pamela on “Chicks Who Script” "Barbie F*cks It Up Again" by Pamela, on GizmodoOprah.com: “How Roller Derby Can Save Your Life”Dewey Donation SystemName: Pamela RibonCurrent City: Los AngelesWhat are you listening to now? Podcasts: Scriptnotes, The Dinner Party Download, Pop Culture Happy Hour, Extra Hot GreatWhat film piece of media changed you? The Family Ties episode "A, My Name is Alex." It was an hour-long "very special" episode about Alex going to therapy after the sudden death of a close friend. Shot like a play, Alex moved in and out of the set, talking to an unseen therapist while playing out scenes with his family and friends. Seeing a sitcom tackle something so serious, mixing comedy with drama, letting Michael J Fox "act" so hard, completely blew my young mind. Comedy could help? Comedy could get serious? A sitcom could make me cry? I still remember jokes from it, so it also made me laugh. Because this episode is such a long ago memory, I originally assumed this epiphany happened only to me, but I've met more than one writer who also named this episode as an important moment in their young lives. Wikipedia says it won a shit-ton of awards, so I guess it wasn't just us kids knowing it was a good. Who is your career role model? Tina Fey, John Waters, Penn Jillette, Peggy Olson, Bjork, Leslie Knope.What is a tool you can't live without? SpotifyHow do you drink your coffee/tea? BlackWhat's your spirit animal? Hello Kitty. It used to be Batz Maru. I am evolving.Any updates since we interviewed you? I'm currently writing a feature for Sony Animation and a comedy pilot for the Disney Channel. Everything else is under various NDAs.MUSIC FEATURED IN SHOW: Music this week is by Springtime Carnivore. Listen to Episode 17.5 with Greta Morgan of Springtime Carnivore!TRACKS: Karen Bird’s Themes, Talk To Me Slow, Last One To Know, Foxtrot Freak, Collectors, Western Pink, Name on a Matchbook, Low Clouds, Two Scars CREDITS:Produced by Elaine Sheldon & Sarah GinsburgSound design by Billy WirasnikIllustration by Christine CoverProduction Assistance by Alijah CaseCLIPS FEATURED IN SHOW:Good Morning America Barbie Segment 1 & 2Barbie Commercial "Cut & Style Barbie" 
14. Caitlin FitzGerald: A Very Specific Kind of Femininity
Caitlin FitzGerald, writer and actor, is one of Hollywood’s emerging talents. She may be best known for her role as Libby Masters on Showtime Network’s “Masters of Sex.” The series, which is currently in its third season, is set in the late 1950s and is a drama centered around the true story of the pioneers of the science of human sexuality. You may have also seen Caitlin in feature films “It’s Complicated,” “Damsels in Distress” and “Newlyweds,” and TV shows including, “Gossip Girl,” “How to Make It In America,” and “Law & Order: SVU.” Additionally, Caitlin co-wrote and starred in the feature film, “Like The Water,” which was filmed in her hometown of Camden, Maine. Caitlin talks about the ups and downs of Hollywood and her love of live theatre. She encourages you to choose yourself, remove “weakness” from your vocabulary and live for the journey, rather than the “I made it” moments. She’s a thoughtful soul that is sure to make you appreciate the role of an actor in our society.Name: Caitlin FitzGeraldCurrent City: Los AngelesDOB: 8/1983Current Gig: "Masters of Sex" on ShowtimeWhat are you listening to? Fink, Alabama Shakes, and Bob Marley. I love the Moth radio hour and and I really appreciated Marc Maron's interview with Obama on his podcast.What piece of media changed you? So so many. I am currently reading a book by Marion Woodman called 'Conscious Femininity' that's blowing my mind. Who is your career role model? I love anyone who seems to be marching to the beat of their own very specific drum. Tilda Swinton comes to mind. What is a tool you can't live without? My aeropress coffee maker and Stitcher. How do you take your coffee/tea? Coffee with Half-and-Half What's your spirit animal? A lot of people have compared me to birds, which may be a slightly unkind comment on the way I look. I like to fancy myself more of a lioness. Any news or updates? I shot a film called 'Always Shine' with an amazing couple of filmmakers Sophia Takal and Lawrence Lavine last fall that I'm really excited about. It is just getting completed and will be hitting festivals next year. Another film I'm in called 'Manhattan Romance' will be getting released this fall!  Related Links:"Masters of Sex" Season 3 Premiere (Episode 1)"Like the Water" Website"Masters of Sex's" Caitlin FitzGerald Casts First Emmy BallotCaitlin on TwitterCaitlin on InstagramShe Does 5 Takeaways on Filmmaker Magazine “Historically we’ve always needed actors in the world because we need to see ourselves, and that feels honorable to me. That’s the thing I come back to when I get lost in clothing and red carpets and nonsense.” — Caitlin FitzGerald Music Featured in Show: Our featured musicmaker is Nona Marie Invie, who is part of the bands listed below. Tune in on 7/22 when we release a mini episode featuring Nona and read more about her here.Dark Dark DarkWho Needs Who (album): Meet In The Dark (song)Wild Go (album): Daydreaming, Something For Myself (songs)Flood Tide (Original Soundtrack): Dragged By The Moon, Building, Bike Ride, Flood, On The Water (songs)RONiiA RONiiA (album): Last Words, Bellz (songs)Anonymous ChoirFrom Album II: This Woman’s WorkClips Featured in Show:Caitlin Fitzgerald is Libby MastersMasters of Sex Intro MusicHow Much Energy Does A Housewife Use In A DayEulogy Scene from "Like the Water"“How To Undress In Front Of Your Husband” (1950s)Seeburg Background MusicCreditsPRODUCED by Sarah Ginsburg & Elaine SheldonSOUND DESIGN by Bradford Krieger of Hanging Horse StudioILLUSTRATION by Christine Cover
34. Lynsey Addario: A Degree of Hunger
Lynsey Addario is an award-winning American photojournalist who contributes regularly to The New York Times, National Geographic, and Time Magazine. She’s documented both headline news and intimate stories all around the word. In Iraq, Syria, Lebanon, and Libya she has given us an up-close view of war and revolution. She’s brought us stories of Maternal Mortality in Sierra Leone, sexual assault in Madagascar, rape in the DRC, heroin addiction in Afghanistan, and life before and after the Taliban. Her memoir, titled “It’s What I Do" recounts over 20 years of becoming one of our most renowned photojournalists. It was acquired by Warner Brothers and Steven Spielberg is expected to direct the film. Jennifer Lawrence has been cast to portray Lynsey - and we talk about that in this episode.Also in this episode, we also talk about courage on the front lines, the risks and trauma associated with her work, respecting cultures that aren’t her own, how she makes a living and how she manages her time.Related LINKS:Lynsey's Website,Follow her on Twitter and InstagramNew York Times: "What Can a Pregnant Photojournalist Cover? Everything"National Geographic AssignmentsBuy your copy of "It's What I Do" “I still think of myself as that same person who is struggling to get assignments. I firmly believe in life it’s important to not be too comfortable and confident. I think you have to have some degree of hunger. I want to keep pushing myself to be a better person and photographer. ” — Lynsey Addario
33. Sabaah Folayan: Everything Is Practice
Sabaah Folayan is an activist and storyteller who illuminates the humanity, resilience and beauty in the struggle of communities as they mobilize and fight for justice. She merged her dedication to human rights and a newfound passion for film with Whose Streets?, a feature documentary chronicling the experience of Ferguson community members after the fatal shooting of Michael Brown. Sabaah and her co-director Damon Davis are premiering Whose Streets? at Sundance 2017, but this episode’s conversation took place in October of 2015, when Sabaah was still in the depths of production and stepped away to pitch the film at Camden International Film Festival’s Points North Forum in Maine. We talk with Sabaah about moving to Ferguson, working to understand the complexities of the situation amongst a sea of sensational headlines, the unique education she had between living off the land in Hawaii and living in divergent Los Angeles neighborhoods, and the forever valuable lesson she learned as a basketball player, “Everything you do is practice for the next time you do it.” The music in this episode is off Velvet and Bone, a new album by a past MusicMaker, Stag Hare.  MUSIC in this episode is off a new album titled Velvet and Bone by past She Does MusicMaker and friend, Stag Hare. Willow (formerly Zara) is the MusicMaker behind Stag Hare and was featured in Episode 22.5. Listen to and buy her music via Bandcamp and visit her website and Facebook. “Space has been so privatized. We’ve been so socialized to be individuals and be on our own and our lives are our own little bubbles. I think that it was such a relief for people to just lock arms and say that ‘I’m feeling this too.’” Related LINKS:Sabaah's Website, Blog & TwitterWhose Streets? Documentary Website & TwitterWhose Streets? Sundance 2017 Screening DatesSabaah and co-director Damon Davis as Filmmaker Magazine's 25 New Faces of Independent Film 2016She Does: Race & Media live conversation at CIFF 2015 featuring Sabaah Folayan, Shayla Harris and Alex Hannibal     CLIPS used in show: Riot Footage From Inside The Battle of Ferguson Ferguson Shooting 2015Startling cell phone video from Michael Brown shooting sceneCREDITS:Produced by Sarah Ginsburg & Elaine SheldonSound design by Billy WirasnikIllustration by Christine Cover 
28. Iva Radivojevic: Entering A Different State
Iva Radivojevic is a documentary director and editor. She was born in Yugoslavia, raised in Cyprus and has lived in New York City since she was 18 years old. Much of her work explores belonging, and draws from poetry and personal experience. Her debut feature, "Evaporating Borders," examines migration, tolerance and identity through the experience of asylum seekers in Cyprus. The film has received awards worldwide and was nominated for an International Documentary Association (IDA) Award and a Cinema Eye Honors Spotlight Award and screened over 80 times at festivals, including SXSW, Human Rights Watch FF, Rotterdam IFF, DokuFest and HotDocs. Iva is the recipient of the 2015 Guggenheim Fellowship and was named one of 25 New Faces of Independent Film of 2013 by Filmmaker Magazine. In this episode Iva talks about her series "IvaAsks" where she learned how to make films, her draw to poetry, working as an editor, her new film inspired by Jorge Luis Borges’ “Aleph,” and the things she does (writing, exercising, meditating) to keep her life calm and collected. Related Links:Filmmaker Magazine profile Iva on TwitterIva on InstagramEvaporating BordersIva Asks SeriesThe Intercept interviewBomb Magazine interviewIva on BBC World NewsIndieWire interviewName: Iva RadivojevicCurrent Town: BrooklynWhat are you listening to now? Nana Vasconcelos, Toto la Momposina, Connan MockasinWhat film/book/show/piece of media changed you? Here are a few things that left a permanent imprint:Arundhati Roy's "The God of Small Things" and consequently most of her work.Alain Resnais' "Last Year at Marienbad"Ilya Khrzhanovsky's film "4""For an imperfect cinema" an essay by Julio Garcia Espinosa"What's wrong with the liberal documentary" an essay by Jill GodmilowWho is your career role model? There are so many people. I also find myself lucky to know many brilliant, creative and intuitive minds, not only filmmakers, but also musicians, poets, painters, runners, activists etc. and so I steal a little wisdom from each, from all directions and blend it to what works for me. What is a tool you can't live without? Pen and paper (MUJI), Camera, MusicHow do you drink your coffee/tea? Tea! (Caffeine makes me crazy)Clips used and mentioned in show:Looking Glass (edited by Iva)Knedle (Grandma Project)RomantzoIVA ASKS films: Milena, Occupy Wall Street, Anita, Grandpa ElliottMagic FikusMusic by Apache Tomcat “Poetry speaks volumes and it digs and penetrates much deeper than if I was to do something in a purely journalistic way and disseminate information. I don’t want to throw stuff in your face or bang you over the head with information. I really love the written word and I like how that matches up, or doesn’t match up with images and how they can dance together or repel each other. ” — Iva Radivojevic
3. Anna Sale: Let’s Talk About Death, Sex & Money
Anna Sale is the creator, host and managing editor of WNYC’s podcast, Death, Sex & Money, a biweekly show featuring intimate interviews with both celebrities and commoners alike, that has risen to the top of the iTunes charts. She’s a public media veteran who covered the 2012 presidential campaign and has contributed to This American Life, NPR, Marketplace, Studio 360, PBS Newshour, and Slate. In this episode, Anna talks about her West Virginian (or Appalachian) roots, being a self-proclaimed “honorable detector of snobs”, coming into journalism as an activist, landing her first job, coping with divorce, the art of the interview and the challenge of telling stories that aren’t often featured on the front page. You’re in for a real treat. Anna has a special gift, a voice made to be heard. You can hear the smile in her voice.Name: Anna SaleCurrent City: NYC DOB: 1980What are you listening to? D'Angelo's Black MessiahWhat film/book/show/piece of media changed you? There are so many. A recent favorite was the film, "Stories We Tell" by Sarah Polley.Who is your career role model? Terry, forever.What is a tool you can't live without? ProTools, Google Docs, My worn-down, audio-in-one-ear tangled earbuds.How do you take your coffee? Black, mostly. With soy if I'm in a fancy place.What’s your spirit animal? A mule. I was getting a massage in Tampa in 2012, just after the Republican National Convention, and this sweet masseuse--young guy, bleached hair, pierced face--told me that was the essence he was reading: Wild and free like a horse plus a pleaser/hardworker, like a donkey=mule. RELATED LINKSAnna's WYNC ProfileDeath, Sex & Money EpisodesTwitterFast Company Interview with AnnaReporthers Interview with AnnaThe Timbre Interview With Anna “When I was putting together Death, Sexy & Money I wasn’t thinking of it as a women’s show or a show where we talk about women’s stories or the women’s view on things. Because I think no matter what your sexuality or your gender, there’s a lot happening that’s shifting the ways that we think about what the stories of our lives are in the U.S. So, I want to do both. But I think just making the base assumption when you’re doing a story that the details of this woman’s story is important. Given the history of women in this country in the past 100 years, that’s still a radical thing. So it feels good to be a part of that.” — Anna Sale CREDITSPRODUCED by Elaine Sheldon and Sarah GinsburgSOUND DESIGN by Billy WirasnikCLIPS FEATURED IN SHOW:DS&M: How to Be a Man With Bill WithersDS&M: I Killed Someone. Now I Have 3 Kids.DS&M: Ellen Burstyn's Lessons on SurvivalDS&M: The NFL Made Me Rich. I Won't Watch It Now.DS&M: Dan Savage Says Cheating Happens. And That's OK.DS&M: Jane Fonda After Death and DivorceDS&M: This Senator Saved My Love LifeMUSIC FEATURED IN SHOW:Cassie LopezTiny FolkHudson 
8.5 Taryn Blake Miller: She Does Music
MUSIC FEATURED IN EPISODE 8  Curated by: Sarah GinsburgEvery March, I go home to Columbia, Missouri for my version of ‘The Most Wonderful Time of the Year’: True/False Film Festival (T/F). Besides getting to see stacks on stacks of films, my favorite part of T/F is the music. T/F hand picks musicians from all around the world and brings them to the middle of Missouri to play for moviegoers before films, at late night showcases, and on the street corners of downtown Columbia as we stumble out of one dimly lit venue and run to the next. One of the buskers that we were lucky enough to hear is Taryn Blake Miller who plays simply divine music under the moniker Your Friend. It’s hard for me to describe the feeling her songs give me, but I will tell you that every song makes me close my eyes, put my hands on my heart, and just sway. Elaine and I were simply taken with Your Friend, and we’re pretty sure you will be too. Q&AHow would you describe your music? A blogger once said that it was kind of like something that would exist in a pretty unpopulated territory but is still welcoming. I like to say that it’s evolving and it’s open. There’s a lot of space and room within it. But I’d say it’s a well intentioned hand shake.Where does ‘Your Friend’ come from? I’ve had a lot of experiences making really serious connections with strangers and not knowing who they are later, not getting their name, nothing, probably not ever seeing them again. But they’ve kind of stuck with me so I guess it’s kind of related to that in a way. What does it actually mean to be somebody’s friend? Whenever I’m interacting with anybody I try to be present and real with that person, because what you put out is what you get back and that’s how you make those connections with people. If you go into it being earnest and honest, then they react that way and it becomes genuine.When you are performing a song, even if you’ve played it live countless times, are specific feelings from when you were originally writing and developing the track triggered? If I can’t hear myself in the monitors or if there’s some sort of technical difficulty, I can still find the notes that I’m singing based on how it feels. I can go back to those moments and channel how it felt to write it because that’s how it physically felt in that moment. So I can revisit that. Your brain remembers that, your muscles remember that. I think it can be sustained and even grow to something more important or special to you if you want it to.Musical Inspirations? Arthur Russell, Lucrecia Dalt, Dave Harrington, Jenny Hval, William Basinski, Holly Herndon, Tim Hecker, Andy Stott, Julia Holter, Jana Hunter, Annie ClarkLINKS:Your Friend websiteJekyll / Hyde EP on iTunesTrue/False Busker Line Up
6.5 Ana Karina DaCosta: She Does Music
MUSIC FEATURED IN EPISODE 6  Curated by Sarah Ginsburg:When I asked Ana Karina DaCosta what she feels when she’s on stage, she got choked up. Ana Karina, based in Somerville, Massachusetts, might be the biggest lover of music and people that I’ve ever met. You’ll hear it when you listen to the sounds of one of the many bands that she’s in and you’ll feel it when this sensation of warmth and acceptance washes over you while in her presence. Ana Karina was born in Brazil but moved to Virginia, where she learned the cello, when she was in the third grade. Today, she’s a master of the bass, sings like a freaking angel, and dabbles in percussion all around the Boston music scene. The genres of her musical projects vary greatly, which says a lot about her too. She’s up for anything, she just wants to play.Q&AWhat do you enjoy most about singing?  I like to harmonize. When I was growing up I was always trying to. When people would sing the lead part, I was always trying to find the harmony. And then when I found The Mamas & The Papas I was like, ‘OH MY GOD, there's like 8 harmonies that I can find.’ It makes sense that that's what I'm doing now.So, what does it feel like to be up on stage? I used to give myself a really hard time when I had a corporate job and I would play three shows every two weeks or I'd go away on the weekend and I had this double life. I'd say, ‘What am I doing on a Thursday night in this Veterans Hall in middle of nowhere Connecticut?’ And I'd be like, ‘You know what? I'm having a good time and I'm playing music and what else would I be doing? Home watching law and order or something?’ So that's how I feel: really lucky. And it feels good. It feels good to sing and it feels good to play and it feels good to have people like it.What do you think music has the potential to do? I just hope it has the potential to lighten things up for people, just lighten things up. I don't dislike heavy themed music, it depends on how it's presented. But I think music should make people feel something and it should be happy or obviously sometimes people enjoy listening to sad music because it helps them put into words what they can't. I think a lot of people’s lives can be like that, where there's a lot of serious stuff they have to deal with, and if they're lucky they get some time to sit at home and listen to music or go out and see it or make it. I hope it just lightens things up. That's what it does for me.LINKS: The Derevolutions: Soundcloud, Album Download, Now You Know My Name (Official Music Video), Twitter, Facebook28 Degrees Taurus: Bandcamp, FacebookSlowdim: Bandcamp, Featured in Allston Pudding Bong Wish: BandcampBobb Trimble’s Flying Spiders: Bandcamp
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Podcast Details
Started
Jan 4th, 2015
Latest Episode
Dec 13th, 2017
Release Period
Weekly
No. of Episodes
58
Avg. Episode Length
31 minutes
Explicit
No

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