Sanné Mestrom’s art practice has always worked to complicate understandings of sculpture, but has recently focused more intently on exploring the agency of sculpture and its accountability to public and private space and the people that inhabit it. 

In the fascinating discussion recorded during the installation of her latest exhibition, Body as Verb, Sanné and Gallery Director Ursula Sullivan discuss how Hannah Höch, motherhood and moving to the Blue Mountains has changed her and her practice. 

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