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The Film Comment Podcast

Film Comment

The Film Comment Podcast

A weekly TV and Film podcast
 2 people rated this podcast
The Film Comment Podcast

Film Comment

The Film Comment Podcast

Episodes
The Film Comment Podcast

Film Comment

The Film Comment Podcast

A weekly TV and Film podcast
 2 people rated this podcast
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With Ahed’s Knee, the rawest, most autobiographical entry in Nadav Lapid’s blistering filmography (The Kindergarten Teacher; Synonyms), the director crafts a stylized and self-lacerating portrait of an Israeli filmmaker railing at the censorshi
We’re reporting this week from one of the major film events of the fall: the Toronto International Film Festival, which runs from September 7 to 17. Throughout this year’s festival, we’ll be on the ground, covering all the highlights (and lowli
Cannes 2024 is in full swing—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts.
Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.On tod
Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.On tod
Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.For to
Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.For to
Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.For th
Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.To kic
Avant-garde cinema emerged in direct conversation with the film criticism that contextualized, championed, and critiqued it. Writing about work that is premised on defying formulaic intelligibility, and which invites us to reach beyond language
Every year, Film at Lincoln Center honors a luminary of the film industry with the Chaplin Award. This year’s honoree is a beloved screen icon: the Dude, the Starman, the legend—Jeff Bridges. In advance of the 49th Chaplin Award Gala, taking pl
From the early ’70s onwards, Indian cinematographer Navroze Contractor—who passed away last year at age 80—blazed a trail of radical image-making. Trained in fine arts, photography, and cinematography, Contractor wielded the camera as a weapon
In his new book The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon, Adam Shatz writes that, “The American poet Amiri Baraka described James Baldwin, who was born a year before Fanon, as ‘God’s Black revolutionary mouth.’ What Baldwin w
Christine Smallwood’s new book on Chantal Akerman’s Proust adaptation, La Captive, is, among many things, a meditation on the act of criticism. Published as part of The Decadent Editions series from Fireflies Press, this slim, pocket-sized volu
Last fall, director Bertrand Bonello’s latest, The Beast, was a thrilling highlight of the festival circuit. The film is a loose, two-and-a-half-hour, time-and-space-jumping adaptation of Henry James’ 1903 novella The Beast in the Jungle, in wh
Every spring the New Directors/New Films festival at Film at Lincoln Center and MoMA puts on an exciting showcase of movies by the best emerging filmmakers around the world. It’s always a reliable sign of the trends to come and the talents to l
In our May-June 2020 issue, the scholar Aboubakar Sanogo wrote of Med Hondo, the late, great Mauritanian-French filmmaker: “For Hondo, decolonization and independence were not simply a matter of regime change from colonial to postcolonial, but
It’s once again that time of year: that’s right, the Academy Awards are just around the corner. Before the winners are revealed on Sunday, Film Comment Editors Devika Girish and Clinton Krute teamed up with some colleagues from Tinseltown—the e
The 2024 Berlinale wrapped up on Sunday, February 25, after a fortnight of buzzy premieres and fraught political controversies. The Film Comment crew was on the ground throughout the festival, reporting on each day’s goings-on via daily Podcast
This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we’ll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year’s selection, inc
This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we’ll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year’s selection, inc
This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we’ll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year’s selection, inc
This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we’ll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year’s selection, inc
This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we’ll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year’s selection, inc
The Finnish filmmaker Ilkka Järvi-Laturi, subject of an ongoing retrospective at the Museum of Modern Art, made only three features in his life, each of which is maverick in its own right. His 1989 debut, Homebound, is a gritty realist film ab
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