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Yan Vinterfeld
Write On: A Screenwriting PodcastEpisodes
Yan Vinterfeld
Write On: A Screenwriting Podcast
1 person rated this podcast
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Writer, actor, director Taika Waititi tells us about creating a new comedy scene in New Zealand and how to keep people feeling like they're a part of your story. He also let slip the inspirations for his What We Do in the Shadows character Viag
“We had to go back to the ratings board five times. It was a long journey. You have to laugh sometimes, because we had some really grotesque imagery in our film. We even have a demon phallus in the film and nobody was worried about that. It was
Writer Michael Brandt is no stranger to the big and small screen. Having written such thrilling films like 3:10 to Yuma, Wanted, 2 Fast 2 Furious and Catch That Kid, he is also the co-creator of NBC’s Chicago Fire, Chicago Med, Chicago P.D. a
"When I sat down to start writing it, I sort of like came up with air a couple of hours later with a movie," says writer/director Kobi Libii about the origins of his new satirical comedy, The American Society of Magical Negros. “I think it's ki
“Just write a story you want to tell and don't try to write something which you think you can sell to somebody because that way is madness. You have to write what you want to write whether it works or not for other people. But if it's not authe
“The movie in many ways is about creativity. And it's one of the reasons why I really love it. It's not just about an evil haunted teddy bear. It's about the power of imagination. There's a reason why the movie isn't called Chauncey - it's call
“I would encourage anyone to lean into the specificity of their personal experience [when it comes to writing]. I mean, we're at a time now, fortunately, where everyone is more open to those kinds of stories… Look at something like Beef. The sp
“I think what's unique about this biopic and about Bob [Marley’s] story is that it really wasn't about his ego, it wasn't about him trying to be the biggest star in the world. It was about him connecting with God. I mean, he would smoke weed to
“I always go back to theme. Why are you writing this story? What is that final couple of minutes of the movie and what do you want the audience to feel? I kind of always build backward from that in some ways. In a movie, how do I make the 118 m
"You want to write stuff you want to see, that's the key. Just write something new something fresh, something interesting," says director and co-writer William Eubank of Land of Bad, the new intense, action-packed movie about a Delta Force team
“I grew up as a huge fan of Westerns but the reality of the landscape at the time was that it was incredibly diverse. And we've rarely seen that diversity on screen. I feel incredibly fortunate and humbled by the opportunity to show what life w
“Personally, I think writing is bleeding. It's blood magic. It's very hard to do,” says writer/director Jade Halley Bartlett of the new Southern gothic romance, Miller’s Girl. Bartlett started her career as an actress, but it was an unexpected
“I think that approaching the grand things through the smallest entryways possible is the best way to go about taking on these massive issues… So yes, this movie is about race and racism and art and who's allowed to make certain kinds of art -
“The lesson we keep learning is that the thing that breaks you [into Hollywood] is your weirdest idea. The thing that only you can write… All of our friends who have done that – it's been a fulcrum in their career,” says Phil Lord, co-writer of
“When we were starting [to write screenplays], we were told, ‘Write your story, write your story, write your story.’ But our story is not that interesting. So, I would say, don't write your story necessarily, write the story that you fall in l
Final Draft's Write On Podcast sits down with Blackberry writers Matt Johnson and Matthew Miller to talk about how they wrote this epic story of the rise and fall of the world's first portable email machine. Johnson and Miller loosely adapted
“I just really encourage people to truly go to those darker places because the way forward in dealing with dark material is not to do some partial version of it. Go there so that it sparks a truth to people watching it because people want to be
The film Air was released in theaters back in April – right before the WGA Writer's Strike. It tells the story of how the iconic partnership between Nike shoes and basketball player Michael Jordan came to be way back in 1984. It’s one of those
“I like having sympathy for the devil. And all of them are devilish!” says Emerald Fennell about her characters in the new film Saltburn. Writer/director/actress Emerald Fennell dazzled us with 2020’s Promising Young Woman, for which she took h
“It really comes down to scene work. Do these characters pop? Is this fun to read? Is it fun to imagine what’s going to happen next? When you get to the end of that pilot do you want to find out what’s going to happen in the next episode? It’s
“We can’t make Lawrence of Arabia anymore – not that that’s not a good movie, but it’s kind of a thing of the past,” says screenwriter David Scarpa about writing the script for Napoleon. Scarpa says both he and director Ridley Scott wanted to b
“My cardinal rule – the rule that you cannot break is: don't be boring. Because you can have the perfect script that follows every screenplay formatting rule, but if you're boring, it doesn't matter. First and foremost, you’ve got to hook the r
“I don’t write sex scenes. I write character scenes and sometimes they’re having sex during their character scenes. It’s a beat about character,” says Tony McNamara. Known for the TV show The Great on Hulu and 2018’s The Favourite, screenwriter
Eddie Murphy’s new holiday comedy Candy Cane Lane pokes fun at the idea of being super competitive during the Christmas decorating season. Kelly Younger sat down with Final Draft’s Write On podcast to talk about writing the spec script that
Write On: 'The Continental: From The World Of John Wick' Writer Kirk Ward and Director Albert Hughes
“I'm now at a place where I say to myself, ‘What haven't we seen?’ And then we take it to a place that’s completely, absolutely bonkers,” says writer Kirk Ward about his new show The Continental: From The World Of John Wick. “You take the audie
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