Artist & audio producer | Former host of arts podcast The Imposter from Canadaland | 2019 Third Coast Festival Advisory Group
In the late 90s, over a hundred people built a tent city in an empty lot on Toronto's windy lakeshore. Twenty years later, people are posting up again in empty lots, under bridges and in the woods along the shoreline. When you live on the exclusive waterfront, location is everything. How do you get to the water without attracting resentful neighbours? How do you keep your camp hidden from view but close enough to a bus route so that you can still move supplies? How do you beef up your tent for winter without the cops coming around?   How do you start over, again and again, when you’re constantly being told to disappear? Meet the people making their homes in a place where everything moves fast, just not for them.   Watch Shelter from the Storm, Michael Connolly’s documentary about Tent City. Also featured: Cherry Beach Express by Pukka Orchestra. Donate to the Encampment Support Network on Patreon. 
In Toronto’s downtown eastside, Moss Park’s encampment is home to a lot of people with deep ties to the neighbourhood. The site of the city’s first overdose prevention facility—a hard-won resource that started in an unsanctioned trailer—Moss Park’s residents are used to claiming space and fighting for what they need.   Relationships are important in every encampment. And in Moss Park, people go way back, but while blood may be thicker than water...you can’t drink blood. And the city isn’t delivering water.   On two days of a July heatwave, residents walk us through life in the park and share strategies for living in a pandemic without access to life’s most vital resource.    Podcast art by Micheal DeForge. Theme music by Jeremy Costello & scoring by Jesse Perlstein. Featured photo of Derrick Black by Jeff Bierk. 
Throughout season two of The Imposter, Aliya Pabani has explored the poetics and politics of comedy in her attempt to become a standup comedian.  She's considered what makes us laugh and why, explored the implications of Improv's "yes, and" philosophy in a time of #MeToo, and asked whether comedy is worth funding as art. She's also been workshopping her jokes about racism, but the challenge of implicating her audience without losing them has her feeling unsure whether it's possible to make meaningful jokes that are actually funny. Is comedy a tool to placate the masses, or can it be used to cut deep? In this—very Imposter—final live show, Aliya takes to the Second City stage to perform her final stand-up set in this live-podcast-meets-The-Voice mashup featuring comedy and critical feedback from judges Nick Nemeroff & Brandon Ash-Mohammed, and a live score by Johnny Spence. Will Aliya bomb or solve racism with jokes? Find out in this final episode of The Imposter.  This episode is sponsored by Hello Fresh and Endy
With less than a month left until her final set on the Second City stage, Aliya realizes that she's not totally sold on standup. So she talks to Sandra Battaglini, a comedian who's petitioning the government to recognize comedy as an art form that's worth funding, and the art duo Life of a Craphead who discuss the evolution of their jokes, from mixing a chemical weapon onstage to dumping a colonial sculpture into the Don River.   Sign a petition to get comedy recognized as art Buy tickets to The Imposter Presents: The Last Laugh  
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Creator Details

Episode Count
35
Podcast Count
5
Total Airtime
21 hours, 34 minutes
PCID
Podchaser Creator ID logo 643163