Ari Aster is an American director and screenwriter best known for writing and directing the horror films Hereditary (2018) and Midsommar (2019), as well as the short film The Strange Thing About the Johnsons (2011).
Live from The Highball at Fantastic Fest in Austin, Doug welcomes Ari Aster, Andre Hyland, C. Robert Cargill and Owen Egerton to the show.You can find the entire archive of Doug Loves Movies on Stitcher Premium. For a free month of Stitcher Premium, go to stitcherpremium.com and use promo code "DOUG."
Few filmmakers in recent memory have begun a career with a 1-2 punch as provocative and memorable as Ari Aster. Last year he disturbed audiences with "Hereditary" and this summer he's taking them on a decidedly long and strange trip to Sweden in "Midsommar". Ari joins Josh this week to talk about his beginnings, his unique sense of humor, and Albert Brooks? Yeah, you read that right. Learn more about your ad choices. Visit megaphone.fm/adchoices
One of summer’s most anticipated films is Midsommar, from filmmaker Ari Aster. The director joined us last summer for a talk at Film at Lincoln Center to discuss his previous feature, the unforgettable Hereditary, and we were delighted to welcome him back for another Film Comment chat on Tuesday, July 10. In front of a packed house, Aster sat down with author and Film Comment mainstay Michael Koresky for a discussion about his Swedish countryside-set horror film, working with star Florence Pugh, and favorite movies such as 45 Years. Also, listen up for a few details on the forthcoming director’s cut of Midsommar, and don’t forget to read about Aster’s inspirations for the film in the July-August issue of Film Comment.
This summer we kicked off our Film Comment Free Talks, a new series of conversations with filmmakers held at the Film Society of Lincoln Center. For the release of horror sensation Hereditary, we invited the film’s director, Ari Aster, to come for a wide-ranging chat. The talk was moderated by FSLC Editorial Director Michael Koresky, who wrote of Hereditary in our May/June issue: “We are compelled by our family stories, but they are often constructed narratives, given to biases, subjectivities, fictions. If at times Hereditary feels more like an askew domestic melodrama than a horror movie, that’s not accidental.” Aster talks about his love of Ingmar Bergman, his fear of The Wiz, his next project, and the arduous road to staging a scene just so. Our next Film Comment Free Talk will take place on July 17 with director Boots Riley where he'll discuss his funny, scathing, weird, and audacious satire Sorry to Bother You.
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