Mya Gosling is the creator and artist behind GoodTickleBrain, the world’s greatest (and possibly only) three-panel stick-figure Shakespeare web comic. The issue of writers block is something we all deal with, and Mya shares with us how she wrestles with it, and frequently utilizes it as a theme in her comics. Featuring getting over speed bumps, the futility of changing one’s digital nibs, determining the distinctions between so-called “classic” writers block (and its related forms: “new” writers block and “cherry vanilla” writers block), the struggle of getting the marble elephant out of the marble block, making use of and exorcising your own struggle, the dilemma of having to create the thing itself before you can see what the problem is, and finally realizing the necessity of letting go of perfect. (Length 19:59)
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Louis Bayard is the author of such novels as Mr. Timothy, Roosevelt’s Beast, and The Pale Blue Eye, the former recapper of Downton Abbey for the New York Times, and the author of the New York Times obituary for William Shakespeare which appeared on the front-page of the April 23rd, 2016 edition, the 400th anniversary of Shakespeare’s death. HIs new novel Courting Mr. Lincoln is funny, poignant, and fascinating comedy of manners, and Lou discusses the impulses that led to this writing the novel, influences ranging from private letters to the novels of Jane Austen and Henry James, catching Mary Todd at her best, performing rehabilitative acts, spawning (and creating) clickbait-y articles, the glories and challenges of writing on spec, the fun of digging into primary sources, discovering further eerie and ironic Booth/Lincoln interactions, and the privilege of being the novelist who steps in where the historical record falls silent. (Length 26:03)
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Samuel Taylor is the co-founder of the Back Room Shakespeare Project, the author of My Life with the Shakespeare Cult, and now its two-volume followup, Blueprints for a Shakespeare Cult, which explains how you too can embrace and replicate the work of the BRSP in your own city or country. Sam talks about BRSP's origins and its twin inspirations, the glories of having very little rehearsal, the difference between being actual and real, replicating late-night whiskey-soaked debates and the more sober morning-after conversations, great taglines, the difference between good chaos and unhelpful chaos, how you can order your very own copy of Blueprints for a Shakespeare Cult by going to Kickstarter.com, and how you can be part of this growing international movement. (Length 26:54)
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Dramaturg Neena Arndt and actor Nathan Hosner (Polixenes) discuss The Winter's Tale, currently running at the Goodman Theatre until June 9, 2019 in a production directed by Robert Falls. Featuring the importance of leaning into the tonal shifts; how the play plays in our current historical moment; the dangers of a record-scratch; eliminating thee’s and thou’s; acknowledging aspects of the play that may be either bugs or features; changing the first-person from plural to singular; identifying the hinge of the play; shout-outs to actors Dan Donohue (Leontes), Christiana Clark (Paulina), Gregory Linington (Antigonus), and Philip Earl Johnson (Autolycus); casting clowns; some notes for Will Shakespeare; possibly changing one’s mind about the quality of the play; different treatments of Time; and the very first question one must address when you decide to do The Winter’s Tale — how do you handle the Bear? (Length 24:20) (Pictured (l-r): Dan Donohue (Leontes) and Nathan Hosner (Polixenes) in the Goodman Theatre production of The Winter's Tale, directed by Robert Falls. Photo by Liz Lauren.)
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