Dr. Katy Reedy, a Visiting Assistant Professor of English at Lake Forest College who's working on a book-length study of contagion and performance in the early modern era, discusses her research and what we can learn (and take small hope) from the plagues that forced the theaters to close in Shakespeare's day. Featuring the importance of recognizing that this is a marathon, not a sprint; how her examination of early modern revenge plays led to research into plague and pestilence; spatial lexicons; scant evidence; scholarly suppositions; shout-outs to James Shapiro’s The Year of Lear, Stephen Greenblatt’s Will In The World, and Folger Shakespeare Library director Michael Witmore; temporal changes and the elastic nature of time; how playwrights became pamphleteers; the invention of social-distancing; and the dangers of calling attention to the pestilential potential of a communal art. (Length 22:10)
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Playwright, actor, and musician Deb Hiett discusses one of her most interesting survival jobs, many years ago in the heyday of the 900 number, and how it allowed her to flex her storytelling muscles and skills as a character actress. Featuring writing and performing both audio erotica and Quarantunes™; creating stories; involuntary gag reflexes; an arsenal of accents; crafting monologues; being co-lead singer in the band Orson Welk; an extensive resume of appearances in film and television; the limited imagination of Tower Records; and the profitable power of delaying gratification. A perfect tale for these times of social distancing and self-isolation! (Length (23:10)
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Actor, director, and playwright J. Nicole Brooks is the author and director of Her Honor Jane Byrne, which looks at the moment in Chicago history when its first woman mayor moved into the Cabrini-Green housing projects. Just three nights after it had its official world premiere opening at Chicago’s Lookingglass Theatre, the rest of the run was cancelled due to the restrictions being imposed around the world in the midst of this global pandemic. Brooks discusses how the play came together and how love letters to Chicago can be complicated; the value of Shakespearean echoes and wise fools; a fascination with corruption; shining light on haunted communities; getting laughs when you least expect them; decolonizing the space; losing revenue streams; surprising shout-outs to Shelley Winters in The Poseidon Adventure; and the brilliance of writing a dark comedy about kings and queens and guillotines. (Length 22:03)
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Michael Morrow stars in the Lifeline Theatre production of Middle Passage, Charles Johnson’s National Book Award-winning novel ("a novel in the tradition of Billy Budd and Moby-Dick," according to the New York Times Book Review) adapted by Ilesa Duncan and David Barr III (and directed by Duncan). Michael discusses how he came to be cast in this epic production, and how he's journeyed from the DePaul University BFA program to Cincinnati Shakespeare Company, Michigan Shakespeare Festival, and beyond; how he learned to buckle swashes and paint pictures with words; what it means to Choose; the miracle of a deus ex Quackenbush; shout-outs to David Blixt and the late PJ Paparelli; and the incredibly important power of telling stories for those who can’t. (Length 20:08) (Pictured: Michael Morrow and Patrick Blashill in the Lifeline Theatre production of Middle Passage, adapted by Ilesa Duncan and David Barr III from the novel by Charles Johnson. Directed by Ilesa Duncan. Photo by Suzanne Plunkett.)
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