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Zach and Eric look back on their time with MaladroitIntro and Outro by Martin David TapiaFacebookTwitterTeePublicProud partner of Pantheon! Check out a bunch of great shows on Pantheon
Guitar wizard Joe Satriani has forged a lifelong career of six-string adventures spanning 18 studio albums, 10 million album sales, and 15 Grammy Award nominations. Outside of his musical focus, Satriani loves science fiction and has been delving into painting, which he does alone and in collaboration with the L.A.-based visual art team SceneFour. (Photo: Joseph Cultice.)This show is part of Pantheon Podcasts.
By the time 2002 came around, "emo" had gone mainstream. Bands like Jimmy Eat World and Dashboard Confessional had made it to MTV, and paved the way for emo pop's continued success throughout the decade. Having just signed to emo kingmakers Vagrant records, Hot Rod Circuit's 2002 release Sorry About Tomorrow is the perfect representation of what defined that sound. And for the hosts of No Filler, this album represents a defining summer in our youth. On this episode we chat about music's ability to instantly transport you back to a certain time and a certain feeling, and how that emo pop sound of the early aughts has that ability for us in a big way.Tracklist Hot Rod Circuit - At Nature's Mercy Hot Rod Circuit - Weak Warm Hot Rod Circuit - You Kill Me Hot Rod Circuit - Radiation Suit Hot Rod Circuit - Safely Hot Rod Circuit - Cool For One Night TOPS - Direct Sunlight Paul & Linda McCartney - Monkberry Moon Delight Stiff Little Fingers - Alternative Ulster This show is part of the Pantheon Podcast network.
In this week's episode, Mark, Barney & Jasper talk extensively about one of the great record labels — a hallowed home to such groundbreaking acts as Jimmy Cliff, Nick Drake, Roxy Music, (Bob Marley and) the Wailers and, yes, U2. Listening to clips from John Tobler's 1989 audio interview with Island founder Chris Blackwell, RBP's power trio reflect on what made the label such a powerhouse for non-mainstream genres like folk and reggae. Blackwell talks of its transformation after 1967, as well as his first encounter with Marley in 1972.A neat segue via Lenny Kaye's 1975 overview of the label leads "the team" into a discussion of Sparks, the American art pop duo who've just released their new album, A Steady Drip, Drip, Drip. Mark & Barney reminisce about the Mael brothers' Island years in the '70s, commencing with Kimono My House and its astonishing hit single 'This Town Ain't Big Enough for the Both of Us'. We stay in the '70s, moreover, as the RBP troika considers great Disc pieces — about Lou Reed and Chinnichap — by the splendidly-named Ray Fox-Cumming.Mark rounds matters off by talking us through new library pieces about Santana, Hamilton Bohannon, John Fahey (1977), Joni Mitchell and N.W.A., while Jasper adds his tuppenceworth on articles about British folk institution Topic Records, the death of the album and Busta Rhymes. And we go out with a clip from Johnny Black's 1995 audio interview with Pretty Things frontman Phil May, who sadly passed away last week...The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: Chris Blackwell audio, Island Records, Sparks, Ron Mael, Lou Reed, The Sweet, Queen, Santana, Hamilton Bohannon, John Fahey, The Pretenders, Sheena Easton, Roxanne Shanté, NWA: Straight Outta Compton, Robert Johnson, Mark Ronson, The T.A.M.I. Show, Cecil Sharp, Folk field recordings, Death of the album, Busta Rhymes and Phil May audio.
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1 month, 1 week