[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]--Faith in anything is its own special form of madness.It’s a challenge to entropy, and entropy takes no challenge lightly. If there’s any better metaphor for this struggle than trying to make a big budget movie with even a shred of integrity, I haven’t found it.On the one hand, you’ve got this impossible dream. This faith in the beautiful thing that’s supposed to emerge at at the end of the process. On the other hand, the process is a hellish sausage-making machine of studio bosses, financing, and acts of god like four days of flash flooding in the middle of your big shoot. You might as well be Don Quixote, doing battle with a windmill.What kind of masochist would put themselves through that?My guest today, Terry Gilliam, is that very masochist. And we should be grateful, because his stomach for the fight has given us movies like THE FISHER KING, BRAZIL, 12 MONKEYS and MONTY PYTHON’s THE LIFE OF BRIAN. And now, almost 30 years after his first, biblically disastrous attempt to make it, THE MAN WHO KILLED DON QUIXOTE. Starring Adam Driver and Jonathan Pryce, the movie is as funny, thrilling, and unpretentiously deep as the best of Gilliam’s work. It’s also kind of like one of those Russian matryoshka dolls: a film inside a film inside a film, all of them metaphors for the holy folly of believing in anything at all.The Man Who Killed Don Quixote is out April 19th in select theaters and on demand video. Surprise conversation starters in this episode: Michelle Thaller on whether time is real or an illusion Learn more about your ad choices. Visit megaphone.fm/adchoices
Multi-award winning screen writer, film director, actor, comedian and member of Monty Pythons flying Circus Terry Gilliam joins Paul McKenna this week to talk about his incredible career journey and what he does to stay positive.
The Man Who Killed Don Quixote completes a quest that has consumed Terry Gilliam for thirty years, but as Leonard and Jessie learned, he bears his burdens lightly. He made his name supplying unique animated sequences for Monty Python’s Flying Circus and his films include Monty Python and the Holy Grail, The Adventures of Baron Munchausen, Brazil, and The Fisher King. He’s a delightful man with stories to tell (about everyone from Robin Williams to Heath Ledger) and a great outlook on life.