We have returned! And to celebrate this most auspicious occasion we are delving deep into Haskell Wexler's ambitious, lively portrait of 1968 America (and Chicago to be more precise). We talk Wexler, we talk about how goddamn verité this cinema is, we talk flashbacks and how to recognise them (or not) and take a few detours along the way.

Next up: PERFECT BLUE, 1998