In a brief chat, Bhaskar Hazarika lets us in on the various camera trickeries in Kothanodi, the hiccups of shooting a debut in Majuli, emphasizing his working solely in the interest of the story, keeping subtexts secondary. Among other things, he explains the audience manipulation achieved in Aamis, why he did weigh ahead on how much he could provoke, and insists on audiences taking more responsibility for health of indie films.