In this essay, adapted from his recently published book, Sam C. Tenorio (he/they) reconsiders the Watts Rebellion of 1965 and its ruinous disruptions, like arson, theft, and vandalism, as a cataclysm that clears material and discursive ground and proffers its own questions of property. It argues that the cataclysmic vantage of the Watts rebellion overflows on a state narrative meant to misapprehend both the political subjectivity of Black people and their conditions of possibility.

Sam C. Tenorio is Assistant Professor in African American Studies and Women’s, Gender, and Sexuality Studies at Penn State University. He writes about carcerality and black radical practice as well as black trans and trans of color critique. His most recent publications are Jump: Black Anarchism and Antiblack Carcerality (NYU Press) and “White Carceral Geographies” (South Atlantic Quarterly). 

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Artwork by Sam G.