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Valeska Griffiths & Joe Lipsett • Acast
Anatomy of a Scream Pod SquadEpisodes
Valeska Griffiths & Joe Lipsett • Acast
Anatomy of a Scream Pod Squad
1 person rated this podcast
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Episodes of Anatomy of a Scream Pod Squad
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Terry and Joe return to the world of Twin Peaks: The Return, but the former is struggling with the balance of screen time given to each of the series' many, many characters.Plus: killing (or nearly killing) kids, Joe's hatred of Wally Brando, a
We've got what you want...but it's not an erotic thriller! To kick off 2024, Jenn, Gena and Joe check out Halina Reijn's Babygirl (2024) about a high powered female CEO who explodes her life for a sexual affair.Up for discussion: sex, power, an
Rachel and Jenn kick off the first movie of their Bronson side quest by travelling back to 1974 to talk about masculinity, cowboys, and vigilante violence in Michael Winner’s iconic Death Wish (1974).Wanna keep up with the show? @girlsontheboys
For the month of January, Nichole is chatting about a couple of her favorite horror films from 2024. First up? Tilman Singer’s incredibly strange and haunting Cuckoo, starring Hunter Schafer and Dan Stevens.This is definitely not a film that wi
Terry and Joe kick off 2025 with a look at David Cronenberg's Eastern Promises (2007), which reunites the director with collaborator Viggo Mortensen.We're all in on the naked bath fight, but less invested in Naomi Watts' character and the baby
In advance of our side quest into Charles Bronson’s filmography, Rachel tells Jenn about Charles Bronson’s life and career. From his less than idyllic childhood and military service to his time in Japan and romance with actress Jill Ireland.Wan
For the final episode of 2024, Nichole is going seasonal with 2021’s French horror film, The Advent Calendar - a film that mixes fairy tale or parable vibes with the tried and true enchanted/evil object (think a Monkey’s Paw type story, but mak
Terry and Joe return to Twin Peaks with...well..Twin Peaks: The Return (2017).We're tackling the Showtime limited series in three "Part" (ie: episode) chunks, with discussions on returning vs new (cameo!) characters, Kyle MacLachlan's stunning
Gena, Jenn, and Joe close out another year of White Ladies in Crisis with a look at Quebecois thriller Red Rooms (2023).The Pascal Plante thriller features an unknowable female protagonist (is she a sadist? A sociopath? A Lisbeth Salander-type
It’s a bird! It’s a plane! It’s Nuclear Man! Superman correspondent McKenzie Gerber joins us on a return mission to Metropolis as we fling atomic weapons into the sun and chat about Superman’s most stylish foe.Leave Lois alone!!!Lex's First Nu
Nichole is talking about the satirical comedy meets body horror film, Sick of Myself, which has a pretty wicked view on disability and victimhood in a social media world. Do disabled folks post our hospital selfies for clout? Are we actually si
Terry and Joe continue their way through Cronenberg's filmography with a look at Josh Olson's adaptation of John Wagner and Vince Locke's comic A History of Violence (2005).We're all in on this one, particularly the performances by Viggo Morten
For this episode, Nichole is going into M. Night Shyamalan territory with 2015’s The Visit. Seen as a return to form after a string of films not well-received, this film hits a lot of high notes but does something we have come to talk a bit abo
Joe and Sharai were right to keep an eye on Sara! We also lean into the death of a main character, and are excitedly grossed out by the return of ar favorite monster. Plus: We speculate about what season four may bring and discuss the possibili
With Inland Empire (2006), Terry and Joe reach the end of David Lynch's feature film output!We're talking filming in Poland, the way women are treated, Laura Dern's stunning (not Oscar nominated) performance, and how the film brings Lynch's the
Gena, Jenn and Joe return to discuss "disabled woman in peril" film, Mute Witness (1995). The Anthony Waller film is a huge surprise: fast-paced, well-shot, and featuring a great mix of comedy and thrills.Plus: a hilarious opening sequence, a r
Joe and Sharai tackle the first half of FROM's S03 finale, "Revelations - Part 1" which...is still setting things up?As the search for Fatima progresses, we cheer on Donna, fret about Kenny and Ellis, and anticipate Elgin's death.Plus: useless
Special guest Justin Gerber joins Jenn and Rachel to recap season four and revisit their predictions from the end of season three. They’ll chat about the good, the bad, the breastmilk and choose their fighters for this jaw-dropping season.Wanna
November is National Family caregivers Month and, for better or worse, The Front Room (2024) has quite a bit to say about caregiving (the title is a reference to a bedroom in the house reserved for an older loved one when they move in for addit
Joe and Sharai are happy to see Jim still catching strays from the entire town, find new ways to hate Acosta, and are completely surprised by Elgin’s plans for Fatima. Plus: We get excited about having to reopen our time travel theories we aban
Terry and Joe are back with their first Cronenberg title of the season and...it's not great.Spider (2002) has an intriguing premise and a flawed execution. The scenes in the past are more successful, but Ralph Fiennes' contemporary bits are dul
It's fight night on FROM because everyone is at each other's throats and Sharai and Joe are *stressed*.Plus: Fatima's baby drama takes a surprising turn, Tabitha's rocky retcon, counting the deaths (in how many days?!) and, oh yeah, a new one t
Jenn and Rachel wrap up season 4 with a gut-wrenching episode that hits close to home. They discuss political parallels, duplicitous engagements, surprise crossover appearances, and atonement that comes just a little too late. Wanna keep up wit
Joe and Sharai discuss the phantom baby in the room and worry about Kenny moving into the most dangerous place in town.Plus: Speculation on who is dying next, appreciation for Tabitha and Jim finally having an overdue argument, and encouraging
Jenn, Gena, and Joe reach the end of HBO's adaptation of Gillian Flynn's Sharp Objects, which Joe isn't sure entirely works, in part because of Jean-Marc Vallée's infamous tendency to emphasize visuals over dialogue.Plus: Camille's alcoholism,
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