The Pop Break
And The Winner Still IsEpisodes
Episodes of And The Winner Still Is
Mark All
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Matt and Marisa end the season with an all-timer year: 1975. Though they're disappointed by Best Picture winner, One Flew Over the Cuckoo's Nest, they discuss fellow heavy-hitters like Robert Altman's Nashville and the blockbuster that started
Matt and Marisa return for the penultimate episode of the season to discuss what might be one of their best years yet, 1957. They scream over Peyton Place's twists, delight in the unexpected comedy of Witness for the Prosecution and marvel at j
This week, Matt, Marisa and guest Ben Murchison discuss the first year the Academy reinstated 10 Best Picture nominees, 2009. They talk about the surprise staying power of The Hurt Locker, their love for A Serious Man and remember what it was l
It's Christmas in June this week as Matt and Marisa discuss two holiday classics that also just happen to have been nominated for Best Picture: The Bishop's Wife and Miracle on 34th Street. They also lament how poorly the year's big winner, Gen
This week, Matt and Marisa return to talk about one of Matt's favorite movies, Best Picture winner, Amadeus. Elsewhere in the episode, they marvel at how well The Karate Kid holds up, disagree on Jonathan Demme's Swing Shift and deep dive into
This week, Matt and Marisa go back in time to discuss the 4th Oscars ceremony. In the episode, they wrestle with how Best Picture winner, Cimmaron, has aged, beg for a restored version of East Lynne and endure the trial that is Skippy.
Season 4 continues with a trip to the early '90s, when Steven Spielberg's heart-wrenching Schindler's List won Best Picture. Elsewhere in the episode, they discuss Angela Bassett's first Best Actress nomination for What's Love Got to Do with It
Matt and Marisa finally return with the long-awaited 4th season of And the Winner Still Is. This episode, they cover 1960, when The Apartment snatched the award for Best Picture. Elsewhere in the episode, they discuss Elizabeth Taylor's infamou
In the season finale, Matt and Marisa flash back two decades to the year 2000 to talk about a controversial Best Picture winner they still love, Gladiator. Elsewhere in the episode, they praise Julia Roberts's movie star performance in Erin Bro
Matt and Marisa return to talk about the year Frank Capra's You Can't Take It With You won Best Picture. In the episode, Marisa once again fawns over Jean Arthur and Matt marvels at the wild ride that is Four Daughters.
The season continues with the year West Side Story won Best Picture: 1961. Matt and Marisa discuss arguably one of the greatest musicals of all time from the dancing to the cinematography as well as the other films nominated.
Matt and Marisa return to discuss the 1945 Oscars, when The Lost Weekend won Best Picture. They marvel at how well the film's depiction of addiction has aged before moving on to talk about some of their personal favorite films like Mildred Pier
Matt and Marisa finally talk about one of their favorites, Terms of Endearment. They also discuss the Boomer ennui of the The Big Chill, Meryl and Cher in Silkwood and demand justice for Yentl.
Matt and Marisa go back in time to the Academy's early years to talk about Best Picture winner, All Quiet on the Western Front, and how impressive it still is today. They also compare Greta Garbo's two performances as Anna Christie, struggle to
Matt and Marisa are joined by another member of the CinemaJoes podcast, Justin Mancini, to break down the 1972 Oscars. Hey discuss the year’s big winner, The Godfather, as well as Deliverance, The Poseidon Adventure and What’s Up Doc?
Matt and Marisa continue the pandemic season of the pod with 1991, the year The Silence of the Lambs took Best Picture. They discuss how the film has aged, Jodie Foster's performance and Jos Truitt's incredible reclamation of Buffalo Bill and t
Matt, Marisa and special guest Manish Mathur, host of It Pod to Be You, discuss 1955's Best Picture winner, Marty.
Matt and Marisa kick off the 3rd season of their Oscars retrospective with 2010. It's the year The King's Speech won and The Social Network lost. Listen as they dive into the psychological horror of Black Swan, Jennifer Lawrence's breakout role
Our second season finale is jammed pack with content as Matt and Marisa discuss the 1934 Oscars—the year of the first Oscar "grand slam." The hosts may love romantic comedies, but does It Happened One Night live up to their standards? And that'
Kat Manos (music editor at The Pop Break) joins Marisa and Matt to talk about the 2008 Oscars—and the trio is burning bridges with beloved actresses every chance they get! In this episode, listeners will: discover why Slumdog Millionaire is one
George Heftler (host of The Best Little Horror House in Philly) returns to the pod to join Matt and Marisa in breaking down the second Oscars ceremony ever. How does the Best Picture winner, The Broadway Melody, compare to modern musicals? Why
The boys of Film Twitter might think that Raging Bull deserved Best Picture in 1980, but not so fast! Marisa and Matt are joined by Tom Moore (staff writer for The Pop Break) to defend Robert Redford's Best Picture winning drama, Ordinary Peopl
This week's episode is all about the 1963 Oscars and its winner, Tom Jones. Haven't heard of it? Don't worry, you're fine—Matt and Marisa watched it for you. They also watched all four hours of Cleopatra, all three hours of America, America, an
This week's episode focuses on the 1941 Oscars, when How Green Was My Valley beat Citizen Kane for Best Picture. Most would say that Orson Welles deserved the top prize that year—do Marisa and Matt agree with Film Twitter? But that's not all, t
Alex Marcus (co-host of CinemaJoes and TV editor at The Pop Break) marks the first guest of the second season, as he joins Matt and Marisa to discuss all the films of 1979. How has Best Picture winner Kramer vs. Kramer held up in the years sin
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