Episode Transcript
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0:00
ABC Wednesdays. Welcome
0:02
back, Dorothy, and welcome back
0:04
Abbott Elementary staff. The award
0:06
winning Abbott Elementary Returns. I'm
0:08
just so happy to be back. man
0:11
cooking rooms in my parking spot. What is happening?
0:13
It's game play, baby. At school,
0:16
it's back in session. Some are supposed
0:18
to be over. We show this eight season. Oh,
0:20
we design, but that thing is older than mister
0:22
Johnson, and they both have emphysema.
0:25
Abid Elementary, all new Wednesdays, nine
0:27
eight central on ADC and Stream
0:29
on Hulu. You
0:32
are listening to the Glass Cannon Network,
0:34
The Premiere source, for role playing
0:36
game entertainment.
1:12
Good evening, everybody. Happy
1:13
Friday, and welcome
1:15
to time for chaos. Who
1:18
are a few of these left? Who knows?
1:20
This could be the season finale? Probably
1:23
not. I think we have couple more. But
1:26
every episode, is so precious
1:28
now because there'll be a little break when
1:30
we get that that major cliffy
1:33
to end the season. Before
1:35
we jump in, because there are a lot to talk about, Anything
1:38
going on exciting
1:40
in your lives? Let's start with
1:42
you, Kate.
1:43
No. I am always mortified
1:46
at this top of every session when I
1:48
remember you ask a random question
1:50
and I don't have something prepared. Like, I don't
1:52
know what it's gonna be. and
1:54
I'm always worried if it's vague
1:56
and just really vague. Exciting.
1:59
Exciting.
1:59
It's really subjective. officially
2:02
started my new
2:04
job as a founding engineer at a company.
2:07
What does that mean? Like a day ago? Hell,
2:10
I'm one of the
2:10
first. Like, you work with trains? Yes.
2:13
Too too. Yeah.
2:15
I'm actually
2:16
the one that, like,
2:17
shovels the call. Cool.
2:20
Yeah. It's a sweet gig. That
2:23
sounds super cheap. Sometimes
2:26
I get to, like, too too, but
2:28
not all the time. Oh, right. That's
2:31
the next level of it. It comes with That's
2:33
doing it. to your engineers. Yeah.
2:36
No. What does this mean? You you were working
2:38
job, and then you you left that job, took
2:40
a little vacation, and then
2:42
you are starting this Founding
2:44
Engineer, layman's terms. What does that
2:46
mean?
2:47
It's like a startup that, like, we're
2:49
building the thing. It doesn't exist
2:51
yet. It's me and another engineer
2:53
and the CEO. And it's Wild,
2:56
Wild West. And yeah.
2:58
That sounds pretty high-tech. Are you gonna move
3:00
to Silicon Valley? No
3:03
apps. You
3:04
can build apps from anywhere. Can
3:07
you? Yeah.
3:08
Can you? Maybe
3:10
you can, so I can. Okay. I do
3:12
nothing about apps. How dare
3:14
you? How dare you know what? You just lost yourself
3:16
an app job. because I was looking for a
3:18
founding engineer. I just
3:20
told my wife this morning I said, honey,
3:22
we need a founding engineer for our app
3:25
that I will go with senior
3:27
engineer, I guess. No.
3:29
This is exciting. And so you you like your job.
3:31
That's that's nice. If you like your job, never
3:34
feels like work. Right?
3:34
Oh, yeah. Way better than big
3:37
fintech that I was
3:37
in before. Not my speed at
3:39
all. How long until you get
3:41
sick of this job?
3:43
I get it at least a couple
3:45
weeks.
3:45
Good. Oh, that's not bad. It's solid.
3:48
Do get lunch breaks? I
3:51
mean, depends. Yeah. Mhmm.
3:53
Sure.
3:55
Lunch break is key. Lunch
3:57
break. I'm
4:00
assuming this is all remote work and you just make
4:02
your own schedule. Yes?
4:02
Yeah. I I just cut you whatever I want.
4:04
Good for you. Yeah. Good for you. Rob,
4:07
can you beat that? Can you beat founding engineer?
4:09
No. There's nothing exciting
4:11
really going on here. I
4:14
have a couple stand up shows this weekend,
4:16
which I'm still not a hundred
4:18
percent comfortable doing, and I have
4:20
to write almost
4:22
twenty minutes worth of material between
4:25
right now. and Friday and Saturday.
4:27
So are you doing twenty or
4:29
thirty? I'm doing ten on Friday.
4:31
If you're in Denver, come on down to Rise
4:33
comedy. That's going down to the
4:35
giggle back. Come on down. It's a no
4:37
drink minimum, I believe. Yeah.
4:39
I have to do ten minutes there.
4:41
And then the next night, I mean, like, a it's
4:44
like a comedy debate thing. So I
4:46
actually have been given, like, a topic,
4:48
but I have to argue It's
4:50
like, I do four minutes, and then
4:52
the other person I'm debating on a on
4:54
the opposing topic does four, and then I
4:56
do another four, and then they do four. So I have to eight
4:58
for that, and ten for the other one.
5:01
Well, that's exciting. Yeah. Do you that
5:03
sounds like you enjoy that more than the
5:05
straight standup. Yeah. because
5:07
at least it gives you some, like, parameters.
5:09
Like, for instance, so I have to do I did it
5:11
once before and it was sheep versus
5:13
wolves. So I'd argue why sheep
5:16
were greater than wolves. And
5:18
this one coming up is I have to argue strength
5:21
versus weakness. where
5:24
really I'm inclined to argue the opposite.
5:26
But given my life,
5:28
but doing strength and
5:32
We'll see. I don't know. I don't know. I think I might wear a
5:34
track suit. I don't fucking know. I like it. And
5:36
why the dip in the sand up? because you were you were
5:38
an improv guy for a long year. Yeah. Yeah.
5:40
don't know, because it was always something that's
5:42
terrified me. And
5:46
because with improv, Ross gonna
5:48
test. You know, you're up there. you
5:50
got group people with you
5:52
and so there's a bit of a safety
5:54
net. With the stand up, it's
5:56
more terrifying and because it's just you and
5:58
also you've written it before
5:59
or
6:00
supposedly. I mean, people
6:03
are going there assuming that you spent time on
6:05
it. I suppose the improv is
6:07
like, well, no one knows what the hell is gonna
6:09
happen. So I don't know. We'll
6:11
see how it goes. Also, you know, when you're in the
6:13
acting writing game and you've got
6:15
nothing going on professionally, you need
6:17
something to distract you from that fact?
6:19
Yeah. So you if you're like, well,
6:21
in five days, I have I mean, I've spent all
6:23
my time working on this one thing because it's
6:25
right in front of your face. that's
6:28
a good distraction. Keeps you busy. Yep.
6:31
Well, hopefully, we'll have a show in Denver, and
6:33
we can time it with one of these performances.
6:35
Yeah. So I would love to see that.
6:38
Nora, what about you? You got
6:40
a new job?
6:41
I'm a
6:43
full time nerd. what I
6:45
do. I do have a few cool things
6:47
that are that are like
6:48
I said exciting. I
6:51
feel as cool as next week's banter up.
6:53
It was next week. Okay. Is that to be decidedly
6:56
non cool. Oh, okay. Cool.
6:58
Was that not clear up to
7:00
You know what? The parameters were
7:02
a little fuzzy. Okay.
7:04
Unfortunately, there's a
7:06
lot of, like, there's this, like, NDA
7:09
bubble that I gotta live in for a little bit.
7:11
Oh,
7:11
that is exciting. That
7:13
is so exciting. Yeah. But
7:15
There's a couple of things,
7:17
I guess, I can't like, I am excited about
7:19
that I can talk about.
7:20
Come on.
7:21
I got nominated for
7:23
the Gamehurst Awards in Tucan. categories.
7:26
I think I I don't
7:28
know if I officially set it during
7:30
the stream. I think it might have been mentioned
7:32
on, like, in chat or something but Well,
7:34
you're out there.
7:35
Yeah. I got I got nominated for
7:38
a cos player of the year
7:40
and for creative streamer of the year.
7:43
And everybody can vote So if you go on
7:45
the game hers dot com slash
7:47
vote, you can vote for
7:49
me. It's easy to check-in those categories,
7:52
and then it closes on the
7:54
twenty third, I believe. So
7:57
will that have been after this airs
7:59
or before this airs? should we just act like you
8:01
won for Friday? Give me a
8:04
second. Let's report two different versions.
8:07
We'll report two and be like Maybe next week. She
8:09
was an
8:09
honor to be validated. And then the second
8:12
one will be like, yeah, I knew what the whole
8:14
time. You're just
8:14
gonna buy. Like, I'm so sorry that you
8:16
won. Right. But
8:18
we have to do every possible combination like you
8:20
win one and not the other. You win the other one
8:22
and not one. Oh, yeah. We gotta
8:23
we gotta record it again. this is
8:25
exhausting. So, like, I'm so sorry that the servers
8:27
crashed. We have to we have to perform
8:29
during every variable.
8:30
And then the second thing is that they
8:34
announced finally, the all
8:36
Camarilla coterie
8:38
for New York finite season
8:40
two. That is gonna start on
8:43
September thirtieth on the World of darkness
8:45
network, and I'm very excited about that
8:47
because I play the worst
8:49
ventrue. Like, vyats, like, she
8:51
is a lot. She's
8:54
very, very
8:57
loud, a very loud person,
8:59
not Is this a
9:00
character you're bringing back? into vampire in
9:02
the master new character. All new character. All
9:05
new
9:05
character, which is exciting because Eve
9:07
who I played on LA by night --
9:09
Mhmm. -- was a character that was
9:11
written for me, based
9:13
on me, but by was written
9:15
by B. Dave Walters. Oh, yeah. So
9:17
that and then I came in to play that
9:19
person, and then she became a main character on the
9:21
show event. but this is like brand
9:23
spanking new character that I got to come up
9:25
with and so I get to be like absolutely
9:27
terrible and very eccentric
9:29
and I'm
9:29
very excited about it. That sounds like
9:32
vampire the master aide to me in New York by
9:34
night. Very exciting. But you're filming in
9:36
LA. So it's kind of you're kind of
9:38
a fraud. Totally. And we
9:40
filmed it and
9:40
we filmed it back in, like, March.
9:42
So I gotta, like, act surprised. Like, oh,
9:44
this is all happening, like, right now.
9:46
Question, do you get a lunch break? What's
9:49
that? I said, do you get a
9:51
lunch break waffle? Yeah. I was just
9:53
trying to We'll call back too much. I might win
9:55
a badger with kids. We we definitely do. We
9:57
definitely do it. Those are long buildings. Right.
9:59
Good.
9:59
the
10:01
Ross, you're
10:02
all excitement. According to your
10:04
Instagram, you've had quite
10:07
quite the last couple of weeks, sir.
10:10
Tell us about your exciting life.
10:14
Unfortunately, I'm not a collier on a
10:16
cool ass train, but I
10:18
I've had I've it's been a fun time.
10:20
Not all I'm seeing myself on camera. So
10:22
apparently, I'm getting into Robert
10:24
Crum lookalike contests,
10:26
but also I'm
10:28
a the in prod group that I'm
10:30
a part of called the enterprise Shakespeare company at a
10:33
show this past weekend and and We
10:37
had a very special guest. Noted
10:40
noted Experian actor, Sir
10:42
Patrick Stewart, joined Whoa.
10:44
I lost my shit when I saw that.
10:46
Why? Very cool. Yeah. But tell us
10:48
the story behind this, what you're able to tell.
10:50
Like, how did this happen. Was he just
10:52
wondering if I could do with a bunch of people
10:54
on stage? Yeah. I did not look
10:56
at the other faces in the door. I
10:58
think I liked it. You look closely. Yeah.
11:01
Yeah. How how did this happen? Well,
11:04
this was maybe the sixth time that
11:06
he's sat in with us. Oh.
11:09
We we just a
11:11
bizarre series of circumstances, we
11:14
met him almost
11:16
like eleven years ago now
11:18
back in Chicago. One of the guys and
11:20
I did a random show where he
11:22
was like like, a super special kind of, like,
11:24
m c, and we, like, cornered
11:26
him afterwards. And we're, like,
11:28
hey, we do this show. do
11:32
it. I mean, at least he's, like, we were, like, pitching
11:34
it, like, you wanna come see it. And he was,
11:36
and when and you could, of course, do it if you want.
11:38
He's, like, no. Think about it. And then, like,
11:40
cut to, like, two weeks later,
11:42
he's in
11:43
New York. We're in New York, and
11:45
he fucking showed up at the
11:48
theater shit. Yeah. And damp. Right.
11:50
Here it is. He's the bald
11:52
fuzzy ones. Yeah. Yeah. You
11:54
did not like that photo. Well,
11:56
guess what? I'm and liking it. You
12:00
know, that's the that's the economy. I I
12:02
enjoy it. But, yeah, like, he he
12:04
he we basically told him how the show
12:06
works, and he improvised,
12:08
I think, for the first time on stage,
12:10
like, not in a not in
12:12
a rehearsal with us. that
12:15
night was -- Wow. -- it
12:17
was, yeah, super super
12:19
blast and and we and he's done it
12:21
maybe five, six times since
12:23
then. Cool. Yeah. It it hadn't
12:25
been for a really long time. So it was really,
12:27
really lovely that he hopped in again,
12:29
but he's like the most gracious chill.
12:32
Like, down
12:34
to earth like
12:35
theater
12:37
dork imaginable.
12:38
It's great.
12:40
Just the first week here. Very cool. And
12:42
his sense of humor is dirty,
12:45
very nice, he's a little body,
12:47
a little bit friendly. one of my
12:49
favorite S and L skits is the the
12:51
erotic cakes. Yeah. Tim.
12:53
Now now now knowing now knowing him, I'm
12:56
like, could have been his pit. Shitting right around
12:58
us. Very cool. What
13:00
a cast? What a wonderful
13:02
group of people? I'm
13:04
gonna miss you guys between seasons. And
13:07
I may miss some of your characters between
13:09
seasons and years. looking really heavy
13:10
like this is the finale.
13:12
When they die, You know, I
13:14
just never know. I honestly The
13:16
way that this has gone since
13:18
we started at Bar
13:20
Cordano to now has
13:22
completely changed the way that I run
13:24
games. It's this game is forced to me
13:26
to do so. It's been a real
13:28
learning experience that I should about sometimes.
13:30
I think some people would find it very interesting. But
13:33
it it you cannot run this
13:35
game like other games. And so
13:38
I think one of the reasons it's really
13:40
sung over the past couple weeks
13:42
is not only are we all feeling more
13:44
comfortable with each other, But, like, the
13:46
game is is now being lifted
13:48
from the pages of the book.
13:50
You know, obviously, it's there's no
13:52
railroad here. You're not on tracks at all the way
13:54
you go. but I've
13:56
I've I've just been like the biggest fan of
13:58
this show the past few weeks as a viewer
14:01
watching it on Friday nights. And so I'm
14:03
excited to see how it unfolds. even though
14:05
I know some of the things that
14:07
may happen. Before we
14:09
started, like, before we went
14:12
live with the show, you guys were
14:14
just sharing information. And I said
14:16
that this is good this is good
14:18
stuff to talk about. So
14:20
before I let you kinda pick up on that
14:22
cover again. I just wanna give you a recap of
14:24
last week's episode because a
14:26
lot went down. And
14:29
the nature of this campaign is
14:31
like, and I tell you guys every week before your court, like,
14:33
take a look at those notes. There's stuff in there that,
14:35
like, didn't make sense when you got it,
14:37
that will make sense now, and there's stuff
14:39
that didn't make sense when you got it. that
14:41
will make sense five years from now.
14:43
Like, that's how the way the
14:46
information is layered throughout this
14:48
campaign. And it's really unlike anything
14:50
else. So being
14:52
a student of the campaign will
14:55
will help you as we go along. But let me give
14:57
you a little recap of
14:59
last week. Right now, as we start
15:01
today's game, it's Thursday, January twenty
15:03
second. You had a hell of
15:05
a Wednesday when you
15:07
decided to yet
15:09
again stake out the juju
15:11
house, a small shop, selling
15:13
African antiquities in
15:16
Harlem. There's something going
15:18
on at juju house. And
15:20
clearly, it has something to do with kidnappings
15:23
and murders that have been going on, not only
15:25
in Harlem, but all over the whole city,
15:27
murders that include the depth
15:29
of your dear friend. Jackson
15:31
Elias. At the moment,
15:34
there's a man named Hilton Adams,
15:36
a veteran of the Great War, a
15:38
former Harlem
15:40
Hellfighter. He is sitting in to
15:42
in sing singed prison on death
15:44
row awaiting a a
15:46
date with the electric chair,
15:48
old sparky. He was
15:51
arrested, tried, and found guilty of all these
15:53
murders, but now you felt
15:55
pretty confident before now you're
15:57
certain. that he was set up. And
15:59
you promised his wife, Millie Adams,
16:01
that you would do everything you can
16:03
to try and exonerate him. So you've been
16:05
trying to gather some sort of
16:07
evidence. But do you have
16:09
enough? What else do you
16:11
need?
16:13
Well, help let us a a
16:15
couple episodes ago, Carter lifted
16:17
a key from the
16:19
the shopkeep of Jeju Has he
16:21
had a key around his neck man
16:23
named Cylus Nekwane. When
16:25
you went back to the stakeout, you watched and
16:27
it appeared that that that missing key caused
16:29
a bit of a row between Cylus
16:32
and another man that you believed
16:34
to be Makanga Madari.
16:36
This is a man who Hilton
16:38
Adams discovered
16:40
was connected to all of
16:42
this in some way connected to
16:44
Jeju House because he followed him from
16:46
Jeju House to a speakeasy
16:49
nearby and it became very clear
16:51
very quickly that this is a man
16:53
you don't ask questions about.
16:55
See now you see him and silas have
16:57
this back and forth. maybe it
16:59
had to do with the missing key.
17:01
So Vaughan Lee as follows this
17:03
Wakanga Madaric breaks into his
17:06
apartment and finds a strange box
17:08
with this monsters, vases
17:10
replaced with a long tentacle,
17:13
opens it up, it has
17:15
three vials of unidentified liquid
17:18
inside. Meanwhile, Carter,
17:20
Margot, and Feirou's seize the opportunity
17:23
when you notice that Cyloistekwane
17:25
leaves as well to sneak into Jeju
17:28
House. It's empty, so you
17:30
think. You use the key that Carter
17:32
stole to sneak downstairs into
17:34
a secret chamber in
17:36
the floor. for
17:38
zombie like creatures.
17:41
Most likely, some of these
17:43
missing victims, they appear
17:45
to be just people of the
17:47
times wearing clothes of the
17:49
times except their their
17:51
their organs are hanging out and they have symbols
17:53
carved on their heads.
17:55
and there's no there there as
17:57
they attack you.
18:00
Carter rushes downstairs
18:02
after finding a
18:04
headband with a human tongue on it similar to the
18:07
headbands of Jackson
18:09
Allais' killers, except this one has
18:11
an actual mummified human tongue
18:13
also finds a weapon similar
18:15
to the weapons that they
18:17
used to kill Jackson.
18:21
You defeat the creatures, and
18:23
then you search this little alcove where you find
18:25
a bunch of different things. There's a a
18:28
chronometer on the wall. set to Greenwich
18:30
meantime. There's a lockbox
18:32
that Carter fails to pick
18:34
and and ends up destroying some of
18:36
the contents inside,
18:39
there'sceptors, there's robes, there's metal
18:41
claws, and the book Africa's
18:44
Dark Sex. the same book
18:46
that Jackson was looking
18:48
for when he had some
18:50
correspondence with Miriam Atright at
18:52
the Harvard University Weiner
18:57
library. A copy that went
18:59
mysteriously missing when you spoke to Miriam on
19:01
the phone. You take the book. Vaughan
19:03
returns. And then curiosity gets the better
19:05
of you and you decide to lift
19:07
this giant circular stone
19:09
slab on the floor.
19:11
to reveal a pit full of
19:13
this monstrous mound of
19:16
undulating flesh containing the
19:18
containing the the wailing heads
19:20
and faces of dozens upon
19:23
dozens of people. It, like,
19:25
slowly lunges for all of
19:27
you as it's wailing. as
19:29
as as Vaughn is
19:31
lost in this. His
19:33
sanity already on the brink, but you
19:35
run out of there dragging Vaughn
19:37
with you. It's
19:38
already early
19:39
in the morning at this point, so you don't get
19:41
a lot of sleep and you've got big plans for the
19:44
day. Margo heads up to Columbia
19:46
University. I just picked out of the air
19:48
to develop the photos that she
19:50
took, only to discover a
19:52
photo she doesn't remember taking
19:55
of her wearing this horrific,
19:57
like, cage mask
19:59
with three heads on top of it
20:01
that you found in the basement alcove.
20:04
left there. Ferrous tries
20:07
to contact Professor
20:09
Kowls at Miskatonic University
20:12
to try and figure out why Jackson was
20:14
so interested in this man's lecture when
20:16
he came to NYU sometime
20:18
before Jackson's death. The professor's daughter
20:21
answers in Stonewall. Feyros. Not
20:25
interested in letting you talk to her
20:27
dad. So Feyros calls
20:30
dad to see if maybe he can
20:32
work some magic and get
20:34
this professor on the phone.
20:37
Meanwhile, Carter and Vaughan head
20:39
over to Hell's Kitchen to meet with Erica Carlisle's
20:42
lawyer, a man named Bradley
20:44
Gray to try and secure a
20:46
with the late Roger Carlisle's sister.
20:49
Bradley says he'll see what he can do
20:51
because miss Carlisle is a
20:53
busy woman. She's in fact
20:55
hosting a one thousand
20:57
dollar a head charity
20:59
galah at the Carlisle Mansion
21:02
tomorrow night. Friday night, Vaughan
21:04
suggested perhaps he could buy
21:06
tickets to speed up
21:08
a meeting with her.
21:10
Finally, as Margo and
21:12
Feirou's reconvene in the lobby of the
21:14
Waldorf Astoria, the bellman tells them there's
21:16
a message for them, a message from
21:19
Rebecca Rosenberg to call her
21:21
back. So you call the New York Times
21:23
and reach miss Rosenberg who
21:25
tells you that Hilton Adams' wife
21:28
Mili Adams is
21:30
missing. And that
21:31
is where we left
21:34
last week's ebb
21:36
I looked it up afterwards. A thousand
21:38
dollars ahead is a lot of
21:40
money in nineteen ten. Yeah. That
21:43
is like ten thousand dollars
21:45
-- Oh, wow. -- which seems
21:47
like a lot. So I would say it would
21:49
be the equivalent of one
21:52
thousand dollars ahead. Yes.
21:54
So you you do that math, people
21:56
at home. Which,
21:59
frankly, with your credit rating above
22:01
ninety, I believe. Yes. That's right. It's
22:03
at ninety. At ninety is
22:06
something you could afford, I
22:08
think. If that is a route that you wanted to go
22:10
to, buy these tickets, you
22:12
could call up Ramsay and have him secure
22:15
these charity tickets and you could head to
22:17
the Carlisle mansion. If you don't
22:19
feel like waiting for Bradley Gray was a little noncommittal
22:21
as to when or if you
22:23
could get a meeting with
22:26
Erica.
22:26
Couple
22:28
other bits of
22:30
business, and I'm gonna leave it to you guys as I've talked
22:32
enough. One, the luck roll. We always I
22:34
always forget it. we're halfway through the app and
22:36
then we do the luck roll. Let's do
22:39
a luck roll here. See. And then while
22:41
you're doing that, I wanna mention
22:43
something. Vaughn,
22:46
when you saw
22:48
this wailing mass
22:50
of heads -- Uh-huh. --
22:52
that led to a sanity break,
22:55
it kicks in a new mechanic
22:57
that we have not seen
22:59
yet on the show.
23:02
This creature, whatever
23:04
it is, is arguably
23:07
a part of the Cthulhu Mythos.
23:09
And when that happens, when you have your
23:11
first real head on
23:16
sort of sanity break after seeing
23:18
something like this, you gain
23:20
five points in the Cthulhu
23:22
mythos score. when your
23:24
maximum sanity then
23:26
goes down by five. Oh.
23:28
So your current sanity goes then go by
23:30
down by five. That stays the same. but
23:32
your maximum. So like, you know, between sessions if
23:34
you go get psychoanalysis or
23:36
if you do these these, like, rewards to
23:38
get your sanity back, it now can
23:41
only go. five less for
23:43
whatever your maximum was before.
23:45
So you get that. Now arguably, you could have
23:47
had that when when you and Carter
23:50
face the Kari Siri, but I sort of
23:52
decided retroactively that they
23:54
weren't really necessarily part of the
23:56
Cthulhu Mythos. But this thing that you saw down
23:58
there is clearly
24:00
something otherworldly. So you
24:02
get a meet those score of five in your
24:04
max sand. I guess it was probably ninety nine,
24:06
that goes down to ninety four.
24:08
Okay. Talk to you about
24:10
these luck rolls. Who eats weed. Failed.
24:15
Nice. I did not succeed at
24:17
getting wait. No. You I'm supposed to
24:19
get over the luck. Right. Yeah. You wanna
24:21
fail. I
24:22
win. So You
24:24
win. I
24:25
get four more points of luck.
24:26
Yeah. Thanks.
24:28
Faireus? I also win.
24:30
I rolled an eighty two
24:33
over seventy five and gain
24:34
ten. Whipped. Your
24:37
fuck is out of control. Here's
24:39
the Kirk of it. I
24:41
got I I succeed.
24:43
I got seven points of luck. Okay.
24:45
Long story short. Listen. I don't know why
24:47
it's gonna keep you long here, guys.
24:50
What about you? I fail. My luck. Fail.
24:53
So you succeeded. By which
24:55
is by which I should say I succeeded.
24:58
Right. That's silly. Perfect.
25:00
One other thing about that Mitho score,
25:03
now whenever you
25:05
have a another whenever you lose sanity upon seeing
25:07
another Mithos creature, you'll
25:09
gain another one point in
25:11
the Mithos skill. and
25:13
your max sanity will go down by
25:15
one. And so like anytime you
25:17
have a sanity break when facing a
25:19
mythos creature, you're slowly going to
25:21
gain more knowledge of this other
25:23
world as your maximum sanity slowly
25:26
deteriorate. Steers away. I'm
25:28
trying to want a sanity break.
25:30
Well, you can just brag about it on your tombstone.
25:32
Just a little bit. You're brag about
25:34
it. Join your tombstone. And what is the
25:36
state of bonds wits right
25:39
now? because he was holding it together after a night
25:41
of sleep. And Yeah. You
25:44
were sedated, I believe. But That's
25:46
right. Carter. Right. And you woke
25:49
up, you know, feeling your version of
25:51
Ride is Rain. You obviously this
25:53
is not the first time that you've had a
25:55
break. but you did time over the years between
25:58
Peru and this
26:01
this journey in New York.
26:03
So maybe you've developed some techniques that
26:05
you can go back to once you woke
26:07
up with a clearer head. But
26:11
mechanically speaking now, anytime
26:14
you fail a sanity rule, you'll have another
26:16
episode now, and another episode
26:18
until we have another downtime.
26:20
So I would say you're, you know,
26:22
you seemed very calm when you're in that meeting
26:24
with Bradley Gray and Carter, but
26:27
there is this, like, simmering
26:29
constantly underneath where you could just
26:32
snap at any moment.
26:34
Yes. And
26:36
perhaps the the gang, if they fall throughout the
26:39
day they've seen, like, just hear, like,
26:41
little percussive
26:43
sounds and then over and seeing Von just
26:46
like pushing Rosary
26:48
beads through his through his
26:50
fist, staring off into the
26:52
middle distance. Speak.
26:55
Talk to me about some of the stuff you guys were talking
26:57
about pre app, nor you
26:59
were sharing some interesting things and you guys
27:01
were going back and forth And then
27:05
the way we left things was sort
27:07
of like Carter and Vaughan were
27:09
leaving the lawyer's office presumably.
27:11
and Margo and Freightroos, I think we're gonna go to
27:13
the tenant pool was the original plan to
27:15
be like, Here's the evidence. But,
27:17
you know, you guys can retcon and say, you
27:20
know what we're all gonna go? Or now I
27:22
wanna do this, but that was where you guys were
27:24
at before. Obviously, now you have
27:26
new information. Miley Adams is
27:28
missing.
27:29
So in the last
27:31
episode, Ferru's before making that
27:33
phone call was actually pouring over
27:36
her notes. And
27:36
i mean
27:38
so one of the things that she
27:41
does notice
27:42
now that going back after
27:46
seeing all things that we've seen over at Jeju
27:48
houses. That letter
27:51
that Amourne Desatt wrote to
27:53
Carlyle about derazner jar
27:56
was in Cairo with the Institute of Jackals who possesses
27:58
certain in
27:59
singular couriers. Are
28:03
they? Would they be in that ledger?
28:06
that Cara had
28:08
had taken.
28:10
So should
28:11
we look for and mister
28:13
Faraz Najjar in
28:15
or or
28:16
something about street Jackals, anything
28:18
that would could tie
28:21
Chiro back to
28:24
Jeju House.
28:25
the And
28:28
then we we had did establish that
28:30
the knives that were
28:33
found
28:33
were the same knives that
28:36
we that
28:37
that we used to murder,
28:39
our
28:39
friend, doctor Jackson Elias,
28:42
wore the knives that we saw.
28:44
Yeah. Carter found a very specific almost ceremonial
28:47
knife in Cylo San Juanese bedroom and
28:49
immediately you were like, this is the
28:51
same thing that those guys had that jumped out
28:53
the fires Yes.
28:55
i'm We're
28:58
still a still a loose thread that
29:00
we have not are trying
29:03
currently to assess
29:05
is the mysterious note that
29:07
was left to check the psychoanalyst
29:09
files. Carlyle
29:11
was seeing a psychoanalyst
29:13
about his dreams.
29:16
Perhaps
29:16
this is something that we
29:18
could have access to
29:20
the
29:20
his sister. We could
29:23
we
29:23
could still still need to
29:25
figure out what those papers were and what
29:28
information they could lead
29:30
us
29:30
to.
29:31
Yeah. And there
29:32
was also in
29:35
the in all the handouts and
29:37
stuff. There was some reference to some
29:39
other paperwork that he
29:41
that was probably in Carlisle's
29:44
safe that
29:47
we should probably look at, of course, now that
29:49
I'm referencing it,
29:52
Rolls Royce. There we go. It
29:56
was like a do we got like this you guys remember
29:58
we got like this huge thing that
30:00
was like a summary of
30:02
all of Carlisle's stuff. It was all
30:04
typed out. Nairobi. Nairobi notes.
30:07
Nairobi notes. And
30:09
who could forget the nairobi note? Okay. I
30:12
mean, national bestseller. True.
30:15
And there's, like, lists of all these people
30:17
that he interviewed, which
30:19
I course completely forgot about. But
30:21
I think within there is
30:23
some discussion about how he's
30:25
probably got. Or it was maybe one of
30:28
the other It's a great story.
30:30
Maybe one of the other Carter or
30:32
one of the other Jackson letters was
30:35
like, you know, I'll scrippled and was
30:37
like, gotta gotta get what's in the safe or
30:39
something like that. So It was the
30:41
mysterious note I think you're referring
30:43
to that said
30:47
after the psychoanalyst files.
30:49
They'll open the gate why, so the
30:51
power and the danger is real. They
30:53
many threads beginning. The
30:56
books are in Carlisle's safe. There it
30:58
is. Coming for me, will
31:00
the ocean protect? And
31:02
it didn't. We found a spoilage.
31:05
So Okay. Let him down. Boy, Larry.
31:06
Jackson was having dreams,
31:09
dreams like Carlisles that says in the
31:11
mysterious note, And I don't know if, maybe
31:13
Margo and Faevers were goofy discussing
31:15
this before they got the message from Rebecca.
31:18
But I
31:19
would say at this point,
31:21
Margo's gonna tell you, like, hey,
31:24
I know my
31:24
dreams. I've been telling you
31:27
it's mostly about Wild,
31:31
six.
31:31
That's my last
31:33
my last
31:34
dream. at
31:37
the end, Jackson
31:40
Elias was
31:40
in it just standing
31:43
next to me smiling very
31:46
calmly and his chest
31:48
was ripped open and the entrails.
31:50
They were spilling out just like
31:52
the people we
31:55
just
31:55
saw and there was a
31:58
symbol at on his forehead,
31:59
again, just like the
32:02
people And before I woke up,
32:04
he said he
32:07
reached out his hand to grasp
32:09
mine and said and to become
32:11
with me I got
32:15
And after the
32:17
last night, it's I
32:20
feel like maybe I might be
32:22
having the dreams that he
32:24
had and maybe that Carlisle
32:26
right
32:27
started having Monkey, we have to
32:29
be careful. We can't have
32:31
I can't
32:33
imagine having any of those things happen
32:36
to you. I
32:37
don't know, but no, the the
32:39
the moards that time goes on and we
32:41
we talk about the we
32:44
talk about the evidence and look back on
32:46
it, new information and new
32:48
eyes. I'm just seeing that these
32:50
dreams, I think I it's
32:53
all pointing to that.
32:54
So
32:56
connected. Must
32:59
be.
33:01
We're just It's just a
33:02
matter of finding out how we can
33:06
use
33:06
this to not
33:09
just to to
33:11
free
33:12
mister Adams, but this
33:16
can't keep occurring.
33:17
right
33:18
For all these
33:21
murders, all these Arvonne
33:25
and
33:25
Carter back at this point. You
33:27
guys
33:27
wanna be back? He can be back? Yeah.
33:30
Yeah. So I'll be back. You'll
33:32
be back. Yeah. because Margaret had to go all the way up
33:34
town to Colombia. You come in a little over one
33:36
thousand dollars is this terrible amount of money, oh
33:38
boy. Yeah. Then I think you can pull it off.
33:40
I think Mhmm. You guys really
33:43
atoms. I
33:43
feel like you're walking into the lobby just being
33:45
like, oh, sure. We spent a thousand dollars. Yeah.
33:47
Millie atoms just got
33:50
we just got a message from Rebecca.
33:52
She's been
33:53
she's gone. Quite what? Just disappeared.
33:55
Just
33:57
gone, just taken. What do
33:59
we do? feel
33:59
everything is happening all is once we don't have any
34:02
more time. We're running out of
34:04
time. If those
34:05
those Thosing bladder who
34:07
are running that Youtube house laid their hands
34:09
on her. Did you
34:12
did
34:12
you tell Rosenberg all
34:15
the evidence that we've collected? You have
34:17
the photos. Right? I
34:18
I yes. I have the photos and
34:21
she's kinda shuffling through them and maybe taking out
34:23
one and putting it to the side and hoping you don't see it. But it it it
34:25
it was just a message she left
34:27
us. We didn't speak with
34:30
her yet. to have enough bodies with how we found
34:32
them. Yes, do you want to see them
34:34
in right now and We don't even do it in
34:36
a
34:36
long day weekend.
34:38
Oh, I thought we were back in our room. Might have
34:41
found me. You guys had The
34:42
bay, are you guys gonna go up there? Let's
34:44
go back to the room. That was too much
34:46
information, and we that. The bellhole saw guy, but I
34:48
got there. Pictures alone. No. What
34:52
does that tell you? I told you to lay the
34:54
photos out on the ground
34:56
on our in our room. We if we
34:58
can show
34:58
the photos of how these
35:00
bodies were, it looks exactly how
35:03
how doctor Lias
35:06
was left and with the knives and
35:08
it it might be enough to
35:10
show that that it wasn't
35:12
mister Adams that
35:13
is connected to this House
35:16
somehow. Yes.
35:18
I'm afraid that
35:19
we we leak this
35:21
to us, Schosenberg. That might
35:23
provide us some leverage when we when we go and
35:25
speak to pool. If he won't
35:28
act, then We'll
35:30
we'll
35:30
tell them the papers already have it. The
35:31
papers will blow it up. Okay.
35:34
But
35:34
about the knife that you found,
35:36
could that be evidence that
35:38
we bring?
35:39
Yes. I
35:39
did. Sorry. It's
35:41
just like all this evidence we lay it out, if
35:43
we bring it to pool, is it something
35:45
we can that's definitive?
35:47
Certainly, this is it that the wounds created in the
35:50
other bodies there must be coroner's reports that
35:52
might rhyme with the
35:54
make of this particular
35:56
blade. Well, if they ever I mean, they never found those
35:58
bodies as so many
35:59
problems. There were only few
36:01
that were found and the rest disappeared. Yes.
36:03
Or did they actually find
36:04
some? Okay. Alright. Alright. I like what I like what we're
36:06
cooking up here. We got a we got a little still going
36:09
on. feel like pool would be
36:12
our direct most
36:15
swift action, right,
36:17
in terms of We tell him he immediately goes into the thing, show the
36:19
writers gonna, you know, have to write something that's gonna take a while.
36:21
We have to make sure the show's
36:23
book at least sees them. You
36:25
need another witness to what we've seen.
36:27
How about we invite them both up here
36:29
at the same time? Shouldn't we show
36:31
them all of these photos?
36:33
because Listen. I took a picture of
36:35
the room before and after to fight
36:37
the symbols of that body behind the
36:40
curtain. I also took a picture of
36:42
that monstrosity under the the
36:44
circle
36:44
thing before it started
36:47
crying. We could maybe leave
36:49
out some pods. I
36:51
said we lay it all out. Actually, the part that
36:54
implicates
36:54
us being there and
36:57
murdering undead. I
36:58
don't know if they're undead. I don't know what you call
37:00
them. My one thing
37:02
that pop that ambulates us in it. because
37:04
before photos,
37:05
we will we will shows
37:07
them. Okay. She,
37:08
like, puts all the gruesome ones Well,
37:10
we need to we need to show the bodies so that he can see that these
37:12
are these are the same people that we're
37:15
missing. Oh, yes. I mean,
37:17
look, I don't know how many people in pools
37:20
experience come to him with a bunch
37:22
of photos and they're like, here's the way that I
37:24
killed all these people.
37:26
Like, maybe Yes. Someone else in Prude's position
37:28
might think that you were
37:30
to blame, and you're showing your
37:31
little collection of trophies to them, fella.
37:33
So Oh, no. I
37:36
not think
37:36
about that. We're showing them that we
37:38
might be the killers now. This
37:40
is why I'm saying
37:41
we go to
37:44
the press. But the press will take so long. She'll sit there, she'll
37:46
tip type away and leave a note to
37:48
save millions
37:50
and atoms. and also her
37:52
husband could be fried at any moment.
37:54
He could go down today. And into the
37:56
bargain Robson's men and the fourteenth precinct gave
37:58
me a little bit of a shake down as I was on that
38:00
street last evening. they have their
38:02
eyes on us. Yeah. We meet we can't meet
38:04
him at the precinct. We gotta have we gotta meet him
38:06
at a maybe a nice
38:08
patisserie or some
38:10
sort of chucky cheese. Whatever. We
38:12
can't be at the precinct. You know what I mean? But
38:14
who is this Charles Cheese? Charles Cheese. Charles
38:16
Cheese? It's an idea I've been toying with.
38:19
Have you guys heard of pizza?
38:22
Anywhere? My wife has talked about it. Yeah. So
38:24
I was like delicacy. I definitely.
38:26
Yeah. You get these automatons
38:28
that are, you know, in the shapes of various
38:31
good creatures and maybe you put
38:33
a couple of guitars in their hands and I
38:35
don't know. It's something I'm workshopping. Sounds
38:38
like a future, just stick to stuffy and night bound when
38:40
you were doing telehealth. Just my god
38:42
telehealth. What I saw
38:43
last night was incomprehensible. What you just
38:45
said to me, that's
38:48
my brain beyond its limits. It's the horrors from Lima that we
38:51
that are from Peru that I've seen, that have
38:53
changed the way that I think about
38:56
everything. Man, Alright.
38:58
Listen. Tilly has. Mhmm. Yeah.
39:00
The do
39:01
you have the ledger still? Did you take it?
39:03
The
39:03
ledger still? Yeah. Because here it is.
39:06
Yes.
39:06
Reach into my pocket and
39:08
pull out an and probably large ledger
39:12
from it.
39:13
You look
39:14
for you wanna look for Nairobi?
39:16
Or what was
39:17
it? Well, yeah.
39:19
Well, anything from
39:21
Nairobi because possibly
39:23
trace it back to
39:24
the Carlisle expedition,
39:26
but it
39:27
was that
39:29
There
39:32
was that one note or
39:34
letter that Karl had received
39:36
speaking about AAA
39:39
person who procures singular Curios
39:42
as it were, the
39:43
a man by the name of
39:46
Farazna Joth from Cairo. I also woke
39:47
him up. While they're doing that, can I call chosen for
39:50
for remind me, did was the message that
39:52
Milli Adams has disappeared?
39:54
Was that eight telegram or was that a
39:56
phone call? I
39:58
feel like you guys called her. I feel like a guy was like, this is
40:00
for Vaughan. Could one of you -- Yeah. -- like she
40:02
called the hotel and left a message, I think. Yeah.
40:05
Okay. Then I would like to speak to her personally if
40:08
possible. You wanna call her on the
40:10
phone? Correct.
40:12
Yeah. Okay. And then,
40:14
meanwhile, you're looking at the ledger to see if
40:16
there's any connection to
40:19
what was the name? Furosneur
40:22
jar. Furosneur
40:24
jar.
40:28
Okay.
40:28
You look
40:31
through and give
40:34
me a spot hidden. Okay.
40:37
Either way or or. Either way, you both can
40:39
roll it. Okay. As we're
40:41
both, like, pouring
40:43
over this book.
40:48
ah
40:53
You must have gotten
40:54
it. Right? Please tell me. I
40:55
did. I rolled a sixty seven under
40:58
eighty,
40:58
so not just a regular
41:00
success. I failed.
41:06
Okay. You don't
41:08
see any reference to Faraj
41:12
Najjar, but you
41:14
do see
41:17
some some
41:20
references to Egypt --
41:21
Okay. -- here and
41:24
there, but nothing about
41:26
Farrah's Najjar. Anything related to Cairo?
41:28
It's been particular. Yeah.
41:30
It's like c, comma, Egypt. Most
41:33
likely Cairo just shipments
41:35
that were coming in
41:38
via Masa.
41:40
So
41:43
though Yeah. The name
41:44
that's tied to the name in the ledger. What
41:47
is the name in the ledger?
41:49
No, Nate. It's
41:51
just like a
41:54
date. and that
41:56
c comma Egypt via
41:58
mombasa. And you
41:59
see it you know,
42:02
every few months. So
42:04
it's
42:05
a regular shipment.
42:06
he added Mhmm. Okay?
42:08
It looks like it's coming
42:10
through Emerson imports as well.
42:12
Let's see.
42:13
Now is there like,
42:16
a a certain time of the month that
42:18
they expect the shipments from the beginning
42:20
middle and Looks
42:21
like it comes about some
42:24
sometime between the seven to ten
42:26
days into the month. Because
42:28
we could do
42:29
a stake out again and and
42:31
maybe a little heist. Mhmm.
42:34
Yeah. Beginning of February, everyone.
42:35
Mhmm. Meanwhile,
42:38
you call Rbecca
42:42
Schosenberg get through to everybody.
42:44
Hello. This is Rebecca
42:48
Schosenberg. Hello, miss
42:48
Rosenberg? Vaughan Villas, I believe,
42:51
we had the pleasure. Friend of the
42:53
late mister relax. Yes. Yes, mister Villas, you
42:55
you you received my
42:58
message. Yes. The unfortunate lady,
43:00
Adams, has now gone missing? Yes.
43:02
It's you know, I at first,
43:04
I didn't wanna get too worried, but
43:08
III had plans to get coffee with her
43:10
and I I called the
43:13
III went to meet up with her
43:15
and and she wasn't there and
43:17
I thought maybe was running late. I waited for a half hour or
43:19
so, and I happened to be in the neighborhood of the theater, so I
43:21
stopped by the the Lafayette Theatre just to see
43:23
if maybe she got tied up at
43:26
work and It
43:28
was there that they told me they haven't
43:30
seen her, and it's not like her to to
43:32
not show up for work.
43:36
And She
43:38
did. Is it is it their opinion
43:40
as well as yours that you disappeared
43:42
last evening? Sometime perhaps in in the last
43:45
twenty four hours. I mean, I haven't had any contact
43:47
with her since the back and
43:49
forth getting your appointment
43:52
with with Hilton at
43:54
Sing Sing. But we we we had, you know, we're we're
43:56
friendly with each other. I was going to meet with
43:58
her. And so, you
43:59
know, it's it's
44:02
unclear when but she hasn't
44:04
been to work the last couple
44:06
days. I didn't wanna
44:08
call the
44:10
the police. I I honestly didn't know who to call, but I knew you
44:12
were you were involved and
44:14
a a couple things.
44:16
One, I'm obviously concerned for her
44:19
this is this is this is very, very frightening,
44:21
and and and I I feel guilty in a
44:23
way, like, maybe I'm I'm the one that that
44:25
that brought this on her, but then I think,
44:28
like, why why her
44:30
did we did did someone
44:32
know that that she was
44:34
talking to us, to to you as well?
44:36
And then are you in danger? Am I in
44:38
danger? Yes.
44:40
Maybe this is just a simple and just misunderstanding.
44:42
III don't know. This isn't back.
44:45
you are very much in danger. And so what I'm about
44:47
to tell you right now, I would like you to forget
44:49
my name for the moment and
44:52
just take very sturdy hold of your nearest pencil
44:54
and write down everything that I'm
44:56
about to say to you. Does the
44:58
Hilton Adamensate is a very much Hold on. I gotta
45:00
get a
45:02
pencil. forty five minutes, but Come
45:05
here. Just Nobody has a chance
45:07
to hold on. It's a trimester.
45:12
Alright. I have the nearest thing to a pencil guy in.
45:14
Mister Adams is very much
45:16
not to blame for the murders.
45:19
And we have
45:21
found the epicenter of
45:24
these crimes circulated
45:26
around it. Retailer of Curios in Harlem that goes
45:28
by the name of the juju House, proprietor
45:30
Silas Nakhrani, an associate of his
45:32
name, Maconka
45:34
Mardari, seems to be running some sort of
45:38
spiritualist dark sect.
45:41
Jeju House? Jeju.
45:44
She she mentioned this
45:45
place to me
45:46
once. What does she say? I feel like
45:48
I'm, like, trying to listen all.
45:50
Oh, like, huddled around the phone.
45:53
she she she
45:56
she intimated once. It almost like I
45:58
almost felt like she let slip that
46:00
she had kept an eye on this place.
46:03
The associates of mister
46:06
Adams were themselves quite suspicious of
46:08
this place, and I shouldn't doubt mister Adams was
46:10
suspicious of us as well. my god. They
46:12
must have seen her. They must
46:14
know. They have their
46:15
eyes everywhere, Schosenberg. The fourteenth precinct
46:17
is corrupt and riddled
46:19
through and through. Roberson is being paid off and we have the books
46:21
to prove it. Is is the part of the
46:24
police involved with with all of
46:26
the kidnappings? I don't know if they're
46:28
involved in the kidnappings, but they're very much being
46:30
paid I think to keep their eyes
46:32
off the kidnappings and not to see them
46:34
prosecuted and
46:36
to railroads innocent fellows like Adam's into his current
46:38
predicament. Okay. What now
46:40
now what proof do you have? What hard
46:43
proof this this this all this all sounds like a lot, but
46:45
did you have do you have actual proof?
46:48
This is why I'm telling you to forget my name,
46:50
Rosenberg. I
46:52
have photographs. of the basement of the juju house in which you see.
46:56
Such things,
46:58
such horrors. that
47:01
they are doing down there, that you could not
47:03
conjure in your wildest nightmares. We
47:06
also
47:06
have the
47:08
blade, one of the blades of this gas
47:12
reorganization that
47:12
that has been used to commit some
47:15
of these dreadful murders. ritual
47:17
murder You have the
47:19
possible murder
47:20
weapon. I And say what
47:22
band? Tell her about the tongues.
47:25
as well as parking. I believe that
47:27
we well, everybody's crowded around that you
47:29
should really invent some sort of
47:31
dare I say speaker for put put
47:33
a speaker cone of some kind on the end of
47:35
this plastic thing.
47:38
When
47:38
we, when we, my my compatriots,
47:41
I walked over before she used to the light.
47:43
Yeah. Yeah. Everyone's accounted for here. We're gonna go around
47:45
the table. I'm sorry you've been quite rude. We've
47:47
got to meet. It's Carter
47:50
again. Hello. Yes. Moving from my left, then we have
47:52
a a Morgan South, then of course that. Well, you don't
47:54
know which way she's looking. She could be looking the same
47:56
way you're looking. If she was all looking to the
47:58
south, then
48:00
Well, you told me to forget your names, please. Just tell me about taking
48:02
my picture, Federal Japan, also here. Now
48:04
when we walked into the
48:06
horrid scene of mister Eli's being
48:09
slain that we believe we told you that
48:11
those were that we saw were wearing these
48:13
rather unusual headbands where we
48:15
found a night. of those. And what appears to be attached
48:17
to it is not a fong of flannel as we originally thought,
48:20
but a desiccated human
48:22
tongue.
48:24
Yeah.
48:25
in my pocket. She's just I'd be
48:27
tied to a coach.
48:29
She's just silent on the
48:31
other end.
48:33
Rebecca if
48:35
we we don't know who we're who to
48:37
go to with with this evidence
48:39
we have can feed
48:42
me top? You
48:44
just hear her go. Oh.
48:46
Should he found my pencil?
48:49
It was right in front
48:51
of me. The adults and me. No.
48:53
I'm sorry. I'm just this is a
48:56
lot of information
48:58
to take in. I here's
49:00
the thing. If I were to to
49:03
try and get my editor to approve
49:05
this. I I probably could. I'll I'll need to
49:07
see the the the photographs,
49:10
but we have and you can tell she's like like hiding under
49:12
this. We have to be very careful about
49:14
who gets this information because if
49:16
I were to
49:18
blast this on the cover of
49:20
the times. This could put us into further danger or other people.
49:22
If if if if miss
49:24
Adams is is is Oh
49:27
my god. I didn't even wanna say that she's if she is still alive.
49:29
If I mean, I hope she is still alive. We
49:32
could be putting her in danger by
49:34
blasting this. So So what
49:36
what what what do we do we have? Do we do we do we do we do we do we
49:38
know anyone at the play at the police you can
49:40
speak with? This sounds like there's no
49:42
reason on this. There is one person that
49:44
I believe we can trust within the organization of
49:46
the police. We'll take
49:48
this information to them and see if we cannot
49:50
have speedy action taken. But
49:53
if that is impossible, we have your promise that publication
49:55
shall follow swiftly after to grease
49:57
the wheels so to speak
49:59
of justice. Yes.
50:02
Yes. I mean, if nothing
50:04
else, it it sounds like this might be enough to exonerate
50:06
Hilton, but we don't wanna
50:08
get him home only to find
50:11
that he's coming home to nothing.
50:14
So do you do you want me to to go with
50:16
you to to to to talk to
50:18
the police?
50:20
What do you think?
50:22
I don't I feel
50:24
like we should
50:25
keep them separate. Yes.
50:28
We we
50:29
we wish to expose you as
50:31
little as possible. Alright. She
50:33
lives in work. Yes.
50:35
You pretend as though this call never
50:38
occurred. Take your notes, keep them
50:40
safe, keep them secret, give them
50:42
secret, keep them.
50:44
I don't should I even be going home tonight? Now I'm
50:46
I'm now I fear for my life. The things that
50:48
you're saying, if if if even half of them
50:50
are true, It's
50:53
they they they know. They must know. Yeah. I can't hurt
50:55
to not go home ever.
51:00
Alright.
51:00
There's a a
51:02
gentleman I can see. I
51:05
can we haven't
51:08
really spent night. Yeah. Well, it might be time to ramp that up.
51:10
Josie, it might be time to kind of,
51:12
you know, kind of string them along and then
51:14
hit Actually,
51:16
there's about I can get for a sec. However, it needs to happen. Tell me
51:18
more about this, Rebecca. We can get it Vaughn.
51:20
Give me the phone for a moment. No. No. No. No. It's fine.
51:24
I'll I'll I'll just sleep with
51:26
him, I suppose. You know what? That's my this
51:28
is my problem. I'll deal with
51:30
this, but you please be
51:32
safe. If
51:34
if if if if you find out anything about miss you have
51:36
to call me immediately, and and I will do
51:38
the same. I'm I'm I'm I'm standing by the
51:40
phone just assuming a Lafayette is gonna call me
51:44
and say, She's here. She fell asleep in a closet
51:46
or something. So just
51:48
be in touch. I will do the same. I
51:50
have all your notes. I will need these photographs.
51:53
as soon as possible. And
51:56
I hate to even
51:57
say this,
52:00
but
52:00
should anything happen to
52:02
you or to us, we need to make sure
52:04
this story gets out. So
52:07
get me the photographs.
52:08
much evidence
52:10
and information as you can, and
52:12
I will brainstorm a way to
52:14
bring this to my editor. Okay.
52:18
Tell us how it goes tonight too. Yeah.
52:20
You know, we'll see. We'll see you.
52:22
Alright. I'll talk to you later.
52:24
Okay. Bye. Bye.
52:26
I don't know why we're whispering. Bye. Bye.
52:28
But neither. Margo
52:30
made multiple copies of
52:33
each photo. Okay. So how do we
52:35
think we wanna, like, split them up so
52:37
we know that they're safe? Like, she would leave a
52:39
batch in the hotel room
52:41
or I say we put
52:42
oh, no. What's that?
52:45
Bring some to
52:46
pool. Right? Keep some here and then
52:48
we
52:49
can some need to go to pool and some need to
52:51
stay with us. I can take a message of each one
52:53
to him. There we go.
52:54
I have multiple copies of each. I
52:57
don't think I think we should callpool and see if he can
52:59
meet us somewhere or come here because
53:01
if anyone that's now
53:03
part of this group that
53:06
hit up on sees
53:08
anybody talking to him, photos,
53:10
I just feel like get him out of his
53:12
place of work, get him to a place
53:14
where we might not have eyeballs on us.
53:17
Yes. Who who who made the
53:19
best impression on pool? I
53:21
think it was me. Did
53:23
I know you were you were pretty you and fairies
53:25
were especially but
53:28
I think
53:30
he was that. Risk him. He doesn't
53:32
even like any of us. Yeah. Well, we don't wanna bring
53:34
him back here because
53:35
we can't risk anybody knowing
53:38
where it's staying no matter how much we think we trust them.
53:40
Alright. Let's do the classic
53:42
like central park bench.
53:46
Right. Talk. Yes. We don't look at each other. Look in different
53:48
directions. Park bench. Mhmm.
53:50
Classic Central Park bench
53:54
talk. Okay. You guys are around fifth Avenue. You could
53:56
meet fifty ninth Street
53:59
and
53:59
fifth right at the entrance of
54:02
the park. and set
54:04
up a rendezvous if he wanted to with the
54:06
tentacle. If he's even down for this -- Right.
54:08
-- right. Last he spoke
54:10
to Feirou's and Margo. He's like, you
54:12
know what? once you just Yeah. Why don't we
54:13
get better? I think we dangle a
54:16
little. We might have proof. We might
54:18
have proof about
54:20
ropes and and
54:22
they'll, you know, give him a little bit of give him a little taste. He might
54:24
like that. He's a good cop. He seems like, and
54:26
he doesn't take kindly
54:28
to bad cops. Yeah. Okay.
54:31
There
54:32
is one more thing.
54:34
We need to
54:36
probably
54:36
all look at together. and
54:38
Fayers
54:39
goes in pouring a round
54:41
of drinks
54:41
-- Mhmm. -- set them
54:43
on the table.
54:44
and then
54:46
Slaps down that old
54:48
Africa's dark
54:49
sex on the table.
54:52
Shigunk. No. This is wordy.
54:54
I don't know. Yeah. How big is this? Is this a
54:56
big book?
54:58
No.
54:58
I don't think it's too
55:02
huge. I still drop it dramatically. Yeah.
55:04
I think you should. Off a dust
55:07
comes out. Yeah. Actually,
55:10
I know it is it is pretty big. Yeah.
55:14
So you've got this thing.
55:15
Have you has anyone spent any time
55:17
with it yet? Or is No.
55:19
No. I thought we could
55:20
all do this together. He kinda
55:22
came home and came to bed. Well, let's be honest,
55:24
Faireus. You're the fastest reader
55:26
here. I'm sure you're back. background is
55:28
pretty much you can skim through this short circuit style. I guess
55:31
I could skim and paraphrase
55:32
for the last It's really
55:34
academic.
55:34
You
55:36
do that. You can stay and read and two people can go
55:38
to the park. Someone comes with me to the park.
55:40
In my muscle.
55:43
I guess it all depends
55:44
on the storyteller how much
55:46
information or the lore keeper, how
55:48
how much information there is to
55:51
expose
55:51
Well, I'm because we could split the party. Yeah. We
55:53
could split the party. I'm I'm just yeah.
55:56
Yeah. I mean, this is
55:58
something you can definitely
55:59
sit with. and hopefully learn
56:02
some more information.
56:03
A book this size would
56:05
take probably weeks to
56:08
fully absorb But,
56:10
you know, over the course
56:11
of six hours, you could you could really
56:13
dig in and find out, like, what is going why
56:15
is this book so important? Why was it
56:17
so important to Jack's Jackson, and
56:19
what is it doing in the basement of
56:21
juju house. Right. Stamped. Harvard
56:24
Weidner library.
56:26
And you spoke to me
56:27
about Snacks and Molbuz. Snacks and
56:29
Molbuz service. Or Remember when you spoke to
56:31
Miriam outright, she said that the that that
56:33
book just went missing one
56:36
day. Mhmm. And it was very mysterious, and there was this, like,
56:38
horrible smell in the area where
56:40
that book was. If you're ready for a
56:44
book spell, No. Smells She is
56:46
in place. Where we where
56:48
we found it
56:48
smell like wall bodies. Did
56:51
it smell like that?
56:52
they pretty much smelled of death
56:54
down there, but the book itself does
56:56
not smell of death. Okay.
56:59
Alright. How about
57:01
this? So I'll go with
57:03
Margo to talk to Robson.
57:05
I feel like Vaughan
57:09
could use a time out. Could use a little bit of a
57:12
break, but Vaughan could maybe also call and
57:14
let's get those party tickets. Girls, did we tell
57:16
you that we
57:18
might have You have a
57:19
party tonight? That's how about What? It's for intel,
57:21
but also for free
57:23
food. Are
57:24
he serious? Gabby. It's
57:27
that. It's that. What's her name? It's a Carlyle sisters house. Oh,
57:29
just to clarify that. Oh, just to
57:31
clarify that. That's tomorrow's name, which
57:33
is what I thought.
57:35
can't just casually say party at a
57:38
time like this. Well, I'm
57:39
talking about an investigative party.
57:42
Okay. And we should go and get all
57:44
dressed up. and we should go, and we should get in there, and
57:46
we should maybe break into a safe. I
57:48
don't know. We'll see what happens. Alright. Does
57:50
one get an
57:51
indication to this
57:53
Well,
57:56
like many things in the philanthropic set when
57:58
when nearly has to pay
57:59
for it. Yeah. So so one thousand plants. How is
58:02
it? One thousand plants.
58:04
Whoa. Are you mad?
58:08
Yeah. There must be
58:10
another way. We got Vaughan's pocketbook. And
58:12
by the way, we got this, like, war chest
58:14
that we can use in the interest of
58:16
the investigation we talk to you
58:19
know, once Yes. We
58:21
all got things from Peru,
58:23
but then we'd have to go and exchange
58:25
gold for money right now. And it's my mom and me
58:27
would take up time. I don't
58:29
know. Yes. Also, to be clear, is this party is this
58:31
at her place
58:32
or is this here in the city? It's
58:34
at
58:35
the Carlisle name. at the
58:38
Carlin Mansion and
58:41
yeah. After all, goats,
58:43
maybe we could Exactly.
58:45
Get into that safe. Have some
58:48
free shrimp. I'll go
58:50
into the party. Well, I'll go into the party.
58:52
Okay. Wonderful. Yeah. Yes. We
58:56
can receive bonuses like telling up how much
58:58
this is going to cost. Mom, baby. Don't worry about
59:00
it. What's god damn it. What's the guy what's
59:02
the the friend of For it. friend
59:04
of Jackson's the guy that
59:06
said we can access all this money? The
59:09
lawyer. The lawyer. He we
59:11
got a we got a bunch of money we can dip and do. Maybe
59:13
he can narrow this.
59:15
Yeah. Yes.
59:16
Perhaps perhaps perhaps he has him. Plus
59:19
think of how fun it'll be. mean,
59:21
we need to break. Millie Adams would want
59:23
this. So listen. Carter,
59:26
that's me. don't know why speaking in
59:28
the third person. Yeah.
59:28
So she's dead already. No. I'm sure
59:30
she's
59:31
totally happy and safe. I'm like harder. Again,
59:33
I did the third
59:35
person. And Margo, Let's go talk
59:37
to pool real quick. Vaughan, maybe you
59:40
confirm those tickets. Faireur's, you
59:42
do some quick
59:44
reading. Right. and and then we can veen. We
59:46
reconvene. I'll try to call pool and see if he
59:48
wants to
59:48
meet up in the park like a weirdo.
59:53
I
59:53
say all that, making sure that
59:55
everyone's comfortable with what I've just said and
59:57
feels okay doing all
1:00:00
that. Alright? Yeah?
1:00:02
Okay. Okay. Sorry. Sorry to take a
1:00:04
look. Okay. Cracker Cracker
1:00:06
Cracker Cracker Cracker, a
1:00:08
big thunder -- No. -- heel outside.
1:00:11
Maybe you've got like a balcony or
1:00:14
something in your hotel
1:00:16
room and the the
1:00:18
curtains just fly open
1:00:20
because it's cracked and little rain starts
1:00:22
getting in. Storm
1:00:24
starts outside as cargo
1:00:26
picks up the phone to call
1:00:28
the precinct down
1:00:29
in Chelsea to try
1:00:31
and reach pool.
1:00:36
This is
1:00:37
lieutenant Paul. Hello, lieutenant Paul.
1:00:39
This
1:00:39
is Marco from the
1:00:42
other day.
1:00:42
the other day
1:00:43
We we think so. Who who who who
1:00:45
is this? It's Marco
1:00:47
Saure. I I spoke with
1:00:49
you with Ferrous about see
1:00:51
Okay. Sounds good. The the investigation
1:00:54
with
1:00:54
Jacksonville. a lot
1:00:57
of investigations. You gotta you gotta
1:00:59
oh, wait. Jacksonville. Oh.
1:01:04
Yeah. What can I what can I do for
1:01:06
you? We
1:01:06
think we would like to show
1:01:08
you. We think we have evidence
1:01:10
that
1:01:11
you were looking for. Okay. Listen, last time we talked, I
1:01:13
think I made it pretty clear that we got proof
1:01:15
that Robson's on the
1:01:18
take You may lose this. telling sir,
1:01:20
we met once in an interrogation
1:01:22
robotics. Yeah. Miss Howard,
1:01:25
who is this? Takes the phone from
1:01:27
her hand. But give me one second. III
1:01:30
was pretty clear about this. I think you should
1:01:32
leave the police work to the police,
1:01:36
so Well, guess what? I got a lot of work for the police
1:01:38
to pour over.
1:01:40
We have evidence that ropes in,
1:01:42
who by the way, you told us
1:01:46
about is dirty.
1:01:46
We have
1:01:47
witnessed things, sir, that
1:01:50
you could not believe,
1:01:52
death -- Okay. -- death and death. --
1:01:54
future house and we've got it all
1:01:56
here. I got a stack. We got a stack of stuff.
1:01:58
We wanna show it to you. We want you to
1:02:00
succeed. Help us help
1:02:02
you. Let's see if you wanna
1:02:04
swing by the precinct. I've Alba.
1:02:06
Anybody in the fourteenth precinct? Look,
1:02:08
you know. You told us. Robson's not
1:02:10
to be trusted. He's got men
1:02:14
within men. Around
1:02:16
him? Always watching. You
1:02:18
gotta meet us somewhere neutral. You
1:02:22
have
1:02:22
evidence on
1:02:24
your person. Yes. Stid links, ropes
1:02:26
in to this and others? Yep.
1:02:30
And the murders and the disappearances.
1:02:33
Come on. Step on out. It's just starting to rain and
1:02:35
it'll be nice. Give me a charm or a
1:02:38
faster charm to shit out
1:02:40
of you.
1:02:41
minus
1:02:43
five. Forty
1:02:45
six under
1:02:48
seventy five.
1:02:50
Yeah.
1:02:51
Come on,
1:02:54
baby. I got
1:02:55
I'm gonna be
1:02:57
taking lunch soon. Where do you where do
1:02:59
you wanna meet? Whatever
1:03:02
was said earlier, I don't understand New York
1:03:04
City. Fifty nine properties. Okay. Fifty nine,
1:03:06
Jim, all the way in Chelsea. Isn't there some place
1:03:09
we closer to where I'm at. Whatever's got
1:03:11
a good Ruben.
1:03:15
the Alright. Science.
1:03:16
No. It's there's a
1:03:18
there's a deli on a on eighth
1:03:21
half, eighth half and thirty
1:03:23
seventh Street. Yeah. Meet
1:03:26
me there
1:03:29
at twelve thirty. I'll be there
1:03:32
from twelve thirty to
1:03:34
one fifteen. you got. Did you come at one sixteen and walk the door? No. You got something you wanna
1:03:36
show me, you come there. You're not gonna regret it. We're gonna blow
1:03:38
the doors right off this thing. You and
1:03:40
us together. Alright. I'll
1:03:42
see you there. Alright. And
1:03:43
that card returned to the boss like, we need money
1:03:45
for two ribbons. We also don't
1:03:47
have direct proof that Robson
1:03:50
is involved. I think
1:03:50
his name's in the ledger. Plus, Vaughan
1:03:53
and I saw him. WR14 is
1:03:55
in the ledger. Okay. That's the only
1:03:57
thing we have. Okay.
1:03:59
I had to get him to meet
1:04:00
us. I mean, look, once he sees
1:04:02
fucking photos of, you know, the
1:04:05
intestines and stuff, we got
1:04:07
him hooked. I'm still you. Well, we
1:04:10
can't
1:04:10
photoshop, but at that in nineteen twenty
1:04:12
two. So that's I'm so
1:04:14
very nervous to show him. So
1:04:16
those
1:04:16
photos. Since they've made We might walk out to
1:04:19
the deli
1:04:19
and handcuffs. I
1:04:21
would rather look Carter
1:04:24
has I've been doing
1:04:25
a lot of thinking here, guys. Alright. If
1:04:27
I go to jail, because and
1:04:30
it helps Somebody
1:04:32
else, if it helps Millie Adams, if it helps
1:04:35
Hilton Adams, I'll take
1:04:37
that bullet, man. Carter, Till
1:04:39
I'm saying that now we'll see over here. When they come
1:04:41
for me, I might run. What
1:04:44
isn't? Are we nicest
1:04:46
things ever? Are you monologuing? Yeah. To
1:04:48
myself, he's just looking out at the
1:04:50
lightning. This is
1:04:51
your time, Carter. You
1:04:54
see the good half of your reflection
1:04:56
in the two face? The
1:04:58
dark mirror. Yeah. A lightning
1:05:00
strike
1:05:01
reflects after next.
1:05:06
Let's let's take a
1:05:06
quick word from our sponsor. Oh,
1:05:09
yeah. Maul. What happens
1:05:11
next? Oh, boy.
1:05:13
Okay. So Carter
1:05:18
and Margo have a meeting with the
1:05:20
tenant pool.
1:05:22
between twelve thirty and one fifteen at a deli on eighth Avenue
1:05:24
in, when I say, thirty eighth and
1:05:27
thirty ninth Street. you
1:05:31
gotta figure out what you wanna
1:05:33
divulge there, how convincing you
1:05:35
can be to sort of have him take
1:05:37
up the cause here, and what
1:05:39
is is gonna be in this.
1:05:41
In the
1:05:42
meantime, Vaughan, while
1:05:45
you look over
1:05:46
and see Faireur is
1:05:48
just buried
1:05:50
in this book. Do
1:05:52
you
1:05:52
wanna try and secure tickets
1:05:55
to the Scala? We can borrow money
1:05:58
from this till that we have.
1:05:59
Part of part of me, I mean,
1:06:02
like, funds
1:06:04
the rational part of Von's brain that is going. It's like, what are
1:06:06
you? All of us going?
1:06:08
What it Should
1:06:10
all of us go?
1:06:14
when there's
1:06:14
so much to do when when one of the atoms is is gone. But
1:06:18
I I know I
1:06:18
might at least call the foundation and see
1:06:21
if I can get those tickets.
1:06:24
At least secure two
1:06:26
tickets. Resolute can. Yeah. I mean, come on
1:06:28
guys. Let's just think of the narrative pass Two
1:06:31
more available. All four
1:06:34
of us.
1:06:34
love all four of us to scoop
1:06:36
you away. We're good at a
1:06:39
shred of the steps. if
1:06:40
the rest of this campaign was just just hanging out at the party. You
1:06:42
can at the very
1:06:43
it should at the very least.
1:06:45
Get two tickets because
1:06:46
you don't wanna be like a single
1:06:50
person you'd stand out being aware to, you always need a
1:06:52
plus
1:06:52
one. Yeah. And by
1:06:53
plus one, she means plus
1:06:56
three. Probably, yes,
1:06:57
plus three, but again,
1:06:59
we've got this Till. We got all this money. He doesn't even have
1:07:02
to come out of your personal
1:07:04
account. It's a
1:07:05
matter of money. wealth of
1:07:07
foreign language. It
1:07:08
is sort of a matter of money.
1:07:10
I'd hate, you know, but
1:07:12
It's just better be a damned good cause. and
1:07:14
I'm in a okay. Yeah. I'll call call up.
1:07:16
Where in that would we would
1:07:18
be in the house where the safe
1:07:20
is. Yeah.
1:07:21
Yeah. Well, listen to some jazz.
1:07:23
Get that safe. Hopefully, and then
1:07:26
in that, miss Carl,
1:07:28
I will shows around what we need if we're on a call.
1:07:30
Mhmm. Break ins and that sort of
1:07:32
dirty business won't be necessary
1:07:34
at all. Is
1:07:36
there a number to call? Is there a foundation to
1:07:38
reach out to? Or Yeah. You could
1:07:40
call Ramsay, leave a message with him, and
1:07:42
then he'll get back to -- Right. --
1:07:45
with the number. for you to call them. Yeah. And tell him that we wanna
1:07:47
use some of that money foods.
1:07:50
Mhmm. Says Carter from
1:07:52
the subway. Bless us for charity. Yes.
1:07:56
Okay. -- write off.
1:07:58
I give
1:07:58
him a buzz.
1:08:02
Hello.
1:08:02
You have
1:08:04
reached in the
1:08:05
Carlisle foundation? Yes.
1:08:08
I've been
1:08:11
told,
1:08:11
and I I terrible
1:08:13
boar for being ever so late to to reach out to you.
1:08:16
But I hear this tomorrow
1:08:18
evening, there's to be a gala
1:08:21
And I do hope there's some
1:08:23
left my Four tickets
1:08:28
to do it's Gayla. This
1:08:30
is rather late, and it's not often where you get such a latecomer
1:08:32
buying four tickets down
1:08:35
as to
1:08:35
the Gayla. So
1:08:38
you are aware that
1:08:41
it is the nineteen
1:08:43
twenties equivalent of one
1:08:45
thousand dollars per head for
1:08:47
the scalar. Oh, yes. I'm quite aware. One one needn't be to
1:08:48
oh yeah i'm quite aware one wouldn't
1:08:50
needn't be too too sore
1:08:53
about it. III assure you, I'm good for it. You've
1:08:55
you can either I can either provide you a check or
1:08:57
even just call my man in New York
1:08:59
or London and You
1:09:02
can have the money ready for you in
1:09:04
whichever way you need it. But I'm talking about
1:09:06
this now. This is so desperate. I'd much
1:09:09
rather speak about what the foundation
1:09:11
is raising money for. Yeah. well, let
1:09:13
me raise money for all sorts
1:09:15
of charities. Tomorrow is going
1:09:18
particularly to and the young orphans in Brooklyn.
1:09:21
Brooklyn orphans. Yes. There's
1:09:23
a there's an epidemic,
1:09:26
you know. Brooklyn orphans.
1:09:28
And some some thing is
1:09:30
to be done. No. Look at all the colors. God bless their
1:09:33
little orphan hearts
1:09:35
too. Yes. And
1:09:37
what is your
1:09:39
name? My name is Reginald Smith. That's
1:09:43
right. You might
1:09:44
say
1:09:46
they changed it as ever this
1:09:48
island to Smith. Oh, and I
1:09:50
and I could tell I perhaps
1:09:53
to a fellow countryman here. how
1:09:55
how often the our mother tongue is mangled
1:09:57
by these colonials. So I understand
1:09:59
I understand
1:09:59
changing your your regal
1:10:02
and and and and prolific smise to the more
1:10:04
the more working like Smith. But
1:10:06
I thank you ever so much
1:10:10
for all this information. Now,
1:10:12
so that can be secured under the
1:10:14
name Villiers. Then I'll be I'll be seeing you tomorrow
1:10:17
evening. And how do
1:10:19
you spell that name? VILLIER
1:10:23
Hold on. I need to find a pencil. God, heaven.
1:10:28
Here's the the imperion of
1:10:30
all the seats. Port Vaughn is,
1:10:32
like, at the Brink and he has
1:10:34
to do with these nineties poops. Oh,
1:10:38
I have one right here.
1:10:41
Yes. You said Villas
1:10:43
c. v. Is it
1:10:45
a v old boy Yes.
1:10:48
Yes. Richard. Yes. This
1:10:50
v are a guy.
1:10:55
Dumileo, IEII don't
1:10:58
suppose miss Carlisle will be present for if if I want to pull her ear or is it
1:11:00
one? No, miss Carlisle.
1:11:03
present it all of
1:11:05
her galas. She
1:11:06
has a bit your
1:11:08
wallet.
1:11:12
Yes.
1:11:12
Now Reginald Man to Man. What what
1:11:14
would you say miss Carla's character is no
1:11:17
doubt she's a very virtuous sort
1:11:19
of being given to her blend
1:11:22
to be of this type. But, you know, if I'm
1:11:24
not even this is miss Karl, I
1:11:26
don't even know that. old boy.
1:11:29
Yeah. Only about reputation. We share friends in common, but I I
1:11:31
confess I've never had the pleasure.
1:11:34
No. Well, no. She's quite
1:11:38
the thigh cracker. I think you'll
1:11:40
find her company most pleasant if you can
1:11:42
squeeze a word in her with her edge
1:11:44
watch. She's
1:11:46
quite popular, you know, and she is the hostess
1:11:48
and the party, but I'm sure have
1:11:50
you flaunt the word words around
1:11:52
as you do with me. You'll get a
1:11:54
moment
1:11:54
to chat with her. You flatter, sir. You flatter.
1:11:56
Well, if she brings the firecracker,
1:11:58
I'll bring the mat.
1:11:59
Okay. So I don't
1:12:02
get it.
1:12:02
Well, I it
1:12:05
seems there the reservation's been made.
1:12:07
Yeah. We haven't found four
1:12:10
for Vaughn. Mister Villas,
1:12:12
you said? I assumed your name was Vaughn. You sounded
1:12:14
like a Vaughn, but I don't know if you
1:12:17
ever tell me of his name. You
1:12:19
I truly a profit
1:12:19
in a seer. You are mister Regional Smade. I
1:12:22
So I was wondering if you've
1:12:24
heard someone call me Smade in
1:12:26
so long. I feel like I'm
1:12:28
back home in
1:12:31
France. Well, this
1:12:35
has been delightful. So
1:12:40
just This is the longest conversation I've
1:12:42
had on there. Before you see most people
1:12:44
bought them, take it to the gala
1:12:46
months ago. Yes. As I terribly late.
1:12:48
I am I'm I'm purely a catastrophe.
1:12:50
A terrible caution. Oh, you must think of you a terrible beast. Yeah.
1:12:55
So suppose I just just show up to boost the lag
1:12:57
lag four little Vagabonds and we'll have all
1:13:00
flash my name
1:13:03
and enter the parting. Yes? Yes. It should
1:13:05
be quite simple. You know, it's black, tire fair, but I'm sure
1:13:07
you understand that. And, yes, your name
1:13:09
will be on there.
1:13:10
I have your bank information
1:13:13
here. And
1:13:15
should we run into any problems? Is there
1:13:17
a number that I could reach you at? Feel
1:13:19
free to reach out to me at this
1:13:22
number at the wall office studio boy. I think it was one of the
1:13:24
most doria. You're just
1:13:26
visiting miss Villas. Yes.
1:13:28
In town friendly
1:13:31
thrice, I can Mhmm. Well, perhaps
1:13:33
I will see you tomorrow
1:13:35
night and be there.
1:13:37
Thank you. Yes. Of
1:13:40
course. It's part of
1:13:42
the pads of working for the foundation. I get a free ticket. Well, mister Smyy, if all goes if
1:13:44
all goes well, if have our pads will
1:13:46
cross again, we could have more of this
1:13:50
Oh, I'm being reparting. It was a rather fun
1:13:53
interlude for this episode. Yes. Something
1:13:55
tells me that this is
1:13:57
a nice simmer before things really started
1:13:59
come to a boil. Yes.
1:13:59
Well, for the orphans, as they
1:14:02
say. Yes. For the orphans. Yep.
1:14:05
Yep. God save. hard save the Bluffton
1:14:08
orphan. See as far as the
1:14:10
party. Let's talk to her. Cheers, oh
1:14:12
boy. and
1:14:15
Reginald Smythe. I hope so. Miss
1:14:17
Brewer is, like, in
1:14:18
the room when this conversation
1:14:20
is happening. You're only hearing what
1:14:22
he's saying. like, Karen Vaughan
1:14:24
could switch into whatever. Like, he's
1:14:27
like he's unlocked some All
1:14:30
I can tell is it's not good. Ultimate version
1:14:33
of of a frequency that
1:14:35
only british people
1:14:37
here. favories is a little freaked out like and
1:14:40
already thinking about what favors
1:14:42
can she call in to
1:14:44
be dressed to the nines
1:14:46
to this thing.
1:14:46
I know that. because Vaughan's gonna have the clothes
1:14:49
for this. But Yeah. You and you can
1:14:51
even see Vaughan now, like, crossing over, like like,
1:14:53
opening up a huge, like, trunk that
1:14:55
he has and, like, pulling out
1:14:57
a couple of black ties. It's like, yes. Certainly if I haven't had them.
1:14:59
Yes. Mhmm. What who are you able to? jacket or
1:15:04
mhmm. Are we
1:15:05
all going to go? Oh, yes, you're wrong. I've got
1:15:07
four tickets there, you know. About to
1:15:10
about everyone's ward. a robe. I suppose that's but I suppose that we'll
1:15:13
have to dress themselves up a beard, whereas we get
1:15:15
a bit of the bum's rash.
1:15:18
Of
1:15:18
course. Yeah. So
1:15:21
I absolutely have the perfect ensemble for such
1:15:23
an occasion. Needn't
1:15:28
you worry?
1:15:29
Well, perhaps we can work in
1:15:31
if not, perhaps we can work in another little shopping interlude in the midst of saving all these people's lives. but
1:15:37
we But you We I'm
1:15:39
sure we'd of for Well, sure. But you I
1:15:42
don't wish to interrupt your
1:15:46
studies anymore. Learned anything
1:15:48
particularly
1:15:48
horrid from that book
1:15:51
of yours.
1:15:52
Funny things. Let us
1:15:54
address that. Yeah. Yeah.
1:15:56
So you've been,
1:15:59
we'll say, Margo, and Carter
1:16:03
have left and you're
1:16:06
really spending time with
1:16:08
this while Vaughan
1:16:11
is taking some time to gather himself and make these arrangements,
1:16:13
to go to the Carlyle
1:16:15
Gala tomorrow night.
1:16:18
And you've just been pouring over what appears to be
1:16:20
AAA travel lock
1:16:23
by a man named
1:16:27
Nigel Blackwell It's an odd mix of at first what
1:16:29
seems just like a
1:16:30
a travelogue, almost like a journal
1:16:36
of his time
1:16:36
he spent traveling
1:16:39
across Africa, but
1:16:41
as
1:16:42
you continue reading
1:16:44
and and pouring through it,
1:16:46
you see that it it also starts to talk about
1:16:49
source to talk about different ham
1:16:52
different ritual
1:16:52
practices.
1:16:55
He witnessed firsthand
1:16:56
he
1:16:57
during
1:16:59
his travels by groups in
1:17:03
Africa that over
1:17:05
time he starts to
1:17:07
refer to as cults. It
1:17:09
looks like
1:17:12
looks like his
1:17:15
notes were collected by someone
1:17:18
and turned into this book. There's no publisher listed on
1:17:20
the title
1:17:24
page. but it
1:17:26
it doesn't appear that blackwell himself had this book published. And
1:17:33
as you're digging through it, like it starts getting
1:17:35
stranger and stranger, the more you
1:17:38
pour through. And it seems
1:17:40
like things
1:17:43
that he were was seeing started
1:17:46
to weigh upon his
1:17:48
mind.
1:17:51
to the point where he he
1:17:54
talks about witnessing,
1:17:56
witness saying like
1:18:00
like, otherworldly anotherworldly
1:18:02
creature sort of appear during
1:18:07
one particular ritual. But it's
1:18:10
written like it
1:18:12
starts to be complete
1:18:16
incomprehensible madness. And it
1:18:18
starts to weigh on
1:18:20
you as well,
1:18:22
Farooz. Give me AAA deten role.
1:18:26
So I
1:18:28
rolled
1:18:29
a nine.
1:18:30
You're
1:18:34
you're reading this reading this and
1:18:36
the end you start
1:18:39
getting lost in the story that Blackwell is
1:18:43
recounting the the journal
1:18:46
and you kind of flash back to the time you spent in Peru and all things that
1:18:52
you saw there
1:18:54
and you in a way sort of project yourself into this travel pocket
1:18:57
when Blackwell
1:19:00
talks about you know,
1:19:02
hiding in bushes and watching these cult
1:19:05
practices go on.
1:19:08
You almost see
1:19:10
yourself in black well shoes
1:19:13
pushing aside branches and
1:19:15
watching. But in in this,
1:19:17
you also see yourself as
1:19:19
the members of the cult as well, and then you look
1:19:21
and you see it, all the members of
1:19:23
the cult are
1:19:26
you dancing, naked, around a
1:19:28
fire, singing to the skies,
1:19:30
but you're watching this while
1:19:33
also taking part
1:19:36
in it. and you lose
1:19:38
nine points of sanity. Good god. Yes. Yes. So
1:19:40
do you see? Gibraltar.
1:19:43
Do you see this? This,
1:19:46
this, this, this, this, it
1:19:49
is it is all connected. It's
1:19:51
it's not just it's not
1:19:53
just here.
1:19:54
It's just You can I guess
1:19:56
it's voyeuristic as it sounds.
1:19:57
You could just you
1:19:58
could you could
1:19:59
observe it, but you could
1:20:02
be right
1:20:02
there as part of it.
1:20:05
gross. And then
1:20:06
those those those those those creatures
1:20:07
those creatures are real.
1:20:10
Those creatures are real. the
1:20:15
real, and we can we can come
1:20:18
you
1:20:19
with energy. And
1:20:21
a siren flies
1:20:23
by and thawing you hear this.
1:20:25
This is the other worst person
1:20:27
to be put in this position.
1:20:30
Yes. I'm watching this. Just a Vonage
1:20:32
just a, like, one of the signal like,
1:20:34
a dangler cigarette just,
1:20:35
like, watching this. This
1:20:38
cooke. Good Lord, this screwball.
1:20:40
It's just like, no deer.
1:20:42
No deer. No deer. Fuck. Yes.
1:20:47
From these these these things that we've seen, these
1:20:49
things that we've seen, it's not
1:20:51
accidental. You could Yes.
1:20:52
as
1:20:54
I know we can. It's all part of a system. It's part of
1:20:57
a system and we could be a part of that
1:20:59
system and we could we could conjure
1:21:02
these things. there must be a reason that
1:21:04
these things are
1:21:05
that that that
1:21:07
these
1:21:09
people seek commune with these
1:21:11
creatures. Yes. Yes. Of course, nothing nothing in this
1:21:14
universe happens without God's
1:21:16
providence, understanding
1:21:18
it. but the powers of
1:21:19
evil are legion and
1:21:22
aligned against his design.
1:21:24
We have
1:21:25
seen it But but
1:21:26
which we know you and I and here I
1:21:28
put my hands on on your shoulders, we know
1:21:30
you and I that was on the
1:21:33
side of the angels. Yes. Yes. Yes.
1:21:35
What do you
1:21:36
think about purposes and all of
1:21:38
this one?
1:21:39
What? What would be
1:21:41
revealed in time? It there are times
1:21:44
when his ways are inscrutable.
1:21:46
But he has promised us
1:21:48
that death is not
1:21:50
the end. Yes? and I know it to be true you do.
1:21:52
Yes. And I take some
1:21:55
comfort in that. Come
1:21:58
home,
1:21:58
peel
1:21:59
off thunder. Right?
1:22:01
Yes. Yes. We will. We
1:22:04
will. We will find
1:22:06
we will discover all
1:22:08
the says
1:22:11
to hold this in the bee, we will
1:22:13
find
1:22:14
the
1:22:15
death.
1:22:18
the loose
1:22:20
This illusion. Cheers
1:22:20
to that old girl.
1:22:23
Cheers my friend. Perhaps we
1:22:25
should not tell the others.
1:22:27
Oh, no. Oh, no.
1:22:30
They'll
1:22:30
done. They'll done. Give
1:22:33
me an intelligence
1:22:35
role
1:22:37
now favors to
1:22:39
see if you fully understand. Sure. She was lost in
1:22:41
the room. say how many sanity did I lose? Nine Nine
1:22:44
sanity today
1:22:45
sanity.
1:22:48
many? That's over five in a session. What's the
1:22:50
max in a day? The max? Over five in a pop, you have
1:22:52
to roll an intelligence role
1:22:54
to see if you fully under
1:22:57
stand. Alright. You wanna you wanna
1:22:59
not hit this. Right? You wanna roll over? I wanna go over an intelligence
1:23:02
they're and intelligence role
1:23:03
role. you know, the pieces
1:23:06
are very high. She's too small of that. Yeah. I mean, this this this Oh. I
1:23:08
rolled in ninety five,
1:23:10
though. Jesus. In ninety five,
1:23:14
actually over eighty.
1:23:16
I really
1:23:16
wanted to, like, not do well on
1:23:18
this so that I could kinda lose
1:23:20
my
1:23:21
marbles a little bit. So what
1:23:24
happens? You don't have a bout
1:23:26
of madness. And how much sanity
1:23:28
do you have? I'm assuming
1:23:30
isn't one? Now
1:23:30
I have it because now I have a seventy
1:23:33
four.
1:23:33
Okay. So you're you're fine where it was
1:23:35
over five in one pop. You have
1:23:37
to roll that intelligence roll to see
1:23:39
if you fully understand what is happening, you
1:23:41
don't. You get so lost perhaps in the fiction
1:23:43
that you don't have a
1:23:46
break similar to what Vaughan
1:23:48
experienced They
1:23:50
saw the many faced creature
1:23:52
in the pit. Mhmm. This
1:23:55
is a
1:23:55
new mechanic that we haven't
1:23:58
experienced yet. you have encountered
1:23:59
your first Mihos tone. I really want
1:24:02
to lose my shit a little bit.
1:24:04
Yeah. Well, you just don't you
1:24:06
just don't Yeah. Don't worry. Yeah. And
1:24:08
losing the insanity. Like, it still lands
1:24:10
on you. You are not right.
1:24:12
And if you lose More today, you're
1:24:15
already you've already got nine stacked against
1:24:17
your one fifth of the day, which
1:24:19
could lead to a possible break. But with
1:24:21
the meet those tone, it's very, very interesting mechanic,
1:24:23
part of Kalakoothulu. I've never dealt with before
1:24:25
because I never played long enough to
1:24:28
do it. But when you
1:24:30
spend time doing an initial reading,
1:24:32
of a tone, there is an
1:24:34
automatic sanity loss as you are like now exposed to knowledge that
1:24:38
you should not have.
1:24:41
and then you get an
1:24:43
initial bonus now to
1:24:46
your cthulhu mythos scale. So
1:24:49
similar to what happened to Vaughan, you are going to have that happen to you. Every time is
1:24:51
different. this one, you get
1:24:54
plus two to your Mitho
1:24:56
score, and
1:24:59
your max sand goes down by two. Not your
1:25:01
current sand, but your max sand. So if
1:25:03
you were to just sit there
1:25:05
at, like, read domes all day
1:25:07
like these cultists do, you'd start your
1:25:09
maxanne gonna be like ten if you've
1:25:11
read enough of these. if
1:25:14
you continue reading this over time,
1:25:16
and and I can tell you how long it
1:25:19
takes, every book is like it tells
1:25:21
you, x amount of weeks, x amount
1:25:23
of months. time this can tell me, like, yeah, I'm I'm gonna do
1:25:25
that. Oh, I plan on it. Yeah. You will
1:25:27
gain more meet those
1:25:31
points and unlock whenever powers
1:25:33
this book may. Yeah. When can she start doing magic in science? That's what happens with academic
1:25:36
that she is. And
1:25:39
the
1:25:39
the the thirst for
1:25:43
I have to know what this
1:25:45
means. She would absolutely spend time
1:25:47
on this. And
1:25:49
you see symbols and stuff in
1:25:51
the book that looks like
1:25:53
it's been used recently
1:25:55
like someone needed this book
1:25:57
for not only information, but to do something. There's blood stained
1:25:59
on the pages -- Mhmm. -- fresh fingerprints. You can
1:26:01
see someone was using it, but you
1:26:03
look at it. and
1:26:07
it is nonsense. But maybe it won't be after
1:26:09
a couple months or a couple weeks when all
1:26:11
of a sudden. New
1:26:16
information clicks. and you start doing magic.
1:26:18
Yes. Oh, man. So you have your first mythos
1:26:22
tome, Africa's dark sex, but you pay a little
1:26:24
price in the meantime.
1:26:27
Worth it. Worth it.
1:26:29
still
1:26:32
raining on. And we see Carter
1:26:34
and Margo walking over to this deli on
1:26:37
eighth Ave. Maybe to
1:26:39
cross the ballastown. Yeah.
1:26:41
I wanna note that I the photos two piles, one them being the
1:26:44
pictures before.
1:26:49
the fight that I took of the room.
1:26:51
I'm not sure if I wanna show him like the other ones because but we'll
1:26:54
see how these first
1:26:56
ones
1:26:56
go. Right. You might need
1:26:58
to drop that if the conversation isn't going well. What about the picture of you with that mask
1:27:01
over your head? Where
1:27:03
did that one? Not
1:27:06
with me. That is probably
1:27:08
back at the hotel in the piles
1:27:10
of all the copies of my photos.
1:27:13
I think I might have made
1:27:15
one copy of
1:27:15
that. Mhmm. framed it. Is it
1:27:18
where we could find it? Yeah. Are you gonna go through my stuff? I feel like
1:27:20
she wouldn't jinx it
1:27:22
by taking it with her.
1:27:26
life. I
1:27:26
accidentally exposed it. Yeah. because
1:27:29
it could implicate her. So I feel like
1:27:31
she would leave it and maybe, like, try
1:27:33
to hide it in her drawers Man,
1:27:35
in in Vaughan's stores. Mom's
1:27:37
rent a Bond opening
1:27:40
floor. I was like This
1:27:42
photo of Marco. Yeah. My underwear.
1:27:44
Vaughn has been housing you all in the world of
1:27:46
Astoria in this beautiful one bedroom and just bought you
1:27:48
four thousand dollars worth of tickets
1:27:51
to a gala to Arnaud. to
1:27:55
save Brooklyn orphans. Godfather only
1:27:57
gave us five bucks for these
1:27:59
rubins fucking Cheesecake. Don't
1:28:01
spend his own one place.
1:28:03
oh, man. Five whole dollars. Five bucks. This is not gonna
1:28:05
split them. I mean, these rooms probably cost,
1:28:07
like, two bits. It is
1:28:10
very expensive in New York. I
1:28:12
bet that conversation right now. I bet they're having
1:28:14
just a a whale of a time. Those two. There's probably shit of chatter in a
1:28:16
way. I'm gonna have to be
1:28:19
out
1:28:19
here in the rain. So
1:28:21
comfy, snug up, whatever. Yeah. So
1:28:22
I was reading a
1:28:23
book, getting some tickets,
1:28:25
just gonna
1:28:28
out here
1:28:28
doing the hard work. I know.
1:28:30
We're finding everything else. Yeah.
1:28:34
Alright. Let's go in here. You
1:28:36
get out of the rain.
1:28:37
I imagine you took the cross town
1:28:39
bus to thirty fourth. You get out
1:28:41
in the rain, you go to
1:28:43
walk five blocks up
1:28:46
to thirty ninth Street, but
1:28:48
sure enough, there's the deli.
1:28:50
You go inside and it's classic
1:28:53
New York deli and that there's
1:28:55
a long counter with little stools that spin.
1:28:57
It's thin though with boots on the other
1:29:00
side, the Maybe
1:29:02
one or two tables up front, but it's kinda dark in there. And
1:29:04
if you look
1:29:07
in the back booth, you
1:29:11
see a lieutenant pool sitting there
1:29:13
eating a corned beef on
1:29:16
rye. He
1:29:18
sees you Oh, there he is. And that sandwich
1:29:20
looks bomb. But you want to
1:29:22
order a sandwich or as you can
1:29:25
do? Yeah. That's Okay. Come
1:29:27
on. You gotta try these ribbons
1:29:28
by the way. They've got sauerkraut on them. Have you
1:29:30
ever heard of sauerkraut? Do they get it's
1:29:33
got sauerkraut in Germany? No. No? Man, you guys gotta check
1:29:35
it out. Maybe we'll bring it over next time. Oh, okay. Oh, it's a
1:29:37
delicacy. I don't know where
1:29:39
it came from.
1:29:40
a delicacy and unaware came from
1:29:42
Oh, cool. Hey. Yeah. Get over here. Get over here.
1:29:44
Please sit sit sit down. So if I'm
1:29:46
being fed here a little earlier. Anyway,
1:29:50
you got you got twenty minutes
1:29:53
of my time. What's
1:29:55
what's going on? I hope
1:29:57
your mind is fully encased in that
1:29:59
skull of
1:29:59
yours because it's about to get blown
1:30:02
out the back of your head. Dips
1:30:04
this rye, can do a big
1:30:06
thing, a brown mustard, takes a bite, chases
1:30:08
it with some coffee. What do
1:30:10
you got? What if I told you? That
1:30:13
what if i told you juju
1:30:15
house in Harlem.
1:30:17
hi is the
1:30:18
epicenter of a crime wave that you've been investigating
1:30:19
for I don't know
1:30:22
how long, but a long
1:30:24
term. What
1:30:26
is what is Chu Chu House? It is
1:30:29
an African Curio shop that's run
1:30:31
by one silas nakwane, Now,
1:30:34
now
1:30:35
Hilton Adams, who as you
1:30:37
know, arrested, who as you know,
1:30:40
or rather supposed, is
1:30:42
innocent. He himself thought
1:30:44
that this place was
1:30:45
important in terms of the missing
1:30:47
people, the murders, even the murder
1:30:49
of Jackson Alliance. Did Ferruz
1:30:51
and Margo tell pool that you went
1:30:53
and spoke to Hilton Adams? I'm trying to
1:30:55
remember the timeline of events.
1:30:57
He did. tell him to be spoke to
1:30:59
him. Okay. Okay. He
1:31:01
puts a
1:31:03
sandwich down, lights up
1:31:05
a cigarette. the classic corned beef coffee
1:31:07
cigarette. BREO. Yes. Carter's mouth is just watering. He's just watching him. He's like,
1:31:09
it's really hard for me not to
1:31:11
order right now. pause
1:31:15
my story.
1:31:15
Margos, you wanna say anything? You wanna I
1:31:17
don't wanna you know. Thank you for meeting
1:31:19
with us.
1:31:20
We have a
1:31:23
couple items and photographs. we would
1:31:25
like to
1:31:25
share with you -- Sort of
1:31:27
grass. -- from the juju house. Now -- Okay. -- we may taken the
1:31:32
liberty of letting ourselves in to ginger
1:31:34
house while that was closed. She kicks you under the table. Ow. I mean, Ow.
1:31:39
Could we not? because
1:31:40
Alright. Alright. Listen. Before you go any
1:31:42
further, just understand. I'm a
1:31:43
policeman first. Should obviously have a
1:31:46
special interest in this in this
1:31:48
case, but
1:31:50
this isn't my case. All this investigation has moved up town to the fourteenth precinct.
1:31:56
So
1:31:57
Be careful what you're telling me
1:31:59
here.
1:31:59
We're putting a lot of trust into you. Just
1:32:02
consider us your vigilante c i's. Yeah. Well, I want your
1:32:04
friends. last
1:32:07
time when they were her and your other friend that this is something you
1:32:09
need to be very careful but you shouldn't
1:32:11
even be involved in.
1:32:13
So I appreciate it. What matters to you more?
1:32:15
a call. Alright. What do you got? Carter, don't
1:32:18
make a scene. Well, speaking of the fourteenth
1:32:20
precinct, I think we have
1:32:22
something that couldn't directly implicate them
1:32:25
as being involved with the juju House. Those are unknown, nefarious reasons and
1:32:27
-- Yeah. -- turn
1:32:28
were unknown to
1:32:29
you
1:32:30
for the book. right here.
1:32:33
This is a
1:32:34
ledger that I happen to come across from juju house.
1:32:36
Look
1:32:36
what's listed here.
1:32:39
Fourteenth precinct. Fourteenth precinct. fourteen
1:32:42
precinct. And all it's Wait.
1:32:44
Wait. All it says is w r fourteen.
1:32:46
Now that could be Walter Robson fourteenth. Could
1:32:48
be? could
1:32:51
be, but there's gonna
1:32:53
be more than this. Alright.
1:32:55
This is something, but w
1:32:58
r fourteen Did you did you see him going in there? Did you
1:33:00
see? We saw I look, I don't
1:33:02
know what Robson looks like, but I definitely
1:33:04
saw him. friend knows
1:33:07
what he looks And did
1:33:08
we talk to you? because you saw
1:33:10
him We saw I
1:33:11
didn't see him. I saw we we saw
1:33:13
a guy go in and get it. And I
1:33:16
and I was
1:33:18
harassed by bead cops -- Okay. --
1:33:19
probably working for ropes in, but
1:33:21
-- Yeah. -- and
1:33:23
one of those cops was
1:33:25
one it was the person
1:33:27
you saw go in and stuff envelope. Yeah.
1:33:30
We saw AAA police officer go
1:33:32
in come out
1:33:34
with an envelope full of money.
1:33:36
You
1:33:36
got a photograph of that? Yeah. No. Yes.
1:33:38
because
1:33:38
Margot was not
1:33:39
with us. What You
1:33:43
know, you have a photograph of Wakanda
1:33:45
talking to Oh,
1:33:47
it's Wakanda. Yeah. retails
1:33:50
him afraid of I mean, this is
1:33:52
this is good that you saw this stuff, but
1:33:54
you understand the position that I'm in. When this
1:33:56
when these murders started showing up more so in
1:33:58
all of them than anywhere else. The entire investigation has moved up there, so my hands are
1:34:02
a little bit tied. Well,
1:34:04
then it just like, why are we even talking to you? I mean, what do you we're
1:34:06
trying to get justice here. We're trying to get justice here. We're trying to get You gotta get me
1:34:08
more than this. It's nice
1:34:11
that you saw these things. But I need
1:34:13
photos. I need more than one to be
1:34:15
watched. fourteen. Margo do it. I have some photos I like to show
1:34:17
you. It is the basement
1:34:19
of the Digi House. and
1:34:22
she takes out the
1:34:24
first folder and pushes it towards
1:34:26
you. The basement of this juju
1:34:28
house Yes.
1:34:31
I'm not gonna ask any questions. Okay. And
1:34:33
what is the first photo
1:34:35
he says?
1:34:37
He
1:34:40
sees first photo. I have
1:34:42
so many notes. A photo of the room.
1:34:46
The room with the circle hole
1:34:49
in it. Okay. Alright.
1:34:51
So it's not I
1:34:54
mean, do you ever see a basement like that,
1:34:56
bro? Yeah. No. No. It looks a little strange.
1:34:58
This is still hanging on the walls. But, I
1:35:00
mean, this still, obviously, could be a
1:35:03
speakeasy. Keep you on cargo. What else?
1:35:06
I
1:35:06
have more photos.
1:35:08
i have more photos
1:35:12
Partner just reaches in and
1:35:13
grabs the the shit and puts all the murder all the murder
1:35:16
photos down. Oh.
1:35:18
And I'm on a
1:35:20
Ruben. So you've have photos of
1:35:22
the bodies of the You've have photos of the symbols, the
1:35:24
room, and
1:35:25
then also behind
1:35:28
the curtain. after
1:35:31
the fight happens because we open the curtain
1:35:33
and the fight happens. And then after that happens, I take
1:35:35
picture of the room again. I
1:35:38
took a picture of this thing beneath the circle lid the the
1:35:40
floor, pictures of
1:35:43
the dead bodies.
1:35:45
Yeah. That's
1:35:48
right.
1:35:48
So when you slap all those
1:35:50
on the table, he's just like,
1:35:54
okay
1:35:56
okay. Alright. First of all,
1:35:57
first of all, what
1:36:00
was the
1:36:01
story with these bodies?
1:36:03
We had a hell of a night last night, man. We went behind
1:36:05
the curtain. As you see here
1:36:07
in the first
1:36:10
picture, peeled behind it since there
1:36:12
were four people back
1:36:14
there. And they had carving
1:36:16
symbol that everyone has seen
1:36:19
on the zibody so
1:36:20
The same way if I could kill people?
1:36:22
kill people. No. No. You think we'd come to you if I kill people?
1:36:24
Well, I but I see
1:36:27
you said you the behind
1:36:29
the curtain and now I see bodies
1:36:31
all over the floor. came after us and we had
1:36:33
to defend
1:36:34
ourselves. We mean they came after you. They attacked us, hostile.
1:36:36
us sauce know
1:36:38
the Look at these people. Did their
1:36:41
stomachs are cut wide open? They
1:36:43
got cut symbols on there and
1:36:45
they were hung on some kinda They
1:36:47
were hopped up on some kind of reefer. They came right after us. Okay.
1:36:49
And alright. Well, then what the hell
1:36:51
is this thing? And he points
1:36:53
to the the creature that, like,
1:36:55
it's very dark. I can't remember
1:36:57
what you rolled on your photography. Did you get a hard
1:36:59
success? I don't remember. I didn't take that
1:37:02
down. I just I imagine it's very
1:37:04
daunting. on
1:37:06
there. It just looks like lots of -- I didn't realize
1:37:08
that that photo was part
1:37:11
of this pile.
1:37:12
But what is this? I don't
1:37:14
know. So again, if you look at
1:37:16
the first photo here, we see this circle in
1:37:18
the center of the floor and we opened
1:37:21
it. Okay. And there
1:37:22
were are there are there people trapped down there? Is this where all the missing people were? possible.
1:37:24
So what so would
1:37:26
you just left him there?
1:37:28
way so what you just left a mayor We
1:37:30
had to we had to
1:37:31
get out of there. Things were going a little crazy. Wouldn't you
1:37:33
be able to get out of there? Does it look like a
1:37:35
Kwanee and his weak We
1:37:38
stake this place out. By the way, a stake
1:37:40
out, you might wanna look into it. When you
1:37:42
sit there and you watch people secretly. We saw
1:37:44
people going in and out of this place, This
1:37:46
is what we've been telling you this whole time. Okay.
1:37:48
But, wait, are those are those people so lying
1:37:50
down there trapped in this pit? I
1:37:53
don't know if those are people anymore really so
1:37:55
much is just Have you heard of pizza? You haven't heard
1:37:57
of pizza? Yeah. I went home
1:37:59
to the
1:37:59
light. Yeah. It
1:38:02
was a mozzarella cheese. just picture
1:38:05
that, but it's just a lot
1:38:07
of faces. Margo, I'm trying to hear the artist. How can you
1:38:09
describe this better than
1:38:11
my pizza analogy? the
1:38:13
point is the pool weren't some deep shit. Okay. Alright. Alright.
1:38:16
Alright. Can you I do even
1:38:18
reckon do you recognize any of
1:38:20
these bodies in
1:38:22
white water density of these bodies. I mean, this this one's mutilated here this one barely say this this
1:38:29
I do wanna say, when we killed him, it was fucking awesome.
1:38:31
Like I thought you said, alright. Hold on. In the
1:38:33
first, in the
1:38:36
last ten. and he raises his
1:38:38
voice and like the guy at the
1:38:40
bar kinda looks
1:38:41
over. Are you
1:38:42
They have a couple more items? Yeah.
1:38:44
Uh-huh. Are you gonna
1:38:46
finish that Ruben? Alright. First of all, who else knows about this?
1:38:47
Just us, just hug
1:38:50
us
1:38:51
before of us, for
1:38:53
that of us that you originally
1:38:55
Before you knuckleheads that came in to my precinct after your friend got Yeah. Alright. Alright.
1:38:58
What else
1:38:59
did you find?
1:39:00
And he's just,
1:39:02
like, sitting back beside himself now, and he's his eye is, like, twitching a little bit from looking
1:39:07
at these photos. Margo,
1:39:10
what else is another cigarette? We have the knife and Not a knife. We have a knife.
1:39:12
The headband. A diluent? What
1:39:14
do you mean a knife? We
1:39:18
have a knife that I found under Silas Nekwane's bed,
1:39:20
again, the proprietor of Jeju House. In
1:39:22
a headband, what had been? You
1:39:26
had mentioned headbands. Exactly. Okay. Okay. So
1:39:28
This this is the same knife we
1:39:30
saw with the men who killed our
1:39:32
friend and they they ran
1:39:35
and they they same things carved
1:39:37
in their head that was carved in our friend's head and got
1:39:39
to the same vae. It's
1:39:42
them
1:39:43
they are responsible. Alright.
1:39:45
Then what
1:39:45
the fuck is this? And he points at a picture and it's the picture of
1:39:47
you with the mask on. No.
1:39:50
I did not include that
1:39:53
photo Can I do
1:39:55
a lot? You were a hundred
1:39:57
percent sure you didn't include it. Oh,
1:39:59
you
1:39:59
got g m It's
1:40:02
just because of what I
1:40:04
said earlier about the train.
1:40:06
What the fuck is this? Is
1:40:09
there someone down there wearing one of these things? What is going on? Did
1:40:11
you have down there.
1:40:13
There's
1:40:16
fucking claws. She hastily picks it up
1:40:18
and she's like,
1:40:18
listen, are you going to take us seriously or not?
1:40:20
So our friend is
1:40:22
dead and we found who?
1:40:25
Alright. It's evidence right here, and I might
1:40:27
add him as his Your buddies in the fourteenth precinct shook down our our
1:40:29
English friend. I didn't know but
1:40:31
it's a person. They're
1:40:35
those buddies of mine. And listen, if they're involved, we don't know
1:40:37
at what level. At at
1:40:39
at worst, they're
1:40:41
involved with all on the cake. Yeah. At
1:40:43
at best, they're just turning a blind eye, but we have to
1:40:46
assume the worse. We have to assume the worse too.
1:40:48
Do not. It comes on
1:40:50
there. one more to fourteenth.
1:40:52
Millie Adams is missing. The the
1:40:55
wife of the guy in death
1:40:56
the
1:40:57
row?
1:40:59
Yeah. twenty four
1:41:00
hours, she did not shop to
1:41:02
the the the center that she usually
1:41:05
We need to resolve this
1:41:08
snap. You got a call yeah. Can you
1:41:10
put a call in? Can we stay Hilton Adams
1:41:12
execution? Yeah. And he's just, like,
1:41:14
lighting another cigarette off the one doing
1:41:16
his hands shaking a little bit like this is
1:41:18
a lot. He's basically failed a sanity roll while looking at these --
1:41:21
Mhmm. -- photos and so he's, like,
1:41:23
cracking a little bit. Okay.
1:41:28
Okay. No. This is good. This is good. This
1:41:30
is this is this is this is what
1:41:32
I asked you to do when we
1:41:34
when we met last last week, I woke up, so could cope last
1:41:37
Thursday Thursday night when you came,
1:41:39
this is good.
1:41:42
the double First of Stop
1:41:44
doing what you're doing.
1:41:46
Okay? Don't look into this
1:41:47
anymore.
1:41:50
I'm going to I
1:41:52
have a couple
1:41:54
guys under me that I trust. I
1:41:55
mean, how do we
1:41:58
know
1:41:58
we can trust you?
1:42:00
Who else
1:42:01
do you get to trust? Carter, we have no choice. It
1:42:02
is a good point, and we already just show them everything. So this is
1:42:04
maybe a I mean, this
1:42:06
is not a sense of that question.
1:42:10
You do not show necessary to say in a moment.
1:42:12
You do not show any of this
1:42:14
to anybody else. Okay? We don't
1:42:16
want this leaked out to the press. We
1:42:18
don't want other people find it out. This is this
1:42:21
is but I'm gonna
1:42:23
I'm gonna I'm gonna I'm gonna
1:42:25
find some a couple of guys
1:42:27
that I work with, and we're gonna go, we're gonna go
1:42:29
look into this.
1:42:30
How many people they
1:42:34
got
1:42:34
there? Now, at such as yourself. Yeah.
1:42:36
Enforcements. All
1:42:39
together,
1:42:39
if I if
1:42:41
I go there right now. Is is
1:42:43
there gonna be a hundred people there? There's gonna be two people
1:42:45
there? There's so much. Since in
1:42:47
the whole, it looked like a
1:42:51
few dozen
1:42:52
heads. But I bet you a
1:42:54
thousand
1:42:54
dollars, which could get you into
1:42:56
a fairly nice party. That
1:42:58
Those bodies are gone by this point. I mean,
1:43:00
there's no way that he showed back up and
1:43:02
just let those things sit out there.
1:43:05
Now, I'll tell you this. Every night around
1:43:07
midnight, we've noticed everyone keeps showing up
1:43:10
and going down there. If
1:43:12
something's going on at night
1:43:14
and we have an ungood authority
1:43:17
that on the new moon. Right? New moon? Black moon?
1:43:19
What's it called? Dark new moon? Dark Yeah. Whatever. Not a
1:43:21
new astrology. It's about
1:43:23
your hoo hoo. I
1:43:27
mean, why how did you say I was
1:43:29
born on this date? That means your personality. I'm not gonna
1:43:31
get into it. It's some
1:43:34
moon Carter. Sure. celestial things. So what about the new
1:43:36
moon? Well, yeah. So just stop
1:43:38
distracting me. So basically, the new
1:43:41
moon, people get kidnapped and they
1:43:43
get killed. Okay? And that new
1:43:45
moon, by the way, I think is
1:43:47
tomorrow. Saturdays or no. Saturday
1:43:50
into Sunday. Yeah. Two days from now. Okay. Alright.
1:43:56
We've
1:43:56
taken in all this information, you can see
1:43:58
he's completely shook and he's like talking to himself under his breath. I'm just
1:43:59
gonna ask.
1:44:03
He's a dangerous dangerous because when I ask O'Leary
1:44:04
and Mckinnon, O'Leary and Mckinnon,
1:44:06
I got two guys. I got
1:44:09
two guys I can trust. They
1:44:11
sound Irish. Are you sure? Are
1:44:13
you sure? No. I can
1:44:15
trust him. I'm gonna I'm gonna take them and
1:44:16
we're
1:44:20
gonna go. check this out, I guess. Well, how are you going
1:44:22
to check it out? You can't just show up there.
1:44:23
Is No. I know. I know. I've
1:44:25
gotta be very
1:44:28
careful because where where we don't know how Robson
1:44:30
is involved. I don't want him getting wind of this or seeing us up there. We're not
1:44:34
supposed to be outside of our precinct. you know what maybe you could do is there
1:44:36
is
1:44:36
an empty storefront. Right
1:44:39
next to it in
1:44:42
the alley, you can Pant
1:44:43
Shop. It's closed out. in there. Okay. Skoped
1:44:45
it out. Empty pant
1:44:47
Shop. Yeah. A lot
1:44:48
might be a little loose. We need to write some
1:44:50
of this down, but I do have a pencil.
1:44:53
No. I'm what I don't cancel.
1:44:55
Oh, my goodness. She releases in her bag, mysteries. Here you go. Alright. So
1:44:57
hippy potash. She'll shove
1:45:00
her two on
1:45:02
off shotgun out of the way. Alright.
1:45:04
Alright. You listen to me. You
1:45:06
don't do anything. You don't do
1:45:09
anything. And this is probably gonna
1:45:11
take me. until at least tomorrow to figure
1:45:12
this out. I don't know what
1:45:14
we should go there tonight. What
1:45:17
about Hilton? What
1:45:19
about to really? Alright. Alright.
1:45:21
That the wife is missing too. Okay. Yeah. And the husband might get fried. Alright. Then we gotta
1:45:24
go we gotta
1:45:27
go soon as possible. I mean, can you
1:45:29
not use what you got here to at least call the prison and tell him to no. No. No. We can't do any
1:45:31
of that. can't do any of that. None of this is
1:45:33
gonna hold up. This is absolutely insanity what you're
1:45:36
showing me. And
1:45:39
what did you tell me about? I thought, poor. Would
1:45:41
it help
1:45:41
if one of us
1:45:44
comes
1:45:44
the with you
1:45:47
with you? No. That
1:45:48
would be the opposite of health. That would
1:45:50
be wildly different. all of this for example. And for that, I'm appreciative. This is
1:45:54
what I asked for. at the beginning when I first brought you in for questioning.
1:45:56
You've done very good. You've done very, very
1:45:58
well with all of
1:45:59
this, but I'm gonna
1:46:02
handle it from here. Okay?
1:46:04
Where where
1:46:05
where can I contact you after this? We'll give
1:46:07
them a number to the how
1:46:08
Waldorf
1:46:11
Storia. Alright. I'm gonna won't be around tomorrow night. So He
1:46:13
puts out a cigarette real quick. Where are you
1:46:16
going tomorrow
1:46:19
night? We got other here. We
1:46:20
just had this this place we've been dying
1:46:22
to go to for
1:46:23
e forever since
1:46:25
we got in here. It's an Oyster house.
1:46:27
supposed to be delicious. For out to dinner, we need
1:46:29
to relax. Alright. Listen, can I
1:46:31
take this stuff?
1:46:34
Yes. She takes
1:46:36
it back out because she pulled it
1:46:39
out before and she tries to remove that photo without you seeing her and hands you the
1:46:43
the am folder. Okay.
1:46:45
Do you have a little slide of hand? What do you have there?
1:46:47
Do I? Oh, Carter does. Mhmm. And
1:46:49
maybe you can
1:46:51
notion of Carter. Where
1:46:53
is slaves? The weird for I might have just made up that scale about slaughter. It's totally a
1:46:56
freaking scale.
1:47:00
You want
1:47:02
me you want me to roll that skill? Sure. Oh,
1:47:05
okay. Okay. Just
1:47:05
making sure. Here's here's
1:47:07
here's here's here's here. Can
1:47:09
I aid her? How do
1:47:11
you do that? There's no
1:47:13
guidance in this case.
1:47:14
Is there a surveyed?
1:47:16
I'm
1:47:17
I rolled
1:47:19
a ninety nine,
1:47:20
i rather ninety nine Fortunate.
1:47:22
Push it.
1:47:24
What do you do differently? And what
1:47:26
do you do at first? You just
1:47:28
kinda, like, She's,
1:47:29
like, trying she's, like,
1:47:31
in her bag trying to sneakily do it and sees it and, like, almost,
1:47:36
like, it kinda shocks her
1:47:38
every time she sees it. Yeah. And maybe almost
1:47:41
gives
1:47:42
her cover up, but shifts.
1:47:44
Like, oh, shit, that pack is so big.
1:47:46
Can
1:47:46
Carter notice this soon at all? Yeah. You can see
1:47:48
your fumbling with it, but I I kinda wanna
1:47:50
see the results in this push roll first.
1:47:53
push
1:47:53
it to see if my bag falls open and you can
1:47:55
see what I'm doing.
1:47:59
I hate I'm
1:48:01
throwing out the dice around the ninety seven. Yeah. Okay. Of
1:48:03
course. This is fun. This is Alright. So play the game.
1:48:06
What was that? full.
1:48:08
I'm assuming your skill is under
1:48:10
for a few percent. Yeah. Okay. That's a fumble, followed by a
1:48:13
pushed fumble. Carter,
1:48:15
you see this. Do
1:48:17
you wanna try and help
1:48:19
this situation at all? Yeah. How because
1:48:22
I I wanna, like, knock over pools coffee.
1:48:24
Okay. that
1:48:27
the the fuck does it so far? I was trying
1:48:29
to I thought your Root we were done with the
1:48:31
Root, and I was gonna take
1:48:33
a bite. God. Don't I gonna back and he sees,
1:48:36
like, trying to grab napkins to --
1:48:38
Heat. -- clean himself. Do you wanna
1:48:40
try and
1:48:42
grab it? Grab me grab it. Do you wanna try and grab this photo
1:48:45
that you see her fumbling for?
1:48:47
Okay. Slave hit.
1:48:49
Alright, guys. Don't worry. Give
1:48:51
yourself a bonus
1:48:52
die for the distraction. Okay.
1:48:54
That means I reroll the tens. Mhmm.
1:49:00
forty two under sixty six. Okay. So you've this you
1:49:02
create this whole hub up and you knock the
1:49:06
coffee over and he's trying it see, you try and
1:49:09
help her and she grabs it. While this
1:49:11
is happening, Marco, you're just, like, you're
1:49:13
you're taken aback by this.
1:49:15
You realize that, like, It's
1:49:18
under control, but you turn
1:49:20
and you look out the window of
1:49:22
the diner. And there's just a figure
1:49:26
in a trench coat
1:49:29
standing there
1:49:31
staring at you.
1:49:36
I guess I'm frozen staring at the figure.
1:49:38
Do does it look familiar? Can I see any features? Dark. It's it's dark out
1:49:40
from
1:49:40
the rain. He's
1:49:43
like across the street. and there's
1:49:45
two parked cars and there's a figure. It looks like a
1:49:47
man in a long trench coat and a
1:49:50
a wide brim hat.
1:49:52
just standing there, no umbrella
1:49:54
in the rain, staring at you. And when you look, Maybe
1:49:59
there's like tiny
1:50:00
nod, and
1:50:02
then he walks away.
1:50:04
and then he walks away I
1:50:07
get up and walk out the door,
1:50:09
like, a crazy person, like, just get
1:50:11
up and just run to the
1:50:13
door and look around.
1:50:14
My mother's way. God, my god. Hey. Where's
1:50:16
your friend going? I need these I don't
1:50:18
know. Give me these she's German. Give me these papers and he
1:50:22
just, like, he takes the the photographs and everything and he looks to you and
1:50:24
he's like you and your friend and your other
1:50:27
friends. You're done with this. I'm
1:50:30
gonna handle this from now. Okay. You did good. I will I will
1:50:32
contact you tomorrow. I mean, we'll see
1:50:34
how things go, but I'll contact you
1:50:36
tomorrow. If you don't hear
1:50:38
from me, you call me. So
1:50:41
please call you. Got it. And if you need to call Austin Carter, like, reaches
1:50:43
into his pocket and pulls out a card for the wall
1:50:45
of Astoria. But on the back
1:50:47
of it, he's written mystery
1:50:49
squad and, like, you call us if you need anything. Is that our name
1:50:52
now? The mystery
1:50:53
squad. We all
1:50:56
approved it.
1:50:57
earlier. But
1:50:59
I'm telling you, you're done. God,
1:51:01
lay off. Let
1:51:02
it go. Let the professional sample
1:51:05
this. Sure. Mystery squad. Let's take
1:51:07
a Take it back. It's got the fucking coffee. He grabs his his jacket,
1:51:09
throws it on. When you are done with
1:51:11
the Ruben. Right?
1:51:14
Yes. Yes. Fine. Okay. he
1:51:16
walks out, and as he does,
1:51:18
he kinda like brushes past Margaux. Margaux different. Pouring rain. It's rain
1:51:21
and ice like I told
1:51:23
your friend, you're done. rain
1:51:26
pouring down, and he trots across
1:51:28
the street. Yeah. She looked at him
1:51:30
and doesn't even
1:51:31
say anything because she's just, like,
1:51:33
looking back and fourth. She just ran out there. It's
1:51:36
pouring rain. And did she
1:51:38
see where a figure? Yeah.
1:51:40
You see the figure walking. he's
1:51:42
now like three quarters of a block away walking on 39th Street towards Avenue. I
1:51:51
follow behind and stay in
1:51:53
the light. If I
1:51:55
heard
1:51:55
Carter burst through
1:51:58
the the the doors with the remnants of
1:51:59
a crust of a rubin. Yeah. Oh, wow. You
1:52:02
see, just like you walk off in the rain.
1:52:04
You're like, what the hell? No. Yeah. So I
1:52:06
guess Carter has to follow Margo because she's going
1:52:09
off. Yeah. So now there's
1:52:11
like three three things going on.
1:52:13
This Carter at the door with the
1:52:15
Ruben, this Margo following this guy and this
1:52:17
this guy this figure is now three quarters to block down. You stand in
1:52:19
the light and you watch, do you
1:52:21
pursue, or do you just keep
1:52:23
your distance markup? Where
1:52:26
is he going? Can I
1:52:29
Looks like he's heading towards ninth Avenue, but
1:52:31
he's not picked up his pace at
1:52:33
all. And
1:52:33
it there's people around up
1:52:36
there. I I wouldn't be filing him into
1:52:37
somewhere alone because It's rain, so everyone
1:52:39
is sought cover from the rain.
1:52:41
Boom. Boom. Boom. Big thunder peel again.
1:52:43
you have I know have just pouring on you. Yeah. I
1:52:46
do keep following
1:52:46
at a distance. Okay.
1:52:50
Does
1:52:50
Carter see what
1:52:53
what this
1:52:54
person, this figure? rural spot hidden. Mhmm. Good
1:52:56
thing I put
1:52:58
my dice away. I
1:53:04
think I was gonna need those. You
1:53:06
think you're done? Nope. That's a ninety one.
1:53:09
Okay. So, yeah. In fact, you even lose cargo looking for the rain, and
1:53:11
it's it's pouring out, and you've got half
1:53:13
and half eaten rubin in
1:53:16
your hand. I
1:53:19
am. Margaret, oh my gosh. Margaret,
1:53:21
you're following. You're following. You're following. You
1:53:23
see this figure turn south
1:53:25
on ninth Avenue. Do
1:53:28
you continue? I'd go
1:53:28
up to the ninth Avenue, the corner,
1:53:30
and look down. You look down.
1:53:33
the looked down and there's
1:53:35
no one there.
1:53:36
Oh,
1:53:37
so frustrated. She's
1:53:40
probably
1:53:40
just like, no. No.
1:53:42
Looking back and forth and the rain's pouring
1:53:44
down her hair's on her face and
1:53:46
maybe she crosses the street. Did
1:53:49
they go this way?
1:53:50
is
1:53:51
what?
1:53:53
And
1:53:54
just is
1:53:56
defeated. maybe
1:53:57
at this point Carter catches up with her. I
1:53:59
lost you. Oh. You come
1:54:02
back to the dining room,
1:54:04
perhaps. I
1:54:07
go back. What happened? What the fuck? Where
1:54:09
did You didn't see that's man? I
1:54:11
didn't see anything. I didn't
1:54:13
see you anymore.
1:54:15
an outside the window. Why didn't
1:54:17
you follow him? There's man everywhere. Sid, I tried to follow
1:54:18
him. He was looking straight at us. And when I looked at him, he it
1:54:21
looks like he nodded at
1:54:23
me with his cat
1:54:26
or something in some way right now. Who was it? He was at the stage. No. I said he I could not catch up to
1:54:28
him and I You're gonna follow every man that
1:54:30
nods at you. You're gonna get lost in this city.
1:54:32
Carter.
1:54:36
Face. It could have been
1:54:38
someone who is going to
1:54:40
tell that we've met
1:54:42
with the pool and now
1:54:45
they're in trouble and they're going to be expecting them now. Well,
1:54:47
listen, we're going through a lot of shit these days. Okay? You can't just
1:54:48
run off on your
1:54:50
own. And Carter's getting kinda like
1:54:54
more emotional, I think, than he
1:54:56
thought he would. He's like, you can't what
1:54:58
if something happened to you? You know, like,
1:55:00
and I'm here, and and you're gone,
1:55:02
and you're like, The fuck, Margo, don't do
1:55:03
that again. I think while you're yelling, she notices
1:55:06
that
1:55:06
you have the photo in your hand
1:55:08
and she glances
1:55:10
down and she just like,
1:55:12
snaps
1:55:12
it from you, but doesn't break eye
1:55:15
contact if she does it, she puts it in her bag, holds
1:55:19
her bag close. Just
1:55:21
don't just
1:55:23
be careful. Okay? You okay
1:55:26
didn't see
1:55:27
a man. No. I didn't
1:55:30
see anyone. I saw this delicious sandwich though. Do you wanna go back in and maybe split
1:55:32
seeds? Fine.
1:55:36
I would love a bacon
1:55:38
egg, and she is gonna do everything baked. Sure. And you
1:55:40
guys go back
1:55:42
into the deli too.
1:55:44
Eat and
1:55:46
we watched this scene for forty five minutes. You
1:55:49
just silently eating, like, at the end
1:55:51
of the first adventures.
1:55:53
Yeah. Snocking wet. Just eating pastrami and
1:55:56
bacon egg and cheese at
1:55:58
one ten in the
1:55:59
afternoon. On
1:56:02
a rainy Thursday, Coming
1:56:04
back to the hotel,
1:56:06
which is what I'm assuming, Margot
1:56:08
and Carter
1:56:11
are going to do. At a certain
1:56:13
point, favors you get a
1:56:16
message from downstairs
1:56:19
from your father. he didn't
1:56:22
call to speak with you. He just the message is the professor will call you
1:56:24
tomorrow.
1:56:27
mara
1:56:28
Raspberries.
1:56:31
Raspberries. Raspberries junction.
1:56:36
Yeah. He it seems
1:56:37
like he's he's arranged it that the professor
1:56:39
is going to call you.
1:56:41
Tomorrow,
1:56:42
because tomorrow is the dinner.
1:56:45
End
1:56:45
of season one.
1:56:48
But your
1:56:51
mother has a I don't know.
1:56:54
Where would everyone call the professor? We're all the end of our kept crusaders.
1:57:00
And I have a reginald
1:57:02
slide. Will our players have a phone call?
1:57:05
Will the party
1:57:08
be cool? Correct
1:57:10
me if I'm wrong,
1:57:13
is
1:57:13
there
1:57:13
anything else you
1:57:16
want to
1:57:17
day do today? Yes.
1:57:19
Oh. Oh,
1:57:20
yee who's not in her
1:57:23
right mind? We very much not
1:57:25
in her right
1:57:25
mind and yet to feel like
1:57:28
I must I must I must
1:57:30
be the bell of the ball. I must be the bell of the ball tomorrow. I I need
1:57:32
I need I
1:57:35
need an outfit I
1:57:37
need the perfect outfit. And so she's, like, trying to, like, roll through her in
1:57:39
her mind of who she could
1:57:41
call and she remembers, you
1:57:44
know, like, her,
1:57:46
you know, since her mom died, her dad, she's
1:57:48
seen her dad try to date
1:57:50
all these schmoozy social socialite
1:57:53
boards. I'm sure a few of them are from
1:57:55
New York. And she's like, she maybe be able to call somebody
1:57:59
to to maybe borrow a
1:58:02
suitable outfit because, yeah, you know, they they they her dad's still this eligible
1:58:08
bachelor. and and and may wanna
1:58:10
do me a favor. Yeah. Do we come back to the do we come back to the hotel
1:58:12
world
1:58:15
and just see, like It's like the baby watch.
1:58:17
It's just a segue now. It's
1:58:19
a segue. Try to. Is this the
1:58:21
rest the rest of the day just
1:58:24
a montage? of
1:58:26
you guys finding outfits for the Galla. No. No. No. No. No. No. Thank you. But I like
1:58:31
a totally wrap or out of
1:58:34
my pants. Okay. What's your suit? Too soon? Oh, yeah.
1:58:36
And you it's
1:58:38
just Von Mein, like, no.
1:58:41
Mm-mm.
1:58:41
That's the one. This is my mother.
1:58:43
How do you? This one. This is
1:58:45
so cool. This
1:58:47
is so cool. Doing
1:58:50
that. What fun you've been missing? What
1:58:52
the fuck is going on
1:58:55
in here? The cigarettes are
1:58:57
real. It's a good sell
1:58:59
of the bowl. tickets. What happened to
1:59:01
Kuro? What happened to Marni pants? I had a meeting talking to him
1:59:04
about. Smythe It's
1:59:07
just a jockey over each other, nuts. I
1:59:10
am reading with slides. Look at
1:59:12
me. maybe,
1:59:15
like, we see that like, flipping,
1:59:17
straw that on the ground and,
1:59:19
like, paper's everywhere. And what have
1:59:21
you have you said loose
1:59:23
the dogs of war stubborn anyways?
1:59:25
Okay. Okay. Hold on. Hold on. Ricardo, like, shuts this book.
1:59:27
Something. How long were you
1:59:31
reading
1:59:32
this book? few hours?
1:59:33
I don't know how long have
1:59:35
you been gone? You're chewing your own face off
1:59:37
for crushing sake. No. Not. What have you guys
1:59:40
been on?
1:59:41
there has been so much
1:59:43
a stake. I have been pouring over books without Scotch.
1:59:46
But as you found,
1:59:50
Oh, Margo.
1:59:52
Oh,
1:59:52
sweet Margo.
1:59:54
Oh, you
1:59:55
have no idea.
1:59:59
I might? Alright. Did you
2:00:01
know
2:00:02
that death is an illusion? Oh,
2:00:04
no.
2:00:06
and and that we
2:00:08
can have the we have the
2:00:10
power. We have the ability to
2:00:12
summon
2:00:14
these creates these gods and we, all of
2:00:17
us, all of us.
2:00:18
All of us,
2:00:20
we need to teach
2:00:22
you you you until they asked, but but
2:00:25
we have the capability
2:00:27
to be amongst
2:00:28
God seeking
2:00:30
justice upon this earth.
2:00:32
Okay. Eurus Fe has gone
2:00:34
insane x. I will we
2:00:38
will
2:00:39
we will dispos them all. These these these these my
2:00:41
mother's disappearance. Peru, all
2:00:44
of
2:00:44
this. All of
2:00:46
it ties together. And I'll I'll
2:00:47
I will climb draw close to a telling yesterday
2:00:50
and won't be, like, damn for a real time.
2:00:52
She's just a she's a little bit
2:00:54
cracked. You have to read that book. I'm
2:00:56
sure. sure the
2:00:58
last few nights have taken toll on all
2:01:00
of us. Don't worry. Everything's well. What's the ball? Mhmm. Okay,
2:01:02
guys. I'm concerned about the party, which is the imminent.
2:01:06
And don't worry. We're very far along
2:01:08
in our spiritual warfare. Okay. But
2:01:10
I'm
2:01:10
not feeling well and she
2:01:13
just goes. I need
2:01:15
to dry off and be alone and she
2:01:17
just goes into the bathroom. Pool is on the case. What? Pool
2:01:19
is on the case. But Yes.
2:01:22
What's a pool? Okay. Cool. Geez. Can you guys just take just take
2:01:25
five steps back? Okay. Use this
2:01:27
up in my face right
2:01:29
now. Okay. Just everyone
2:01:31
sit down. Jesus. Riced. Listen.
2:01:34
Yeah. We talked to first of all, you got tickets in those party? You got tickets in the bus. Do
2:01:39
I? Alright. I'm I'm a
2:01:41
close personal friend of Reginald Smithe, so I'd dare say that I'm we're
2:01:43
we're in like flint. No idea
2:01:46
who that is. Maybe that's another.
2:01:50
ancient spirit at this point. Yes, we
2:01:52
talked to pool. We may have
2:01:54
told him almost everything. But
2:01:57
the good news is
2:01:59
he's on the case. Alright. Okay.
2:02:01
Just any going there?
2:02:02
Now, unclear. He seemed
2:02:04
pretty distraught, I
2:02:07
think, by the imagery. I
2:02:09
don't know why Margot put put a picture of her own self wearing a
2:02:11
mask in there. I didn't even know that
2:02:13
that happened. Well But
2:02:15
we got that he
2:02:18
seemed a little concerned at
2:02:20
the pizza face masks
2:02:23
under the pit. But, yeah,
2:02:25
he's he's he's contacting some of his
2:02:27
buddies that he claims he can trust and
2:02:29
they're gonna go look into it. I told
2:02:32
him, call the
2:02:34
mystery squad. if you need anything.
2:02:36
So anyway, that's us, by the way, I
2:02:38
figured that out last night when I couldn't
2:02:41
sleep. So That's the deal.
2:02:44
I don't really wanna ask you, Farooz, what you've
2:02:46
been doing because I feel like the answer
2:02:49
is obvious. And so yeah. So
2:02:51
that's pretty much where we're at. I would love to figure out a way to
2:02:55
save Milli Adams
2:02:56
Maybe that's
2:02:58
something we his men are. of
2:03:05
running now. The cavalry, the old American cavalry
2:03:07
is now rushing to to
2:03:09
juju house to break
2:03:11
up the joint. I
2:03:13
don't
2:03:14
We must look our
2:03:15
best for tomorrow. Okay. That is true. She's
2:03:17
not wrong. But there will be calls for celebration because
2:03:19
when Dawn breaks, million
2:03:22
atoms will be freed. Hilton atoms will
2:03:24
be set loose. The entire cult shall
2:03:26
be dissolved. Thanks to the efforts
2:03:29
of the Valadium to detect a
2:03:31
pool. and and will be in
2:03:33
the grace of the
2:03:36
almighty. Yeah.
2:03:40
Yes.
2:03:40
Hello? We got to Margo
2:03:42
in the bathroom. Margo, what are you
2:03:44
doing?
2:03:46
She has the shower on and running and she brought
2:03:48
her bag in there with her and
2:03:51
she has the picture
2:03:52
of her she's tearing
2:03:55
up the tile pieces, flushing
2:03:56
it down the
2:03:58
toilet. Wow. All this
2:04:00
wipes outside. this.
2:04:02
Yeah. and you've got the shower running and you're
2:04:04
just maybe you're kneeling by the toilet
2:04:06
and just like ripping this and and
2:04:08
throwing it in and you
2:04:11
come over to the sync and
2:04:13
look at yourself in the mirror
2:04:15
and just just
2:04:18
have images of this
2:04:20
photo you just ripped up
2:04:23
while you see your own reflection and you look in
2:04:25
the mirror at the
2:04:28
shower curtain. and
2:04:30
you hear that water coming down, and
2:04:32
you hear data only, only, only, only,
2:04:34
very faintly coming from the other room.
2:04:38
and you look at the shower curtain and
2:04:41
it looks
2:04:43
like it's
2:04:45
like
2:04:47
breathing. She, like, slowly sees this
2:04:49
in
2:04:49
the reflection she's looking in
2:04:52
the mirror.
2:04:52
fuck shit you look in the mirror and
2:04:56
she breathes a
2:04:58
couple of breaths
2:05:00
and
2:05:02
real fast. just spins around,
2:05:04
looks at the curtain, is
2:05:06
it still breathing? Yeah. It
2:05:09
appears like It's like a
2:05:11
Stanley Cooper cut, like we just see
2:05:13
your view closing in on
2:05:15
the curtain that appears
2:05:18
to just be moving in a
2:05:21
way
2:05:21
that it shouldn't, that hot steam
2:05:23
rising over the top
2:05:26
of the curtain the water wasn't hitting the
2:05:28
curtain. It shouldn't be
2:05:30
moving like
2:05:32
that. She
2:05:33
walks up to
2:05:36
it slowly. and
2:05:36
slowly puts her hands
2:05:39
on the curtain and
2:05:43
no
2:05:43
Do you does she I'm gonna
2:05:46
open it.
2:05:46
Does she open it right now?
2:05:48
You put
2:05:50
your hand on the
2:05:52
curtain. And as you do,
2:05:54
you see an outline of a hand right
2:05:58
right near yours near yours.
2:06:00
and you go to tear it
2:06:02
open, and we go back to vaughn. Vaughn, you pick
2:06:06
up the vaughn. Hello? Yes.
2:06:09
Hello. This is
2:06:12
Billy
2:06:12
speaking.
2:06:15
Oh, hi. Hi.
2:06:16
Hello?
2:06:20
Nothing?
2:06:21
Nothing.
2:06:24
Nothing. Well, who's
2:06:27
gone? Oh, dear. I'm
2:06:31
Can I can
2:06:34
I rollie? Can I roll,
2:06:36
listen? Yeah. Listen harder. Enter
2:06:38
that earpiece. I get re crammetant.
2:06:42
Okay. I spend some luck
2:06:44
and
2:06:45
I and
2:06:47
I just
2:06:48
succeed.
2:06:50
Hello? Hello? And you listen.
2:06:53
Hello?
2:06:54
And it sounds ever
2:06:58
so ever so faintly like someone
2:07:00
breathing.
2:07:02
like someone breathing And
2:07:05
we'll see you
2:07:09
next week. so
2:07:13
rude. Oh my
2:07:16
god.
2:07:16
Bad. Oh,
2:07:20
i love and
2:07:21
dear.
2:07:24
Oh, baby. Thanks
2:07:27
for listening to the Glass Canada Network. For
2:07:29
more podcasts and live streams visit
2:07:31
glass can and network
2:07:33
dot com. and for exclusive shows and
2:07:36
content you can't find anywhere else,
2:07:38
subscribe today at patreon dot com
2:07:41
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